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Sadma
Poster
Directed byBalu Mahendra
Screenplay byBalu Mahendra
Gulzar (dialogue)
Story byBalu Mahendra
Based onMoondram Pirai by Balu Mahendra
Produced byRaj N. Sippy
Romu N. Sippy
StarringSridevi
Kamal Haasan
CinematographyBalu Mahendra
Edited byD. Vasu
Music byIlaiyaraaja
Release date
  • 8 July 1983 (1983-07-08)
Running time
141 minutes
CountryIndia
LanguageHindi

Sadma (transl. Trauma) is a 1983 Indian Hindi-language romantic drama film, written and directed by Balu Mahendra. The film stars Sridevi as Nehalata Malhotra, a young woman who regresses to childhood as a result of retrograde amnesia after suffering a head injury in a car crash. She was lost and ended up trapped in a brothel before being rescued by Somu (played by Kamal Haasan), a lonely school teacher who falls in love with her.

Released on 8 July 1983, the film was a remake of Mahendra's 1982 Tamil film Moondram Pirai, which also starred Sridevi and Haasan. Although a commercial failure upon release, Sadma was widely acclaimed by critics for its direction, screenplay, music, and performances. Sridevi's performance as an amnesiac woman was widely praised. Sadma over the years has gained cult status.[1] At the 31st Filmfare Awards, Sadma received three nominations: Best Actor (Kamal Haasan) Best Actress (Sridevi) and Best Story (Mahendra).

Plot

[edit]

Nehalata, a young woman, has a car accident while returning from a party and is hospitalized with severe head injuries. When she recovers, she is diagnosed with retrograde amnesia. Having mentally regressed to the state of her 6-year-old self, she fails to recognize her elderly parents. While she is undergoing treatment, she is kidnapped and sold to the madam of a brothel. Somprakash, also known as Somu, visits the brothel with his old friend to relax. The madam sends Nehalata, renamed Reshmi, to his room. Somu realises that she is mentally a child and pities her upon learning how she came to the brothel. He questions her about her family and background, but due to her condition, she is unable to reveal enough information for him to locate her parents.

Somu rescues Reshmi from the brothel, under the pretense of a pleasure trip. He takes her to his home in Ooty, where he works as a school teacher. His elderly neighbour, whom he refers to as Grandmother, helps him care for Reshmi. Although Somu is aware of Reshmi's physical beauty, their relationship is strictly that of a child and protective caregiver, and she becomes trusting of him. Their bond is briefly threatened when Reshmi accidentally spills ink over Somu's documents, angering him, but they reconcile. Later, a local woodcutter named Balua lusts for Reshmi and nearly assaults her, but she manages to save herself. When Somu learns of it, he becomes livid with rage and almost kills Balua. In a side plot, Soni, the lonely younger wife of Somu's middle-aged headmaster, repeatedly attempts and fails to seduce Somu, who does not reciprocate her feelings.

Reshmi's father, who was searching for her through the police, releases a newspaper advertisement about her. He is given a lead by a co-passenger of the train that Somu and Reshmi had taken to Ooty. Meanwhile, Somu takes Reshmi to a medicine man and leaves her with him for a day's treatment. The police arrive at Somu's house searching for Reshmi, eventually tracing her to the medicine man's home. Somu, fearing police action, does not follow them there. The treatment is successful, with Reshmi (now Nehalata again) regaining her memory, recognizing her parents, and completely forgetting the period between her accident and recovery. She and her parents rejoice and prepare to leave Ooty. The medicine man informs her father that the man who had brought her to him had been taking good care of his daughter; her father withdraws his police complaint, and the family begins their journey home.

After the police leave, Somu chases the car in which Nehalata is traveling, falling and severely injuring himself in the process. Covered in mud, he limps after them to the railway station and tries to get Reshmi's attention at her train seat window, but she does not remember him. Somu repeatedly calls out to her and mimics a dancing monkey that she had developed a liking for, but Nehalata, unable to comprehend, thinks he is insane and begging for food. He continues his futile attempts, but the train eventually leaves with Nehalata not recognising him. Somu is left alone at the station, heartbroken.

