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Ray Connolly
Ray Connolly
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Ray Connolly (born 4 December 1940)[1] is a British writer. He is best known for his journalism and for writing the screenplays for the films That'll Be the Day and its sequel Stardust, for which he won a Writers' Guild of Great Britain Best Screenplay award.[2][3]

Key Information

Early life

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Connolly was born and brought up in Lancashire.[4] He was educated at West Park Catholic Grammar School (St. Helens), Ormskirk Grammar School, and the London School of Economics (LSE),[5] where he read social anthropology. There, he edited the LSE magazine Clare Market Review and was an associate editor of the student film magazine Motion.

Career

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After entering journalism as a graduate trainee at the Liverpool Daily Post, Connolly then moved to the London Evening Standard where he interviewed, among others, many 1960s and 1970s rock stars and cultural icons, including the Beatles, Muhammad Ali and Elvis Presley. Many of his interviews with the Beatles are collected in The Ray Connolly Beatles Archive, while other interviews are collected in Stardust Memories – Talking About My Generation. He was due to interview John Lennon on the day the ex-Beatle was murdered, an event he wrote about in the BBC radio play Unimaginable.[6] In 2018, he published the biography, Being John Lennon – A Restless Life.

He has written many articles for the Daily Mail, as well as The Sunday Times, The Times, The Daily Telegraph and The Observer.[5]

His novels include: A Girl Who Came to Stay, Newsdeath, Sunday Morning, Shadows on a Wall and Love out of Season (which was adapted for radio as God Bless Our Love) and Sorry, Boys, You Failed the Audition. His biography of Elvis Presley, Being Elvis – A Lonely Life, was published in 2016.

For the cinema he wrote the films That'll Be the Day and its sequel, Stardust – which was voted the Best Screenplay of 1974 by the Writers' Guild of Great Britain.[7][3] He also wrote and directed the feature-length documentary entitled James Dean: The First American Teenager, while his television drama series have included Honky Tonk Heroes, Lytton's Diary and Perfect Scoundrels. TV films include Forever Young for Channel 4 and Defrosting the Fridge for the BBC,[8] while he co-wrote, with Alan Benson, the BBC 2 George Martin series about music The Rhythm of Life.

He has also written several radio plays, including Lost Fortnight (which is about Raymond Chandler in Hollywood),[9] the series Tim Merryman's Days of Clover, and Sorry, Boys, You Failed the Audition,[10] as well as several short stories for various publications, which are collected in A Handful of Love.[11]

Personal life

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Connolly is married, has three children and two grandchildren, and lives with his wife, Plum, in London.[citation needed]

In 2020, he contracted COVID-19, and spent almost six months in hospital, including 103 days in intensive care, an experience he turned into the BBC Radio 4 play Devoted. It was broadcast in March 2021.[12]

References

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from Grokipedia
Ray Connolly is a British journalist, author, screenwriter, and documentary maker known for his influential coverage of rock music and The Beatles during the 1960s and 1970s, his screenplays for the films That'll Be the Day (1973) and Stardust (1974), and his biographies Being John Lennon: A Restless Life and Being Elvis: A Lonely Life. Born on 4 December 1940 in St Helens, Lancashire, England, he graduated from the London School of Economics before embarking on a journalism career that began at the Liverpool Daily Post and included a long-running weekly interview column for the London Evening Standard, alongside contributions to The Sunday Times, The Times, The Observer, and the Daily Mail. Connolly's work spans multiple media. His screenwriting credits include writing That'll Be the Day and Stardust, directing the documentary James Dean: The First American Teenager (1975), and scripting television films such as Forever Young and Defrosting the Fridge, as well as series including Lytton's Diary and Perfect Scoundrels. He co-wrote the BBC documentary trilogy The Rhythm of Life on record producer George Martin. As an author, Connolly has published novels including Sunday Morning, Shadows on a Wall, Love Out of Season, and A Girl Who Came to Stay. His nonfiction includes biographies of John Lennon and Elvis Presley, while his radio dramas encompass Unimaginable (about the day of Lennon's murder, when Connolly was scheduled to meet him), Sorry, Boys, You Failed the Audition (on The Beatles' early career), and Lost Fortnight (on Raymond Chandler). His extensive writing on music, particularly The Beatles, reflects a career-long engagement with popular culture.

