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Ronald Reagan in music
The appearance of Ronald Reagan in music includes mentions and depictions of the actor-turned-politician in songs, albums, music videos, and band names, particularly during his two terms as President of the United States. Reagan first appeared on a few album covers during his time as a Hollywood actor, well before his political career. During the 1960s, folk, rock, and satirical musicians criticized Reagan in his early years as Governor of California for his red-baiting and attacking of the Berkeley-based Free Speech Movement. In the 1980s, songs critiquing Reagan became more widespread and numerous once he ascended to national office and involved himself in the renewal of the Cold War, the nuclear arms race, social conservatism, right-wing evangelicalism, and his economic policies in relation to low-income people. While references to Reagan during his presidency appear in pop music, his presence in song lyrics and on album covers is often associated with the hardcore punk counter-culture of the 1980s.
The 1980s' surge in political songs about a current president marked a shift in the culture and helped define the soundscape of the decade, partly fueled by Reagan's attack on aspects of culture associated with rock and roll, namely sex, drugs, and left-leaning politics. While presidents Lyndon B. Johnson and Richard Nixon had been the subject of protest songs and politically satirical music during both the Vietnam War and Watergate scandal, presidents Gerald Ford and Jimmy Carter were mentioned only occasionally by songwriters in the 1970s. That changed with Reagan's presidency, which brought on echoes of his prior campaign against counter-cultural activists a generation earlier during his terms as governor of California. The arrival of music television added a visual component to many of these songs, as did numerous album covers that used the president's likeness in their artwork. Artists' access to digital technology and the rise of hip hop also made Reagan the first political figure whose voice was widely sampled in music.
With regards to musical taste, Reagan himself was a proponent of standards from Hollywood musicals and the Great American Songbook, running three campaigns to the tune of "California Here I Come". As a social conservative, he and his administration were sometimes at odds with the lifestyles and politics of popular musicians, and Reagan's time as president was marked by various miscommunications involving the Beach Boys, Bruce Springsteen, and others. Reagan's longevity as a public figure, and the legacy of music written about him, has driven musicians to continue making comments on Reagan well after his political career.
While Ronald Reagan began involving himself in politics in the late 1950s and early 1960s, other cultural and political shifts in the United States coalesced to create a surge in protest music. Waves of African-Americans moving from the Southern United States to urban centers in the North, Midwest, and West during and after World War II helped to electrify the blues and hastened the evolution of rock and roll. A post-war baby boom meant that a large segment of the population was entering their teens at the start of the 1960s and became the de facto audience for this new music. Simultaneously the Civil Rights Movement and Vietnam War fueled folk singers like Bob Dylan and Phil Ochs to write and record numerous topical songs that reached a large fanbase of primarily young people. While President Lyndon Johnson's escalation of U.S. involvement in Vietnam was met with increased protests, Reagan began his campaign for Governor of California. Phil Ochs mentioned both Johnson and Reagan on his 1966 album, Phil Ochs in Concert. In his introduction to "Ringing of Revolution", Ochs sets up the song by speculating on a future where the last of the bourgeoisie are besieged in a mansion atop a hill. Ochs imagines a film based on his own lyrics:
It stars Senator Carl Hayden as Ho Chi Minh,
Frank Sinatra plays Fidel Castro,
Ronald Reagan plays George Murphy
and John Wayne plays Lyndon Johnson.
And Lyndon Johnson plays God.
Ochs interchanges actors and politicians and pokes fun at Reagan for following in George Murphy's footsteps: Murphy, like Reagan, had been a film actor and became president of the Screen Actors Guild (SAG), then went on to be a Republican U.S. Senator for the state of California. Reagan had succeeded Murphy as SAG president where he worked as an informant for the FBI during the Hollywood blacklist period. Two decades later, Reagan also ran for office and became California's governor.
Tom Lehrer made a similar comparison in his song "George Murphy", which opens:
Hollywood's often tried to mix
Show-business with politics,
From Helen Gahagan
To Ronald Reagan.