Cast

[edit]

Soundtrack

[edit]
Sadma
Soundtrack album by
Ilaiyaraaja
Released1983
GenreFeature film soundtrack
Length28:58
LanguageHindi
LabelSony Music
External audio
audio icon Official Audio Jukebox on YouTube

The music was composed by Ilaiyaraaja, in his Bollywood debut, and the lyrics were penned by Gulzar. Ilaiyaraaja retained two of his compositions from the original Tamil version. The song "Vaanengum Thanga Vinmeengal" was tuned differently for the Hindi version as "Yeh Hawa Yeh Fiza". The song "Narikkathai" was replaced with the song "Ek Dafa Ek Jungle Tha" in the Hindi version. The song "Poongatru Puthithanathu" was replaced with a slightly different "Ae Zindagi Gale Laga Le", which itself was also used in the 1984 Tamil movie Thambikku Entha Ooru sung by SPB. "Ae Zindagi Gale Laga Le" was first remade for the film Prague (2013) by Atif Afzal. It was again remade for the film Dear Zindagi (2016) by Amit Trivedi. Music director A. R. Rahman worked as a keyboard player for this film.[2]

Song Singer
"O Babua, Yeh Mahua" Asha Bhosle
"Yeh Hawa, Yey Fiza Deewanon Ke Maikhane Hain" Asha Bhosle, Suresh Wadkar
"Ae Zindagi Gale Laga Le" Suresh Wadkar
"Surmayee Ankhiyon Mein" – 1 K. J. Yesudas
"Surmayee Ankhiyon Mein" – 2
"Ek Dafa Ek Jangal Tha, Us Jangal Mein Ek Gidad Tha" Kamal Haasan, Sridevi

Release

[edit]

Sadma was released on 8 July 1983. In 2015, Sadma was screened at the Habitat Film Festival.[3]

Critical reception

[edit]

Sadma received widespread critical acclaim, with major appreciation drawn towards Sridevi's performance. It is included in iDiva's list of '10 Must Watch Movies That Weren't Blockbusters'.[4] Sridevi's performance as a child-woman suffering from amnesia was called by Subhash K. Jha of The Indian Express, "a milestone in her illustrious career".[5] In 2012, when Barfi! was being promoted, Anurag Basu said "People might feel so because the last film that featured the actress in a mentally challenged role was of Sadma. But the comparisons are only on the basis of the promo...once you see the film upon its release everything would be clear.".[6] That same year, Adil Hussain, Sridevi's co-star in English Vinglish revealed that he became a fan of the actress after watching her in Sadma.[7] The Sridevi-Kamal Haasan pair also appeared on the CNN-IBN list of 'Greatest Romantic Couples on Celluloid'.[8] The climax of Sadma is included in the CNN-IBN list of 'Bollywood's 50 Most Memorable Scenes of All Time'.[9]

Awards and nominations

[edit]

31st Filmfare Awards

[edit]
Nominated

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Sadma

View on Grokipedia
from Grokipedia
Sadma (transl. Trauma) is a 1983 Indian Hindi-language romantic drama film written and directed by Balu Mahendra.[1] The film stars Sridevi as Nehalata 'Reshmi' Malhotra and Kamal Haasan as Somprakash 'Somu', with supporting roles by Silk Smitha and Gulshan Grover.[1] It serves as a Hindi remake of Mahendra's own 1982 Tamil film Moondram Pirai, retaining the core cast from the original.[2] Released on 8 July 1983, Sadma explores themes of love, loss, and innocence through a poignant narrative centered on amnesia and caregiving.[3] The plot revolves around Nehalata Malhotra, a young woman who suffers severe head trauma in a car accident, resulting in amnesia and psychological regression to a childlike state.[3] Disoriented and wandering, she escapes from the hospital and inadvertently ends up in a brothel, where she is rescued by the kind-hearted schoolteacher Somu, who takes her under his wing and provides her with a nurturing home.[1] As Somu helps Reshmi (her assumed childlike persona) regain her confidence and joy, a deep emotional bond forms between them, complicated by the return of her family and her gradual recovery of memory.[2] Sadma is renowned for its emotional depth and the standout performances of its leads, with Sridevi's portrayal of the vulnerable yet spirited Reshmi earning widespread praise for its nuance and range.[3] Kamal Haasan's empathetic depiction of Somu further elevates the film's tender exploration of unconditional love.[1] The soundtrack, composed by Ilaiyaraaja, features memorable songs like "Aye Zindagi" that enhance the film's melancholic tone.[4] At the 31st Filmfare Awards, the film received nominations for Best Actor (Haasan), Best Actress (Sridevi), and Best Story (Mahendra).[5] Despite underperforming commercially upon release, Sadma has since attained cult status, celebrated for its heartfelt storytelling and lasting impact on Indian cinema.[3]

