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Rani Karnaa
Rani Karnaa was an Indian classical dancer, known for her proficiency in the Indian dance form of Kathak, and regarded by many as one of the greatest exponents of the art form. She was honoured by the Government of India, in 2014, by bestowing on her the Padma Shri, the fourth highest civilian award, for her services to the field of dance.
Rani polished her Kathak into an instrument of elegance and grace in which she has few equals., Late Dr. Charles Fabri, art crtitic, wrote about Rani Karnaa in the Statesman.[citation needed]
Rani Karnaa was born in 1939, in a Sindhi family of amirs in Hyderabad, in the present day Pakistan and erstwhile British India. Her father, Assandas Karnaa belonged originally to the Karnamalani family of Larkana region. The family name of Karnamalani, over a period of time, got abbreviated to Karanani and eventually to Karnaa. In 1942, her family moved to Delhi when the young Rani was three years old. She had her early schooling in Delhi and graduated in Botany from the Hindu College, Delhi. She also did Honours degree in Botany later but forsook academics to concentrate on her dance career.
Rani Karnaa's family moved from Sindh to Delhi when she was three and settled at Connaught Place. She soon grew a fancy for dance seeing a neighbor dancing, insisted on learning the art and started learning dance from the age of four, learning Kathak, Odissi, Bharatanatyam and Manipuri. Her early teachers were Nrityacharya Narayan Prasad and Sundar Prasad. She continued her studies to master the Jaipur gharana style under Guru Hiralal and the Lucknow gharana ethos from Pandit Birju Maharaj.
Rani Karnaa shifted her residence to Bhubaneshwar when she got married into an Odia family in 1963 and this gave her an opportunity to meet Kumkum Mohanty, the famous Odissi dancer. Through her, Rani Karnaa got in touch with the renowned guru, Kelucharan Mahapatra and learnt Odissi from the master from 1966 to 1985. She has also trained under various other famous gurus such as Amubi Singh, Narendra Kumar and Lalita Shastri, a disciple of the renowned Rukmini Devi Arundale.
Rani Karnaa performed extensively across India and outside, performing at almost all the major classical dance festivals in India. Her performances are said to have received acclaim in places like UK, Russia and many other European countries.
Rani Karnaa lived in Kolkata, since shifting from Bhubaneshwar when her husband, Nayak, was transferred to Kolkata in 1978, attending to her duties as the director of Samskritiki Shreyaskar and was active until recently, her last public performance was in 2013, at the age of 74. She died on 7 May 2018, aged 79.
Apart from contributing to the propagation of Kathak through her performances, Rani Karnaa is credited with integrating the traditions of Jaipur and Lucknow gharanas. Many critics have acknowledged her contributions in bringing different cultural traditions into Kathak, by integrating their literature, music and dance. She is said to have combined artistry with creative expression. She has done research on the aesthetics of Kathak with Professor S. K. Saxena of Delhi University and the body of that research work is well recognized.
Rani Karnaa
Rani Karnaa was an Indian classical dancer, known for her proficiency in the Indian dance form of Kathak, and regarded by many as one of the greatest exponents of the art form. She was honoured by the Government of India, in 2014, by bestowing on her the Padma Shri, the fourth highest civilian award, for her services to the field of dance.
Rani polished her Kathak into an instrument of elegance and grace in which she has few equals., Late Dr. Charles Fabri, art crtitic, wrote about Rani Karnaa in the Statesman.[citation needed]
Rani Karnaa was born in 1939, in a Sindhi family of amirs in Hyderabad, in the present day Pakistan and erstwhile British India. Her father, Assandas Karnaa belonged originally to the Karnamalani family of Larkana region. The family name of Karnamalani, over a period of time, got abbreviated to Karanani and eventually to Karnaa. In 1942, her family moved to Delhi when the young Rani was three years old. She had her early schooling in Delhi and graduated in Botany from the Hindu College, Delhi. She also did Honours degree in Botany later but forsook academics to concentrate on her dance career.
Rani Karnaa's family moved from Sindh to Delhi when she was three and settled at Connaught Place. She soon grew a fancy for dance seeing a neighbor dancing, insisted on learning the art and started learning dance from the age of four, learning Kathak, Odissi, Bharatanatyam and Manipuri. Her early teachers were Nrityacharya Narayan Prasad and Sundar Prasad. She continued her studies to master the Jaipur gharana style under Guru Hiralal and the Lucknow gharana ethos from Pandit Birju Maharaj.
Rani Karnaa shifted her residence to Bhubaneshwar when she got married into an Odia family in 1963 and this gave her an opportunity to meet Kumkum Mohanty, the famous Odissi dancer. Through her, Rani Karnaa got in touch with the renowned guru, Kelucharan Mahapatra and learnt Odissi from the master from 1966 to 1985. She has also trained under various other famous gurus such as Amubi Singh, Narendra Kumar and Lalita Shastri, a disciple of the renowned Rukmini Devi Arundale.
Rani Karnaa performed extensively across India and outside, performing at almost all the major classical dance festivals in India. Her performances are said to have received acclaim in places like UK, Russia and many other European countries.
Rani Karnaa lived in Kolkata, since shifting from Bhubaneshwar when her husband, Nayak, was transferred to Kolkata in 1978, attending to her duties as the director of Samskritiki Shreyaskar and was active until recently, her last public performance was in 2013, at the age of 74. She died on 7 May 2018, aged 79.
Apart from contributing to the propagation of Kathak through her performances, Rani Karnaa is credited with integrating the traditions of Jaipur and Lucknow gharanas. Many critics have acknowledged her contributions in bringing different cultural traditions into Kathak, by integrating their literature, music and dance. She is said to have combined artistry with creative expression. She has done research on the aesthetics of Kathak with Professor S. K. Saxena of Delhi University and the body of that research work is well recognized.
