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Sheila Silver
Sheila Silver
Sheila Silver
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Sheila Jane Silver (born October 3, 1946) is an American composer.[1]

Early life and studies

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Sheila Silver was born in Seattle, Washington in 1946, the youngest daughter of Robert and Fannie Silver. She started piano studies at the age of five. After two years at the University of Washington, she transferred to the University of California where she received a Bachelor of Arts in 1968. She then studied with Erhard Karkoschka at the State University of Music and Performing Arts Stuttgart, and with György Ligeti in Berlin and later in Hamburg. She attended the 1970 Darmstadt Summer Institute, and spent a summer at the Tanglewood Music Center (1972) where she studied with Jacob Druckman. At Brandeis University she studied with Arthur Berger and Harold Shapero, earning her PhD in 1976.[2]

Silver is Professor Emerita at the State University of New York at Stony Brook[3] and served as visiting professor at the College of William and Mary.[4]

Career

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Silver has merged tonal and atonal elements in works starting with her 1979 Canto, A Setting of Ezra Pound’s Canto XXXIX, for baritone and chamber ensemble (commissioned by the Berkshire Music Center at Tanglewood). Richard Dyer wrote in the Boston Globe of the world premiere, “Sheila Silver’s Canto matches Pound’s text with music of a comparably audacious directness, simplicity, and specificity and therefore boldly occupies a psycho-spiritual region that few other composers have cared to approach; it is a beautiful work.”[5] Silver often finds inspiration in non-Western musical traditions, such as Hebraic Chant, (Shirat Sara and Cello Sonata), Sikh prayer mantras (The Thief of Love, Ek Ong Kar,) or Hindustani music (A Thousand Splendid Suns).[6] She collects Tibetan singing bowls and has used them in compositions such as Being in Life and The White Rooster.[7] Critics have praised Silver’s work for being modern and accessible. Cary Smith in the Journal American wrote: “To the Spirit Unconquered is one of those rare compositions that grabs you emotionally and will not let you go. It is a stunning modern masterpiece, a work of profound musical and emotional depth.”[8]

Her Piano Concerto was written for pianist Alexander Paley and premiered by the American Composers Orchestra at Carnegie Hall in 1996. Said Steve Schwarz, in Classical Net, the Concerto "speaks with what I'd call a depth of discourse...it bespeaks a maturity of mind and culture found in few composers."[9]

Film music

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Silver has scored three independent feature films directed by her husband, John Feldman,:[10] Alligator Eyes, Dead Funny and Who the Hell is Booby Roos?, winner of the Seattle International Film Festival’s New American Cinema Award in 2002.[11] She also scored Feldman’s much acclaimed documentary about the scientist Lynn Margulis, Symbiotic Earth,[12] and is currently working on the score for his new documentary, Regenerating Life.

Vocal music

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Silver has written several song cycles. Beauty Intolerable: A Songbook based on the poetry of Edna St. Vincent Millay includes 14 songs and two rounds by this American iconic poet. It can be heard on a 2021 album released by Albany Records[13] and starring singers Dawn Upshaw, Stephanie Blythe, Sidney Outlaw, Deanne Meek, Lucy Fitz Gibbon, pianists Gilbert Kalish, Warren Jones, and other musicians. Of the recording, American Record Guide says “Silver...writes music that marries the delicious bitterness of jazzy discord with lush, cool harmonies and merges the two harmonic moods together with ease...The music is just as rich and captivating as the text that inspired it, and the splendid performances by this top-notch cast of artists are not a surprise. Spend some time with Edna and Sheila and Sappho and the rest.”[14]

In 2021, Silver completed an opera based on Khaled Hosseini's novel A Thousand Splendid Suns with a libretto by her long-time collaborator, Stephen Kitsakos. It was premiered by the Seattle Opera in February 2023.[15] In preparation for composing this opera, she undertook a study of Hindustani music, making multiple trips to India between 2013-2020 to study with Pandit Kedar Bodas in Pune. Silver’s intention is to take color and inspiration for her Western musical voice from Hindustani music.[16]

