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Philippe de Chérisey
Philippe Louis Henri Marie de Chérisey, 9th marquess de Chérisey (13 February 1923 – 17 July 1985) was a French writer, radio humorist, surrealist and supporting actor (using the stage name Amédée).
He is best known for his creation of fake parchments published in the 1967 book L'Or de Rennes by Gérard de Sède, as part of his involvement in the Priory of Sion hoax between 1962-1983.
Coming from a wealthy family in the Lorraine, de Chérisey decided to become an actor against his family's wishes. He enrolled in the René Simon drama school in 1946 where he started his actor's training, and his most notable film appearance was in Jeux interdits in 1952. He was known as a bon viveur, regularly enjoyed wine and frequented public libraries where his natural curiosity made him follow up anything that took his fancy.
Philippe de Chérisey was a follower of the surrealist movement. He claimed acquaintance with Eugene Ionesco and was like him a member of the College of Pataphysics, although - like his membership of Oulipo - there is no evidence that he was actively involved. His desire to subvert the norms of culture, or in other words, create an alternate reality that became more real than reality itself, was done within the context of the Priory of Sion and to promote the claim that Pierre Plantard was the direct descendant of Dagobert II. He considered himself a satirist from his days in French radio, and continued this persona within the theme of the Priory of Sion calling himself a prankster. The best known example of this is his esoteric novella Circuit (originally written in 1968, but not actually deposited within the Bibliothèque nationale de France until 1971).
By the early 1960s Philippe de Chérisey met Pierre Plantard, and together they developed an interest in Rennes-le-Château. From the mid-1950s local hotelier Noël Corbu circulated a story to boost trade, that the 19th century priest Bérenger Saunière of Rennes-le-Château had discovered the treasure of Blanche of Castile. The author Robert Charroux published Corbu's story in his 1962 book Trésors du Monde. In a letter dated 2 April 1965 to his girlfriend, de Chérisey wrote: "Don't tell anyone, but I'll be setting out again for four days in the Pyrenees with Plantard to see if we can get any closer to Mary Magdalene." A mixture of de Chérisey's humor and surrealism can be identified within his activities relating to the Priory of Sion hoax, Gisors and Rennes-le-Château, contained in his correspondence as well as in his documents that he deposited in the Bibliothèque nationale de France in Paris.
During the early 1960s, de Chérisey forged two parchments, photocopies of which appeared in the 1967 book L'Or de Rennes by Gérard de Sède. De Sède's book adapted Corbu's story to fit-in with Plantard's claims about the Priory of Sion. The parchments hinted at the survival of the line of the Frankish king Dagobert II, that Plantard claimed to be descended from, as well as attempting to verify the existence of the 1000-year-old secret society, the Priory of Sion. The two parchments were later used as source material for the 1982 book The Holy Blood and the Holy Grail, which was itself used as a primary source for the 2003 bestselling novel The Da Vinci Code. Other documents, containing fake genealogies, were planted in the French National Library, the Bibliothèque Nationale in Paris throughout the 1960s, 1970s and 1980s.
Pierre Plantard and Gérard de Sède fell out over book royalties when L'Or de Rennes was published in 1967, at the same time Philippe de Chérisey announced[where?] that he had forged the parchments. De Chérisey elaborated about this in his 1978 unpublished document L'Énigme de Rennes, claiming they were originally made for his friend Francis Blanche, as material for a French radio serial entitled Signé Furax. A second document by de Chérisey entitled Pierre et papier ("Stone and Paper") provides a more detailed explanation, giving the more complicated decoding technique to one of the parchments by using a Knight's Tour 25-letter alphabet, omitting the letter "w", which can only be known to the forger. An English translation of this document, together with a reproduction of the original, was published by Jean-Luc Chaumeil in 2010.
The text of parchment I was copied from Codex Bezae, an Old Latin/Greek diglot from the 5th century CE contained in the book by Fulcran Grégoire Vigouroux, Dictionnaire De La Bible (1895). Philippe de Chérisey's reason for copying the passage from the Codex Bezae was his interest in the phrase "In Sabbato Secundo Primo", also found in the Gospel of Luke 6:1. Philippe de Chérisey stated: "This phrase has given headaches to the anonymous (secret) societies. It has to be said that 'A day of Sabbath, second first' is not really translatable. No one has ever heard of that. So, as the disciples walk through a cornfield and, being hungry, eat the corn, there and then, it must mean 'Second Sabbath following the first day of the shewbread.' This is the only interpretation we could find." De Chérisey went on to provide his own interpretation: "In Sabbato Secundo Primo does not mean 'A day of Sabbath, second first' but rather 'As second in command, Sabassius became first.' What is interesting is that the witches' meetings are called 'Sabbaths', not because of the Jewish celebrations, but because of Sabassius, god of the Phrygians".
