Recent from talks
São Paulo Art Biennial
Knowledge base stats:
Talk channels stats:
Members stats:
São Paulo Art Biennial
The São Paulo Art Biennial (Portuguese: Bienal de São Paulo) was founded in 1951 and has been held every two years since. It is the third oldest art biennial in the world after the Venice Biennale (in existence since 1895) and the Menton Biennale (started earlier in 1951 ), which serves as its role model.
The Biennial was founded by the Italian-Brazilian industrialist Ciccillo Matarazzo (1898–1977). Since 1957, the São Paulo Biennial has been held in the Ciccillo Matarazzo pavilion in the Parque do Ibirapuera. The three-story pavilion was designed by a team led by architects Oscar Niemeyer and Hélio Uchôa, and provides an exhibition space of 30,000 m2. The São Paulo Bienal features Brazilian and international contemporary art and is one of South America's most important large-scale art exhibitions.
After the completion of the 6th Biennial, the São Paulo Biennial Foundation was created to advance the exhibition, which until then had been organized by the Museu de Arte Moderna de São Paulo (MAM-SP). The pavilion the institution occupies - its home to this day - only began holding the Bienal exhibitions starting with its 4th edition in 1957.
Since 1951, 32 Bienals have been produced with the participation of 170 countries, more than 16 thousand artists and almost 10 million visitors, making direct contact possible between the Brazilian public and visual, theatrical and graphic arts, music, film, architecture, and other forms of artistic expression from around the world. The 1998 edition cost almost $12 million and drew nearly 400,000 visitors during a two-month run. The 25th biennial was originally scheduled for 2000 but was delayed to 2002 after a gigantic exhibition marking the 500th anniversary of Brazil's discovery by the Portuguese was organized by former biennial president Edemar Cid Ferreira and booked into the Ciccillo Matarazzo pavilion. That year, for the first time, the chief curator of the biennial was a foreigner, Alfons Hug from Germany.
The biennial's initial aim was to make contemporary art (primarily from Western Europe and the United States) known in Brazil, push the country's access to the current art scene in other metropolises, and establish São Paulo itself as an international art center. Naturally, the biennial always serves to bring Brazilian art closer to foreign guests.
The first Bienal was held by the Museum of Modern Art of São Paulo (MAM-SP) in a temporary pavilion located on the Belvedere Trianon, in the neighborhood along Paulista Avenue. Abraham Palatnik’s first Aparelho cinecromático (1949) was initially rejected by the selection committee on the grounds that it did not fit any of the established categories, though the work was later accepted and awarded an honorable mention by the international jury.
Known as the “Guernica Bienal”, in reference to Pablo Picasso’s 1937 masterpiece, the 2nd Bienal is by far one of the most memorable editions of the event. Exhibiting twice as many artworks as the first edition, the 2nd Bienal was held at two pavilions designed for the newly inaugurated Ibirapuera Park by Oscar Niemeyer (1917-2012): the States Pavilion (presently the Pavilion of Brazilian Cultures) and the Nations Pavilion (now home to the Afro Brasil Museum). The exhibition continued into the following year as part of the celebrations for São Paulo's 400th anniversary.
Having established itself as an important event in international art world, the Bienal's 3rd edition featured the Mexican muralists Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros.
Hub AI
São Paulo Art Biennial AI simulator
(@São Paulo Art Biennial_simulator)
São Paulo Art Biennial
The São Paulo Art Biennial (Portuguese: Bienal de São Paulo) was founded in 1951 and has been held every two years since. It is the third oldest art biennial in the world after the Venice Biennale (in existence since 1895) and the Menton Biennale (started earlier in 1951 ), which serves as its role model.
The Biennial was founded by the Italian-Brazilian industrialist Ciccillo Matarazzo (1898–1977). Since 1957, the São Paulo Biennial has been held in the Ciccillo Matarazzo pavilion in the Parque do Ibirapuera. The three-story pavilion was designed by a team led by architects Oscar Niemeyer and Hélio Uchôa, and provides an exhibition space of 30,000 m2. The São Paulo Bienal features Brazilian and international contemporary art and is one of South America's most important large-scale art exhibitions.
After the completion of the 6th Biennial, the São Paulo Biennial Foundation was created to advance the exhibition, which until then had been organized by the Museu de Arte Moderna de São Paulo (MAM-SP). The pavilion the institution occupies - its home to this day - only began holding the Bienal exhibitions starting with its 4th edition in 1957.
Since 1951, 32 Bienals have been produced with the participation of 170 countries, more than 16 thousand artists and almost 10 million visitors, making direct contact possible between the Brazilian public and visual, theatrical and graphic arts, music, film, architecture, and other forms of artistic expression from around the world. The 1998 edition cost almost $12 million and drew nearly 400,000 visitors during a two-month run. The 25th biennial was originally scheduled for 2000 but was delayed to 2002 after a gigantic exhibition marking the 500th anniversary of Brazil's discovery by the Portuguese was organized by former biennial president Edemar Cid Ferreira and booked into the Ciccillo Matarazzo pavilion. That year, for the first time, the chief curator of the biennial was a foreigner, Alfons Hug from Germany.
The biennial's initial aim was to make contemporary art (primarily from Western Europe and the United States) known in Brazil, push the country's access to the current art scene in other metropolises, and establish São Paulo itself as an international art center. Naturally, the biennial always serves to bring Brazilian art closer to foreign guests.
The first Bienal was held by the Museum of Modern Art of São Paulo (MAM-SP) in a temporary pavilion located on the Belvedere Trianon, in the neighborhood along Paulista Avenue. Abraham Palatnik’s first Aparelho cinecromático (1949) was initially rejected by the selection committee on the grounds that it did not fit any of the established categories, though the work was later accepted and awarded an honorable mention by the international jury.
Known as the “Guernica Bienal”, in reference to Pablo Picasso’s 1937 masterpiece, the 2nd Bienal is by far one of the most memorable editions of the event. Exhibiting twice as many artworks as the first edition, the 2nd Bienal was held at two pavilions designed for the newly inaugurated Ibirapuera Park by Oscar Niemeyer (1917-2012): the States Pavilion (presently the Pavilion of Brazilian Cultures) and the Nations Pavilion (now home to the Afro Brasil Museum). The exhibition continued into the following year as part of the celebrations for São Paulo's 400th anniversary.
Having established itself as an important event in international art world, the Bienal's 3rd edition featured the Mexican muralists Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros.