Bisque doll
Bisque doll
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Bisque doll

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Bisque doll

A bisque doll or porcelain doll is a doll made partially or wholly out of bisque or biscuit porcelain. Bisque dolls are characterized by their realistic, skin-like matte finish. They had their peak of popularity between 1860 and 1900 with French and German dolls. Bisque dolls are collectible, and antique dolls can be worth thousands of dollars. Antique German and French bisque dolls from the 19th century were often made as children's playthings, but contemporary bisque dolls are predominantly made directly for the collectors market.

Colloquially the terms porcelain doll, bisque doll and china doll are sometimes used interchangeably. But collectors, when referring to antique dolls, make a distinction between china dolls, made of glazed porcelain, and bisque dolls, made of unglazed porcelain. When referring to contemporary dolls, the terms porcelain and bisque are sometimes used interchangeably.

Most bisque dolls have a head made of bisque porcelain and a body made of another material. Bisque is unglazed porcelain with a matte finish, giving it a realistic skin-like texture. It is usually tinted or painted a realistic skin color. The bisque head is attached to a body made of cloth or leather, or a jointed body made of wood, papier-mâché or composition, a mix of pulp, sawdust, glue and similar materials. Doll bodies are only rarely made entirely of bisque because of its fragility and weight. Dolls that are made entirely of bisque are called all-bisque dolls. Bisque dolls usually have eyes made of glass. They vary widely in size, from lifesize down to half an inch.

When producing a bisque doll, ceramic raw materials are shaped in a mold and fired at more than 1,260 °C (2,300 °F). The head is painted more than once to create skin tones and facial characteristics and then fired again after each layer. Antique German and French bisque dolls from the 19th century were often made as children's playthings, but contemporary bisque dolls are predominantly made directly for the collectors market.

The earliest European porcelain dolls were china dolls, made predominantly in Germany between 1840 and 1880. China dolls were made of white glazed porcelain, giving them a characteristic glossy appearance, and their hair was painted on. Parian dolls were made in Germany of white unglazed porcelain from the 1850s onwards.

French and German bisque dolls began taking over the market after 1860, and their production continued until after World War I. These dolls wore wigs, typically made from mohair or human hair. Between approximately 1860 and 1890 most bisque dolls were fashion dolls, made to represent grown-up women. They were intended for children of affluent families to play with and dress in contemporary fashions. These dolls came from French companies like Jumeau, Bru, Gaultier, Rohmer, Simone, and Huret. However, their heads were often manufactured in Germany. In the Passage Choiseul area of Paris, an industry grew around making clothing and accessories for the dolls.

Until the mid-19th century, most dolls were made to represent grown-ups, and when childlike dolls first appeared, it was a big shift. By the late 19th century, childlike dolls overtook the market. Foremost among these were the French Bébés from doll makers like Jumeau, Bru, Steiner, and Gaultier, which grew in popularity between the 1860s and 1880s. These were high-quality dolls made with great skill. Like the earlier fashion dolls, they were made for children and dressed in contemporary children's clothing. In the 1890s German doll makers began taking over the market with less expensive dolls. In response, the French doll makers began making dolls as a consortium under the name Société Française de Fabrication de Bébés et Jouets (S.F.B.J.) but these later French Bébés were often of lesser quality.

German childlike dolls were predominantly produced between 1890 and 1930. The earliest ones are often referred to as dolly-faced dolls and were made by companies like Armand Marseille, Simon & Halbig, Kämmer & Reinhardt [de], and Kestner. Many came from the Thuringen region, which has natural deposits of the clay used to make the dolls. In the early 20th century companies like Kämmer & Reinhardt, Heubach and Kestner began making more realistic and expressive childlike dolls, often called character-faced dolls.

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