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Printer's key
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The printer's key, also known as the number line, is a line of text printed on a book's copyright page (often the verso of the title page, especially in English-language publishing) used to indicate the print run of the particular edition. The convention appears in titles published around the middle of the 20th century; it became common practice after 1970.[1][2]
An example follows:
| 1 2 3 4 5 6 7 8 9 10 |
|---|
This is how the printer's key may appear in the first print run of a book. In this common example numbers are removed with subsequent printings, so if "1" is seen then the book is the first printing of that edition. If it is the second printing then the "1" is removed, meaning that the lowest number seen will be "2".[3]
Examples
[edit]Usually, the printer's key is a series of non-repeating characters (numbers or letters). However its structure or presentation is not uniform, as shown in the following examples.[4]
The series may be in descending or ascending sequence:
| 10 9 8 7 6 5 4 3 2 1 |
|---|
| 1 2 3 4 5 6 7 8 9 10 |
|---|
| a b c d e f g h i j k |
|---|
In some cases, rather than follow in unidirectional sequence, the numbers may alternate from left to right:
| 2 4 6 8 10 9 7 5 3 1 |
|---|
(This is so that, in later editions, the numbers will remain relatively centred on the page.)
In other cases, number lines may include a date segment consisting of two-digit consecutive-year codes:
| 2 3 4 5 6 73 72 71 70 |
|---|
This indicates a second printing (or second impression) and that it occurred in 1970. Specifically, it is the particular imprint's second impression of the edition.
When the publisher outsources the printing to a contractor, a code identifying the contracting printer may occasionally be shown:
| 3 4 5 6 7 8 9 10 APC 00 99 98 97 96 |
|---|
The hypothetical printer's key above means
- third printing
- printed in 1996
- contracted to Acme Printing Corporation.
The examples above are not exhaustive; other key configurations may be used, especially in editions published following the advent of digital printing and print on demand.[5]
First edition vs. first printing
[edit]Bibliographers usually define a first edition as all printings from substantially the same type setting, no matter how many printings are done. Book collectors tend to define first edition as the first printing of the first edition.[6][7]
Why key characters are removed rather than added
[edit]With each successive reprint, the publisher needs to instruct the printer to change the impression character. In practice, if the plates (in offset printing) have been kept, a character can be erased, but nothing can be added. In this arrangement, all the printer need do is "rub off" the last character in sequence. Changing only the outer character requires the fewest possible changes to the page of characters, which means the smallest possible charge to the publisher.[1] In the days of letterpress printing, where each character was a metal block, all the printer had to do was to pick out the relevant block(s) from the "sheet"; the remaining stack of blocks, which had been laboriously laid out when the page was first set up, could then be inked for the reprint.[8] In the case of a Linotype slug, the lowest character could be filed off and the slug reused.[10] For offset printing with metal plates, the character can be erased without damaging the rest of the plate. In each case, the change is minimal.[11][12]
Digital typesetting and printing
[edit]In modern computer to plate typesetting and digital printing the entire printer's key may be easily re-imaged (instead of reset by erasing or removing individual characters). This allows additional key configurations.[5]
Notes
[edit]- ^ a b Boutell 1949, p. 26, § "Thomas Y. Crowell Company" ¶ "1947 Statement".
- ^ Ahearn & Ahearn 2011, § "First Edition Identification". Retrieved 2022-08-24 – via Google Books (limited preview).
- ^ Stop Counterfeit Books 2022.
- ^ Rennicks 2021, § "How Can You Tell if a Book is a First Edition?"; Ahearn & Ahearn 2011, "First Edition Identification By Publisher". Retrieved 2022-08-24 – via Google Books (limited preview).
- ^ a b Stop Counterfeit Books 2022, § "D".
- ^ Boutell 1949, p. [ix], § "Explanatory note to the Original Edition".
- ^ Carter 1995, pp. 84–85, § "Edition and Impression".
- ^ Levy & Mole 2017, pp. 17–22, § "Making Printed Books".
- ^ The Inland Printer 1899, p. 745; Stedman 1918.
- ^ In theory; linotype operators sometimes used files (and other tools) in order to make fine adjustments.[9]
- ^ Duncan & Smyth 2019, p. 64.
- ^ Although a number line's date segment (if it exists) follows the changes in the print run sequence, it may not necessarily change at the same rate or the same time.
References
[edit]- Ahearn, Allen & Ahearn, Patricia (2011) [originally published 1991. New York: G. P. Putnam's Sons]. Collected books: the guide to identification and values (ebook) (4th ed.). Comus, Maryland: Quill & Brush Press. ISBN 978-1-8830-6014-5. Retrieved 2022-08-10 – via Google Books.
- Boutell, Henry S. (1949) [originally published 1928. London: Elkin Mathews]. Boutell, Roger (ed.). First editions of today and how to tell them (3rd revised & enlarged ed.). Berkeley & Los Angeles: University of California Press. LCCN 50000048. OCLC 1196280655 – via Internet Archive.
- Carter, John (1995) [originally published 1952. London: Rupert Hart-Davis]. ABC for book collectors. Corrections, additions and Introduction by Barker, Nicolas (7th corrected ed.). Newcastle, Delaware: Oak Knoll Press. ISBN 9781884718052 – via Internet Archive.
- Duncan, Dennis & Smyth, Adam, eds. (2019). Book parts (1st ed.). Oxford University Press. ISBN 9780192579416. Retrieved 2022-08-10 – via Google Books.
- "Identifying a book's print run". Stop Counterfeit Books. Cengage et al. [book-publisher consortium]. 2022. Archived from the original on 2022-08-03. Retrieved 2022-08-06 – via Wayback Machine.
- Levy, Michelle & Mole, Tom (2017). The Broadview introduction to book history (paperback) (1st ed.). Peterborough, Ontario: Broadview Press. ISBN 9781554810871. Retrieved 2022-08-11 – via Google Books.
- "Machine Composition Notes and Queries". The Inland Printer. Vol. 22, no. 6. Chicago. March 1899. pp. 744–746. OCLC 714712112. Retrieved 2022-08-14 – via Google Books. p. 744:
[Section byline:] Conducted by an expert.
- Rennicks, Rich (17 December 2021). "Identifying first editions". The New Antiquarian [blog]. Antiquarian & Rare Books. New York: ABAA. Archived from the original on 2022-01-03. Retrieved 2022-08-11 – via Wayback Machine.
- Stedman, E. C. (March 1918). "Filing Combinations". Hints for Operators and Machinists. The Linotype Bulletin. Vol. 14, no. 7. New York: Mergenthaler Linotype Company. p. 110. OCLC 608103572. Retrieved 2023-10-08 – via Google Books.
Printer's key
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Fundamentals
Definition
A printer's key, also known as a number line, is a sequence of consecutive numbers—typically ranging from 10 to 1—printed on the copyright page of a physical book to denote its printing status.[1] This device originated as a practical method for publishers to track multiple printings within the same edition without altering the entire copyright page.[2] The primary location for the printer's key in physical books is the bottom of the copyright page, which is the verso (back side) of the title page; it may also appear on the final page of the main text in some publications.[2] It is typically right-justified and set in a small font to minimize visual prominence, presenting as a simple string like "10 9 8 7 6 5 4 3 2 1" for the first printing.[1] Distinct from other bibliographic elements, the printer's key does not convey legal ownership like a copyright notice nor serve as a unique identifier like an ISBN; instead, it exclusively signals the sequence and number of print runs for inventory and collector purposes.[2]Purpose
The printer's key serves as a primary indicator of the specific printing within a book's edition, typically displaying a sequence of descending numbers where the lowest surviving number reveals the print run, such as "1" for the first printing.[1] This system allows publishers to efficiently monitor production batches without the need for extensive textual revisions, facilitating inventory management and timely decisions on reprints.[2] By simply omitting the lowest number in subsequent printings, publishers can track sales performance and demand in a cost-effective manner, minimizing production errors and costs associated with altering copyright pages.[1] For book collectors and booksellers, the printer's key holds significant value in authenticating first printings, which are often the most desirable due to their rarity and potential for textual or binding variations not present in later runs.[4] This distinction is crucial for assessing a book's market worth, as first printings can command substantially higher prices compared to subsequent ones within the same edition.[1] The printer's key complements formal edition statements by focusing on printings—reproductions from the same typesetting—rather than editions, which denote substantive textual or illustrative changes requiring a new setting of type.[5] While edition notices alert readers to revisions, the key provides granular details on reprint frequency, aiding in the precise cataloging of a book's production history without overlapping the roles of these identifiers.[2]Historical Development
Origins in Traditional Publishing