Early life and education

Early years

Ray Connolly was born on 4 December 1940 in St Helens, Lancashire, England. He was born to John and his wife, who had married in 1936 and purchased a brand new home with a large garden outside St Helens. His father was lost at sea in 1944 during the Second World War, after which his mother raised Connolly and his sister alone without remarrying or dating. She supported the family through employment and later opened a successful dress shop in her early forties. Connolly grew up in post-war Lancashire, with early memories including family outings with his mother and sister. At age seven in 1947, his mother took them to a bluebell wood she had visited as a girl, where they picked armfuls of flowers before sitting on a hilltop to eat blackcurrant jam sandwiches while looking out across the Lancashire plain toward the Irish Sea. He also recalled his mother running alongside him to teach him to ride a bicycle, as well as cycling together to a farm to see horses or gather blackberries. He attended West Park Catholic Grammar School in St Helens, followed by Ormskirk Grammar School. One vivid memory from his time at West Park was a 1957 school camping trip at age sixteen to the shores of Coniston Water, where he attempted to swim across the lake (roughly a mile) using breaststroke to keep his hair dry, prompting great anxiety from his history teacher Mr Begley, who feared for his safety and later confined him to the tent after he emerged severely chilled.

Education

Ray Connolly was brought up in Lancashire before moving to London to study social anthropology at the London School of Economics (LSE) during the 1960s. He read social anthropology at the LSE and graduated from the institution. While at the LSE, Connolly edited the student magazine Clare Market Review in 1963. In that capacity, he sought advice from Professor John Griffith after publishing content that prompted a threatening letter from lawyers, with Griffith advising a brief reply declaring the matter closed. He also served as associate editor of the student film magazine Motion.

Journalism career

Early positions

Ray Connolly began his career in journalism after graduating from the London School of Economics, starting at the Liverpool Daily Post. He later moved to London and joined the London Evening Standard, where he began writing a weekly interview column. In the ensuing years he contributed articles to several prominent publications, including the Sunday Times, The Times, the Observer, the Daily Mail, and the Daily Telegraph. These early roles established his foundation in general journalism before his focus shifted toward specialized subjects.

Rock music journalism

Ray Connolly emerged as a leading rock music journalist in the late 1960s and 1970s, known for his extensive interviews with major figures in rock and pop while contributing to the London Evening Standard. Over seven years at the newspaper, he spoke with nearly all prominent rock stars of the era, including multiple conversations with the Beatles, Elvis Presley in Las Vegas during his 1969 comeback, and Muhammad Ali in 1971. His particularly close access to the Beatles resulted in numerous recorded interviews with Paul McCartney, John Lennon, Ringo Starr, and George Harrison, covering topics such as recording sessions, the Magical Mystery Tour, the band's break-up, and later reflections. Many of these interviews, along with related articles and news stories spanning from the late 1960s onward, were compiled in the book The Ray Connolly Beatles Archive. A selection of his other interviews with rock and pop personalities appeared in the 1983 collection Stardust Memories: Talking About My Generation. Connolly was scheduled to interview John Lennon on December 9, 1980, for the Sunday Times following Lennon's album release, after Yoko Ono urged him to visit New York; however, Lennon was murdered outside the Dakota on December 8, 1980, leading Connolly to cancel his flight and write the obituary he had once promised Lennon.

Film career

Feature screenplays

Ray Connolly wrote the original story and screenplay for the feature film That'll Be the Day (1973), directed by Claude Whatham and produced by David Puttnam. He subsequently wrote the screenplay for its sequel Stardust (1974), also produced by Puttnam. For Stardust, Connolly received the Writers' Guild of Great Britain Award for Best British Original Screenplay in 1975 (presented at the 1974 awards ceremony). This recognition highlighted his contribution to British cinema through these character-driven rock music narratives.

