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Reasonable Doubt (album)
Reasonable Doubt is the debut studio album by American rapper Jay-Z. It was released on June 25, 1996, by his own record label Roc-A-Fella Records and distributed by Priority Records. The album features production provided by DJ Premier, Ski, Knobody and Clark Kent, and also includes guest appearances from Memphis Bleek, Mary J. Blige, Jaz-O, and the Notorious B.I.G., among others. The album features mafioso rap themes and gritty lyrics about the "hustler" lifestyle and material obsessions.
Reasonable Doubt debuted at number 23 on the US Billboard 200, on which it charted for 18 weeks. It was promoted with four singles; including "Ain't No Nigga" and "Can't Knock the Hustle". Reasonable Doubt was certified Platinum by the Recording Industry Association of America (RIAA) and, as of 2006, has sold 1.5 million copies in the United States. A critical success, it has been ranked on several publications' lists of hip-hop's greatest albums, while many hip hop fans have viewed it as Jay-Z's best work. In August 2019, Reasonable Doubt was released to digital and streaming platforms under Roc Nation's independent label, Equity Distribution.
In 1989, aspiring rapper Jay-Z was recruited by mentor Jaz-O to appear on his song "Hawaiian Sophie". He appeared on two more Jaz-O songs in the next year, but after Jaz-O was dropped from his record label, Jay-Z dealt drugs to support himself. He continued to pursue a rap career and appeared on two songs from Original Flavor's 1993 album Beyond Flavor. Jay-Z then caught Big Daddy Kane's attention and toured with him; they collaborated on Kane's 1994 posse cut "Show & Prove" along with Wu-Tang Clan's Ol' Dirty Bastard, Wu-Tang affiliate Shyheim, Sauce Money, and Scoob Lover.
Despite the exposure he received from Kane, Jay-Z was still without a record deal. He began selling tapes from his car with help from friend Damon Dash. The success of his street-level marketing led to a deal with Payday Records, which released his first solo single, "In My Lifetime" and its B-side "I Can't Get wit Dat". In an unconventional move, Jay-Z then spurned the record contract he had long sought and left Payday Records to form his own label, Roc-A-Fella Records, with Damon Dash and Kareem "Biggs" Burke. Jay-Z later explained that he thought he could do a better job of marketing his records on his own:
[Payday] eventually signed me to a deal, but were acting shady the whole time, like they didn't know how to work a record or something. The things that they were setting up for me I could have done myself. They had me traveling places to do instores, and my product wasn't even available in the store. We shot one video, but when the time came for me to do the video for the second single, I had to be cut out. They gave me the money and I started my own company. There was a little arguing back and forth, but our conflict finally got resolved. The bottom line was they wasn't doing their job, so I had to get out of there.
Jay-Z rented a small, cheap office for Roc-A-Fella Records on John Street in one of the "dreariest parts of the busiest city in the world". Jay-Z and his compatriots thought of their low-rent headquarters as a "starting point" that would eventually lead them to Manhattan. In 1995 and early 1996, Jay-Z appeared on records by Big L and Mic Geronimo, further raising his profile. At this point, he was still considered an "underground" rapper with a "new jack" style.
Reasonable Doubt was recorded at D&D Studios and mixed at Platinum Island, however, its beats were formed elsewhere. "Can't Knock the Hustle" was produced by Knobody at his mother's home in 1994, while the vocals were recorded on tour at a studio in Tampa Florida named Progressive Music with Mary J. Blige. Ski produced "Feelin' It" and "Politics as Usual" while recording with Camp Lo. The recording sessions were often competitive; Ski and Clark Kent created similar beats for "Politics as Usual", but Ski submitted his to Jay-Z first causing his to appear on the album. "Brooklyn's Finest" was a competitive, though friendly battle between Jay-Z and The Notorious B.I.G. in which Jay-Z tried proving that he is of Biggie's caliber, while Biggie tried brushing his rhymes off as insignificant. Although the rappers had already met on the set for the "Dead Presidents" music video, they discovered that neither wrote down their rhymes while recording. The recording of "Brooklyn's Finest" spanned two months and moved from D&D Studios to Giant Studios where the Clark Kent-sung chorus was recorded. Irv Gotti and Dame Dash noted that Nas was supposed to be featured on "Bring It On" and "Can I Live" but sessions for neither song ended up happening.
An East Coast hip hop record, Reasonable Doubt was noted for having mafioso rap themes, with lyrics characterized by Stylus Magazine as "gritty realism". Writer dream hampton believed that although rappers had alluded to hustling before, Jay-Z "talks about what it can do to a person's inner peace, and what it can do to their mind". Jay-Z later said, "the studio was like a psychiatrist's couch for me" while recording Reasonable Doubt. AllMusic's Steve Huey described him as "a street hustler from the projects who rapped about what he knew—and he was very, very good at it...detailing his experiences on the streets with disarming honesty". Huey summarizes the album's subject matter saying:
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Reasonable Doubt (album)
Reasonable Doubt is the debut studio album by American rapper Jay-Z. It was released on June 25, 1996, by his own record label Roc-A-Fella Records and distributed by Priority Records. The album features production provided by DJ Premier, Ski, Knobody and Clark Kent, and also includes guest appearances from Memphis Bleek, Mary J. Blige, Jaz-O, and the Notorious B.I.G., among others. The album features mafioso rap themes and gritty lyrics about the "hustler" lifestyle and material obsessions.