Awards and honors

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In addition to grants and commissions from such organizations as the Paul Fromm Foundation, the Barlow Foundation, the National Endowment for the Arts, the Rockefeller Foundation, the Cary Trust, Chamber Music America, and Opera America, Silver’s honors include:

List of works

[edit]

Orchestral works

[edit]
  • Being in Life, Concerto for Horn/Alphorn, string orchestra, and Tibetan singing bowls (2019)
  • Midnight Prayer (2003)
  • Piano Concerto (1996)
  • Three Preludes for Orchestra (1992)
  • Song of Sara for string orchestra (1985/87)
  • Chariessa, for soprano and orchestra (1980)

Operatic works

[edit]
  • A Thousand Splendid Suns, 2021 (based on the novel by Khaled Hosseini)
  • The Wooden Sword, 2010 (chamber opera based on an international folktale)
  • The Tale of the White Rooster, 2010 (chamber opera about Tibetan nuns escaping across the Tibetan Indian border)
  • The Thief of Love, 1986 (based on a 17th century Bengali court tale as told by Bharatchandra)

Vocal works

[edit]
  • On Loving: Three Songs for Diane Kalish in memoriam (2016)
  • Beauty Intolerable: A Songbook based on the poetry of Edna St. Vincent Millay (2013)
  • Transcending: Three Songs for Michael Dash, in memoriam (1999)
  • Ek Ong Kar, a capella chorus (1983)
  • Canto: A Setting of Ezra Pound’s Canto XXIX for baritone and chamber ensemble (1979)
  • Chariessa: A Cycle of Six Songs on Fragments from Sappho (1978)

Chamber

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  • Resilient Earth: Six Preludes for Piano and Four Caprices for Solo Violin (2022)
  • Three Etudes, for Trumpet (2020)
  • Toccata and Nocturne, for solo piano, inspired by Raga Jog (2016/18)
  • Down by the River, for trombone quartet (2016)
  • Hazim’s Dance, for string trio, harp, and oboe (2008)
  • Twilight’s Last Gleaming, for two pianos and percussion (2007)
  • Chant, for contrabass and piano (2004)
  • Moon Prayer, for string sextet (2002)
  • Music Visions (Subway Sunset and As the Earth Turns), for woodwinds and video (1999/2000)
  • Lullaby, for bassoon or bass clarinet and piano, (1999)
  • Four Etudes and a Fantasy, for string quartet (1996)
  • From Darkness Emerging, for string quartet and harp (1995)
  • To the Spirit Unconquered, for piano trio, inspired by the writings of Primo Levi (1992)
  • Six Preludes for Piano on poems of Baudelaire (1991)
  • Cello Sonata (1988)
  • Dance Converging, for horn, viola, piano, and percussion (1987)

Film scores

[edit]
  • Alligator Eyes
  • Dead Funny
  • Who the Hell is Booby Roos?
  • Symbiotic Earth

Discography

[edit]
  • Beauty Intolerable: Songs of Sheila Silver (2021), CD, (TROY 1854-55) with Dawn Upshaw, Stephanie Blythe, Sidney Outlaw, Lucy Fitz Gibbon, Deanne Meek, Risa Renae Harman, Gilbert Kalish, Timothy Long, Kayo Iwama, Warren Jones, Ryan M. McCullough
  1. Beauty Intolerable, A Songbook based on the poetry of Edna St. Vincent Millay
  2. On Loving, Three Songs for Diane Kalish, in memoriam
  3. Transcending, Three Songs for Michael Dash, in memoriam
  4. Chariessa, A Cycle of Six Songs on Fragments from Sappho
  5. Nocturne, Inspired by Raga Jog, for solo piano
  • String Quartet (2011) (NWCRL 520) Atlantic String Quartet
  • Twilight’s Last Gleaming (2009) (Bridge 9319 - Stony Brook Soundings) Pianists: Gilbert Kalish, Christina Dahl. Percussion: Eduardo Leandro, Kevin Dufford
  • Six préludes pour piano, d’après poèmes de Baudelaire (2009) (TROY 1087) Tanya Bannister, piano
  • Shirat Sara (Song of Sarah) (2004) Milken Archive (Naxos 8.559426) Gerard Schwarz and the Seattle Symphony Strings
  • Piano Concerto and Six Preludes for Piano on Poems of Baudelaire (2003) (Naxos 8.557015) with Alexander Paley, piano, Lithuanian State Symphony Orchestra, Guntaras Rinkevicius, conductor
  • To the Spirit Unconquered (1996) (CRI 708) The Guild Trio: Janet Orenstein, violin; Brooks Whitehouse, cello; Patricia Tao, piano; Gilbert Kalish, piano; Lois Martin, viola; William Purvis, French horn; Lisa Moore, piano; Thad Wheeler, percussion
  1. Dance Converging
  2. Dynamis
  3. Six Preludes for Piano on poems of Baudelaire
  • Ek Ong Kar (1987) (GSS 107) The Gregg Smith Singers
  • Canto, A Setting of Ezra Pound’s Canto XXIX (1979) (Mode 23) Musicians' Accord ensemble, Michael Dash, baritone, Sheila Silver, cond.
  • Cello Sonata (1977) (CRI 590) Timothy Eddy, cello, Gilbert Kalish, piano

References

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Further reading

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Sheila Silver

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Sheila Silver is an American composer known for her emotionally charged contemporary music that synthesizes tonal and atonal elements with intricate rhythmic complexity across a wide range of genres, including opera, orchestral works, chamber music, and film scores. Her compositions have earned consistent critical praise for their accessibility, visionary quality, and expressive depth, establishing her as a significant voice in modern American music. Born in Seattle in 1946, Silver pursued composition at the University of California, Berkeley, earning her Bachelor of Arts in 1968 under Edwin Dugger. She received the George Ladd Prix de Paris for two years of study in Europe with Erhard Karkoschka and György Ligeti, and later earned her D.M.A. from Brandeis University, studying with Arthur Berger, Harold Shapero, and Seymour Shifrin. Additional training included a Koussevitzky Fellowship at Tanglewood with Jacob Druckman. Silver is Professor Emerita of Music at Stony Brook University, where she taught composition, theory, and instrumentation, and held leadership roles including Director of Undergraduate Studies. She has been awarded prestigious honors including the Rome Prize, a Guggenheim Fellowship, the American Academy of Arts and Letters Composer Award, two ISCM National Composers Competition wins, and the Raymond and Beverly Sackler Prize in Music Composition in Opera. Her residencies and grants include those from the MacDowell Colony, Rockefeller Foundation, National Endowment for the Arts, and New York State Council on the Arts. Among her notable works are the operas The Thief of Love and A Thousand Splendid Suns, the Piano Concerto, orchestral pieces such as Midnight Prayer, and chamber compositions including Shirat Sara and To the Spirit Unconquered. She has also composed film scores for features directed by her husband John Feldman. Her music has been performed by ensembles such as the Los Angeles Philharmonic, Seattle Symphony, and American Composers Orchestra, and recorded on labels including Naxos.

Early Life and Education

Childhood and Early Musical Training

Sheila Silver was born on October 3, 1946, in Seattle, Washington. She was born and raised in Seattle, where her early interest in music was encouraged by her mother, a violinist who had given up performing to raise a family, and her father. Silver began studying piano at the age of five, marking the start of her musical training during her childhood in Seattle. This early piano instruction laid the foundation for her development as a musician in her hometown.

Higher Education and International Studies

Silver transferred to the University of California, Berkeley, where she studied composition with Edwin Dugger and earned her Bachelor of Arts degree in 1968. In 1969, she was awarded the George Ladd Prix de Paris, which funded two years of advanced study in Europe from 1969 to 1971 with Erhard Karkoschka in Stuttgart and György Ligeti in Berlin and Hamburg. In 1972, she participated in the Tanglewood Music Center summer program on a Koussevitzky Fellowship, working with Jacob Druckman. Silver went on to earn her PhD from Brandeis University in 1976, studying with Arthur Berger, Harold Shapero, and Seymour Shifrin. Her teachers and mentors during these years, including Ligeti, Karkoschka, Berger, and Shapero, profoundly shaped her compositional development.

Academic and Professional Career

Teaching Positions and Academic Roles

Sheila Silver joined the faculty of the State University of New York at Stony Brook in 1979 as a professor of music. She is currently Professor Emerita of Music at the institution. In 1997, she served as the Charles and Andrea Bronfman Distinguished Visiting Professor of Judaic Studies at the College of William and Mary in Williamsburg, Virginia.

Residencies, Fellowships, and Commissions

Sheila Silver has been honored with several prestigious residencies, fellowships, and commissions that have supported her compositional work and professional development. In 1977, she received the Radcliffe Institute Fellowship. In 1979, she was awarded the Rome Prize in Music Composition from the American Academy in Rome. She also held a fellowship at the Bunting Institute (now part of the Radcliffe Institute). Later in her career, Silver was awarded a Guggenheim Fellowship in 2013 for her contributions to music composition. In Spring 2020, she served as the Elliott Carter Resident Composer at the American Academy in Rome. She has participated in residencies at the Rockefeller Foundation's Bellagio Center and multiple times at the MacDowell Colony. Silver has received commissions from a range of notable institutions and organizations, including the National Endowment for the Arts, the New York State Council on the Arts, the Barlow Foundation, the Los Angeles Philharmonic, and the Stockton Symphony. These opportunities have enabled her to create works for diverse ensembles and contexts beyond her ongoing academic roles.

Musical Style and Influences

Compositional Approach

Sheila Silver's compositional approach is characterized by a unique synthesis of tonal and atonal elements, forming a musical language that bridges modernist complexity with expressive clarity. This integration is paired with rhythmic complexity that is both masterful and compelling, contributing to the dynamic vitality of her works. Her music is consistently described as powerful and emotionally charged, accessible, and masterfully conceived, earning praise for its modern sensibility combined with depth and maturity. Silver frequently draws from non-Western musical traditions to enrich her sonic palette and thematic depth. These influences include Hindustani classical music, which she studied with Pandit Kedar Narayan Bodas in India to incorporate authentic musical colors into her compositions. She has based works on Sikh prayer mantras (such as in Ek Ong Kar) and integrates elements drawn from Hebraic chant traditions, reflecting her engagement with Jewish musical heritage. Additionally, Silver employs Tibetan singing bowls in various pieces to expand timbral possibilities and evoke meditative resonances.

Cross-Cultural and Thematic Elements

Sheila Silver's compositions frequently draw upon cross-cultural influences and thematic elements from diverse musical traditions and literary sources. Her engagement with Hindustani classical music developed through extended periods of study in India with Pandit Kedar Narayan Bodas, her guru, over multiple trips spanning several years. This influence appears in works such as Being in Life, where she incorporates a Hindustani bandish (prayer melody) in Raag Bilaskhani Todi that she learned during her studies. The same piece employs five specifically pitched Tibetan singing bowls—part of an instrumental combination that also includes French horn, Alpenhorn, and strings—reflecting her practice of using these instruments in her music. Jewish themes and liturgical traditions recur in several of Silver's works. These include Shirat Sara, a tone poem exploring the biblical figure of Sarah; Bar'khi nafshi et adonai, a setting of Psalm 103 for antiphonal choirs; and To the Spirit Unconquered, a piano trio inspired by the writings of Primo Levi on Holocaust survival. Her piano concerto concludes with a finale composed in the style of a Hassidic niggun, a wordless vocal melody central to Hassidic devotional practice. In her cello sonata, she incorporates a theme and variations based on an original tune set to shalom aleikhem, one of the traditional Sabbath eve z'mirot (table hymns). Literary inspirations from various poets also shape Silver's output. She composed Beauty Intolerable, a songbook of fourteen songs and two rounds for voices and piano, drawing directly on the poetry of Edna St. Vincent Millay. Earlier vocal works include Chariessa, a cycle of six songs for soprano on fragments from Sappho, and Canto, a setting for baritone and chamber ensemble of Ezra Pound's Canto XXXIX. Her Six Preludes pour piano, d’après poèmes de Baudelaire translates the imagery and mood of Charles Baudelaire's poems into instrumental form for solo piano.

