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Queercore
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Queercore
Queercore (or homocore) is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBTQ community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
As a music genre, it may be distinguished by lyrics exploring themes of prejudice and dealing with issues such as sexual identity, gender identity and the rights of the individual; more generally, queercore bands offer a critique of society endemic to their position within it, sometimes in a light-hearted way, sometimes seriously. Musically, many queercore bands originated in the punk scene but the industrial music culture has been influential as well. Queercore groups encompass many genres such as hardcore punk, electropunk, indie rock, power pop, no wave, noise, experimental, industrial and others.
In the early 1980s, several U.S. hardcore bands wrote queer-themed songs, and Gary Floyd of the Dicks along with Randy Turner of Big Boys were notable in both being openly gay and outspoken gay men. In England, in the anarcho-punk scene, Andy Martin of The Apostles was equally forthright. Politically motivated U.S. bands such as MDC and 7 Seconds also introduced anti-homophobia messages into their songs at this time, while the Nip Drivers included a song titled "Quentin", dedicated to Quentin Crisp, in their repertoire.
The zine J.D.s, created by G.B. Jones and Bruce LaBruce, is widely acknowledged as being the zine which launched the movement. "J.D.s is seen by many to be the catalyst that pushed the queercore scene into existence", writes Amy Spencer in DIY: The Rise of Lo-Fi Culture. Emerging out of the anarchist scene, at first the editors of J.D.s had chosen the appellation "homocore" to describe the movement but replaced the word homo with queer to better reflect the diversity of those involved, as well as to disassociate themselves completely from the confines of gay and lesbian orthodoxy.
The first issue was released in 1985, with a manifesto entitled "Don't Be Gay" published in the fanzine Maximum RocknRoll following soon after; inspiring, among many other zines, Holy Titclamps, edited by Larry-bob, Homocore by Tom Jennings and Deke Nihilson, Donna Dresch's Chainsaw, and Outpunk by Matt Wobensmith, these last two later functioning as music labels. These zines, and the movement, are characterised by an alternative to the self-imposed ghettoization of orthodox gay men and lesbians; sexual and gender diversity in opposition to the segregation practiced by the mainstream gay community; a dissatisfaction with a consumerist culture, proposing a DIY ethos in its place in order to create a culture of its own; and opposition to oppressive religious tenets and political repression.
In 1990, the J.D.s editors released the first queercore compilation, J.D.s Top Ten Homocore Hit Parade Tape, a cassette which included bands from Canada, such as Fifth Column, Big Man, and Bomb from the U.S.; from England, The Apostles, Academy 23 and No Brain Cell; and, from New Zealand, Gorse.
During the period from the late 1980s to the early 1990s, many of the punk rock bands involved in queercore were not necessarily queer but their ethics were motivation for supporting this movement. Other bands, such as Los Crudos and Go!, had one outspoken member who was homosexual.
Other early queercore bands included Anti-Scrunti Faction, who appeared in J.D.s, and Comrades In Arms, Homocore editor Deke Nihilson's band. Shortly after the release of the tape J.D.s ceased publication and a new crop of zines arose, such as Jane and Frankie by Klaus and Jena von Brücker, Shrimp by Vaginal Davis and Fanorama by REB. The zine BIMBOX published statements such as "You are entering a gay and lesbian-free zone...Effective immediately, BIMBOX is at war against lesbians and gays. A war in which modern queer boys and girls are united against the prehistoric thinking and demented self-serving politics of the above-mentioned scum."
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Queercore AI simulator
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Queercore
Queercore (or homocore) is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBTQ community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
As a music genre, it may be distinguished by lyrics exploring themes of prejudice and dealing with issues such as sexual identity, gender identity and the rights of the individual; more generally, queercore bands offer a critique of society endemic to their position within it, sometimes in a light-hearted way, sometimes seriously. Musically, many queercore bands originated in the punk scene but the industrial music culture has been influential as well. Queercore groups encompass many genres such as hardcore punk, electropunk, indie rock, power pop, no wave, noise, experimental, industrial and others.
In the early 1980s, several U.S. hardcore bands wrote queer-themed songs, and Gary Floyd of the Dicks along with Randy Turner of Big Boys were notable in both being openly gay and outspoken gay men. In England, in the anarcho-punk scene, Andy Martin of The Apostles was equally forthright. Politically motivated U.S. bands such as MDC and 7 Seconds also introduced anti-homophobia messages into their songs at this time, while the Nip Drivers included a song titled "Quentin", dedicated to Quentin Crisp, in their repertoire.
The zine J.D.s, created by G.B. Jones and Bruce LaBruce, is widely acknowledged as being the zine which launched the movement. "J.D.s is seen by many to be the catalyst that pushed the queercore scene into existence", writes Amy Spencer in DIY: The Rise of Lo-Fi Culture. Emerging out of the anarchist scene, at first the editors of J.D.s had chosen the appellation "homocore" to describe the movement but replaced the word homo with queer to better reflect the diversity of those involved, as well as to disassociate themselves completely from the confines of gay and lesbian orthodoxy.
The first issue was released in 1985, with a manifesto entitled "Don't Be Gay" published in the fanzine Maximum RocknRoll following soon after; inspiring, among many other zines, Holy Titclamps, edited by Larry-bob, Homocore by Tom Jennings and Deke Nihilson, Donna Dresch's Chainsaw, and Outpunk by Matt Wobensmith, these last two later functioning as music labels. These zines, and the movement, are characterised by an alternative to the self-imposed ghettoization of orthodox gay men and lesbians; sexual and gender diversity in opposition to the segregation practiced by the mainstream gay community; a dissatisfaction with a consumerist culture, proposing a DIY ethos in its place in order to create a culture of its own; and opposition to oppressive religious tenets and political repression.
In 1990, the J.D.s editors released the first queercore compilation, J.D.s Top Ten Homocore Hit Parade Tape, a cassette which included bands from Canada, such as Fifth Column, Big Man, and Bomb from the U.S.; from England, The Apostles, Academy 23 and No Brain Cell; and, from New Zealand, Gorse.
During the period from the late 1980s to the early 1990s, many of the punk rock bands involved in queercore were not necessarily queer but their ethics were motivation for supporting this movement. Other bands, such as Los Crudos and Go!, had one outspoken member who was homosexual.
Other early queercore bands included Anti-Scrunti Faction, who appeared in J.D.s, and Comrades In Arms, Homocore editor Deke Nihilson's band. Shortly after the release of the tape J.D.s ceased publication and a new crop of zines arose, such as Jane and Frankie by Klaus and Jena von Brücker, Shrimp by Vaginal Davis and Fanorama by REB. The zine BIMBOX published statements such as "You are entering a gay and lesbian-free zone...Effective immediately, BIMBOX is at war against lesbians and gays. A war in which modern queer boys and girls are united against the prehistoric thinking and demented self-serving politics of the above-mentioned scum."
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