The printer's key, also known as the number line, emerged in the early 1940s among publishers in the United States and United Kingdom.[1] The system involved printing a sequence of numbers or codes on the copyright page, allowing printers to indicate the specific printing by omitting certain elements in subsequent runs.[1] Early adopters among major publishers implemented it to streamline operations, particularly for titles requiring rapid reissues.[1] Prior to widespread standardization in later decades, the format of printer's keys varied significantly, with some using descending numerical sequences and others incorporating letters or codes specific to the publisher.[1] This inconsistency limited its initial application to prominent houses in the United States and United Kingdom, where high print volumes justified the method, while smaller operations relied on simpler edition statements.[4]Evolution and Standardization
The printer's key, also known as the number line, underwent significant evolution and standardization in the publishing industry from the 1970s onward, transitioning from ad hoc practices to a more uniform system for tracking print runs. Origins date to the 1940s, with broader adoption in trade publishing by the 1970s, guided by early industry recommendations that emphasized consistent notation on copyright pages to distinguish printings without explicit statements.[6] [7] This shift addressed the growing need for efficient inventory management and collector identification as print volumes increased post-World War II. The practice spread internationally in the 1970s, with notable early implementation by UK publishers such as Penguin Books in the 1940s, which helped model the system for subsequent printings through sequential indicators.[6] Trade associations played a pivotal role in this expansion; for instance, Publishers Weekly and similar outlets raised awareness through articles and discussions, encouraging broader uniformity across borders to facilitate global distribution and resale.[6] Refinements in the 1980s further solidified the system's simplicity, as publishers phased out alphanumeric codes (such as A-B-C sequences for early printings) in favor of numeric-only keys, reducing ambiguity and aligning with computerized printing workflows.[6] These changes enhanced interoperability in an increasingly consolidated industry, ensuring the printer's key served as a reliable, low-cost tool for all stakeholders.Mechanics and Formats
Structure and Interpretation
The printer's key, typically appearing on a book's copyright page, most commonly consists of a descending sequence of numbers from 10 to 1, where the lowest number in the sequence indicates the specific printing of that edition.[1] For instance, a key reading "10 9 8 7 6 5 4 3 2 1" signifies the first printing, while "10 9 8 7 6 5" denotes the fifth printing, as each subsequent print run removes the previous lowest number to track production batches efficiently.[6] This format allows collectors and bibliographers to quickly ascertain the print history without relying solely on textual statements. Variations in the printer's key format exist across publishers, reflecting non-standardized practices that emerged in the mid-20th century. Some employ an ascending sequence, such as "1 2 3 4 5 6 7 8 9 10" for the first printing, where the lowest number still marks the print run, progressing by omitting the initial digit in later runs (e.g., "2 3 4 5 6 7 8 9 10" for the second).[1] Others incorporate letters instead of or alongside numbers; for example, descending letters from J to A (equivalent to 10 to 1) may appear, with sequences like "J I H G F E" indicating the fifth printing, where the lowest letter E corresponds to 5.[6] Random House has historically used a distinctive numerical pattern for first printings, often "2 4 6 8 9 7 5 3 1," omitting the leading 1 and arranging evens followed by odds to denote the initial run, with the trailing 1 confirming the first printing.[8] In contrast, HarperCollins adheres more closely to the standard descending format, as seen in keys like "10 9 8 7 6 5 4 3 2 1" for first printings.[6] To interpret a printer's key, first locate it on the copyright page, usually near the bottom or following the copyright notice and ISBN. Identify the lowest number (or equivalent letter) in the sequence, which directly corresponds to the printing number—ensuring it aligns with any accompanying edition statement, such as "First Edition," to confirm the overall state.[1] If the key includes additional codes like dates or printer identifiers (e.g., "10 9 8 7 6 5 4 3 2 1 2023"), prioritize the numerical sequence for printing identification while noting the extras for contextual dating.[6] Publisher-specific guides should be consulted for atypical formats to avoid misinterpretation. Illustrative textual representations of common printer's keys demonstrate progression across printings: Standard descending format (e.g., many trade publishers): Ascending variation: Random House example (first printing):2 4 6 8 9 7 5 3 1[8]
Letter-based variation (hypothetical descending J=10 to A=1, 5th printing): J I H G F E[6]
These examples highlight how the key's structure provides a compact, verifiable record of print iterations.[1]
