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Roshini Kempadoo
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Roshini Kempadoo
Roshini Kempadoo (born Crawley, Sussex, England, 1959) is a British photographer, media artist, and academic. For more than 20 years she has been a lecturer and researcher in photography, digital media production, and cultural studies in a variety of educational institutions, and is currently a professor in Photography and Visual Culture at the University of Westminster.
Her photography has been concerned with women's issues and issues of representation, particularly of black people. In her research, multimedia, and photographic projects, which explore the visual representation of the Caribbean, she combines "factual and fictional re-imaginings of contemporary experiences with history and memory ...[and] her recent work as a digital image artist includes photographs and screen-based interactive art installations that fictionalize Caribbean archive material, objects, and spaces."
Roshini Kempadoo was born in Crawley, Sussex, England, having spent a decade of her childhood in the Caribbean, from where her family originates. As she describes her background,
"You could say my parents were part of the 'Windrush Generation'. My father (Peter Kempadoo) arrived in London in the 1950s, but my family moved back and forth between the UK and the Caribbean. I was born in England and returned to the Caribbean as a child. I spent my formative years, between the ages of 11-18, in Jamaica and Guyana. I had the good fortune of knowing the Caribbean very well through my experiences growing up in Barbados, Trinidad, Jamaica and Guyana."
She attended St. Rose's High School in Georgetown, Guyana, and returned to the UK for her university education in 1977 (her family relocated to Saint Lucia shortly afterwards). She studied Visual Communications at undergraduate level, specializing in Photography in her final year, and subsequently earning a master's degree in Photographic Studies at the University of Derby.
Kempadoo joined Format, the women's photographic agency conceived by Maggie Murray and Val Wilmer, and was also involved in establishing the first Black British photographic association, Autograph ABP, together with Monika Baker, Sunil Gupta, Rotimi Fani-Kayode and Armet Francis. She pursued a photographic career from the 1980s and '90s onwards:
it was a period of time in which we were re-defining representations of the black subject. It was an exciting period of time where photography and film moved away from traditional visual arts studies and became more radically linked to cultural studies and criticism. Photography of this kind became situated outside fine art studies, and this broader interdisciplinary field allowed me to consider photography in relation to notions of psychoanalysis, post-colonialism and feminist studies, drawing on the seminal texts of Stuart Hall, Susan Sontag, Laura Mulvey and John Berger to think about photography.
She also counts among her influences colleagues such as John Akomfrah, Sunil Gupta, Ingrid Pollard and Keith Piper, in addition to those involved with publishing the international independent photographic magazine Ten.8, among them Derek Bishton, Rhonda Wilson (with whom she co-edited the Spectrum Women's Photography Festival exhibition catalogue, published as a special supplement to issue 30 of the magazine) and John Taylor.
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Roshini Kempadoo
Roshini Kempadoo (born Crawley, Sussex, England, 1959) is a British photographer, media artist, and academic. For more than 20 years she has been a lecturer and researcher in photography, digital media production, and cultural studies in a variety of educational institutions, and is currently a professor in Photography and Visual Culture at the University of Westminster.
Her photography has been concerned with women's issues and issues of representation, particularly of black people. In her research, multimedia, and photographic projects, which explore the visual representation of the Caribbean, she combines "factual and fictional re-imaginings of contemporary experiences with history and memory ...[and] her recent work as a digital image artist includes photographs and screen-based interactive art installations that fictionalize Caribbean archive material, objects, and spaces."
Roshini Kempadoo was born in Crawley, Sussex, England, having spent a decade of her childhood in the Caribbean, from where her family originates. As she describes her background,
"You could say my parents were part of the 'Windrush Generation'. My father (Peter Kempadoo) arrived in London in the 1950s, but my family moved back and forth between the UK and the Caribbean. I was born in England and returned to the Caribbean as a child. I spent my formative years, between the ages of 11-18, in Jamaica and Guyana. I had the good fortune of knowing the Caribbean very well through my experiences growing up in Barbados, Trinidad, Jamaica and Guyana."
She attended St. Rose's High School in Georgetown, Guyana, and returned to the UK for her university education in 1977 (her family relocated to Saint Lucia shortly afterwards). She studied Visual Communications at undergraduate level, specializing in Photography in her final year, and subsequently earning a master's degree in Photographic Studies at the University of Derby.
Kempadoo joined Format, the women's photographic agency conceived by Maggie Murray and Val Wilmer, and was also involved in establishing the first Black British photographic association, Autograph ABP, together with Monika Baker, Sunil Gupta, Rotimi Fani-Kayode and Armet Francis. She pursued a photographic career from the 1980s and '90s onwards:
it was a period of time in which we were re-defining representations of the black subject. It was an exciting period of time where photography and film moved away from traditional visual arts studies and became more radically linked to cultural studies and criticism. Photography of this kind became situated outside fine art studies, and this broader interdisciplinary field allowed me to consider photography in relation to notions of psychoanalysis, post-colonialism and feminist studies, drawing on the seminal texts of Stuart Hall, Susan Sontag, Laura Mulvey and John Berger to think about photography.
She also counts among her influences colleagues such as John Akomfrah, Sunil Gupta, Ingrid Pollard and Keith Piper, in addition to those involved with publishing the international independent photographic magazine Ten.8, among them Derek Bishton, Rhonda Wilson (with whom she co-edited the Spectrum Women's Photography Festival exhibition catalogue, published as a special supplement to issue 30 of the magazine) and John Taylor.