Concert and Stage Works

Orchestral and Instrumental Compositions

Sheila Silver's orchestral and instrumental compositions span several decades and demonstrate her versatility in writing for solo instruments, chamber ensembles, and larger orchestral forces, often exploring poetic or philosophical themes through a distinctive harmonic language. Her Piano Concerto (1996) was commissioned for and premiered by pianist Alexander Paley with the American Composers Orchestra at Carnegie Hall. The work features a virtuosic solo part set against colorful orchestral textures. In 2019, Silver composed Being in Life, a concerto for horn (doubling alphorn), string orchestra, and Tibetan singing bowls, which integrates natural horn timbres with meditative, resonant sonorities drawn from diverse cultural traditions. Her earlier orchestral output includes Three Preludes for Orchestra (1992), a concise set of character pieces for full orchestra, and Song of Sara / Shirat Sara for string orchestra (1985/87), which draws on lyrical, cantorial-inspired melodies. Among her chamber works, To the Spirit Unconquered (1992) is a piano trio inspired by the writings of Primo Levi, conveying resilience through intense, expressive counterpoint. The Cello Sonata (1988) is a dramatic two-movement work for cello and piano that balances lyrical introspection with rhythmic drive. Silver has also written notable solo piano music, including Six Preludes for Piano on Baudelaire poems (1991), which set evocative texts through atmospheric keyboard writing. Additional instrumental pieces include Dance of Wild Angels (1990), premiered by the Los Angeles Philharmonic, Midnight Prayer (2003) for the Stockton Symphony, Theme and Variations for Bowed Vibraphone, and Chant for contrabass and piano (2003), each highlighting her interest in timbral exploration and narrative expression.

Operas

Sheila Silver has composed a number of operas that blend dramatic storytelling with cross-cultural musical influences, including chamber and full-scale works. Her first opera, The Thief of Love (1981–86), is a lyric-comic opera in three acts with a libretto by the composer herself, based on a 17th-century Bengali court tale. Set in ancient India, the work tells a contemporary love story filled with debate, disguise, trickery, passion, and magic, incorporating elements from Indian erotic poetry and Sikh prayer mantras. The Wooden Sword (2010) is a chamber opera in one act with a libretto by Stephen Kitsakos, drawn from an international folktale with roots in Afghan and Jewish traditions. The story follows a humble cobbler whose joy and cleverness outwit a powerful but anxious king, incorporating Near Eastern rhythms, chant, and contemporary lyricism for five soloists, chamber chorus, and an ensemble of eleven players. It won the Raymond and Beverly Sackler Prize in Music Composition for Opera in 2007. The Tale of the White Rooster (2010) is a chamber opera for women's vocal quartet, Tibetan singing bowls, and percussion, with a libretto by Stephen Kitsakos. It follows five Tibetan Buddhist nuns fleeing to India who take refuge and enact a traditional tale of suppression, liberation, forgiveness, and compassion, using Tibetan mantras and a play-within-a-play structure; commissioned by the Smithsonian’s Freer Sackler Gallery for the ensemble Tapestry, it premiered in July 2010 and supports semi- or fully-staged performances. A Thousand Splendid Suns is an opera with music by Silver and a libretto by Stephen Kitsakos based on Khaled Hosseini’s novel of the same name. It premiered at Seattle Opera in February 2023 and was shortlisted for best World Premiere at the International Opera Awards 2023. The score fuses Western orchestral and operatic elements with Hindustani influences, including raga-based leitmotifs, drones, tabla, and bansuri, drawing from Silver’s immersion in Hindustani music during her studies in Pune, India.

Vocal and Choral Music

Sheila Silver's vocal and choral output encompasses song cycles that set poetry from diverse sources and choral settings of sacred texts. Her early works in this genre include Chariessa, a cycle of six songs on Sappho fragments composed in 1978. In 1979 she completed Canto, a setting of Ezra Pound’s Canto XXXIX for baritone and chamber ensemble. Among her choral compositions is Bar'khi nafshi et adonai, a Psalm setting for antiphonal choirs commissioned by the Gregg Smith Singers. Later memorial song cycles include Transcending: Three Songs for Michael Dash, in memoriam (1999) and On Loving: Three Songs for Diane Kalish in memoriam (2016). Her major contribution to the song cycle repertoire is Beauty Intolerable: A Songbook (2013), comprising 14 songs and two rounds based on the poetry of Edna St. Vincent Millay. This work was recorded in 2021 on Albany Records, featuring performances by sopranos including Dawn Upshaw and mezzo-soprano/contralto Stephanie Blythe among a distinguished ensemble of singers and pianists.