Decrementing System
The decrementing system of the printer's key begins with the first printing, where a full sequence of numbers—typically 10 9 8 7 6 5 4 3 2 1—is included on the copyright page as part of the composed page layout.[1] This sequence indicates the initial print run, with the lowest number (1) signifying the first printing. For each subsequent printing, the publisher instructs the printer to remove the lowest remaining number from the sequence, updating it to reflect the new run—for example, 10 9 8 7 6 5 4 3 2 for the second printing.[1][9] This process ensures that the presence of a "1" always denotes a first printing, while its absence points to later ones, providing a simple method to track production without adding new indicators.[1] In offset printing, the technical execution involves integrating the number line into the printing plates during the initial imposition of the page.[9] For updates, the lowest number is removed by altering the plate—such as erasing the character from a metal plate or masking it out in the negative film used to create new plates—before running the subsequent print order.[9] This modification avoids the need for entirely new plates unless other changes are required, making the process efficient for moderate reprint volumes.[9] For books anticipating larger print runs exceeding ten impressions, publishers may extend the sequence, such as starting with 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 2 1 for the first printing, and continue decrementing accordingly.[9] In cases of exceptionally long backlists or very high-volume titles, sequences may be reset or supplemented with additional codes, like year indicators (e.g., 10 9 8 7 6 5 4 3 2 93 92 91 90 for a tenth printing in 1990), to accommodate further impressions without exhausting the standard line.[1][9] Occasional errors in the printer's key, such as inconsistent starting sequences across publishers (e.g., Random House omitting "1" for first printings), have led to confusion and disputes among book collectors seeking to verify edition status.[1] These misprints or variations can result in books being misidentified as later printings, prompting debates in collecting communities over authenticity and value.[1]Edition and Printing Distinctions
First Edition vs. First Printing
In book publishing, an edition refers to a version of a text that incorporates significant revisions, such as new content, substantial editing, or a complete reset of the type, distinguishing it from prior versions.[10] In contrast, a printing consists of multiple identical copies produced from the same typesetting or printing plates during a single production run, allowing for reprints without altering the book's core content or layout.[10] These distinctions are crucial for collectors and scholars, as they affect a book's rarity and value, with first printings of a first edition being the most sought after due to their limited initial production.[1] The printer's key plays a pivotal role in identifying printings within a given edition by displaying a sequence of numbers, typically on the copyright page, where the presence of "1" signifies the first printing of that edition.[1] For instance, a full number line like "10 9 8 7 6 5 4 3 2 1" indicates the debut printing, while subsequent printings remove the lowest number (e.g., "10 9 8 7 6 5 4 3 2" for the second).[10] However, the key does not denote the edition itself; a "1" only confirms the initial run of the current edition, which may follow earlier editions with major changes.[1] A common source of confusion arises when books are marketed or labeled simply as "First Edition" without clarifying the printing status, leading buyers to assume they possess the inaugural run when it may actually be a later printing within that edition.[1] While U.S. copyright law mandates the inclusion of a copyright notice and requires deposit of the "best edition" with the Library of Congress to secure protection, it does not explicitly require statements about printings, leaving such details to publisher conventions that can vary and sometimes obscure the distinction.[11] This ambiguity often results in inflated values for non-first printings misidentified as such. A notable case study is Harper Lee's To Kill a Mockingbird (1960), whose first edition saw an initial printing of approximately 5,000 copies, many distributed to libraries, but rapidly required multiple subsequent printings—reaching at least 15 impressions—due to its immediate commercial success and Pulitzer Prize win, all while maintaining the same typesetting and content.[12] The printer's key in later printings of this first edition would show numbers starting from higher than 1, illustrating how high-demand titles can have numerous printings without advancing to a second edition.[1]Identifying Subsequent Printings
