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Hub AI
Series finale AI simulator
(@Series finale_simulator)
Hub AI
Series finale AI simulator
(@Series finale_simulator)
Series finale
A series finale is the final installment of an episodic entertainment series, most often a television series. It may also refer to a final theatrical sequel, the last part of a television miniseries, the last installment of a literary series, or any final episode.
Most early television series consisted of stand-alone episodes rather than continuing story arcs, so there was little reason to provide closure at the end of their runs. Early comedy series that had special finale episodes include Howdy Doody in September 1960, Leave It to Beaver in June 1963, Hank in April 1966, and The Dick Van Dyke Show in June 1966. One of the few dramatic series to have a planned finale during this period was Route 66, which concluded in March 1964 with a two-part episode in which the pair of philosophical drifters ended their journey across America and then went their separate ways.
Considered to be "the series finale that invented the modern-day series finale," the August 1967 final episode of ABC's The Fugitive, "The Judgment: Part 2", attracted a 72% audience share when broadcast. This remained the highest viewership percentage in American television history until the 1977 finale of the TV mini-series Roots (on the same network) and later the 1980 resolution episode of the internationally prominent "Who shot J.R.?" cliffhanger of CBS' Dallas.
The most watched series finale in American television history remains the 1983 finale of the CBS war/medical dramedy M*A*S*H, titled "Goodbye, Farewell and Amen". Viewed by 105.9 million viewers and drawing 77% of those watching televisions at the time, the finale of M*A*S*H held the record for most watched telecast of all-time for decades until 2010's Super Bowl XLIV edged it out with 106 million viewers, which coincidentally also aired on CBS. However, M*A*S*H's final episode remains the all-time most-watched U.S. television episode (and so far, the only single television episode in American history to be watched by at least 100 million viewers for a single telecast).
The second-most-watched series finale in American television history was the 1993 finale of the NBC comedy Cheers, titled "One for the Road". "One for the Road" was watched by between 80.4 million and 93.5 million viewers (estimates vary) while drawing 64% of TVs turned on at the time. To date, "One for the Road" remains the most watched American TV series finale following the rise of cable television, and in terms of sheer viewership numbers for non-sports programming, sits second only to the aforementioned finale of M*A*S*H.
With only slightly fewer viewers than the series finale of Cheers was the finale of its one-time follow-up on NBC's "Must See TV" Thursday night line-up, the absurdist NBC comedy Seinfeld. The third most-watched American TV series finale in television history, Seinfeld's controversial 1998 episode "The Finale" was watched by 76.3 million people, drawing 67% of all televisions turned on at the time – as the New York Times put it, "grazing Super Bowl country" in terms of viewership.
With the shift away from network television viewing toward cable television viewing (and later, internet use) that occurred during the decade between the finales of M*A*S*H (1983) and Cheers (1993) – and continued unabated until and beyond the finale of Seinfeld (1998) – it remains debatable which of these three "event" series finales accomplished the most impressive viewership numbers. Moreover, a large gap in viewership numbers exists between the Super Bowl-sized audiences of the M*A*S*H, Cheers and Seinfeld finales, and the fourth and fifth most watched series finales in television history – respectively, those of the comedy Friends (2004, NBC, 52.5 million viewers) and the detective procedural Magnum, P.I. (1988, CBS, 50.7 million viewers). The Friends finale's ("The Last One") viewership numbers dwarf those of all finales since the start of the new millennium and seem particularly impressive in light of the increased media options since the 1990s "event" finales of Cheers (1993) and Seinfeld (1998).
In Britain, the most-acclaimed series finale of sitcoms was from Blackadder. In 1989, the Britcom, starring Rowan Atkinson as a Blackadder in 1917 WW1, goes "over the top" with his regiment, leaving their fate unknown as fade to a field of poppies. The finale was praised as a "perfect end-of-show finale".
Series finale
A series finale is the final installment of an episodic entertainment series, most often a television series. It may also refer to a final theatrical sequel, the last part of a television miniseries, the last installment of a literary series, or any final episode.
Most early television series consisted of stand-alone episodes rather than continuing story arcs, so there was little reason to provide closure at the end of their runs. Early comedy series that had special finale episodes include Howdy Doody in September 1960, Leave It to Beaver in June 1963, Hank in April 1966, and The Dick Van Dyke Show in June 1966. One of the few dramatic series to have a planned finale during this period was Route 66, which concluded in March 1964 with a two-part episode in which the pair of philosophical drifters ended their journey across America and then went their separate ways.
Considered to be "the series finale that invented the modern-day series finale," the August 1967 final episode of ABC's The Fugitive, "The Judgment: Part 2", attracted a 72% audience share when broadcast. This remained the highest viewership percentage in American television history until the 1977 finale of the TV mini-series Roots (on the same network) and later the 1980 resolution episode of the internationally prominent "Who shot J.R.?" cliffhanger of CBS' Dallas.
The most watched series finale in American television history remains the 1983 finale of the CBS war/medical dramedy M*A*S*H, titled "Goodbye, Farewell and Amen". Viewed by 105.9 million viewers and drawing 77% of those watching televisions at the time, the finale of M*A*S*H held the record for most watched telecast of all-time for decades until 2010's Super Bowl XLIV edged it out with 106 million viewers, which coincidentally also aired on CBS. However, M*A*S*H's final episode remains the all-time most-watched U.S. television episode (and so far, the only single television episode in American history to be watched by at least 100 million viewers for a single telecast).
The second-most-watched series finale in American television history was the 1993 finale of the NBC comedy Cheers, titled "One for the Road". "One for the Road" was watched by between 80.4 million and 93.5 million viewers (estimates vary) while drawing 64% of TVs turned on at the time. To date, "One for the Road" remains the most watched American TV series finale following the rise of cable television, and in terms of sheer viewership numbers for non-sports programming, sits second only to the aforementioned finale of M*A*S*H.
With only slightly fewer viewers than the series finale of Cheers was the finale of its one-time follow-up on NBC's "Must See TV" Thursday night line-up, the absurdist NBC comedy Seinfeld. The third most-watched American TV series finale in television history, Seinfeld's controversial 1998 episode "The Finale" was watched by 76.3 million people, drawing 67% of all televisions turned on at the time – as the New York Times put it, "grazing Super Bowl country" in terms of viewership.
With the shift away from network television viewing toward cable television viewing (and later, internet use) that occurred during the decade between the finales of M*A*S*H (1983) and Cheers (1993) – and continued unabated until and beyond the finale of Seinfeld (1998) – it remains debatable which of these three "event" series finales accomplished the most impressive viewership numbers. Moreover, a large gap in viewership numbers exists between the Super Bowl-sized audiences of the M*A*S*H, Cheers and Seinfeld finales, and the fourth and fifth most watched series finales in television history – respectively, those of the comedy Friends (2004, NBC, 52.5 million viewers) and the detective procedural Magnum, P.I. (1988, CBS, 50.7 million viewers). The Friends finale's ("The Last One") viewership numbers dwarf those of all finales since the start of the new millennium and seem particularly impressive in light of the increased media options since the 1990s "event" finales of Cheers (1993) and Seinfeld (1998).
In Britain, the most-acclaimed series finale of sitcoms was from Blackadder. In 1989, the Britcom, starring Rowan Atkinson as a Blackadder in 1917 WW1, goes "over the top" with his regiment, leaving their fate unknown as fade to a field of poppies. The finale was praised as a "perfect end-of-show finale".