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Hub AI
Professional boxing AI simulator
(@Professional boxing_simulator)
Hub AI
Professional boxing AI simulator
(@Professional boxing_simulator)
Professional boxing
Professional boxing, or prizefighting, is regulated, sanctioned boxing. Professional boxing bouts are fought for a purse that is divided between the boxers as determined by contract. Most professional fights are supervised by a regulatory authority to guarantee the fighters' safety. Most high-profile bouts obtain the endorsement of a sanctioning body, which awards championship belts, establishes rules, and assigns its own judges and referees.
In contrast with amateur boxing, professional bouts are typically much longer and can last up to twelve rounds, though less significant fights can be as short as four rounds. Protective headgear is not permitted, and boxers are generally allowed to take substantial punishment before a fight is halted. Professional boxing has enjoyed a much higher profile than amateur boxing throughout the 20th century and beyond.
In 1891, the National Sporting Club (N.S.C), a private club in London, began to promote professional glove fights at its own premises, and created nine of its own rules to augment the Queensberry Rules. These rules specified more accurately, the role of the officials, and produced a system of scoring that enabled the referee to decide the result of a fight. The British Boxing Board of Control (BBBofC) was first formed in 1919 with close links to the N.S.C., and was re-formed in 1929 after the N.S.C. closed.
In 1909, the first of twenty-two belts were presented by the fifth Earl of Lonsdale to the winner of a British title fight held at the N.S.C. In 1929, the BBBofC continued to award Lonsdale Belts to any British boxer who won three title fights in the same weight division. The "title fight" has always been the focal point in professional boxing. In the 19th and early 20th centuries, however, there were title fights at each weight. Promoters who could stage profitable title fights became influential in the sport, as did boxers' managers. The best promoters and managers have been instrumental in bringing boxing to new audiences and provoking media and public interest. The most famous of all three-way partnership (fighter-manager-promoter) was that of Jack Dempsey (heavyweight champion 1919–1926), his manager Jack Kearns, and the promoter Tex Rickard. Together they grossed US$8.4 million in only five fights between 1921 and 1927 and ushered in a "golden age" of popularity for professional boxing in the 1920s. They were also responsible for the first live radio broadcast of a title fight (Dempsey v. Georges Carpentier, in 1921). In the United Kingdom, Jack Solomons' success as a fight promoter helped re-establish professional boxing after the Second World War and made the UK a popular place for title fights in the 1950s and 1960s.
In the early twentieth century, most professional bouts took place in the United States and Britain, and champions were recognised by popular consensus as expressed in the newspapers of the day. Among the great champions of the era were the peerless heavyweight Jim Jeffries and Bob Fitzsimmons, who weighed more than 190 pounds (86 kilograms), but won world titles at middleweight (1892), light heavyweight (1903), and heavyweight (1897). Other famous champions included light heavyweight Philadelphia Jack O'Brien and middleweight Tommy Ryan. After winning the Bantamweight title in 1892, Canada's George Dixon became the first ever black athlete to win a World Championship in any sport; he was also the first Canadian-born boxing champion. On May 12, 1902, lightweight Joe Gans became the first black American to be boxing champion. Despite the public's enthusiasm, this was an era of far-reaching regulation of the sport, often with the stated goal of outright prohibition. In 1900, the State of New York enacted the Lewis Law, banned prizefights except for those held in private athletic clubs between members. Thus, when introducing the fighters, the announcer frequently added the phrase "Both members of this club", as George Wesley Bellows titled one of his paintings. The western region of the United States tended to be more tolerant of prizefights in this era, although the private club arrangement was standard practice here as well, the San Francisco Athletic Club being a prominent example.
On December 26, 1908, heavyweight Jack Johnson became the first black heavyweight champion and a highly controversial figure in that racially charged era. Prizefights often had unlimited rounds, and could easily become endurance tests, favouring patient tacticians like Johnson. At lighter weights, ten round fights were common, and lightweight Benny Leonard dominated his division from the late teens into the early twenties.
Championship level prizefighters in this period were the premier sports celebrities, and a title bout generated intense public interest. Long before bars became popular venues in which to watch sporting events on television, enterprising saloon keepers were known to set up ticker machines and announce the progress of an important bout, blow by blow. Local kids often hung about outside the saloon doors, hoping for news of the fight. Harpo Marx, then fifteen, recounted vicariously experiencing the 1904 Jeffries-Munroe championship fight in this way.