Reasonable Doubt debuted at number 23 on the US Billboard 200, on which it charted for 18 weeks. It was promoted with four singles; including "Ain't No Nigga" and "Can't Knock the Hustle". Reasonable Doubt was certified Platinum by the Recording Industry Association of America (RIAA) and, as of 2006, has sold 1.5 million copies in the United States. A critical success, it has been ranked on several publications' lists of hip-hop's greatest albums, while many hip hop fans have viewed it as Jay-Z's best work. In August 2019, Reasonable Doubt was released to digital and streaming platforms under Roc Nation's independent label, Equity Distribution.
In 1989, aspiring rapper Jay-Z was recruited by mentor Jaz-O to appear on his song "Hawaiian Sophie". He appeared on two more Jaz-O songs in the next year, but after Jaz-O was dropped from his record label, Jay-Z dealt drugs to support himself. He continued to pursue a rap career and appeared on two songs from Original Flavor's 1993 album Beyond Flavor. Jay-Z then caught Big Daddy Kane's attention and toured with him; they collaborated on Kane's 1994 posse cut "Show & Prove" along with Wu-Tang Clan's Ol' Dirty Bastard, Wu-Tang affiliate Shyheim, Sauce Money, and Scoob Lover.
Despite the exposure he received from Kane, Jay-Z was still without a record deal. He began selling tapes from his car with help from friend Damon Dash. The success of his street-level marketing led to a deal with Payday Records, which released his first solo single, "In My Lifetime" and its B-side "I Can't Get wit Dat". In an unconventional move, Jay-Z then spurned the record contract he had long sought and left Payday Records to form his own label, Roc-A-Fella Records, with Damon Dash and Kareem "Biggs" Burke. Jay-Z later explained that he thought he could do a better job of marketing his records on his own:
[Payday] eventually signed me to a deal, but were acting shady the whole time, like they didn't know how to work a record or something. The things that they were setting up for me I could have done myself. They had me traveling places to do instores, and my product wasn't even available in the store. We shot one video, but when the time came for me to do the video for the second single, I had to be cut out. They gave me the money and I started my own company. There was a little arguing back and forth, but our conflict finally got resolved. The bottom line was they wasn't doing their job, so I had to get out of there.
Jay-Z rented a small, cheap office for Roc-A-Fella Records on John Street in one of the "dreariest parts of the busiest city in the world". Jay-Z and his compatriots thought of their low-rent headquarters as a "starting point" that would eventually lead them to Manhattan. In 1995 and early 1996, Jay-Z appeared on records by Big L and Mic Geronimo, further raising his profile. At this point, he was still considered an "underground" rapper with a "new jack" style.
Reasonable Doubt was recorded at D&D Studios and mixed at Platinum Island, however, its beats were formed elsewhere. "Can't Knock the Hustle" was produced by Knobody at his mother's home in 1994, while the vocals were recorded on tour at a studio in Tampa Florida named Progressive Music with Mary J. Blige. Ski produced "Feelin' It" and "Politics as Usual" while recording with Camp Lo. The recording sessions were often competitive; Ski and Clark Kent created similar beats for "Politics as Usual", but Ski submitted his to Jay-Z first causing his to appear on the album. "Brooklyn's Finest" was a competitive, though friendly battle between Jay-Z and The Notorious B.I.G. in which Jay-Z tried proving that he is of Biggie's caliber, while Biggie tried brushing his rhymes off as insignificant. Although the rappers had already met on the set for the "Dead Presidents" music video, they discovered that neither wrote down their rhymes while recording. The recording of "Brooklyn's Finest" spanned two months and moved from D&D Studios to Giant Studios where the Clark Kent-sung chorus was recorded. Irv Gotti and Dame Dash noted that Nas was supposed to be featured on "Bring It On" and "Can I Live" but sessions for neither song ended up happening.
An East Coast hip hop record, Reasonable Doubt was noted for having mafioso rap themes, with lyrics characterized by Stylus Magazine as "gritty realism". Writer dream hampton believed that although rappers had alluded to hustling before, Jay-Z "talks about what it can do to a person's inner peace, and what it can do to their mind". Jay-Z later said, "the studio was like a psychiatrist's couch for me" while recording Reasonable Doubt. AllMusic's Steve Huey described him as "a street hustler from the projects who rapped about what he knew—and he was very, very good at it...detailing his experiences on the streets with disarming honesty". Huey summarizes the album's subject matter saying: