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Robin Chatterjee
Robin Chatterjee
Robin Chatterjee
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Key Information

Robin Chatterjee was an Indian music director and sound recordist who scored music for about ninety films. Starting from the 1942 film Parineeta, he has composed music for evergreen soundtracks such as Godhuli, Bipasha, Sagarika, Kamallata, Dwiper Nam Tiya Rang, etc.[2][3]

Career

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In 1955, he composed music for the film Godhuli which contained a song "Piya Piya Piya Ke Dake Amare". In 1957, he composed music for Uttam-Suchitra starrer superhit Sagarika. In that film, Shyamal Mitra sang "Amar Swapne dekha Rajkanya".[4]

In the 1950s and 1960s, Chatterjee frequently composed scores for director Agradoot, including:[5]

  • Sabar Uparey (1955). Songs in the film included "Ghum Ghum Chand" sung by Sandhya Mukherjee and "Kataro Aghate Chino Paye Rokto Jhore" sung by Dhananjay Bhattacharya.
  • In Pathey Holo Deri (1957), Sandhya Mukherjee sung Chatterjee's "E Shudhu Gaaner Din", "ei chayaghera logone aaj ke dake amar" and "Tumi Na Hoy Rohite Kachhe".
  • Lalu Bhulu – All the songs in the film had been sung by classical singer Manabendra Mukhopadhyay, including "ei pranjharona jaglo", "Dukkho Amar Sesh Kore Dao", "Dukher Pothe Namli Jodi", "Akash Mor Alloy Diyecho Bhore", "Jaar Hiya Akasher" and "Surjo Tomar Sonar Toron".
  • Bipasha, with Sandhya Mukherjee's song "Klantir Path Bujhira Phuralo", and "Ami Sapne Tomay Dekhechhi".

Collaborations

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Chatterjee worked with many Bengali singers, such as Hemanta Mukherjee, Manna Dey, Shyamal Mitra, Aarti Mukherjee, Sandhya Mukherjee, Pratima Banderjee, Lata Mangeshkar, Asha Bhosle, Geeta Dutt, Arundhati Holme Chowdhury, Utpala Sen and Kishore Kumar.

Filmography

[edit]
Further information: Robin Chatterjee discography

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Robin Chatterjee

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Robin Chatterjee is an Indian music director and sound recordist known for his contributions to the Bengali and Hindi film industries during the mid-20th century. Born on 8 January 1918, he pursued a multifaceted career in film music and sound until his death on April 2, 1976. He composed music for several Bengali films, including Sagarika (1956), Bipasha (1962), and Grihadaha (1967), while also working extensively in the music and sound departments on Hindi films such as Mere Hamdam Mere Dost (1968), Yakeen (1969), Hum Kisise Kum Naheen (1977), and Karz (1980). His roles ranged from composer and song recordist to background music recordist and audiographer, reflecting his versatility and involvement in both creative and technical aspects of Indian cinema. Chatterjee's work spanned from the 1950s onward, leaving a legacy in the soundtracks and audio production of numerous films across regional and national cinema.

Early life

Birth and family background

Robin Chatterjee was born on 8 January 1914 in Calcutta, Bengal Presidency, British India. He came from a Bengali family in Calcutta, a major center for Bengali arts, literature, and music under British colonial rule. Details about his parents, siblings, or specific early family circumstances remain scarcely documented in available sources.

Career

Entry into film industry and sound recording

Robin Chatterjee was an Indian film professional known for his contributions as both a music director and a sound recordist in Bengali and Hindi cinema. His composer credits date back to at least the mid-1950s, with one of his early works being the Bengali film Sagarika (1956). In addition to music composition, Chatterjee had an extensive career in sound recording, earning credits in the sound department across numerous films. His roles included sound recordist, song recordist, background music recordist, audiographer, and sound re-recordist, reflecting his technical expertise in audio for cinema. These sound-related contributions supported a wide range of productions, particularly in the later decades of his career, where he accumulated dozens of credits in music and sound departments.

Music direction and major contributions

Robin Chatterjee composed music for several dozen Bengali films, establishing himself as a notable figure in Bengali cinema during the mid-20th century. His work is particularly noted for creating enduring melodies suited to romantic and dramatic narratives. In the 1950s and 1960s, Chatterjee frequently collaborated with the directorial group Agradoot, contributing scores to films such as Sabar Uparey (1955), Pathe Holo Deri (1957), and Bipasha (1962). These partnerships helped shape memorable cinematic moments, including the effective pairing of singer Sandhya Mukherjee with actress Suchitra Sen. His compositions in these and other works, such as Sagarika (1956) and Kamallata (1969), exemplified his ability to craft enduring soundtracks. While primarily active in Bengali cinema, Chatterjee had limited involvement in Hindi films, mainly in technical roles such as song recording and background scoring rather than primary music direction. His major contributions remain centered on enriching Bengali film music through consistent output and impactful collaborations during the industry's formative postwar decades.

Notable works

Key films and soundtracks

He went on to compose for several notable Bengali films whose soundtracks have endured as classics in the industry. Among his key works are Sabar Uparey (1955), with popular track "Ghum ghum chand" sung by Sandhya Mukherjee; Sagarika (1956), a prominent Uttam Kumar–Suchitra Sen starrer including "Amar swapne dekha rajkanya" sung by Shyamal Mitra; Pathey Holo Deri (1957), featuring "E shudhu gaaner din" sung by Sandhya Mukherjee; Bipasha (1962), with "Klantir path bujhira phuralo" and "Ami sapne tomay dekhechhi" sung by Sandhya Mukherjee; Dwiper Nam Tiya Rang (1963); and Kamallata (1969). These films often showcased his collaborations with leading Bengali playback singers including Sandhya Mukherjee, Shyamal Mitra, Hemanta Mukherjee, Manna Dey, and Manabendra Mukhopadhyay, resulting in memorable and widely appreciated melodies. His soundtracks for these projects are recognized for their lasting appeal and contribution to Bengali cinema's musical heritage.

Personal life

Family and personal details

Robin Chatterjee's family and personal life remain largely undocumented in public records and reliable sources, with most available information centering on his professional contributions to Indian cinema rather than private matters. No verified details about his marriage, spouse, children, residences, or non-professional interests appear in reputable industry or news sources. This scarcity of information is typical for many behind-the-scenes technicians of his era, whose personal affairs were rarely highlighted in media coverage.

Death

Passing and circumstances

Robin Chatterjee passed away on 2 April 1976 at the age of 58. No specific cause of death or detailed circumstances surrounding his passing are documented in available sources.

Legacy

Influence and remembrance

Robin Chatterjee's compositions for Bengali films in the 1950s and 1960s remain part of the region's film music history. Posthumously, Chatterjee is commemorated through tributes on his birth anniversary, particularly by film heritage platform Cinemaazi, which has acknowledged his contributions on multiple occasions. His works are preserved through some archival re-releases and digital availability on platforms such as Apple Music.
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