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Pop Idol
Pop Idol is a British music competition television series created by Simon Fuller which ran on ITV from 2001 to 2003. The aim of the show was to decide the best new young pop singer (or "pop idol") in the UK based on viewer voting and participation. Two series were broadcast, one in 2001–2002 and a second in 2003. An immense success when it launched in 2001, Maggie Brown in The Guardian wrote, "the show became a seminal reality/entertainment format once on air that autumn". Series judge Simon Cowell became a major public figure in entertainment, and the show produced instant No. 1 chart hits, including for the first series winner Will Young, whose single "Evergreen" was the fastest-selling debut in UK chart history and the best-selling song of 2002. Pop Idol was subsequently put on an indefinite hiatus after Simon Cowell announced the launch of The X Factor in the UK in April 2004.
The show has become an international TV franchise since, spawning multiple Idol series worldwide. In the meantime, a legal dispute arose with the makers of Popstars, which eventually led to the word "pop" being excluded from the titles of all the spin-offs, such as American Idol, Australian Idol, Arab Idol, Canadian Idol, Indonesian Idol, Indian Idol, New Zealand Idol, Latin American Idol, Maldivian Idol, Idol (Norway), Idol (Poland), Idol (Sweden), Singapore Idol, Idols (South Africa), Pakistan Idol, Bangladeshi Idol and Ídolos (same name for the Portuguese and Brazilian series).
The show's theme music was written by Gingell/Stone and Cathy Dennis.
One of the UK's top-earning TV format exports, Pop Idol made extensive use of premium-priced viewer interactivity, with viewers voting by telephone, mobile telephone texting (not used on series one), through the "red button" on digital television sets, or via the official website. The final of the first series of Pop Idol in February 2002 received the highest-ever one-night vote for a British TV show, making the show one of ITV's most profitable. The sister shows on ITV2, Pop Idol Extra, hosted by Kate Thornton also made extensive use of mobile phone text messages to raise additional revenue. The first Pop Idol received very high voting figures despite allowing only telephone and Internet voting and not making use of texting or the "red button". However, the 'voting' system was effectively meaningless, as any individual was permitted to make an unlimited number of votes, the winning contestant thus being merely the one with the most persistent supporters.[citation needed]
The Saturday night primetime show initially followed the audition process, as hopefuls sang before four judges (record producer and music executive Pete Waterman, music executive and music manager Simon Cowell, music promoter and music manager Nicki Chapman and Radio DJ and television personality Neil "Dr" Fox) at various locations around the UK. Besides the successful auditionees, the poorest "singers" were often aired due to their obvious lack of talent or presence. Poor singers often faced harsh criticisms from the judges, especially from Simon Cowell (whose controversial rantings also made him famous on American Idol). The judges' reactions to such performances often ranged from disgust to nearly open laughter; their style of judgement and attitude towards pop-star wannabes resulted in the controversial opinions of others about the show's setup, including that of Take That manager Nigel Martin Smith.
The viewing public quickly fell in love with the format though, as viewing figures indicated. The judges' policy of speaking candidly would have to be sanitised in series 2, however, as it received condemnation from MPs.
Once the first round of auditions was completed, the series moved to the Criterion Theatre, where further auditions saw the judges decide on a group of 50. Unusually, this was the final point at which the judges had direct control over the contestants' fates, as the remainder of the results would be driven solely by viewer voting.
Stage 3 of the series took place in a conventional TV studio. The 50 contestants were split into five groups of ten, each of whom sang one song for the judges, accompanied only by a piano. Each judge offered their opinion, and at the end of the pre-recorded show phone lines opened for votes. Later the same evening a live show followed in which the voting results were revealed, the top two earning a place in the final ten. In series 2, a wildcard round (an innovation that originated on American Idol) was added, in which the judges selected ten rejected contestants and gave them a second chance. In this special edition, one contestant, Susanne Manning, was selected by the viewer vote, and one, Sam Nixon, was chosen by the judges. This meant that the next stage began with twelve contestants, rather than the ten in series 1.
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Pop Idol
Pop Idol is a British music competition television series created by Simon Fuller which ran on ITV from 2001 to 2003. The aim of the show was to decide the best new young pop singer (or "pop idol") in the UK based on viewer voting and participation. Two series were broadcast, one in 2001–2002 and a second in 2003. An immense success when it launched in 2001, Maggie Brown in The Guardian wrote, "the show became a seminal reality/entertainment format once on air that autumn". Series judge Simon Cowell became a major public figure in entertainment, and the show produced instant No. 1 chart hits, including for the first series winner Will Young, whose single "Evergreen" was the fastest-selling debut in UK chart history and the best-selling song of 2002. Pop Idol was subsequently put on an indefinite hiatus after Simon Cowell announced the launch of The X Factor in the UK in April 2004.
The show has become an international TV franchise since, spawning multiple Idol series worldwide. In the meantime, a legal dispute arose with the makers of Popstars, which eventually led to the word "pop" being excluded from the titles of all the spin-offs, such as American Idol, Australian Idol, Arab Idol, Canadian Idol, Indonesian Idol, Indian Idol, New Zealand Idol, Latin American Idol, Maldivian Idol, Idol (Norway), Idol (Poland), Idol (Sweden), Singapore Idol, Idols (South Africa), Pakistan Idol, Bangladeshi Idol and Ídolos (same name for the Portuguese and Brazilian series).
The show's theme music was written by Gingell/Stone and Cathy Dennis.
One of the UK's top-earning TV format exports, Pop Idol made extensive use of premium-priced viewer interactivity, with viewers voting by telephone, mobile telephone texting (not used on series one), through the "red button" on digital television sets, or via the official website. The final of the first series of Pop Idol in February 2002 received the highest-ever one-night vote for a British TV show, making the show one of ITV's most profitable. The sister shows on ITV2, Pop Idol Extra, hosted by Kate Thornton also made extensive use of mobile phone text messages to raise additional revenue. The first Pop Idol received very high voting figures despite allowing only telephone and Internet voting and not making use of texting or the "red button". However, the 'voting' system was effectively meaningless, as any individual was permitted to make an unlimited number of votes, the winning contestant thus being merely the one with the most persistent supporters.[citation needed]
The Saturday night primetime show initially followed the audition process, as hopefuls sang before four judges (record producer and music executive Pete Waterman, music executive and music manager Simon Cowell, music promoter and music manager Nicki Chapman and Radio DJ and television personality Neil "Dr" Fox) at various locations around the UK. Besides the successful auditionees, the poorest "singers" were often aired due to their obvious lack of talent or presence. Poor singers often faced harsh criticisms from the judges, especially from Simon Cowell (whose controversial rantings also made him famous on American Idol). The judges' reactions to such performances often ranged from disgust to nearly open laughter; their style of judgement and attitude towards pop-star wannabes resulted in the controversial opinions of others about the show's setup, including that of Take That manager Nigel Martin Smith.
The viewing public quickly fell in love with the format though, as viewing figures indicated. The judges' policy of speaking candidly would have to be sanitised in series 2, however, as it received condemnation from MPs.
Once the first round of auditions was completed, the series moved to the Criterion Theatre, where further auditions saw the judges decide on a group of 50. Unusually, this was the final point at which the judges had direct control over the contestants' fates, as the remainder of the results would be driven solely by viewer voting.
Stage 3 of the series took place in a conventional TV studio. The 50 contestants were split into five groups of ten, each of whom sang one song for the judges, accompanied only by a piano. Each judge offered their opinion, and at the end of the pre-recorded show phone lines opened for votes. Later the same evening a live show followed in which the voting results were revealed, the top two earning a place in the final ten. In series 2, a wildcard round (an innovation that originated on American Idol) was added, in which the judges selected ten rejected contestants and gave them a second chance. In this special edition, one contestant, Susanne Manning, was selected by the viewer vote, and one, Sam Nixon, was chosen by the judges. This meant that the next stage began with twelve contestants, rather than the ten in series 1.