Background and production

Development

Sadma originated as a Hindi remake of director Balu Mahendra's own 1982 Tamil film Moondram Pirai, some sources suggest it drew inspiration from the tragic suicide of Mahendra's wife, actress Shoba, in 1980, though this has been denied by the producer, serving as a personal coping mechanism through storytelling.[6] Mahendra decided to adapt the film for Hindi cinema to expand its reach to a broader national audience and mark his entry into Bollywood, retaining the core narrative while making minor alterations to suit Hindi-speaking viewers, such as replacing key songs like the original's "Poongatru Puthithanathu" with a new composition "Ae Zindagi Gale Laga Le."[7][6] The screenplay was penned by Mahendra himself, building directly on the Tamil original's structure, with poet and lyricist Gulzar contributing the Hindi dialogues to infuse poetic nuance and cultural resonance for northern Indian sensibilities.[8] This collaborative scripting process emphasized emotional depth and subtle adaptations, avoiding overt changes to the story's essence while enhancing linguistic accessibility. Kamal Haasan and Sridevi, who had previously collaborated in Moondram Pirai, reprised their roles, leveraging their established chemistry.[7] Pre-production began in late 1982, shortly after Moondram Pirai's release earlier that year, allowing Mahendra to refine the adaptation swiftly for a 1983 rollout.[7] The film was produced by Raj N. Sippy and Romu N. Sippy under their banner, providing the necessary financing to support Mahendra's vision of a sensitive, low-key drama amid the era's action-oriented trends.[8]

Casting

Kamal Haasan was retained as the male lead in Sadma to reprise his role as the schoolteacher Somu from the Tamil original Moondram Pirai, owing to his critically acclaimed performance that showcased his ability to portray nuanced emotional depth in psychological narratives.[9] Director Balu Mahendra, who helmed both films, valued Haasan's versatility in handling sensitive, character-driven roles, making him ideal for the story's exploration of compassion and quiet heroism.[10] Sridevi was cast as the female lead Nehalata/Reshmi, reprising her dual portrayal of an adult woman regressed to a child-like state, a performance that had earned her widespread praise in Moondram Pirai for its expressive range and emotional authenticity.[6] Although Sripriya was Mahendra's initial preference for the role in the Hindi remake, followed by Dimple Kapadia—who declined due to scheduling overlaps with Saagar (1985)—Sridevi's prior success and proven suitability for the demanding psychological duality secured her position.[11] Her casting aligned with the film's need for an actress capable of conveying innocence and vulnerability without overt dramatics. For the antagonist Balua, Gulshan Grover was selected after a recommendation from Anil Kapoor, who had praised Grover's intensity during a rehearsal stint for another project; this led Mahendra to replace the originally signed actor, highlighting Grover's emerging reputation for menacing yet layered villainy suited to the drama's tense undercurrents.[12] Silk Smitha was brought in for a special appearance as the cabaret dancer Soni, a late addition to inject commercial appeal through an erotic dance sequence not present in the original script; despite her lack of formal dance training, Mahendra chose her for her mimicry talents and screen presence, with choreography adapted by Sundaram Master to accommodate her strengths.[13] The casting process faced hurdles from the leads' packed schedules in 1982–1983, as both Haasan and Sridevi juggled multiple South Indian and Hindi projects, though their commitment to the remake ensured timely completion.[11]

