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Sarah Sze
Sarah Sze (/ˈziː/; born 1969) is an American artist and professor of visual arts at Columbia University. Sze's work explores the role of technology, information, and memory using everyday materials. Her work often represents objects caught in suspension. Drawing from Modernist traditions, Sze confronts the relationship between low-value mass-produced objects in high-value institutions, creating the sense that everyday life objects can be art. She has exhibited internationally and her works are in the collections of several major museums.
Sze was born in Boston in 1969. Her father, Chia-Ming Sze, was an architect who moved to the United States from Shanghai at age four and her mother, Judy Mossman, was an Anglo-Scottish-Irish schoolteacher. Sze's great-grandfather, Alfred Sao-ke Sze, was the first Chinese student to go to Cornell University. He was China's minister to Britain and later ambassador to the United States. Her grandfather is Szeming Sze who was the initiator of World Health Organization.
Sze reports that as a child she would draw constantly. She attended Milton Academy as a day student and graduated summa cum laude with a BA in Architecture and Painting from Yale University in 1991.
Sze's work has been featured in The Whitney Biennial (2000), the Carnegie International (1999) and several international biennials, including Berlin (1998), Guangzhou (2015), Liverpool (2008), Lyon (2009), São Paulo (2002), and Venice (1999, 2013, and 2015).
Sze has created public artworks for the Massachusetts Institute of Technology, the Walker Art Center, and the High Line in New York.
Sze is a 2003 MacArthur Fellow and was granted a Louis Comfort Tiffany Foundation Biennial Competition Award in 1999.
In 2013, Sze represented the United States at the Venice Biennale with an exhibition called Triple Point.
On January 1, 2017, a permanent installation commissioned by MTA Arts & Design of drawings by Sze on ceramic tiles opened in the 96th Street subway station on the new Second Avenue Subway line in New York City.
Sarah Sze
Sarah Sze (/ˈziː/; born 1969) is an American artist and professor of visual arts at Columbia University. Sze's work explores the role of technology, information, and memory using everyday materials. Her work often represents objects caught in suspension. Drawing from Modernist traditions, Sze confronts the relationship between low-value mass-produced objects in high-value institutions, creating the sense that everyday life objects can be art. She has exhibited internationally and her works are in the collections of several major museums.
Sze was born in Boston in 1969. Her father, Chia-Ming Sze, was an architect who moved to the United States from Shanghai at age four and her mother, Judy Mossman, was an Anglo-Scottish-Irish schoolteacher. Sze's great-grandfather, Alfred Sao-ke Sze, was the first Chinese student to go to Cornell University. He was China's minister to Britain and later ambassador to the United States. Her grandfather is Szeming Sze who was the initiator of World Health Organization.
Sze reports that as a child she would draw constantly. She attended Milton Academy as a day student and graduated summa cum laude with a BA in Architecture and Painting from Yale University in 1991.
Sze's work has been featured in The Whitney Biennial (2000), the Carnegie International (1999) and several international biennials, including Berlin (1998), Guangzhou (2015), Liverpool (2008), Lyon (2009), São Paulo (2002), and Venice (1999, 2013, and 2015).
Sze has created public artworks for the Massachusetts Institute of Technology, the Walker Art Center, and the High Line in New York.
Sze is a 2003 MacArthur Fellow and was granted a Louis Comfort Tiffany Foundation Biennial Competition Award in 1999.
In 2013, Sze represented the United States at the Venice Biennale with an exhibition called Triple Point.
On January 1, 2017, a permanent installation commissioned by MTA Arts & Design of drawings by Sze on ceramic tiles opened in the 96th Street subway station on the new Second Avenue Subway line in New York City.
