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Pierced from Within
View on Wikipediafrom Wikipedia
| Pierced from Within | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | May 1, 1995 (USA) May 23, 1995 (EU) | |||
| Studio | Morrisound Recording in Tampa, Florida | |||
| Genre | ||||
| Length | 45:31 | |||
| Label | Roadrunner | |||
| Producer | Scott Burns | |||
| Suffocation chronology | ||||
| ||||
Pierced from Within is the third album by the death metal band Suffocation, released in 1995. Released after their heavily criticized sophomore album Breeding the Spawn, the album received far greater praise than that album, and is regarded as one of Suffocation's best albums. At 45 minutes and 31 seconds, Pierced from Within is the band’s longest album to date.
Both this album and Effigy of the Forgotten have been re-released by Roadrunner Records as part of the Two from the Vault series.
Background and recording
[edit]Suffocation's previous album, Breeding the Spawn was heavily criticized, particularly for its production and mixing. Originally, the band was due to return to Morrisound and record the album with Scott Burns, but Roadrunner was unwilling to fund the album properly and refused to pay for the studio time, forcing them to record elsewhere. Due to the recording process, drummer Mike Smith left the band after the album's release and was replaced by Doug Bohn.[3]
"Synthetically Revived" is a re-recording of the song of the same name from the Human Waste EP and "Breeding the Spawn" is a re-recording of the title track from the band's previous album.[citation needed]
Before 2013's Pinnacle of Bedlam, this was the only full-length album by Suffocation not to feature Mike Smith as a drummer. It is the band's last album with guitarist Doug Cerrito and bassist Chris Richards, and the only with drummer Doug Bohn.
Music
[edit]Pierced from Within has been described as a brutal death metal and technical death metal album. The album's musical style has been described as "fast, intricately technical, immaculately heavy." The album's tracks have been described as "complex, savage riff collages that reveal more of themselves with each listen." The album also boasts noticeably better production than the band's previous album, specifically with louder bass than the previous album that was described as "lacking."[4]
Artwork
[edit]The album artwork depicts what Metal Injection calls " a nightmarish scenario tinted dark green with the band's logo in yellow and red overtop." It depicts a person with pikes pierced all over his body in front of a forest.[5] The artwork was originally intended to be colored blue. However, the album was printed incorrectly. The original blue album cover was correctly printed on some of the band's merchandise, such as T-shirts.[6][7]
Reception and legacy
[edit]| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [4] |
| Chronicles of Chaos | 7/10[8] |
| Collector's Guide to Heavy Metal | 6/10[9] |
| The Encyclopedia of Popular Music | [10] |
| Metal Storm | 10/10[5] |
Pierced From Within has been called Suffocation's "watershed moment", and guitarist Terrance Hobbs has cited the album as his favorite the band has done.[11][12] Writing for AllMusic, Leslie Mathew would claim the band, "surpasses themselves on Pierced From Within. Fast, intricately technical, immaculately heavy, and well produced, Pierced From Within is an extreme metal landmark, highly recommended for genre newbies and hardcore fans alike."
Loudwire named the album as the greatest album in the brutal death metal genre. Music journalist Eduardio Riveria wrote: "While most metal fans were still just getting used to death metal’s natural brutality, Long Island’s Suffocation were already taking things up a notch and pushing the young genre to new domains. Pretty soon – right around the release of their career-defining third opus, ‘Pierced from Within’ – yet another subgenre description was required, and soon the band and others of their ilk fell into the brutal death metal category."[13]
In 2025, Joe DiVita of Loudwire named the album as the best death metal release of 1995. He wrote: "Even without the technician Mike Smith behind the kit, the New York purveyors of both technical and brutal death metal nearly cleaved the Earth in two with the bulging might of all-timers in the contorting 'Thrones of Blood' and imposing title track."[14]
Track listing
[edit]- All songs written by Suffocation except where noted.
| No. | Title | Lyrics | Length |
|---|---|---|---|
| 1. | "Pierced from Within" | 4:26 | |
| 2. | "Thrones of Blood" | 5:14 | |
| 3. | "Depths of Depravity" | 5:33 | |
| 4. | "Suspended in Tribulation" | 6:31 | |
| 5. | "Torn into Enthrallment" | Doug Cerrito, Lee Harrison, Frank Mullen | 5:25 |
| 6. | "The Invoking" | 4:36 | |
| 7. | "Synthetically Revived" (Rerecorded from Human Waste) | 3:53 | |
| 8. | "Brood of Hatred" | 4:36 | |
| 9. | "Breeding the Spawn" (Rerecorded from Breeding the Spawn) | 5:09 | |
| Total length: | 45:31 | ||
Personnel
[edit]- Suffocation
- Frank Mullen - vocals
- Terrance Hobbs - lead guitar
- Doug Cerrito - rhythm guitar
- Chris Richards - bass
- Doug Bohn - drums
- Production
- Produced by Scott Burns & Suffocation
- Engineered and mixed by Scott Burns
- Assistant engineer: Dave Wehner
- Recorded and mixed at Morrisound Recording, Tampa, FL, USA
- Mastered by Mike Fuller at Fullersound, Miami, FL, USA
- Cover art: Hiro Takahashi
References
[edit]- ^ "The Best Metal Album From 40 Subgenres". Loudwire. November 21, 2022.
- ^ "Suffocation - Pierced From Within". The Metal Forge.
- ^ Suffocation history at official Suffocation Myspace.
- ^ a b Mathew, Leslie. "Pierced From Within - Suffocation". AllMusic. Retrieved October 15, 2011.
- ^ a b Herzebeth (August 17, 2004). "Suffocation - Pierced From Within review". Metal Storm.
- ^ MetalSucks (January 23, 2020). "Suffocation's Pierced From Within Cover Art Has Never Looked the Way It Was Meant to Look". MetalSucks. Retrieved January 6, 2025.
- ^ Kennelty, Greg (January 24, 2020). "SUFFOCATION's Cover Art For Pierced From Within Has Always Been The Wrong Color". Metal Injection. Retrieved January 6, 2025.
- ^ Filicetti, Gino (December 8, 1995). "CoC : Suffocation - Pierced From Within : Review". Chronicles of Chaos. Retrieved March 1, 2024.
- ^ Popoff, Martin (2007). The Collector's Guide to Heavy Metal: Volume 3: The Nineties. Burlington, Ontario, Canada: Collector's Guide Publishing. pp. 428–429. ISBN 978-1-894959-62-9.
- ^ Larkin, Colin, ed. (2006). "Suffocation". Encyclopedia of Popular Music. Vol. 7 (4th ed.). MUZE. p. 827. ISBN 978-0-19-531373-4.
- ^ "Terrance Hobbs of SUFFOCATION on Frank's last shows, the band's future, video games & more". YouTube. November 17, 2018.
- ^ DiVita, Joe (December 18, 2024). "Best Death Metal Album of Each Year Since 1985". Loudwire. Retrieved December 25, 2024.
- ^ Rivadavia, Eduardo (November 21, 2022). "The Best Metal Album From 40 Subgenres". Loudwire. Retrieved May 26, 2025.
- ^ "What Is the Best Death Metal Album of Each Year of the 1990s?". Loudwire. August 16, 2025. Retrieved September 1, 2025.