Documentary directing

Ray Connolly wrote and directed the feature-length documentary James Dean: The First American Teenager in 1975. The biographical film examines the life, brief film career, and lasting cultural image of actor James Dean, incorporating interviews with his friends and collaborators such as Natalie Wood, Sal Mineo, and Nicholas Ray, alongside archival footage. Produced by David Puttnam, it explores Dean's Method acting influences, personality, tragic death in 1955 at age 24, and iconic status as the archetypal rebellious teenager. Later in his career, Connolly co-wrote the 1997 BBC2 documentary series The Rhythm of Life, collaborating with director and producer Alan Benson and presented by music producer George Martin. The three-part series discusses aspects of musical composition and production, drawing on Martin's extensive experience. Connolly's prior acquaintance with Martin from Beatles recording sessions at Abbey Road informed his contribution to the project.

Television career

Series and TV films

Ray Connolly's television contributions encompass a range of drama series, single plays, television films, and documentaries, frequently reflecting his background in journalism, music journalism, and interest in personal and cultural narratives. His early television work included the 1975 documentary James Dean: The First American Teenager, which he wrote and directed, examining the actor's life, death in 1955, cultural impact, and ongoing commercial image exploitation twenty years later. Connolly has noted his personal fascination with Dean since viewing East of Eden at age fourteen shortly after the actor's death, describing Dean as a transformative influence on screen acting despite his reputation for difficulty on set. In 1977, he contributed three plays—Almost Tomorrow, Our Kid, and An Hour In the Life—to the BBC anthology series Jubilee, commissioned to mark the Queen’s Silver Jubilee. These were followed in 1981 by Honky Tonk Heroes, a trilogy of plays with music set in a south London country and western club. Connolly's first major dramatic series was Lytton's Diary (1985–1986), comprising two series of six episodes each, with the original concept provided by actor Peter Bowles, who was interested in gossip columnists; Connolly wrote the scripts alone, informed by his own Fleet Street experience to emphasize realism in depicting a columnist's professional and personal life. Among his television films, Connolly regards Forever Young (1984), made for Channel Four, as his most effectively structured screenplay; inspired by a photograph of a young Simon and Garfunkel, it explores hypothetical consequences of the duo splitting before fame and reuniting in mid-life, addressing themes of betrayal, broken ambition, and intergenerational emotional pain. The 1989 BBC Two film Defrosting The Fridge, starring Joe Don Baker and Phyllis Logan, examined English participants in American football with an underlying theme of globalisation. In 1990, he devised and wrote the drama series Perfect Scoundrels, starring Bryan Murray and Peter Bowles as con artists; despite initial reservations about writing on cons after The Sting, Connolly found satisfaction in developing the intricate scams required for each episode. Later projects included the 1994 BBC documentary A Day To Remember, presented by Connolly as part of the D-Day fiftieth anniversary programming, which incorporated his personal journey to locate and visit his father's grave in France for the first time after the Royal Navy serviceman's death in 1944. In 1997, he co-wrote the BBC-2 music documentary series The Rhythm of Life with director Alan Benson, presented by George Martin, a collaboration Connolly described as particularly gratifying given his long acquaintance with Martin from Beatles-era Abbey Road sessions.

Radio career

Radio plays

Ray Connolly has written a number of radio plays for the BBC, often drawing on personal experiences, historical figures, or speculative scenarios tied to his interests in music and culture. One notable work is Unimaginable (2005, BBC Radio), which dramatizes the 24 hours surrounding John Lennon's murder on December 8, 1980, from Connolly's perspective as a journalist who was due to interview Lennon in New York that day. Lost Fortnight (1996, BBC Radio) is an adaptation of film producer John Houseman's memoirs, focusing on Raymond Chandler's challenging time in Hollywood while working on the screenplay for The Blue Dahlia. Earlier, An Easy Game to Play (1984, BBC Radio 4) explored themes of age, class, and differing life expectations through a Liverpool love story. In 2003, he created Tim Merryman's Days of Clover, a four-part bitter-sweet comedy series about middle age, based on a fictional column he wrote for The Times. More recently, Sorry, Boys, You Failed the Audition (2013, BBC Radio 4) is a comedy drama imagining an alternate history in which George Martin rejects the Beatles at their 1962 Parlophone audition, exploring the potential consequences for the band members' lives. Devoted (2021, BBC Radio 4) draws directly from Connolly's own near-death experience with COVID-19 in 2020, when he spent six months in hospital—including time in a coma—and survived thanks to NHS care; the play stars Philip Jackson and Alison Steadman.

