Richard Horowitz

Richard Horowitz was an American composer and multi-instrumentalist known for his pioneering integration of Middle Eastern and North African musical traditions into contemporary compositions and film scores. ^[1] He achieved widespread acclaim for co-composing the soundtrack to Bernardo Bertolucci's The Sheltering Sky (1990) with Ryuichi Sakamoto, winning the Golden Globe Award for Best Original Score in 1991. ^{[2] [1]} Born on January 6, 1949, in Buffalo, New York, Horowitz studied electronic music in Paris and trained on the ney, a traditional Moroccan flute, in Morocco during the 1970s, experiences that shaped his distinctive style. ^{[1] [3]} He released influential works such as the album Eros in Arabia (1981) and formed long-term collaborations with vocalist Sussan Deyhim (his wife), trumpeter Jon Hassell, and artists including David Byrne and Brian Eno. ^[1] Horowitz contributed scores to films including Oliver Stone's Any Given Sunday (1999) and co-founded the Gnawa and World Music Festival in Essaouira, Morocco, in 1998, reflecting his deep connection to the region where he spent much of his life. ^{[1] [3]} He died on April 13, 2024, in Marrakesh, Morocco, at the age of 75. ^{[1] [3]}

Early life

Birth and early years

Richard Horowitz was born on January 6, 1949, in Buffalo, New York, United States. ^{[4] [5] [3]} He grew up in Buffalo during the post-World War II era, spending his childhood and early adulthood in New York State. ^{[5] [1]} His musical roots lay in classical, jazz, and electronic/computer music, reflecting an early interest in diverse musical traditions during his formative years in the United States. ^[5] He later relocated abroad in adulthood, eventually residing in Morocco. ^[4]

Education and musical development

Richard Horowitz studied under the minimalist composer La Monte Young. ^{[1] [6] [7]} In the 1970s, he studied electronic music in Paris. ^{[1] [6]} During the same decade, he traveled to Morocco to study and master the ney, a traditional end-blown flute central to North African and Middle Eastern music traditions. ^{[1] [6]} Horowitz spent much of his young adulthood traveling Europe, where he performed music extensively. ^{[1] [6]} His immersion in the ney during his Moroccan studies proved foundational to his musical style, which blended Western minimalist and electronic influences with North African elements. ^[1] He subsequently released a series of albums based around the ney between the late 1970s and early 1980s. ^[1]

Career

Independent music and early albums

Horowitz's independent music output emerged in the late 1970s and early 1980s, centered primarily on the ney flute (also known as nai) and reflecting his deep engagement with the instrument through studies in Morocco and Paris.^[8] His earliest known release was the 1979 album Oblique Sequences (Solo Nai Improvisations) on Shandar Records, consisting entirely of solo ney improvisations recorded at IRCAM in Paris.^[9][10] In 1981, Horowitz self-released his debut full-length Eros in Arabia under the pseudonym Drahcir Ztiworoh on his Ethnotech label.^[11] The album prominently featured ney throughout, layered with synthesizer (including Prophet 5), prepared piano, Moroccan frame drums, and electronic processing to evoke an otherworldly fusion of traditional influences—such as Rajasthani folk, North African sacred music, and Bedouin elements—with 1980s electronics.^[12] It has been described as a key work in American minimalism and Fourth World music traditions, notable for its immersive, boundary-dissolving soundscapes, including extended pieces like the 20-minute "Elephant Dance" built solely around ney and synthesizer.^[12][8] The album largely disappeared after its initial limited run but gained renewed recognition following a 2017 remastered reissue by Freedom to Spend.^[12] Horowitz performed as both pianist and ney player in various non-film contexts during this period and beyond, with later independent works including Majoun (1996) and occasional compilations that highlighted his ongoing solo explorations.^[13][4]

Film scoring

Richard Horowitz gained recognition as a film composer through his distinctive integration of Western orchestral elements with Middle Eastern and North African musical traditions, often featuring instruments such as the ney flute. ^[1] His most notable contribution came with the score for Bernardo Bertolucci's The Sheltering Sky (1990), where he served as composer for North African music elements in collaboration with Ryuichi Sakamoto. ^[3] This work earned him a shared Golden Globe Award for Best Original Score – Motion Picture in 1991. ^[2] He composed the score for Oliver Stone's Any Given Sunday (1999). ^[3] Additional credits include contributing to the soundtrack of Ridley Scott's 1492: Conquest of Paradise (1992), serving as composer for North African music on The Sheltering Sky (1990), playing ney flute and acting as music mixer on L'Atlantide (1992), and performing as musician (keyboards and percussion) and music mixer on Three Seasons (1999). ^[3] His later film work encompassed composing for projects such as Tobruk (2008), Love in the Medina (2011), and Kajarya (2013), along with numerous independent and international films during the 2010s. ^[3] In various productions, Horowitz also took occasional roles as a ney musician, additional music composer, or music mixer. ^[3]

Key collaborations

Richard Horowitz engaged in numerous significant professional collaborations that bridged experimental, world, and film music traditions. His most enduring partnership was with Iranian vocalist and composer Sussan Deyhim, beginning in 1981 and encompassing creative works that fused electronic instrumentation, multi-cultural influences, and innovative vocal techniques. ^[14] Their joint projects included the landmark album Desert Equations: Azax Attra (1986), which blended Deyhim's sublime voice with Horowitz's electronic wizardry. ^[15] This collaboration continued over the decades, earning recognition for its distinctive cross-cultural synthesis. Starting in 1981, Horowitz also worked closely with trumpeter Jon Hassell, participating in tours and contributing to Hassell's album Power Spot (1986). ^[16] During the 1980s, he collaborated with other key figures in the emerging Fourth World and experimental scenes, including David Byrne, Brian Eno, and Anthony Braxton. ^[16] Horowitz additionally provided music and performance contributions to film projects alongside composer Ryuichi Sakamoto, notably on The Sheltering Sky (1990). ^[1]

Cultural contributions

Gnawa and World Music Festival

Richard Horowitz co-founded the Gnawa and World Music Festival in Essaouira, Morocco, in 1998. ^{[6] [1]} This initiative grew out of his long residence in Morocco and his deep engagement with the country's musical traditions, including his studies of the ney in the 1970s. ^[1] The festival highlights Gnawa music—a traditional Moroccan form rooted in spiritual and healing practices—while incorporating diverse world music influences, fostering cross-cultural exchange and appreciation. ^[6] The event has since become a major international gathering, now attracting over 500,000 attendees annually and serving as a prominent platform for preserving and promoting Gnawa heritage on a global scale. ^{[6] [1]} Horowitz's involvement reflected his commitment to bridging traditional Moroccan sounds with broader audiences through this ongoing cultural celebration. ^[6]

Personal life

Partnership with Sussan Deyhim

Richard Horowitz met Iranian vocalist, dancer, and composer Sussan Deyhim by chance in 1981 at Noise New York, a small recording studio in Manhattan, where their creative and personal partnership began. ^{[17] [18]} Described as life and creative partners, they shared a relationship spanning over 40 years that blended romantic commitment with profound artistic synergy. ^{[19] [7] [17]} Their collaboration produced notable joint works, including the 1986 album Desert Equations: Azax Attra, a landmark release that exemplified their fusion of electronic textures, world music influences, and Deyhim's distinctive vocal style. ^{[17] [7]} Archival recordings from 1985–1990, released posthumously as The Invisible Road, further document the depth of their early creative explorations. ^[17] In Horowitz's later years, Deyhim served as his primary caregiver after his Parkinson's disease diagnosis, relocating him from Los Angeles to Marrakesh, Morocco—his spiritual home—for comfort and support in the company of friends. ^{[19] [7]} He passed away in Marrakesh on April 13, 2024, in her company. ^[7] Deyhim described him in a public statement as her partner in life and music of over 40 years, highlighting the enduring bond they maintained through illness. ^[19]

Family and later residence

In his later years, Horowitz relocated to Morocco following his diagnosis with Parkinson’s disease in 2021, choosing to live out the remainder of his life in a country he adored. ^[6] He resided in Marrakesh, which became his home base after the move. ^[1] He was lovingly cared for by his partner Sussan Deyhim, who served as his primary caregiver, and was regularly visited by his daughter Tamara Melnik and his grandchildren. ^[6] Horowitz is survived by Deyhim, Melnik, and his grandchildren. ^[6]

Death

Parkinson's disease and passing

Richard Horowitz was diagnosed with Parkinson's disease in 2021 and relocated to Morocco to live out the remainder of his life. ^[20] He died on April 13, 2024, in Marrakesh, Morocco, at the age of 75, in the company of his partner Sussan Deyhim. ^[7] His passing was announced by his partner Sussan Deyhim, who noted his diagnosis and relocation to Morocco. ^{[20] [1]}