To identify subsequent printings within the same edition using the printer's key, begin by examining the copyright page for the number line, a sequence of consecutive digits typically printed in descending or ascending order. The lowest number in this sequence denotes the printing number; for instance, a line such as "10 9 8 7 6 5 4 3 2" indicates the second printing, as the "1" is absent from what would be the first printing's full run ending in "1".[1] Similarly, a sequence starting with "3" or higher, like "10 9 8 7 6 5 4 3", signals the third printing or later.[13] Next, cross-reference the indicated printing with the copyright date on the same page to assess temporal consistency; if the key shows a printing beyond the first but aligns with the initial publication year, it confirms a subsequent run without edition changes, distinguishing it from revised editions.[4] While first printings represent the initial release of an edition, subsequent ones maintain the core text but reflect reprints due to demand.[14] Beyond the key itself, collectors can look for secondary indicators of later printings, such as alterations in dust jacket pricing—often increased to reflect market adjustments—or variations in binding, including shifts from cloth to paper over boards or changes in endpaper colors.[4] Additionally, errata slips, which list post-printing corrections and are sometimes inserted in early runs, may be absent in subsequent printings where errors have been directly amended in the plates.[7] Publisher-specific practices can further aid identification; for example, Alfred A. Knopf incorporates year codes (e.g., letter-month-year combinations) alongside number lines on the copyright page, where the persistence of a "First Edition" statement in later printings requires verifying the code against the lowest number to confirm the run.[13] Other publishers, like Random House, may use number lines starting at "2" for first printings in certain eras, shifting higher for subsequent ones.[4] For book collectors, acquiring subsequent printings often results in significantly lower market value compared to first printings, as the latter hold premium status for rarity and historical primacy, with later runs typically valued at a fraction of the original due to higher availability.[14] This depreciation underscores the importance of precise identification to avoid overpaying for non-initial copies in the edition.[4]Design Rationale
Removal of Numbers
In the printer's key system, the removal of the lowest number occurs directly on the printing plate before initiating a new print run, ensuring that the sequence accurately reflects the current printing iteration. This mechanism was integral to traditional offset printing, where large metal plates containing multiple pages (often 32 per signature) were prepared, and the targeted numeral was physically rubbed off or chemically etched to prevent its reproduction in subsequent copies.[15] The adoption of this removal-based approach emerged in the early 1940s, coinciding with the widespread use of offset lithography, as publishers needed a simple, error-resistant way to denote printings amid increasing production volumes. Unlike earlier methods such as manual stamping individual copies or incrementally adding notations—which risked inconsistencies and misalignment during high-speed press operations—excising a pre-existing element from the plate minimized human error and streamlined the process without requiring entirely new plates for minor updates.[1][9] One practical challenge in this removal process involves preserving the visual alignment and spacing of the remaining numbers, as uneven excision could shift the line's position on the page. To mitigate this, certain publishers employed specially arranged sequences, such as starting with "2 4 6 8 10 9 7 5 3 1," allowing removals from either end to maintain approximate centering throughout multiple printings.[16]Advantages Over Alternatives
The decrementing system of the printer's key offers significant advantages over alternative methods for indicating print runs, such as incrementing sequences or alphanumeric codes, primarily due to the technical constraints of offset printing technologies. In offset printing, where content is fixed on metal plates, adding or altering numbers for each subsequent printing could require adjustments that disrupt the overall layout and alignment.[17] By contrast, the removal-based approach allows printers to simply delete the lowest number from an existing sequence (e.g., from "10 9 8 7 6 5 4 3 2 1" to "10 9 8 7 6 5 4 3 2"), preserving the overall layout without such adjustments.[17] This method yields substantial cost savings, as it eliminates the need to create entirely new printing plates or engage in variable data printing for every run; instead, the change is a one-time edit to the master plate that persists across multiple impressions.[9] In an era when plate production was labor-intensive and expensive, this efficiency was particularly valuable for publishers handling frequent reprints of popular titles.[9] Error reduction is another key benefit, as the fixed descending sequence minimizes human intervention during production—printers need only remove a single predetermined number rather than manually incrementing a counter or inputting new data, which could lead to typographical mistakes or inconsistencies.