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Samuel Bischoff
Samuel Bischoff
Samuel Bischoff
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Samuel Bischoff (August 11, 1890 – May 21, 1975)[citation needed] was an American film producer who was responsible for more than 400 full-length films, two-reel comedies, and serials between 1922 and 1964.

Key Information

Life

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Born to a Jewish family[1] in Hartford, Connecticut, Bischoff graduated from Boston University, then headed for Hollywood, where he began his career in 1922 by producing comedy shorts including Stan Laurel's Mixed Nuts (1922).

He was the head of Samuel Bischoff Productions, a low-budget production company in the 1930s. He drew the attention of Columbia Pictures head Harry Cohn, who hired him to supervise the studio's feature film productions. In 1932, he moved to Warner Bros. and when Hal B. Wallis became production chief after Darryl F. Zanuck left in 1933, Bischoff and Henry Blanke were the main producers at the studio.[2] He returned to Columbia in 1941.

He was also the President of Moroccan Pictures Inc. in 1948, producing the George Raft film Outpost in Morocco (1948). In 1950 he became production chief at RKO replacing Sid Rogell but did not stay long.[2]

He rejoined Warners and by 1953, was one of only three producers left, along with Blanke and David Weisbart.[3]

His last film was The Strangler (1964).[4]

Bischoff died in 1975, in Hollywood, California, from general debilitation at the age of 84.[citation needed]

Filmography

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References

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Samuel Bischoff

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Samuel Bischoff (August 11, 1890 – May 21, 1975) was an American film producer known for his long and prolific career in Hollywood, spanning from the silent era through the 1960s, during which he was responsible for more than 400 full-length films, two-reel comedies, and serials for major studios including Columbia Pictures, Warner Bros., and RKO Radio Pictures. Born in Hartford, Connecticut, Bischoff graduated from Boston University before entering the film industry in 1922, initially producing comedy shorts, including early work featuring Stan Laurel. He established his own low-budget production company in the 1930s, then joined Columbia Pictures to supervise feature production, contributing to the studio's output during its rise in the decade. Over the years, he moved between studios, serving in key production roles at Warner Bros. after Darryl F. Zanuck's departure, returning to Columbia in 1941, briefly heading production at RKO in 1950, and later working independently. His credits include a wide range of films across genres, from comedies to dramas, marking him as one of the industry's reliable and versatile producers during Hollywood's Golden Age. He continued working until his final credited film in 1964.

Early life

Early life and education

Samuel Bischoff was born on August 11, 1890, in Hartford, Connecticut. He graduated from Boston University and Northwestern College. Bischoff trained as a Certified Public Accountant before entering the entertainment industry, approaching his later career with a financial perspective rather than an artistic one. Following his education and professional training, he relocated to Hollywood in 1922.

Film career

Beginnings in short subjects and early features

Samuel Bischoff entered the film industry in Hollywood in 1922 after graduating from Boston University and establishing himself as a certified public accountant. He formed his own production and distribution company that year and began producing low-budget comedy shorts. His first credit came as producer of the two-reel comedy short Mixed Nuts (1922), an early vehicle for Stan Laurel. Throughout the 1920s, Bischoff produced numerous two-reel comedies on shoestring budgets, often releasing them through his company or independent channels, with his output including titles such as Assorted Nuts (1925) and Spooky Spooks (1925) at Columbia Pictures. This prolific work in shorts caught the attention of Harry Cohn, who brought him on to supervise low-budget feature productions at the studio. Bischoff briefly operated his own low-budget production outfit, Samuel Bischoff Productions, in the early 1930s. He also earned credits beyond producing during this period, serving as writer on Where Trails Begin (1927) and as director on The Last Mile (1932), the latter marking his only directing assignment. These early experiences in shorts and modest features led to his move to major studio work at Warner Bros. in 1932.

Warner Bros. period

In 1932, Samuel Bischoff moved to Warner Bros., where he worked primarily as an associate producer, often on B-unit productions. Following Darryl F. Zanuck's departure in 1933, he contributed to various films at the studio, including some higher-profile projects where he received associate producer credit. His tenure lasted until 1941. Notable films associated with his time at Warner Bros. include The Rich Are Always with Us (1932) and Three on a Match (1932) early in his tenure, along with The Big Shakedown (1934), The Charge of the Light Brigade (1936), Kid Galahad (1937), Hollywood Hotel (1937), A Slight Case of Murder (1938), Angels with Dirty Faces (1938), The Roaring Twenties (1939), and The Oklahoma Kid (1939). He was credited as associate producer on some A-pictures such as The Roaring Twenties (1939). These films reflected Warner Bros.' style of social realism, action, and star-driven stories, often featuring actors like James Cagney, Errol Flynn, and Humphrey Bogart. His work at the studio established him as a reliable producer before departing in 1941.

Return to Columbia Pictures and independent work

After leaving Warner Bros., Samuel Bischoff returned to Columbia Pictures in 1941 and produced a variety of feature films for the studio throughout the 1940s. His output included the musical comedy You'll Never Get Rich (1941) starring Fred Astaire and Rita Hayworth, directed by Sidney Lanfield. Other notable Columbia productions were A Night to Remember (1942), Appointment in Berlin (1943), None Shall Escape (1944), A Thousand and One Nights (1945), Mr. District Attorney (1947), and Intrigue (1947). Bischoff also pursued independent production. In 1948, he produced the film noir Pitfall (1948) through his own company, Regal Films, Inc., incorporated in 1947. That year, he became President of Moroccan Pictures Inc. and produced the action adventure Outpost in Morocco (1949), starring George Raft and Marie Windsor, in association with Joseph N. Ermolieff; portions were shot on location in Morocco.

Later executive roles and final productions

In 1950, Bischoff briefly served as production chief at RKO Radio Pictures, replacing Sid Rogell. His appointment was announced in late May 1950, with Howard Hughes indicating a supervisory role over parts of the production program, though it was short-lived amid studio instability. He continued producing, including for Columbia and independently. Through Bischoff-Diamond Productions, he oversaw features such as the crime drama The Phenix City Story (1955) and the war film Screaming Eagles (1956). He later produced Operation Eichmann (1961), King of the Roaring 20's – The Story of Arnold Rothstein (1961), and The Strangler (1964), his final production. He also produced episodes of the television series Casey Jones from 1957 to 1958. Over his career from 1922 to 1964, Bischoff received producer credit on over 140 films, shorts, and serials, with additional uncredited or supervisory contributions.

Personal life and death

Little is known about Samuel Bischoff's personal life beyond his extensive career as a film producer. He married Harriett Wheagle in 1920; she died on October 25, 1970. No verified details are available regarding children or other private matters. Bischoff died on May 21, 1975, in Hollywood, California, at the age of 84 from general debilitation.
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