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Pierre Louki
Pierre Louki
Pierre Louki
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Pierre Louki (née Varenne, 1920-2006) was a French actor and singer/songwriter.

Pierre Varenne was born 25 July 1920, in Yonne,[1] the son of Georges Varenne, a teacher killed in Auschwitz concentration camp.[citation needed]

Varenne learnt the theatre in Auxerre,[citation needed] before going to Paris in the early 1950s, where he met Roger Blin and Jean-Louis Barrault. He subsequently played in Blin's production of Waiting for Godot. He also began song-writing at this time.[1]

Among the interpreters of Louki's more than 200 chansons (besides himself) were Jean Ferrat, Catherine Sauvage, Marcel Amont, Juliette Gréco, Cora Vaucaire, Isabelle Aubret, Annie Cordy,[1] Francesca Solleville, Les Frères Jacques, Philippe Clay, Colette Renard, and Georges Brassens. He toured with the latter and wrote a book of recollections entitled Avec Brassens (éditions Christian Pirot, 1999, ISBN 2-86808-129-0).[citation needed]

He received the Académie Charles Cros prize (1972), and SACEM André-Didier Mauprey prize (1999). Pierre Louki also appeared as stage author and actor and broadcast on France-Culture, while on television he took part in programmes of Jean-Christophe Averty.[citation needed]

He wrote several books for children and his memoirs are Quelques confidences (éditions Christian Pirot, septembre 2006).[citation needed]

Louki died 21 December 2006.[1]

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Pierre Louki

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''Pierre Louki'' is a French singer-songwriter and actor known for his extensive contributions to chanson française, having composed over 200 songs that were performed by prominent interpreters such as Juliette Gréco, Jean Ferrat, and Isabelle Aubret. He maintained a multifaceted career in theater, television, and literature while establishing lasting friendships and collaborations within the French music scene. Born Pierre Varenne on 25 July 1920 in Brienon-sur-Armançon in the Yonne department, Louki experienced early hardship as the son of a teacher who was deported and killed in Auschwitz. Trained initially as a watchmaker, he developed a passion for theater during his youth in Auxerre and joined the Resistance during World War II. After moving to Paris in the early 1950s, he pursued acting in notable productions and began writing songs, achieving early success with titles like "La Môme aux boutons" recorded by Lucette Raillat in 1954. His songwriting often featured pacifist and reflective themes, as seen in pieces like "Cimetières militaires" (1967) and "Sur l’arbre mort" (1972), the latter recorded with Brassens' accompaniment. Louki also performed his own material, toured with Brassens, and later documented their relationship in the book ''Avec Brassens'' (1999). He received the Prix de l'Académie Charles-Cros in 1972 and the SACEM André-Didier Mauprey prize in 1999 for his work. Beyond music, he authored children's books, appeared in television productions directed by Jean-Christophe Averty, and published his memoirs ''Quelques confidences'' in 2006. Pierre Louki died on 21 December 2006 in Montreuil and is buried in his birthplace of Brienon-sur-Armançon.

Early Life

Family and Childhood

Pierre Louki was born Pierre Varenne on 25 July 1920 in Brienon-sur-Armançon in the Yonne department. His father, Georges Varenne, was a schoolteacher and committed communist who was arrested during the German Occupation of France and deported to the Auschwitz concentration camp, where he was killed. As a young man in the Auxerre area, Pierre trained as a watchmaker, a profession he practiced while living in the region. During the Second World War, he participated in the French Resistance by taking to the maquis, the rural guerrilla groups opposing the occupiers and Vichy regime. While working as a watchmaker in the Yonne region, he developed an early interest in theater, which would later influence his career path. In the early 1950s, he relocated to Paris.

Career Beginnings

Move to Paris and Theater Debut

After practicing theater as an amateur in Auxerre, Pierre Louki moved to Paris in the early 1950s to pursue a professional career in the arts. He settled in the Montparnasse neighborhood on rue Gassendi in the 14th arrondissement, where he opened a watchmaking shop to support himself while continuing his theatrical pursuits. In Paris, he met directors Roger Blin and Jean-Louis Barrault, who became significant mentors in his early career. He enrolled in dramatic training at the Éducation par le jeu dramatique (EPJD) courses at the Théâtre de Poche on boulevard du Montparnasse, where he studied under Roger Blin and developed a close professional relationship with him. These connections led to his debut in professional theater, marked by early involvement in productions directed by Blin. This transition established Louki on the Paris stage in the early 1950s, laying the foundation for his subsequent work in theater.

Theater Career

Stage Roles and Collaborations

Pierre Louki's stage career began prominently in Paris through his association with director Roger Blin, who had noticed him while teaching at the theater school established by Jean-Louis Barrault. He performed in Blin's 1953 production of Samuel Beckett's En attendant Godot at the Théâtre de Babylone, replacing Jean Martin in the role of Lucky, the servant whose extended monologue forms one of the play's key sequences. Louki continued his collaboration with Blin in 1956, appearing as one of the passers-by in the staging of Jean Duvignaud's Marée basse at the Théâtre des Noctambules. From the 1970s onward, Louki shifted toward writing and performing his own works, which often featured poetic humor and absurdity in solo or intimate formats. He starred in his play La Petite Cuiller in 1972, directed by Christian Dente. This was followed by the solo piece Louki, que, quoi, dont, où in 1984, which he conceived and performed himself. In 1995, he presented Les Jambières de l’escabeau, directed by Gérard Rauber, and he also authored and was associated with performances of L’autobus n’est juste à l’heure que quand il ne passe pas in 1998. Louki extended his theatrical activity to radio, contributing dramatic works broadcast on France Culture, where he earned the Grand Prix radio des auteurs dramatiques for his contributions to radio theater.

Music Career

Songwriting and Performances

Pierre Louki began writing songs in the early 1950s, shortly after settling in Paris and pursuing theater work. His first significant success arrived with "La Môme aux boutons," performed by Lucette Raillat in 1954, a hit that launched his reputation as a chansonnier and remained associated with him throughout his career. He went on to compose approximately 200 songs, blending humor, tenderness, social observation, and poetic fantasy in his distinctive style. Many of his compositions were interpreted by prominent figures in French chanson, including Jean Ferrat, Juliette Gréco, Isabelle Aubret, Les Frères Jacques, Annie Cordy, Marcel Amont, Catherine Sauvage, and Colette Renard, extending the reach of his work across generations. Representative examples from his repertoire include the pacifist "Les Cimetières militaires," the reflective "Sur l’arbre mort," the affectionate "Mes copains," the whimsical "Les Escargots," "Le Cœur à l’automne," "Grand-père," "Qui viendra me dire bonsoir?," "L’Auxiliaire féminine," "Les Fesses de la marquise," and "Infâme Averty." Louki formed a deep and enduring friendship with Georges Brassens beginning in the 1950s, with Brassens composing melodies for several of his lyrics such as "Le Cœur à l’automne" and "Charlotte ou Sarah," and the two artists performing together on joint tours. In 1999, Louki published Avec Brassens, a book of personal recollections documenting their close relationship and collaborations. From the 1960s onward, Louki increasingly performed his own material in live settings, including notable appearances captured on recordings, and he made television contributions to programs hosted by Jean-Christophe Averty, which in turn inspired his 1970 song "Infâme Averty."

Film and Television Career

Acting Credits

Pierre Louki's screen acting career was limited in scope, consisting primarily of television appearances with only one feature film credit to his name. His sole role in cinema came in Claude Berri's Le Sex Shop (1972), where he portrayed Le chef des salutistes. In television, Louki appeared in a series of productions, many of which drew from classic literary and theatrical sources, including adaptations of Shakespeare, Alfred Jarry's Ubu plays, and Pierre Beaumarchais. His credits include Le cocher in one episode of the series Rocambole (1964), Théodule in the TV movie La Tour Eiffel qui tue (1966), Philostrate in the TV movie A Midsummer Night's Dream (1969), and La souris in the TV movie Alice au pays des merveilles (1970). He continued with roles in Ubu enchaîné (1971), Le président in La vie rêvée de Vincent Scotto (1973), and an appearance in Musidora (1973). Later television work featured Brid'oison in Le Mariage de Figaro (1981), La conscience in Ubu cocu ou l'archéoptéryx (1981), Le récitant in Jouez hautbois, résonnez musettes (1985), and multiple characters—Yvan, Bazille, and Le médecin—in the series La vengeance d'une orpheline russe (1987). Louki's pattern of involvement in literary adaptations for television highlighted his affinity for roles rooted in established dramatic texts, though his overall screen presence remained secondary to his contributions in other artistic domains.

Literary Career

Books and Memoirs

Pierre Louki contributed to children's literature during the 1980s through a series of works published by Bordas in the collection Aux quatre coins du temps. These titles include Un papa pas possible (1981), Papa brûle les planches (1983), Le petit cheval (1985), Le parapluie de M. Émile (1986), Papa court après le lion (1986), Croquignote (1987), and Une grand-mère volante (1987). Later in his career, Louki turned to autobiographical writing with two notable memoirs published by Christian Pirot. Avec Brassens (1999) offers recollections of his close collaboration and friendship with Georges Brassens, expanding on aspects of his musical life. Quelques confidences (2006), released shortly before his death, is an autobiographical narrative in which he reveals previously unshared details from his childhood, wartime experiences, professional relationships with prominent figures, and personal life, including his deep bond with his late companion. In addition to these published books, Louki authored stage plays and radio plays throughout his career. His prose output remained relatively modest compared to his extensive body of songs.

Awards and Recognition

Death and Legacy

Later Years and Passing

In his later years, Pierre Louki remained active in his multifaceted career, publishing the book Quelques confidences in 2006. Pierre Louki died on December 21, 2006, in Montreuil at the age of 86. He is remembered as a versatile chansonnier, actor, and author, with a lasting influence through his interpretations of others' works and his close connection to Georges Brassens.
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