[17] This structured approach forestalls the kinds of errors common in incrementing systems, where updating a specific digit might inadvertently affect surrounding text.[1] For readers and collectors, the printer's key provides intuitive simplicity: the lowest remaining number directly signals the printing (e.g., a line starting with "3" indicates the third printing), avoiding the complexity of deciphering coded systems like letter-based date notations used by some early publishers (e.g., Harper & Brothers' month-year letter pairs).[1] Such alternatives, while functional for internal tracking, often required reference tables for interpretation, making them less accessible than the straightforward numeric rule of the decrementing line.[18]Modern Adaptations
Digital Typesetting Impacts
The transition to digital typesetting in the 1990s marked a significant shift in book production, moving away from analog methods that relied on physical typesetting and printing plates to editable digital files. This evolution, accelerated by desktop publishing software and digital presses like the Indigo E-Print 100 introduced in 1993, allowed publishers to compose and revise entire books—including elements like the printer's key—directly on computers without the labor-intensive process of creating new metal or photomechanical plates for each update.[19] Digital formats such as PDF and tools like Adobe InDesign, released in 1999, further streamlined this process by enabling seamless editing of the printer's key during production workflows. Publishers could now adjust the number line for subsequent printings through simple file modifications, reducing turnaround times from weeks to days and supporting shorter print runs typical of digital printing.[20][21] Despite these shifts, the practice of including printer's keys persisted among major publishers into the post-2000 era to ensure compatibility with traditional edition identification standards and collector expectations. For instance, Penguin Random House and other large houses continue to incorporate number lines in their digitally produced print books, adapting the analog convention to digital workflows while maintaining its role in distinguishing printings.[22]Use in Electronic and Print-on-Demand Formats
In electronic book formats, traditional printer's keys are absent due to the lack of physical printing runs, rendering the concept of sequential number lines obsolete for digital distribution. Instead, edition and version information is managed through embedded metadata. The EPUB standard, governed by the World Wide Web Consortium (W3C), utilizes Dublin Core elements within the package document to identify publications; for instance, thedc:identifier element provides a unique identifier such as an ISBN or UUID, which must change for significant revisions to distinguish editions.[23] Additionally, optional elements like dcterms:edition or dc:date can specify edition details or publication dates in ISO 8601 format, enabling reading systems to display version information without altering the core content.[23] For platforms like Amazon Kindle, edition tags are handled via product metadata during setup, where authors can denote "1st Edition" or similar in the title description, serving as a digital proxy for print distinctions, though this is not automatically embedded in the file like a printer's key.[24]
In print-on-demand (POD) formats, printer's keys are typically omitted because each copy constitutes its own individual print run, eliminating the need for batch-based sequencing. Services like Lightning Source, a major POD provider under Ingram Content Group, do not incorporate number lines in their production process, as outlined in their file creation guidelines, which focus on print-ready PDFs without provisions for dynamic or traditional printing indicators.[25] Similarly, Amazon's Kindle Direct Publishing (KDP) advises against including printer's keys in POD outputs, viewing them as irrelevant to single-unit printing.[24] However, some POD workflows allow publishers to manually add static indicators on the copyright page to simulate edition appeal, particularly for collector markets.
Looking ahead, emerging technologies like blockchain and digital watermarks offer potential alternatives for tracking editions and copies in both electronic and POD contexts. Blockchain ledgers can create immutable records of e-book ownership and transfers, facilitating resale while verifying edition provenance across platforms, as explored in publisher-centered models for rights management.[26] Digital watermarks, embedded invisibly in e-book files, encode user-specific identifiers (e.g., purchase details) to trace distribution and combat unauthorized sharing, potentially extending to POD by marking unique physical copies with QR-linked blockchain entries for authenticity verification.[27] These methods prioritize traceability over physical sequencing, adapting the printer's key's core function to variable and digital publishing paradigms.