Filming

Principal photography for Sadma commenced in 1982 and was primarily conducted in Ooty and Ketti, Tamil Nadu, to evoke the film's rural and intimate atmosphere, with additional scenes filmed in Bangalore.[14][15] Balu Mahendra, who directed the film and served as cinematographer, utilized natural lighting to enhance realism and emotional authenticity, a technique that distinguished his visual storytelling from the era's conventional studio setups.[7][15] His approach included close-ups and tight framing to capture subtle facial expressions, particularly emphasizing the psychological nuances in scenes depicting the protagonist's child-like regression.[16][7] The production encountered skepticism and ridicule from industry peers due to its unconventional narrative and restrained style, mirroring challenges faced during the Tamil original Moondram Pirai.[17] Sridevi and Kamal Haasan drew on their prior experience from Moondram Pirai to deliver nuanced performances, requiring intensive preparation for the demanding emotional sequences.[7] In post-production, editor D. Vasu focused on maintaining the film's deliberate pacing to heighten dramatic tension.[8]

Plot

Nehalata Malhotra, a young woman from Madras, suffers a severe head injury in a car accident, resulting in retrograde amnesia that causes her to regress mentally to the state of a six-year-old child. Upon waking in the hospital, she fails to recognize her worried parents and wanders away unattended. She is soon kidnapped by a pimp and sold to a brothel in Hyderabad, where the madam renames her Reshmi and attempts to train her for the trade, though her childlike innocence makes her unsuitable. Meanwhile, Somprakash "Somu" Sinha, a kind-hearted and lonely schoolteacher from Ooty, visits the brothel with his friend on a whim. Witnessing Reshmi's vulnerability and distress, Somu takes pity on her and pays to rescue her, bringing her back to his modest home to care for her as if she were a child. Under Somu's nurturing, Reshmi gradually regains some confidence and joy, forming a deep emotional bond with him. Their relationship faces challenges, including an incident where Reshmi accidentally spills ink on Somu's important documents, leading to temporary tension, and a frightening encounter with a woodcutter named Balwant who attempts to assault her, prompting Somu to protect her fiercely. Reshmi's desperate family places newspaper advertisements seeking information about her whereabouts, which Somu also sees and responds to by contacting the police. Eventually, her father locates them. A local medicine man administers herbal treatment that restores Nehalata's memory and adult persona, but as a side effect, she completely forgets her time spent with Somu and her experiences as Reshmi. Reunited with her family, Nehalata returns to her previous life. Heartbroken, Somu follows her to the railway station to bid farewell. However, the now-recovered Nehalata does not recognize him at all. As the train departs, Somu chases after it in anguish, injuring himself, and collapses in despair, left alone with his memories.[18]

Cast

Soundtrack

The soundtrack was composed by Ilaiyaraaja, marking his debut in Hindi cinema, with lyrics penned by Gulzar.[20] It consists of six songs.[21]
No.TitleSinger(s)
1"Ae Zindagi Gale Laga Le"Suresh Wadkar
2"O Babua Yeh Mahua"Asha Bhosle
3"Surmayee Ankhiyon Mein (Happy)"K. J. Yesudas
4"Ek Dafa Ek Jungle Tha"Kamal Haasan, Sridevi
5"Surmayee Ankhiyon Mein (Sad)"S. P. Balasubrahmanyam
6"Yeh Hawa Yeh Fiza Deewanon Ke Maikhane Hain"Asha Bhosle, Suresh Wadkar

Release

Theatrical release

Sadma was theatrically released across India on 8 July 1983.[1] The Hindi-language romantic drama, a remake of the 1982 Tamil film Moondram Pirai, marked director Balu Mahendra's venture into Bollywood following the success of the original, which starred the same lead actors, Sridevi and Kamal Haasan.[22] Marketing for the film prominently featured posters showcasing Sridevi and Kamal Haasan, capitalizing on their established on-screen chemistry from the Tamil version to attract audiences in Hindi-speaking regions.[3] Promotional efforts tied into the critical acclaim of Moondram Pirai, positioning Sadma as a poignant emotional narrative for northern Indian markets, with staggered screenings in major cities during the summer of 1983.[2] No formal premiere event was documented, but the release aligned with standard theatrical rollout practices of the era, focusing on urban multiplexes and single-screen theaters. For home video distribution, Sadma became available on DVD in the early 2000s through labels like Shemaroo Entertainment.[23] The film saw a digital re-release on streaming platforms starting 9 March 2019 via video-on-demand services such as MX Player; as of 2025, it is available on Sony LIV.[24][25] As of November 2025, no major theatrical re-releases or restorations have been reported, though the original negative remains preserved for occasional television broadcasts.[26]