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Ronald Reagan in music
The appearance of Ronald Reagan in music includes mentions and depictions of the actor-turned-politician in songs, albums, music videos, and band names, particularly during his two terms as President of the United States. Reagan first appeared on a few album covers during his time as a Hollywood actor, well before his political career. During the 1960s, folk, rock, and satirical musicians criticized Reagan in his early years as Governor of California for his red-baiting and attacking of the Berkeley-based Free Speech Movement. In the 1980s, songs critiquing Reagan became more widespread and numerous once he ascended to national office and involved himself in the renewal of the Cold War, the nuclear arms race, social conservatism, right-wing evangelicalism, and his economic policies in relation to low-income people. While references to Reagan during his presidency appear in pop music, his presence in song lyrics and on album covers is often associated with the hardcore punk counter-culture of the 1980s.
The 1980s' surge in political songs about a current president marked a shift in the culture and helped define the soundscape of the decade, partly fueled by Reagan's attack on aspects of culture associated with rock and roll, namely sex, drugs, and left-leaning politics. While presidents Lyndon B. Johnson and Richard Nixon had been the subject of protest songs and politically satirical music during both the Vietnam War and Watergate scandal, presidents Gerald Ford and Jimmy Carter were mentioned only occasionally by songwriters in the 1970s. That changed with Reagan's presidency, which brought on echoes of his prior campaign against counter-cultural activists a generation earlier during his terms as governor of California. The arrival of music television added a visual component to many of these songs, as did numerous album covers that used the president's likeness in their artwork. Artists' access to digital technology and the rise of hip hop also made Reagan the first political figure whose voice was widely sampled in music.
With regards to musical taste, Reagan himself was a proponent of standards from Hollywood musicals and the Great American Songbook, running three campaigns to the tune of "California Here I Come". As a social conservative, he and his administration were sometimes at odds with the lifestyles and politics of popular musicians, and Reagan's time as president was marked by various miscommunications involving the Beach Boys, Bruce Springsteen, and others. Reagan's longevity as a public figure, and the legacy of music written about him, has driven musicians to continue making comments on Reagan well after his political career.
While Ronald Reagan began involving himself in politics in the late 1950s and early 1960s, other cultural and political shifts in the United States coalesced to create a surge in protest music. Waves of African-Americans moving from the Southern United States to urban centers in the North, Midwest, and West during and after World War II helped to electrify the blues and hastened the evolution of rock and roll. A post-war baby boom meant that a large segment of the population was entering their teens at the start of the 1960s and became the de facto audience for this new music. Simultaneously the Civil Rights Movement and Vietnam War fueled folk singers like Bob Dylan and Phil Ochs to write and record numerous topical songs that reached a large fanbase of primarily young people. While President Lyndon Johnson's escalation of U.S. involvement in Vietnam was met with increased protests, Reagan began his campaign for Governor of California. Phil Ochs mentioned both Johnson and Reagan on his 1966 album, Phil Ochs in Concert. In his introduction to "Ringing of Revolution", Ochs sets up the song by speculating on a future where the last of the bourgeoisie are besieged in a mansion atop a hill. Ochs imagines a film based on his own lyrics:
It stars Senator Carl Hayden as Ho Chi Minh,
Frank Sinatra plays Fidel Castro,
Ronald Reagan plays George Murphy
and John Wayne plays Lyndon Johnson.
And Lyndon Johnson plays God.
Ochs interchanges actors and politicians and pokes fun at Reagan for following in George Murphy's footsteps: Murphy, like Reagan, had been a film actor and became president of the Screen Actors Guild (SAG), then went on to be a Republican U.S. Senator for the state of California. Reagan had succeeded Murphy as SAG president where he worked as an informant for the FBI during the Hollywood blacklist period. Two decades later, Reagan also ran for office and became California's governor.
Tom Lehrer made a similar comparison in his song "George Murphy", which opens:
Hollywood's often tried to mix
Show-business with politics,
From Helen Gahagan
To Ronald Reagan.