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Simon Rumley
Simon Rumley
Simon Rumley
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Simon Rumley on the set of The Last Word

Simon Rumley (born 22 May 1968) is a British screenwriter, director and author. Mostly associated with the horror genre, he was described by Screen International as "one of the great British cinematic outsiders, a gifted director with the know-how to puncture the conventions".[1] He has won several awards and worked with, among others, Roger Lloyd-Pack, Greta Scacchi, Noah Taylor and Peter Facinelli.

Career

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After starting out as a runner, Rumley began writing short and feature scripts, including Club Le Monde, after which he was invited onto the Carlton Television Writing Course. After writing and directing four short films including 'Laughter' which was nominated for a 'Dick Award' at London's ICA, Rumley wrote, produced and directed Strong Language, which was picked up by the company Stranger Than Fiction. Seen as a promising young film maker,[2] he was invited to Austria by the European Film Academy and in 1999 wrote, produced and directed The Truth Game. Both this and Strong Language, were released through the BFI at London's National Film Theatre, both films being noted for their 'intensity and a quest for emotional honesty'[3]

2002's Club Le Monde was released through UGC Cinemas and in 2004 he directed the short film The Handyman in Vermont, USA, starring Greta Scacchi and Bill Sage. The Handyman played several festivals worldwide and won the Best Short Film at Sitges Film Festival in 2006.

During this period, Rumley's parents died within a short space of each other and, having watched his mother suffer from cancer, Rumley began writing a script provisionally titled The Living in the Home of the Dead, a psychological horror-tragedy. The script was picked up by Nick O'Hagan (Pandaemonium, Young Adam) and after being reworked and retitled The Living and the Dead, it was filmed during 2005 at Lord Cardigan's Savernake Estate starring Roger Lloyd-Pack. Executive produced by Elliot Grove, the founder of Raindance, it premiered at the Rotterdam International Film Festival and played over 40 festivals worldwide. Described in Variety as "Near brilliant",[4] it went on to win almost twenty-five awards including 'Best Film' and 'Best Director', 'Best Actor', 'Best Make-Up' and 'Best Supporting Actress' at Austin's Fantasticfest.

In 2008, Rumley wrote the first draft of the screenplay that would become Red White & Blue. Filmed the following year, it starred Noah Taylor, Marc Senter and Amanda Fuller. Premiered in Rotterdam in 2010, it was described as 'exploring the darker side of humanity with bone-chilling results'.[5] It had its American premiere at the SXSW Festival in Austin, Texas and went on to win Best Film Awards at several festivals including the Boston Underground Film Festival, Lund International Fantastic Film Festival, Fantaspoa Fantastic Film Festival in Brazil and best foreign film/Sequence Award at North America's Fantasia Film Festival in Montreal.

Straight after finishing Red White & Blue, Rumley shot the critically lauded and final segment of the seminal British psycho-sexual horror anthology, Little Deaths. Rumley's 'Bitch' starred Tom Sawyer and Kate Braithwaite. The film also featured a performance from the Shoreditch band S.C.U.M, whose lead singer, Tom Cohen, married the late Peaches Geldof. Little Deaths had its world premiere in February 2011, opening Frightfest in Glasgow and then premiering in North America at SXSW.[6]

That same year, Rumley was invited to make a short film for The ABCs of Death, produced by Tim League (executive producer of Red White & Blue) and Ant Timpson. Deciding to shoot in a country he had never visited before, Rumley and his longtime Director of Photography, Milton Kam, went to Kam's country of birth, Suriname, and shot P for Paramaribo, which would ultimately become P for Pressure. Featuring a who's who of independent horror names such as Nacho Vigalondo, Ti West, Adam Wingard, Srdjan Spasojevic and Xavier Gens, the film premiered at Toronto's International Film Festival's Midnight Madness section in 2012.

In 2013, Rumley was hired to direct his first 'Hollywood' feature by Boss Media and producer Frank Mancuso, Jr (Species, Ronin, Internal Affairs). The film was co-produced by Ai7le Films, run by actor Peter Facinelli (Twilight). The Last Word is a horror/curse movie based on the true story of Johnny Frank Garrett, executed in Texas in 1992 for the rape and murder of a 76-year-old nun. Garrett maintained his innocence until the end and left behind a curse in the form of a letter. It stated that his spirit would cause the deaths of all who helped execute him. Soon after, many of those people met mysterious deaths.[7]

Crowhurst is based on the tragic real-life story of amateur sailor Donald Crowhurst, a 35-year-old father of four, who set out from England in 1968, joining an international race to be the first or the fastest man to circumnavigate the globe single-handed and non-stop. But his dream quickly turned into a nightmare, ending in insanity and probable suicide. The executive producer of the film was Nicolas Roeg, who had himself attempted to film the story in the 1970s.

Films (as writer/director/producer)

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References

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Simon Rumley

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from Grokipedia
Simon Rumley is a British film director and screenwriter known for his uncompromising independent films that explore psychological extremes and transgressive themes, primarily within the horror and thriller genres. Rumley has established himself as one of the United Kingdom's most distinctive and enduring independent filmmakers, often dealing in dark, twisted narratives that challenge conventional storytelling. His breakthrough came with the tragi-horror film The Living and the Dead, which garnered multiple international awards and critical attention for its bold approach. Subsequent works such as Red White & Blue, his segment in the anthology The ABCs of Death, Crowhurst, and the recent Thailand-set kidnapping thriller Crushed have further cemented his reputation for creating unflinching meditations on grief, faith, obsession, and human darkness, frequently earning recognition at leading fantasy and genre festivals. Described by industry observers as one of the great British cinematic outsiders, Rumley continues to rail against perceived mediocrity in contemporary filmmaking, prioritizing provocative, experimental visions across international productions. He is also an author, extending his distinctive voice into published fiction.

Early life

Childhood and influences

Simon Rumley was born in 1968 in England. He grew up in a small UK village, where access to a local video shop provided early opportunities to rent VHS tapes and view a variety of films on television. From a young age, Rumley showed an innate attraction to dark and disturbing subject matter, gravitating toward material that explored psychological intensity and horror. His childhood viewing included seminal horror classics such as The Texas Chain Saw Massacre, Zombie Flesh Eaters, and The Omen, which he encountered through VHS rentals and TV broadcasts, often at a relatively early age. He also watched a range of other films, including Taxi Driver and Kramer vs. Kramer, demonstrating an eclectic taste that extended beyond pure horror. Exposure to these films came through multiple channels, including occasional school screenings and family viewing contexts, further shaping his fascination with unsettling narratives and extreme themes. These early experiences laid the foundation for his enduring interest in psychological horror and taboo subjects that would later emerge in his own work. At age 19, he resolved to pursue directing as a career.

Education and first steps in filmmaking

Simon Rumley studied law at the University of Hull but lacked ambition for a legal career. During his university studies, at age 19, he decided to pursue filmmaking and has maintained exclusive focus on it since then. He borrowed a Super 8 camera from the university film club to shoot his first silent short film, which depicted a man leaving his girlfriend for a hairdryer. On his 21st birthday he received a video camera as a gift, which enabled him to continue producing short films. His first short incorporating dialogue came around age 24. Rumley's early shorts consisted primarily of dark dramas, notably a black-and-white Super 8 trilogy comprising Smiles, Laughter, and Insanity. One installment in the trilogy involved a homeless man with mental health issues. While creating these works, he supported himself by working as a runner and later a production assistant at a London post-production editing house. His early exposure to 1990s American independent films, such as Slacker, contributed to his developing interest in low-budget, personal filmmaking.

Career

Early shorts and debut features (1990s–2002)

Rumley began his career in filmmaking during the 1990s by creating short films while studying law at university, deciding at age 19 that he wanted to become a director. He borrowed a Super 8 camera from his university's film club to make his first silent short, depicting a man leaving his girlfriend for a hairdryer, and continued producing shorts after his parents gifted him a video camera for his 21st birthday. After relocating to London and taking a job at a post-production edit house, he made more polished Super 8 shorts with music and sound design, initially without dialogue and later incorporating it around age 24, focusing primarily on dark dramatic themes he described as "extreme dramas." Among these were a black-and-white Super 8 trilogy titled Smiles, Laughter, and Insanity, exploring subjects such as a homeless man with mental health issues, a man hiring a prostitute to kill him, and an abstract couple in conversation. Strongly influenced by the early 1990s American indie movement, particularly Richard Linklater's Slacker (1991), which demonstrated that a film could function with minimal traditional story structure, Rumley applied these ideas to his debut feature Strong Language (2000). This was followed by The Truth Game (2001) and Club Le Monde (2002), forming a loose trilogy of dialogue-heavy, character-focused British films set in contemporary London environments. The trilogy emphasized conversational dynamics and interpersonal relationships, earning frequent comparisons to the styles of Eric Rohmer and Richard Linklater. These early features received very strong reviews in the United Kingdom and were released domestically, but they did not achieve significant international distribution or wide audience reach. Rumley's work from this period helped establish him as a distinctive voice in British independent cinema before his later stylistic shifts.

Shift to psychological horror (2006–2010)

In the period from 2006 to 2010, Simon Rumley shifted toward psychological horror and extreme drama, marking a departure from his earlier dramatic work and establishing him in international genre festival circuits. His films during this time focused on intense psychological situations, disturbed characters, and extreme emotional and physical confrontations. In 2006, Rumley wrote and directed The Living and the Dead, a psychological horror-tragedy centered on family dysfunction and mental collapse. The film premiered at the International Film Festival Rotterdam. ) It won Best Film and Best Director for Rumley at Fantastic Fest in 2006, along with a Jury Prize. The Living and the Dead was inspired by Rumley's experience with his mother's terminal cancer treatment. ) In 2010, Rumley released Red White & Blue, a stark character study of a sociopath engaging in escalating acts of violence and manipulation. The film premiered at the International Film Festival Rotterdam and the SXSW Film Festival. ) It won the Best of Fest Narrative Award at the Boston Underground Film Festival and Best Film at the Lund International Fantastic Film Festival, Fantaspoa, and Fantasia International Film Festival. ) These works highlighted Rumley's emphasis on psychological depth and extreme drama, gaining him recognition within horror and genre communities.

Anthology work and international productions (2011–2019)

In the 2010s, Simon Rumley contributed to several horror anthology projects while expanding his work into international productions across the United States and the United Kingdom. In 2011, he directed the segment "Bitch" for the British anthology horror film Little Deaths, a multi-director feature exploring dark themes through separate stories. That same year, he created a short segment for the multinational anthology 60 Seconds of Solitude in Year Zero, a project featuring numerous international filmmakers. In 2012, Rumley helmed "P Is for Pressure" for the global horror anthology The ABCs of Death, a segment shot on location in Suriname as part of the film's effort to incorporate diverse international settings. Rumley's feature work during this period reflected an increasingly international scope. In 2016, he directed the American horror film Johnny Frank Garrett's Last Word, a supernatural thriller based on the true story of executed inmate Johnny Frank Garrett and the alleged curse tied to his final written words. That same year, he completed Crowhurst, a British drama recounting the ill-fated voyage of sailor Donald Crowhurst during the 1968 Sunday Times Golden Globe Race, with Nicolas Roeg serving as executive producer. In 2016–2017, Rumley released the American non-linear thriller Fashionista, which he dedicated to Nicolas Roeg and which drew stylistic inspiration from Roeg's work. The period concluded with Once Upon a Time in London in 2019, a British crime drama examining the historical Kray twins' era of organized crime in London. These projects demonstrated Rumley's shift toward collaborative anthology formats and cross-border productions while maintaining his distinctive narrative intensity.

Recent films and ongoing projects (2020–present)

In the years following Once Upon a Time in London (2019), Simon Rumley did not direct another feature film until Crushed, which marked his return to long-form cinema after a notable hiatus. Crushed, an extreme drama-thriller shot on location in Bangkok, Thailand, centers on themes of faith, grief, and vengeance, with a narrative that explores kidnapping and the city's criminal underbelly. The film premiered at the Edinburgh International Film Festival in 2025, where it drew attention for its uncompromising intensity and Rumley's signature stylistic approach. Rumley has publicly criticized the state of contemporary cinema, describing much of it as mediocre and railing against the perceived blandness of streaming platforms that prioritize formulaic content over bold artistic risks. He has positioned his recent work as a deliberate counterpoint to these trends, emphasizing raw emotional depth and thematic provocation in an era of homogenized entertainment. Rumley continues to sustain a dedicated following on the international genre festival circuit, where his uncompromising vision resonates with audiences seeking alternatives to mainstream offerings.

Filmmaking style and themes

Key influences

Simon Rumley's filmmaking has been profoundly shaped by British director Nicolas Roeg, whose innovative use of non-linear narratives and psychological intensity in films such as Performance (1970), Don't Look Now (1973), and Bad Timing (1980) has served as a major inspiration. Rumley has described Roeg as a key influence, collaborating directly with him when Roeg executive produced the sailing drama Crowhurst (2017) and dedicating his psycho-noir feature Fashionista (2016) to the director. Rumley's attraction to dark and psychological material began in childhood, particularly through early exposure to horror cinema. At around age 11, his mathematics teacher screened The Texas Chain Saw Massacre (1974) for the class, an experience that sparked his enduring interest in the dark side of storytelling. This formative encounter reinforced his innate draw to unsettling, psychologically complex themes that would later define his work. The 1990s American independent film movement also played a crucial role in shaping Rumley's approach to low-budget filmmaking. Directors such as Richard Linklater with Slacker (1990), Kevin Smith with Clerks (1994), Robert Rodriguez with El Mariachi (1992), and Quentin Tarantino with Reservoir Dogs (1992) inspired him to pursue independent production, leading Rumley to finance his own debut feature for just £4,000. These diverse influences—Roeg's structural experimentation and psychological depth, early horror's raw intensity, and the DIY ethos of 1990s indie cinema—have collectively fostered Rumley's preference for dark, psychological, and non-linear narratives.