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Philippe de Chérisey
Philippe Louis Henri Marie de Chérisey, 9th marquess de Chérisey (13 February 1923 – 17 July 1985) was a French writer, radio humorist, surrealist and supporting actor (using the stage name Amédée).
He is best known for his creation of fake parchments published in the 1967 book L'Or de Rennes by Gérard de Sède, as part of his involvement in the Priory of Sion hoax between 1962-1983.
Coming from a wealthy family in the Lorraine, de Chérisey decided to become an actor against his family's wishes. He enrolled in the René Simon drama school in 1946 where he started his actor's training, and his most notable film appearance was in Jeux interdits in 1952. He was known as a bon viveur, regularly enjoyed wine and frequented public libraries where his natural curiosity made him follow up anything that took his fancy.
Philippe de Chérisey was a follower of the surrealist movement. He claimed acquaintance with Eugene Ionesco and was like him a member of the College of Pataphysics, although - like his membership of Oulipo - there is no evidence that he was actively involved. His desire to subvert the norms of culture, or in other words, create an alternate reality that became more real than reality itself, was done within the context of the Priory of Sion and to promote the claim that Pierre Plantard was the direct descendant of Dagobert II. He considered himself a satirist from his days in French radio, and continued this persona within the theme of the Priory of Sion calling himself a prankster. The best known example of this is his esoteric novella Circuit (originally written in 1968, but not actually deposited within the Bibliothèque nationale de France until 1971).
By the early 1960s Philippe de Chérisey met Pierre Plantard, and together they developed an interest in Rennes-le-Château. From the mid-1950s local hotelier Noël Corbu circulated a story to boost trade, that the 19th century priest Bérenger Saunière of Rennes-le-Château had discovered the treasure of Blanche of Castile. The author Robert Charroux published Corbu's story in his 1962 book Trésors du Monde. In a letter dated 2 April 1965 to his girlfriend, de Chérisey wrote: "Don't tell anyone, but I'll be setting out again for four days in the Pyrenees with Plantard to see if we can get any closer to Mary Magdalene." A mixture of de Chérisey's humor and surrealism can be identified within his activities relating to the Priory of Sion hoax, Gisors and Rennes-le-Château, contained in his correspondence as well as in his documents that he deposited in the Bibliothèque nationale de France in Paris.
During the early 1960s, de Chérisey forged two parchments, photocopies of which appeared in the 1967 book L'Or de Rennes by Gérard de Sède. De Sède's book adapted Corbu's story to fit-in with Plantard's claims about the Priory of Sion. The parchments hinted at the survival of the line of the Frankish king Dagobert II, that Plantard claimed to be descended from, as well as attempting to verify the existence of the 1000-year-old secret society, the Priory of Sion. The two parchments were later used as source material for the 1982 book The Holy Blood and the Holy Grail, which was itself used as a primary source for the 2003 bestselling novel The Da Vinci Code. Other documents, containing fake genealogies, were planted in the French National Library, the Bibliothèque Nationale in Paris throughout the 1960s, 1970s and 1980s.
Pierre Plantard and Gérard de Sède fell out over book royalties when L'Or de Rennes was published in 1967, at the same time Philippe de Chérisey announced[where?] that he had forged the parchments. De Chérisey elaborated about this in his 1978 unpublished document L'Énigme de Rennes, claiming they were originally made for his friend Francis Blanche, as material for a French radio serial entitled Signé Furax. A second document by de Chérisey entitled Pierre et papier ("Stone and Paper") provides a more detailed explanation, giving the more complicated decoding technique to one of the parchments by using a Knight's Tour 25-letter alphabet, omitting the letter "w", which can only be known to the forger. An English translation of this document, together with a reproduction of the original, was published by Jean-Luc Chaumeil in 2010.
The text of parchment I was copied from Codex Bezae, an Old Latin/Greek diglot from the 5th century CE contained in the book by Fulcran Grégoire Vigouroux, Dictionnaire De La Bible (1895). Philippe de Chérisey's reason for copying the passage from the Codex Bezae was his interest in the phrase "In Sabbato Secundo Primo", also found in the Gospel of Luke 6:1. Philippe de Chérisey stated: "This phrase has given headaches to the anonymous (secret) societies. It has to be said that 'A day of Sabbath, second first' is not really translatable. No one has ever heard of that. So, as the disciples walk through a cornfield and, being hungry, eat the corn, there and then, it must mean 'Second Sabbath following the first day of the shewbread.' This is the only interpretation we could find." De Chérisey went on to provide his own interpretation: "In Sabbato Secundo Primo does not mean 'A day of Sabbath, second first' but rather 'As second in command, Sabassius became first.' What is interesting is that the witches' meetings are called 'Sabbaths', not because of the Jewish celebrations, but because of Sabassius, god of the Phrygians".