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Present Laughter
Present Laughter is a comic play written by Noël Coward in 1939 but not produced until 1942 because the Second World War began while it was in rehearsal, and the British theatres closed. The title is drawn from a song in Shakespeare's Twelfth Night that urges carpe diem ("present mirth hath present laughter"). The play has been frequently revived in Britain, the US and beyond.
The plot depicts a few days in the life of the successful and self-obsessed light comedy actor Garry Essendine as he prepares to travel for a touring commitment in Africa. Amid a series of events bordering on farce, Garry has to deal with women who want to seduce him, placate both his long-suffering secretary and his wife, cope with a crazed young playwright, and overcome his impending mid-life crisis (he has recently turned forty). The character is a caricature of the author's real-life persona, as Coward acknowledged.
Coward starred as Garry during the original run, which began with a long provincial tour to accommodate wartime audiences. He reprised the role in the first British revival and later in the United States and Paris. Subsequent productions have featured Albert Finney, Peter O'Toole, Donald Sinden, Ian McKellen, Simon Callow and Andrew Scott, and in the United States Clifton Webb, Douglas Fairbanks Jr., George C. Scott, Frank Langella and Kevin Kline.
In April and May 1939 Noël Coward wrote two contrasting comedies, both with titles drawn from Shakespeare. One, This Happy Breed, was set in a modest suburban household; the other, originally titled Sweet Sorrow, later Present Laughter, depicted the affairs of a star actor. The title "Present Laughter" is drawn from the song "O Mistress Mine" in Twelfth Night, Act 2, Scene 3, which urges carpe diem ("present mirth hath present laughter"). The plot of Present Laughter had been forming in Coward's mind over the previous three years, but he recalled in his memoirs that once he began writing it, the play was completed in six days. He described it as "a very light comedy ... written with the sensible object of providing me with a bravura part". He planned to appear in both the new plays in the autumn of 1939, and they were in rehearsal for a pre-London tour when the Second World War began on 2 September; all theatres were closed by government order, and the production was shelved.
Between the outbreak of war and 1942 Coward worked for the British government, first in its Paris propaganda office and then for the secret service. In 1942 the prime minister, Winston Churchill, told Coward that he would do more good for the war effort by entertaining the troops and the home front: "Go and sing to them when the guns are firing – that's your job!" Though disappointed, Coward followed this advice. He toured, acted and sang indefatigably in Europe, Africa and Asia.
Present Laughter was first staged at the beginning of a 25-week tour of Britain by Coward and his cast. His producer, Binkie Beaumont, was opposed to so long a provincial tour, and wanted to open at the Haymarket Theatre in London. Coward countered that in wartime conditions, "the provinces can't come to the West End any more, therefore the West End must go to the provinces". Present Laughter was first produced in Blackpool on 20 September 1942, Coward directed and the sets and costumes were designed by Gladys Calthrop. The repertory of the tour also consisted of This Happy Breed and Blithe Spirit; the three were advertised collectively as "Noel Coward in his Play Parade". After playing in twenty-two towns and cities in England, Scotland and Wales, the tour ended with a six-week run at the Haymarket.
All three acts of the play are set in Garry Essendine's London flat. He is a successful West End actor, who has just turned forty.
Daphne Stillington, a young admirer of the actor Garry Essendine, has inveigled herself into the flat and has spent the night there. Garry is still asleep, and while waiting for him to wake, Daphne encounters in turn three of his employees: the housekeeper (Miss Erikson), valet (Fred), and secretary (Monica). None of them display any surprise at her presence. Garry finally wakes and with practised smoothness ushers Daphne out.
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Present Laughter
Present Laughter is a comic play written by Noël Coward in 1939 but not produced until 1942 because the Second World War began while it was in rehearsal, and the British theatres closed. The title is drawn from a song in Shakespeare's Twelfth Night that urges carpe diem ("present mirth hath present laughter"). The play has been frequently revived in Britain, the US and beyond.
The plot depicts a few days in the life of the successful and self-obsessed light comedy actor Garry Essendine as he prepares to travel for a touring commitment in Africa. Amid a series of events bordering on farce, Garry has to deal with women who want to seduce him, placate both his long-suffering secretary and his wife, cope with a crazed young playwright, and overcome his impending mid-life crisis (he has recently turned forty). The character is a caricature of the author's real-life persona, as Coward acknowledged.
Coward starred as Garry during the original run, which began with a long provincial tour to accommodate wartime audiences. He reprised the role in the first British revival and later in the United States and Paris. Subsequent productions have featured Albert Finney, Peter O'Toole, Donald Sinden, Ian McKellen, Simon Callow and Andrew Scott, and in the United States Clifton Webb, Douglas Fairbanks Jr., George C. Scott, Frank Langella and Kevin Kline.
In April and May 1939 Noël Coward wrote two contrasting comedies, both with titles drawn from Shakespeare. One, This Happy Breed, was set in a modest suburban household; the other, originally titled Sweet Sorrow, later Present Laughter, depicted the affairs of a star actor. The title "Present Laughter" is drawn from the song "O Mistress Mine" in Twelfth Night, Act 2, Scene 3, which urges carpe diem ("present mirth hath present laughter"). The plot of Present Laughter had been forming in Coward's mind over the previous three years, but he recalled in his memoirs that once he began writing it, the play was completed in six days. He described it as "a very light comedy ... written with the sensible object of providing me with a bravura part". He planned to appear in both the new plays in the autumn of 1939, and they were in rehearsal for a pre-London tour when the Second World War began on 2 September; all theatres were closed by government order, and the production was shelved.
Between the outbreak of war and 1942 Coward worked for the British government, first in its Paris propaganda office and then for the secret service. In 1942 the prime minister, Winston Churchill, told Coward that he would do more good for the war effort by entertaining the troops and the home front: "Go and sing to them when the guns are firing – that's your job!" Though disappointed, Coward followed this advice. He toured, acted and sang indefatigably in Europe, Africa and Asia.
Present Laughter was first staged at the beginning of a 25-week tour of Britain by Coward and his cast. His producer, Binkie Beaumont, was opposed to so long a provincial tour, and wanted to open at the Haymarket Theatre in London. Coward countered that in wartime conditions, "the provinces can't come to the West End any more, therefore the West End must go to the provinces". Present Laughter was first produced in Blackpool on 20 September 1942, Coward directed and the sets and costumes were designed by Gladys Calthrop. The repertory of the tour also consisted of This Happy Breed and Blithe Spirit; the three were advertised collectively as "Noel Coward in his Play Parade". After playing in twenty-two towns and cities in England, Scotland and Wales, the tour ended with a six-week run at the Haymarket.
All three acts of the play are set in Garry Essendine's London flat. He is a successful West End actor, who has just turned forty.
Daphne Stillington, a young admirer of the actor Garry Essendine, has inveigled herself into the flat and has spent the night there. Garry is still asleep, and while waiting for him to wake, Daphne encounters in turn three of his employees: the housekeeper (Miss Erikson), valet (Fred), and secretary (Monica). None of them display any surprise at her presence. Garry finally wakes and with practised smoothness ushers Daphne out.