Signature approaches

Simon Rumley describes his films as "extreme dramas," a term he applies to his work across horror, thriller, and heightened reality genres, with a focus on psychological situations, dark emotions, and challenging content. He has emphasized that gangster films represent some of the best examples of this approach, as they allow for rapid shifts from emotional drama to intense violence while exploring core human experiences like love, loss, betrayal, and greed. Rumley often uses non-linear narrative structures to heighten tension and amplify dramatic effect, as in Fashionista, where he deliberately wrote and edited the film in a fragmented manner to delay major reveals, keep the audience uncertain about reality versus imagination, and create greater excitement than a linear approach would allow. His filmmaking prioritizes eliciting strong emotional responses from viewers through unflinching and uncomfortable material, with Rumley stating that he wants to provoke reactions and that successfully pushing an audience to feel deeply indicates the work is effective. He seeks to engage audiences emotionally with tragic situations and the irrational extremes of ordinary people, favoring emotional content and tragedy over stylized violence alone. Rumley's films frequently explore dark themes such as faith, grief, and vengeance in Crushed, family helplessness in The Living and the Dead, and elements of sociopathy, sex, and violence across his body of work. He has expressed a goal to challenge viewers and counter the mediocrity of contemporary cinema, particularly the blandness he perceives in streaming content, by creating serious art that makes people think and feel rather than offering unchallenging escapism.

Awards and recognition

Other works

Literary career

Simon Rumley ventured into literature with his debut novel, The Wobble Club, published by Whitefox Publishing in the UK on October 26, 2023. The book is a comedy-horror tale that follows Gill and Brolly, a morbidly obese couple living together off South London's Walworth Road, as their relationship faces strain when one partner pursues dieting while the other staunchly refuses. Drawing inspiration from Rumley's own experiences with weight fluctuations, love of junk food, alcohol and chocolate, as well as his obesity and subsequent weight loss, the novel explores themes of body image, overeating, and relational conflict through a mix of humor, grotesque elements, and occasional tenderness. Reviewers have noted its unsettling tone balanced by deeper layers, describing it as veering from the humorous to the bathetic and from the grotesque to the poignant. This publication marks Rumley's expansion of his creative output beyond filmmaking.

Personal life

References

  1. https://www.imdb.com/name/nm0750121/
  2. https://letterboxd.com/director/simon-rumley/
  3. https://cloutcom.co.uk/clients/simon-rumley/
  4. https://www.screendaily.com/features/i-am-railing-against-the-mediocrity-of-contemporary-cinema-says-simon-rumley-of-his-edinburgh-premiere-crushed/5207808.article
  5. http://www.money-into-light.com/2018/04/an-interview-with-simon-rumley-part-1.html
  6. https://screenanarchy.com/2008/06/simon-rumley-speaks.html
  7. https://www.eyeforfilm.co.uk/feature/2011-09-30-interview-with-simon-rumley-about-red-white-blue-feature-story-by-anton-bitel
  8. http://legacy.aintitcool.com/node/30252
  9. https://www.imdb.com/title/tt0483719/awards/
  10. https://www.imdb.com/title/tt1465505/awards/
  11. https://www.simonrumley.com/portfolio/
  12. https://mubi.com/en/cast/simon-rumley
  13. http://www.simonrumley.com/portfolio/crowhurst/
  14. https://www.hollywoodreporter.com/movies/movie-reviews/fashionista-review-950410/
  15. https://www.hollywoodreporter.com/movies/movie-reviews/crowhurst-review-1042551/
  16. https://vodzilla.co/interviews/interview-simon-rumley-talks-fashionista-crowhurst-and-going-up-against-colin-firth/
  17. https://wearecult.rocks/interview-director-simon-rumley
  18. http://www.money-into-light.com/2018/05/an-interview-with-simon-rumley-part-2.html
  19. https://battleroyalewithcheese.com/2017/02/fashionista-simon-rumley-interview/
  20. https://www.exquisiteterror.com/fashionista-simon-rumley-interview
  21. https://www.amazon.com/Wobble-Club-Simon-Rumley/dp/1915635543
  22. https://screenanarchy.com/2023/10/book-review-the-wobble-club.html
  23. https://www.goodreads.com/en/book/show/198954608-the-wobble-club
  24. https://www.arbuturian.com/culture/books/the-wobble-club-review
  25. https://www.indiegogo.com/projects/the-wobble-club-a-novel-by-simon-rumley
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