Early years
Professional boxing
Professional boxing, or prizefighting, is regulated, sanctioned boxing. Professional boxing bouts are fought for a purse that is divided between the boxers as determined by contract. Most professional fights are supervised by a regulatory authority to guarantee the fighters' safety. Most high-profile bouts obtain the endorsement of a sanctioning body, which awards championship belts, establishes rules, and assigns its own judges and referees.
In contrast with amateur boxing, professional bouts are typically much longer and can last up to twelve rounds, though less significant fights can be as short as four rounds. Protective headgear is not permitted, and boxers are generally allowed to take substantial punishment before a fight is halted. Professional boxing has enjoyed a much higher profile than amateur boxing throughout the 20th century and beyond.
In 1891, the National Sporting Club (N.S.C), a private club in London, began to promote professional glove fights at its own premises, and created nine of its own rules to augment the Queensberry Rules. These rules specified more accurately, the role of the officials, and produced a system of scoring that enabled the referee to decide the result of a fight. The British Boxing Board of Control (BBBofC) was first formed in 1919 with close links to the N.S.C., and was re-formed in 1929 after the N.S.C. closed.
In 1909, the first of twenty-two belts were presented by the fifth Earl of Lonsdale to the winner of a British title fight held at the N.S.C. In 1929, the BBBofC continued to award Lonsdale Belts to any British boxer who won three title fights in the same weight division. The "title fight" has always been the focal point in professional boxing. In the 19th and early 20th centuries, however, there were title fights at each weight. Promoters who could stage profitable title fights became influential in the sport, as did boxers' managers. The best promoters and managers have been instrumental in bringing boxing to new audiences and provoking media and public interest. The most famous of all three-way partnership (fighter-manager-promoter) was that of Jack Dempsey (heavyweight champion 1919–1926), his manager Jack Kearns, and the promoter Tex Rickard. Together they grossed US$8.4 million in only five fights between 1921 and 1927 and ushered in a "golden age" of popularity for professional boxing in the 1920s. They were also responsible for the first live radio broadcast of a title fight (Dempsey v. Georges Carpentier, in 1921). In the United Kingdom, Jack Solomons' success as a fight promoter helped re-establish professional boxing after the Second World War and made the UK a popular place for title fights in the 1950s and 1960s.
In the early twentieth century, most professional bouts took place in the United States and Britain, and champions were recognised by popular consensus as expressed in the newspapers of the day. Among the great champions of the era were the peerless heavyweight Jim Jeffries and Bob Fitzsimmons, who weighed more than 190 pounds (86 kilograms), but won world titles at middleweight (1892), light heavyweight (1903), and heavyweight (1897). Other famous champions included light heavyweight Philadelphia Jack O'Brien and middleweight Tommy Ryan. After winning the Bantamweight title in 1892, Canada's George Dixon became the first ever black athlete to win a World Championship in any sport; he was also the first Canadian-born boxing champion. On May 12, 1902, lightweight Joe Gans became the first black American to be boxing champion. Despite the public's enthusiasm, this was an era of far-reaching regulation of the sport, often with the stated goal of outright prohibition. In 1900, the State of New York enacted the Lewis Law, banned prizefights except for those held in private athletic clubs between members. Thus, when introducing the fighters, the announcer frequently added the phrase "Both members of this club", as George Wesley Bellows titled one of his paintings. The western region of the United States tended to be more tolerant of prizefights in this era, although the private club arrangement was standard practice here as well, the San Francisco Athletic Club being a prominent example.
On December 26, 1908, heavyweight Jack Johnson became the first black heavyweight champion and a highly controversial figure in that racially charged era. Prizefights often had unlimited rounds, and could easily become endurance tests, favouring patient tacticians like Johnson. At lighter weights, ten round fights were common, and lightweight Benny Leonard dominated his division from the late teens into the early twenties.
Championship level prizefighters in this period were the premier sports celebrities, and a title bout generated intense public interest. Long before bars became popular venues in which to watch sporting events on television, enterprising saloon keepers were known to set up ticker machines and announce the progress of an important bout, blow by blow. Local kids often hung about outside the saloon doors, hoping for news of the fight. Harpo Marx, then fifteen, recounted vicariously experiencing the 1904 Jeffries-Munroe championship fight in this way.
Early years