Box office performance

Sadma achieved an initial nett collection of approximately ₹1.3 crore in India, marking it as a commercial flop.[27] With a production budget of around ₹1.55 crore, the film struggled to break even overall.[27] The film's underperformance was partly attributed to its release during the 1983 monsoon season, when heavy rains disrupted attendance and it faced stiff competition from blockbuster contemporaries like Himmatwala and Coolie. In contrast to the Hindi version's modest showing, the original Tamil film Moondram Pirai had been a major box office success.

Reception

Critical response

Upon its release in 1983, Sadma garnered positive reviews for director Balu Mahendra's sensitive handling of psychological trauma, with critics appreciating the film's realistic depiction of amnesia and emotional recovery as a grounded exploration of human vulnerability rather than melodramatic excess.[28] Sridevi's portrayal of the dual role—as the sophisticated Nehalata and the childlike Reshmi—earned widespread acclaim for its nuance and emotional depth, establishing her as a versatile performer capable of blending innocence with subtle tragedy; Kamal Haasan's supporting turn as the compassionate schoolteacher was similarly lauded for its restraint and empathy.[29][30]

Audience and cultural impact

Upon its 1983 release, Sadma elicited a mixed audience response in India, with viewers praising the emotional depth of Sridevi and Kamal Haasan's performances in key scenes, particularly the poignant interactions between their characters, while the film's unconventional plot and tragic climax confused and alienated many, contributing to its status as a commercial flop at the box office.[31][32] The story's exploration of amnesia and regression to a childlike state was seen as innovative yet ahead of its time for mainstream Hindi cinema audiences accustomed to more formulaic narratives.[33] Over the decades, Sadma experienced a surge in popularity through home video releases and television broadcasts in the 1990s, fostering a dedicated cult following among younger viewers who appreciated its nuanced storytelling and the leads' chemistry.[32] By the 2000s, it had solidified its reputation as a cult classic, often cited by actors like Anil Kapoor for Sridevi's transformative portrayal, which he believed deserved a National Film Award.[34] This enduring appeal is evident in its frequent references in discussions of 1980s Hindi cinema, where it stands out for blending romance, drama, and subtle social commentary. The film's depiction of mental trauma through Nehalata's amnesia-induced regression influenced early perceptions of mental health in Indian cinema, portraying affected individuals as childish and naive, which reinforced stereotypes and shaped audience misconceptions about psychological conditions during the 1980s.[35] This representation, while groundbreaking for addressing trauma on screen, has been critiqued in later analyses for lacking sensitivity, indirectly paving the way for more nuanced explorations in subsequent films tackling similar themes of loss and recovery.[35] By 2023, marking the film's 40th anniversary, Sadma continued to inspire tributes in media retrospectives on Sridevi's legacy, with outlets highlighting its emotional resonance and role in her career-defining performances.[36] Fan discussions on platforms and cultural nods, such as recreations of iconic scenes in television shows, underscored its lasting impact on popular culture up to 2025.[37]

Awards and nominations

Filmfare Awards

At the 31st Filmfare Awards held in 1984, Sadma secured three nominations, highlighting its critical reception amid competition from commercially dominant films like Betaab and Masoom. The film was nominated for Best Actor for Kamal Haasan's nuanced performance as the compassionate schoolteacher who rescues and cares for the protagonist, Best Actress for Sridevi's emotionally layered portrayal of the amnesiac woman grappling with trauma and identity loss, and Best Story for Balu Mahendra's poignant screenplay adaptation of his own Tamil original Moondram Pirai.[5] These nominations, though not resulting in wins—where Ardh Satya claimed Best Film and Naseeruddin Shah and Shabana Azmi took the acting honors—served to validate Sadma's artistic merit despite its modest box-office performance of approximately ₹2 crore, which marked it as a commercial underperformer in 1983.[38][39] The recognition underscored the film's strengths in direction, performances, and storytelling, contributing to its enduring cult status beyond initial financial setbacks.