Literary career

Novels

Ray Connolly has written a number of novels spanning several decades, often blending elements of drama, romance, and thriller genres with insights into music, media, and human relationships. His debut novel, A Girl Who Came To Stay, centers on a show business columnist whose glamorous lifestyle of club nights, film stars, and fashion models is upended by the arrival of a young nurse, creating tension and emotional depth. He followed this with Newsdeath, a thriller depicting a terrorist campaign in London that escalates to a televised takeover of a radio station, where a top reporter becomes personally involved with the group's seductive leader. Other notable works include Love Out of Season, Sunday Morning, and Shadow on a Wall, which explores the chaotic behind-the-scenes world of film production through a colorful cast of arrogant superstars, overwhelmed producers, and dictatorial directors. Forever Young examines the reunion of two old friends—a priest with a rock 'n' roll past and a cynical academic—in a university town, reopening wounds from lost dreams and betrayal. Kill for Love is a contemporary thriller set amid 24-hour news cycles, social networking, and music, weaving together tragedies involving teenagers, a family poisoning, and a TV reporter's fascination with a singer-songwriter. More recently, Figure of Eight, co-authored with his son Kieron Connolly, follows tenants in a London apartment building fighting a ruthless landlord's illegal attempts to force them out for redevelopment. Connolly has also produced novels tied to his film work, though distinct as literary pieces: That'll Be the Day, capturing 1950s youth culture and rock fantasies through a holiday camp worker's life, and its sequel Stardust, charting a rock band's rise to fame and subsequent disillusionment in the 1960s. In addition to his novels, he has published the short story collection A Handful of Love, featuring six tales exploring love in its varied forms—from intergenerational connections to hidden pasts and holiday sacrifices—and the novella Sorry, Boys, You Failed the Audition, adapted from his own radio play.

Biographies and non-fiction

Ray Connolly has produced several notable non-fiction works, particularly biographies that delve into the lives of rock and pop music legends, informed by his background as a veteran journalist who conducted firsthand interviews with key figures from the era. His 2016 book Being Elvis: A Lonely Life offers a comprehensive examination of Elvis Presley, framing the singer as a transformative force in popular culture who struggled with the isolating effects of extraordinary fame and the contradictions of his personal life. The biography places Presley within the context of his rise from humble origins to global icon status, while highlighting the personal toll of his career. In 2018, Connolly published Being John Lennon: A Restless Life, an intimate and balanced portrait of John Lennon that draws extensively on the author's personal acquaintance and interviews with Lennon spanning nearly two decades, from 1962 until shortly before Lennon's death in 1980. The book explores Lennon's creative restlessness, his evolution from Beatles member to solo artist and activist, and the complexities of his personality and relationships. These biographies reflect Connolly's ongoing interest in the human stories behind music icons, building on his earlier direct interactions with Lennon and his deep knowledge of the period's cultural shifts.

Personal life

Family

Ray Connolly has been married to Plum since 16 April 1966. They have three children together. The couple also has two grandchildren and resides in London.

Health challenges

In 2020, Ray Connolly contracted COVID-19, resulting in a severe illness that required extended hospitalization at Chelsea and Westminster Hospital. He spent 102 days in intensive care, during which he endured a medically induced coma, two heart attacks, and vivid hallucinations. His total hospital stay lasted nearly six months before he was discharged. The ordeal profoundly impacted Connolly, who described the experience as transformative and motivating him to make the most of his remaining time. Family members provided crucial support throughout his recovery and rehabilitation period. This personal battle with the virus directly inspired Connolly's BBC Radio 4 play Devoted (2021), which he wrote based on his time in hospital.

References

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