Pierced from Within
View on Grokipediafrom Grokipedia
| Track No. | Title | Duration |
|---|---|---|
| 1 | Pierced from Within | 4:25 |
| 2 | Thrones of Blood | 5:14 |
| 3 | Depths of Depravity | 5:33 |
| 4 | Suspended in Tribulation | 6:31 |
| 5 | Torn into Enthrallment | 5:25 |
| 6 | The Invoking | 4:36 |
| 7 | Synthetically Revived | 3:53 |
| 8 | Brood of Hatred | 4:36 |
| 9 | Breeding the Spawn | 5:09 |
Background and production
Development
Pierced from Within served as Suffocation's third studio album, following the 1993 release of Breeding the Spawn, which faced significant criticism for its subpar production and internal band tensions. The sophomore effort suffered from a thin, muffled sound resulting from Roadrunner's decision to forgo producer Scott Burns—who had helmed the band's acclaimed debut Effigy of the Forgotten (1991)—in favor of an inexperienced engineer, leading to a rushed and flawed recording process.[5][6] These issues contributed to drummer Mike Smith's departure shortly after Breeding the Spawn, as he expressed dissatisfaction with the final product and sought a different musical direction amid the band's push toward faster, more aggressive material. Smith was replaced by Doug Bohn in 1994, marking a key lineup shift that carried into the new album.[5][7] Motivated to reclaim the technical brutality and heaviness of their debut, Suffocation focused on songwriting and development discussions starting in late 1994, emphasizing intricate compositions and speed. Roadrunner permitted a return to Scott Burns for production, addressing prior mishandlings and enabling the band to refine tracks like a re-recorded "Breeding the Spawn" for better clarity.[3][5]Recording process
The recording of Pierced from Within took place at Morrisound Recording in Tampa, Florida, beginning in early 1995.[8] Scott Burns served as producer, marking his return to the band after helming their 1991 debut Effigy of the Forgotten but sitting out the 1993 follow-up Breeding the Spawn; this collaboration resulted in notably improved sonic clarity and a more prominent bass presence relative to the muddier production of the previous album.[8][9] Principal tracking wrapped up over the course of a few weeks in spring 1995, followed by mixing at Morrisound and mastering at Fullersound in Miami, Florida, which were completed shortly thereafter to meet the album's May release schedule.[8] Among the tracks, "Synthetically Revived" stands out as a re-recording of the song originally featured on the band's 1991 Human Waste EP, refreshed with new arrangements to fit the album's overall intensity.[10] In the studio, the sessions highlighted faster tempos and intricate guitar interplay during tracking, while new drummer Doug Bohn—brought in amid recent lineup shifts—adapted his style to handle the band's demanding technical precision on drums.[11]Music and lyrics
Musical style
Pierced from Within is classified as a landmark in brutal and technical death metal, featuring rapid blast beats, complex guitar riffs, and dissonant harmonies that define its aggressive sonic palette.[4][12] The album comprises nine tracks totaling 45:22, with songs structured around dynamic shifts from slow, crushing sections to high-speed aggression, emphasizing intricate rhythmic variations and temporal disorientation through odd time signatures like 3/4 and 6/8.[4][13] The instrumentation highlights the contributions of dual guitarists Terrance Hobbs and Doug Cerrito, whose work includes winding tremolo-picked riffs, muted power chords, and elaborate lead solos with reverb, often incorporating chromatic scales, diminished chords, and major third intervals for a dissonant, technically demanding sound.[12][13][14] Bassist Chris Richards provides audible, punchy lines that enhance the bottom-heavy tone, a notable improvement in clarity over prior efforts, while drummer Doug Bohn delivers precise machine-gun blast beats and fills that propel the relentless pace.[12][15][16] Frontman Frank Mullen's guttural, low-register vocals integrate rhythmically with the riffs, adding to the album's oppressive intensity without overpowering the instrumentation.[12][17] Key innovations stem from the enhanced production at Morrisound Recording by Scott Burns, which allows for greater separation of elements, making the bass and intricate guitar details more prominent compared to earlier, muddier recordings.[4][17] Tracks like the title song showcase breakdowns with groovy, triplet-based sections and stop-start techniques, while "Thrones of Blood" exemplifies relentless speed through fierce blast beats reaching up to double-time tempos around 274 BPM in sections.[13][12][18] These elements create a progressive yet brutal framework, blending thrash-influenced aggression with jazz-like fretboard explorations.[12][16] In the band's discography, Pierced from Within marks a return to the raw ferocity of their debut Effigy of the Forgotten, but with more mature, technical songwriting and polished execution that avoids the denser, less defined sound of Breeding the Spawn.[17][19][20]Lyrical themes