Other accolades

Sridevi's performance in the original Tamil film Moondram Pirai was considered for the National Film Award for Best Actress (announced in 1983), though she ultimately did not win due to reported lobbying efforts favoring Shabana Azmi's role in Arth; the National Award for Best Actor went to Kamal Haasan for his work in Moondram Pirai. The acclaim for this role informed her praised reprise in the Hindi remake Sadma.[40][41] The original Moondram Pirai earned multiple Tamil Nadu State Film Awards in 1982, including Best Film, Best Actor for Kamal Haasan, and Best Actress for Sridevi, recognitions that underscored the foundational acclaim carried over to the Hindi adaptation Sadma.[42][43] Following Sridevi's death in 2018, numerous tributes highlighted Sadma as a pivotal film in her career, with co-star Kamal Haasan noting that the song "Aye Zindagi" from the soundtrack evoked deep personal memories during his public mourning.[44] The Academy Awards' "In Memoriam" segment that year also referenced Sadma among her landmark works, affirming its enduring role in establishing her as a versatile icon across Indian cinema.[45]

Legacy

Remakes and adaptations

Sadma served as the official Hindi remake of the 1982 Tamil film Moondram Pirai, both directed by Balu Mahendra and starring Kamal Haasan and Sridevi in the lead roles.[46] The original Moondram Pirai achieved significant commercial success, enjoying a theatrical run of 329 days.[47] For the Hindi adaptation, Balu Mahendra retained his screenplay while poet and lyricist Gulzar crafted new dialogues to resonate with Hindi-speaking audiences, enhancing the emotional depth of the narrative.[19] In 2015, filmmaker and ad director Lloyd Baptista announced plans to remake Sadma as his feature directorial debut, initially in Hindi with a subsequent English-language version aimed at international markets, including Hollywood.[48] However, as of 2025, no major reboots or adaptations of the film have been produced or released.[49]

Cultural significance and reappraisal

Despite its initial commercial underperformance in 1983, Sadma gradually achieved cult classic status by the 2000s, celebrated for its emotional depth and the chemistry between leads Kamal Haasan and Sridevi.[50] The film's poignant climax, depicting Haasan's desperate pursuit of Sridevi's character, underscores its lasting resonance in Indian cinema retrospectives.[51] Sadma significantly influenced the portrayal of psychological dramas in Bollywood, particularly in sensitively handling themes of mental trauma and retrograde amnesia, setting a precedent for realistic depictions of mental health issues in subsequent films.[52] Its narrative of vulnerability and recovery contributed to a broader discourse on emotional and psychological recovery in Indian storytelling, inspiring later works that explore similar motifs of innocence lost and regained amid societal pressures.[16] Studies on Balu Mahendra's oeuvre, including Sadma, underscore its psychological depth in portraying women's mental health struggles, influencing scholarly discussions on trauma representation in South Indian and Bollywood narratives.[16] These works highlight the film's role in subverting stereotypes by blending vulnerability with resilience, fostering greater awareness of gender-specific trauma in cinema.[53] Following Sridevi's death in 2018, Sadma underwent renewed critical reappraisal, with tributes emphasizing her transformative performance as Nehalata, a role that captured childlike innocence and profound trauma, cementing it as a career-defining highlight.[54] Co-star Kamal Haasan specifically recalled the film's lullaby sequence in his emotional homage, noting how it evoked haunting memories of their collaboration and her artistry.[44] Filmmaker Farhan Akhtar also praised the role for showcasing Sridevi's unparalleled vulnerability and range.[54] By 2025, Sadma's availability on digital platforms like MX Player has introduced it to younger audiences, revitalizing its cultural footprint through accessible streaming and renewed online discussions.[55]