Film Compositions

Scores for Films Directed by John Feldman

Sheila Silver has composed the scores for independent feature films directed by her husband, filmmaker John Feldman. These include Alligator Eyes, Dead Funny, and Who the Hell is Bobby Roos?, the latter winner of the New American Cinema Award at the Seattle International Film Festival in 2002. In Dead Funny (1994), her music is credited on the soundtrack, including the song "Playing with Knives," with lyrics by Stephen Kitsakos. These collaborations represent her contributions to narrative film scoring alongside her primary work in concert music.

Awards and Recognition

Major Honors and Prizes

Sheila Silver has received numerous prestigious honors and prizes in recognition of her contributions to contemporary music composition. She was awarded the Rome Prize in Music Composition. This was followed by the American Academy of Arts and Letters Composer Award in 1986, which provided a $5,000 stipend and arranged for a recording of her work by Composers Recordings. Silver achieved further acclaim by winning the ISCM National Composers Competition twice. In 2007, she received the Raymond and Beverly Sackler Prize in Music Composition in Opera for her opera The Wooden Sword. She was named a Guggenheim Fellow in 2013 to support her work on the opera A Thousand Splendid Suns. In Spring 2020, she served as the Elliot Carter Resident Composer at the American Academy in Rome.

Personal Life

Family and Personal Background

She has been married to filmmaker John Feldman since 1988. The couple has one son, Victor Feldman, who is a journalist. Silver and Feldman reside together in Spencertown, New York. Silver has incorporated Tibetan singing bowls as optional instruments in pieces such as Being in Life and shared demonstrations of their playing technique. She has collaborated with her husband John Feldman on film projects.

References

  1. https://www.sheilasilver.com/
  2. https://www.stonybrook.edu/commcms/music/people/faculty-and-staff/emeritus/sheila_silver
  3. https://frommfoundation.fas.harvard.edu/people/sheila-silver
  4. https://www.macdowell.org/artists/sheila-silver
  5. https://www.imdb.com/name/nm0798792/
  6. https://www.nytimes.com/1993/03/21/nyregion/a-composer-and-her-personal-voice.html
  7. https://www.sheilasilver.com/2212-2/
  8. https://www.sheilasilver.com/wp-content/uploads/2017/01/Sheila_Silver_Press_Kit_2017.pdf
  9. https://sheilasilver.b-cdn.net/wp-content/uploads/2025/01/short-bio-siver-2025.pdf
  10. https://www.milkenarchive.org/artists/view/sheila-silver
  11. https://hummingbirdfilms.com/dipl-team-member/sheila-silver/
  12. https://www.mostlymarimba.com/composer/sheila-silver/
  13. https://www.sheilasilver.com/reviews/
  14. https://www.sheilasilver.com/works/
  15. https://www.sheilasilver.com/being-in-life/
  16. https://www.sheilasilver.com/beauty-intolerable-songbook/
  17. https://www.sheilasilver.com/pianopreludesbaudelaire/
  18. https://www.sheilasilver.com/the-thief-of-love/
  19. https://www.sheilasilver.com/the-wooden-sword/
  20. https://www.sheilasilver.com/opera/
  21. https://www.sheilasilver.com/the-white-rooster/
  22. https://www.sheilasilver.com/1000-splendid-suns-3/
  23. https://www.sheilasilver.com/thousand-suns-update/
  24. https://www.albanyrecords.com/catalog/troy1854-55/
  25. https://www.imdb.com/title/tt0109566/soundtrack/
  26. https://www.nytimes.com/1986/03/19/arts/the-american-academy-announces-86-awards.html
  27. https://news.stonybrook.edu/newsroom/press-release/general/guggenheimfellows2013/
  28. https://www.sheilasilver.com/shop/trio/being-in-life-score-horn-alphorn-violin-piano-optional-tibetan-singing-bowls/
  29. https://www.youtube.com/channel/UCmlD1EEN3hVTM633socX5MA/videos
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