The lyrics of Pierced from Within primarily explore themes of horror, anti-religion, bodily decay, and existential dread, articulated through Frank Mullen's distinctive low-growl vocal delivery that underscores the brutality of the subject matter. Mullen drew from influences rooted in gore and psychological torment, creating vivid depictions of human suffering and moral corruption.[21] A key example is the title track "Pierced from Within," which delves into internal torment and self-destruction, portraying a cycle of inherited violence and lost salvation with lines such as "Penetrate the minds of those misfortune at birth / Murder is etched in the deepest chasms of the soul / Salvation stripped from your body / Left to rot in your own hell." Similarly, "Synthetically Revived" illustrates gruesome resurrection and infection through scientific abomination, evoking images of reanimated flesh and inevitable decay. These narratives amplify the album's exploration of physical and spiritual violation, aligning with broader anti-religious motifs that critique institutional control and false redemption.[22][23] Mullen's vocal techniques, featuring layered deep gutturals interspersed with raspy screams, intensify the thematic savagery, evoking a sense of unrelenting agony without venturing into melodic territory. This approach enhances the horror elements, making the lyrics feel like visceral confessions of dread. In one sentence, these dark motifs complement the album's heavy musical foundation, where pounding rhythms mirror the inescapable decay described in the words.[24] Compared to the simpler, more straightforward concepts on Suffocation's prior album Breeding the Spawn, the lyrics here evolve into more narrative-driven tales, building intricate stories of torment that demand closer attention amid the sonic assault. This shift marks a maturation in thematic depth, prioritizing psychological horror over mere shock value.[24]Packaging and release
Cover artwork
The cover artwork for Pierced from Within was created by Japanese artist Hiro Takahashi, featuring a nightmarish depiction of a humanoid figure impaled by multiple spikes in a surreal, barren wasteland.[11][25] The image was intended to evoke a colder atmosphere through a light blue color scheme, but a manufacturing error during the transparency printing process resulted in the final version being rendered in dark green tones, with the band's logo overlaid in yellow and red lettering.[25][26] This visual symbolizes the album's title and overarching themes of internal torment and violation, visually complementing the lyrical motifs of psychological and physical suffering.[4] The album was packaged in a standard jewel case format, including a booklet with printed lyrics.[27] No special editions or variants of the artwork were issued at the time of release.[3] The artwork was finalized during the post-production phase in early 1995.[4]Release details
Pierced from Within was released by Roadrunner Records on May 23, 1995.[1][3] The album was initially distributed in CD format (catalog number RR 8948-2) and cassette (RR 8948-4), targeting the growing death metal audience through Roadrunner's network.[4][27] Promotion for the album included tours across the United States, Europe, Canada, and Mexico shortly after its launch, though these efforts were constrained by internal lineup changes, including the use of temporary drummer Doug Bohn following Mike Smith's departure from the prior album.[28][29] No official single or music video was produced for the title track at the time, limiting mainstream exposure beyond the band's core fanbase.[3] Commercially, the album did not achieve major chart success but garnered strong support within the underground death metal community, solidifying Suffocation's reputation amid the genre's niche market in the mid-1990s.[30] Subsequent reissues expanded availability, including a 2003 remastered compilation by Roadrunner Records pairing Pierced from Within with the band's debut Effigy of the Forgotten as part of the "Two from the Vault" series (catalog number 168 618 353-2).[31] Vinyl editions emerged later, such as Listenable Records' 2016 LP reissue (POSH334) in various colored variants, a 2021 limited yellow vinyl edition (500 copies), and a 2023 limited cassette reissue, catering to collectors and the resurgence of analog formats in metal.[3][32]Reception and legacy
Critical reception
Upon its release in 1995, Pierced from Within received widespread praise from metal publications and critics for its superior production quality and technical execution, marking a strong rebound from the muddier sound of Suffocation's previous album, Breeding the Spawn.[12] AllMusic awarded it 4 out of 5 stars, highlighting its return to the band's signature brutal precision and intricate riffing.[1] Reviewers commonly lauded the album's faster tempos and more complex structures compared to earlier works, with the clear mix—courtesy of producer Scott Burns—allowing greater visibility for elements like the bass guitar, enhancing the overall density and aggression.[12] Criticisms were sparse and minor, primarily concerning the intelligibility of Frank Mullen's guttural vocals, which some felt bordered on monotony amid the relentless speed.[12] Aggregated ratings from user reviews on Encyclopaedia Metallum averaged 90%.[4] The album arrived at the height of death metal's golden age (1985–1995), where it was favorably compared to contemporaries like Cannibal Corpse for its denser, more technically demanding approach amid the genre's explosive output that year.[33][12]Cultural impact
Pierced from Within is widely regarded as a cornerstone of brutal and technical death metal, exemplifying the genre's pinnacle of complexity and aggression in the mid-1990s. Loudwire named it the definitive album of the brutal death metal subgenre in their ranking of the best metal releases across 40 subgenres.[34] Its innovative blend of relentless speed, intricate riffing, and guttural vocals set a benchmark for extremity, influencing the evolution of death metal toward greater technical proficiency.[12] The album's impact extends to subsequent generations of bands, particularly in technical death metal circles. Reviews highlight its role in shaping acts like Dying Fetus, Deeds of Flesh, Decapitated, and Necrophagist, with Suffocation's pioneering approach to brutality and precision inspiring their riff structures and compositional density.[12] The title track, in particular, has been frequently referenced and emulated in metal media for its iconic breakdowns and solos, underscoring the album's enduring sonic footprint. In terms of availability, the album saw a significant 2003 remastered reissue by Roadrunner Records as part of the "Two from the Vault" series, bundled with Effigy of the Forgotten.[31] Later vinyl editions, including a 2016 pressing by Listenable Records, have enhanced its accessibility to collectors and renewed interest among vinyl enthusiasts.[35] As a career milestone for Suffocation, Pierced from Within represented a creative high before the band's hiatus following their 1998 EP Despise the Sun, during which members pursued other projects.[36] The album's strong reception contributed to the group's 2003 reunion, solidifying their reputation as death metal innovators and paving the way for subsequent releases. In modern retrospectives, it continues to appear in "best of" compilations, such as Loudwire's selection for top death metal album of 1995 and deathdoom.com's top 10 death metal albums list, affirming its lasting legacy.[37][38]Track listing and credits
Track listing
The standard edition of Pierced from Within, released in 1995 by Roadrunner Records, features nine tracks with a total runtime of 45:28. All songs were written by the band Suffocation.[3]| No. | Title | Duration |
|---|---|---|
| 1. | "Pierced from Within" | 4:26 |
| 2. | "Thrones of Blood" | 5:15 |
| 3. | "Depths of Depravity" | 5:33 |
| 4. | "Suspended in Tribulation" | 6:31 |
| 5. | "Torn into Enthrallment" | 5:25 |
| 6. | "The Invoking" | 4:40 |
| 7. | "Synthetically Revived" | 3:53 |
| 8. | "Brood of Hatred" | 4:36 |
| 9. | "Breeding the Spawn" | 5:09 |
Band Members
- Vocals: Frank Mullen[4]
- Guitars: Terrance Hobbs, Doug Cerrito[4]
- Bass: Chris Richards[4]
- Drums: Doug Bohn[4]
Production
The album was produced, engineered, and mixed by Scott Burns, with assistance from Steve Heritage, at Morrisound Recording in Tampa, Florida.[4][3] It was mastered at Fullersound in Miami, Florida.[39]Additional Contributors
- Cover Illustration: Hiro Takahashi[3][4]
- Art Direction: Modino Graphics[3]
- Photography: Eddie Malluk[3]
- Logo Design: Doug Cerrito[3]
- Lyrics (track 5): Lee Harrison[4]