References

  1. Sadma (1983) - IMDb
  2. Sadma (1983) - Balu Mahendra - Letterboxd
  3. Sadma | Rotten Tomatoes
  4. Sadma (Original Motion Picture Soundtrack) - EP by Ilaiyaraaja
  5. Awards - Sadma (1983) - IMDb
  6. Sridevi tribute: Revisiting Moondram Pirai, remade as Sadma in Hindi
  7. Balu Mahendra, the filmmaker inspired by Pather Panchali, who ...
  8. Sadma (Balu Mahendra) – Info View - Indiancine.ma
  9. Moondram Pirai (Balu Mahendra) – Info View - Indiancine.ma
  10. Kamal Haasan: Balu Mahendra and I shared a very close relationship
  11. Remembering Sridevi on her birth anniversary: Did you know she ...
  12. Gulshan Grover reveals Anil Kapoor tricked him into becoming his ...
  13. Remembering Silk Smitha's Sadma dance on her 62nd birth ...
  14. 'Sadma' shooting location: Know about the famous filming location of ...
  15. Balu Mahendra a stylish cinematographer - The Indian Express
  16. [PDF] Analyzing Balu Mahendra's Approach to Creating ... - IRJET
  17. ‘Moondram Pirai’ team was ‘ridiculed’ during making: Kamal Hassan
  18. Sadma Movie - The Times of India
  19. Certification - CBFC
  20. Sadma - Amazon.com
  21. Sadma (1983) - Release info - IMDb
  22. Sadma (1983) Full Hindi Movie | Kamal Haasan, Sridevi ... - YouTube
  23. Sadma 1983 Box Office Collection, Budget and Unknown Facts
  24. Sridevi's Hindi Films Let Down Her Immense Talent - NDTV
  25. Memory Loss and the Mystique of Identity in Indian Cinema
  26. Revisiting 1983 in Hindi Movies - Rediff.com
  27. https://www.theprint.in/feature/sadma-is-an-achingly-beautiful-story-about-a-love-that-defies-labels/427605/
  28. Millennial Review: Sridevi at Her Absolute Best in 'Sadma' - The Quint
  29. When Sridevi called success of 'Himmatwala' her 'bad luck'
  30. '16 Vayathinile' to 'Moondram Pirai', Sridevi's best performances till ...
  31. No comparison with Sridevi's Sadma: Anurag Basu - Hindustan Times
  32. Anil Kapoor: Was offered to play lead opposite Sridevi in 'Chaalbaaz'
  33. How Bollywood gets portrayal of mental health professionals wrong
  34. Google Doodle pays tribute to Sridevi on her 60th birth anniversary
  35. Aastha Sharma borrows inspiration from legendary actor Kamal ...
  36. Complete list of winners of Filmfare Awards 1984 - Times of India
  37. Sadma movie emotional masterpiece - Postbox India
  38. Movie Shows - Facebook
  39. Sridevi lost her National Award for Moondram Pirai because of politics
  40. National Film Awards, India (1983) - IMDb
  41. Sadma is an achingly beautiful story about a love that defies labels
  42. Awards - Moondram Pirai (1982) - IMDb
  43. Emotional Kamal Haasan on Sridevi's demise: 'Sadma' song rings in ...
  44. Oscars 2018: A Tribute To Sridevi And Shashi Kapoor From Hollywood
  45. Sadma remake: Kamal Haasan and Sridevi's film will ... - India Today
  46. Revisiting Moondram Pirai: 30 lesser-known facts about the making ...
  47. Sadma (1983) - Full cast & crew - IMDb
  48. Kamal Haasan-Sridevi starrer 'Sadma' to be remade - The Hindu
  49. 'Sadma' remake to have Hollywood version too: Filmmaker Lloyd ...
  50. Not Sridevi, but this actress was the first choice for Kamal Haasan's ...
  51. Kamal Haasan Chasing Sridevi In Sadma's Climax Is The Most ...
  52. Bollywood movies that have portrayed mental illnesses in a realistic ...
  53. Tributes to Sridevi | Indian cinema just lost its smile, says Karan Johar
  54. https://m.economictimes.com/magazines/panache/sridevi-5th-death-anniversary-from-sadma-to-English-vinglish-legacy-of-indias-1st-female-superstar-lives-on/articleshow/98198240.cms
  55. Disability, Agency, and Subjectivity in Aparna Sen's Three Disability ...
  56. Disability and Indian Cinema: A Paradigm Shift in Bollywood from ...
  57. Watch Sadma Full movie Online In HD - Justdial
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