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Slamdance Film Festival

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Slamdance Film Festival

The Slamdance Film Festival is an annual film festival focused on emerging artists. The annual week-long festival is held in Park City, Utah in late January and is the main event organized by the year-round Slamdance organization. The organization also hosts a screenplay competition, workshops, screenings throughout the year, and events with an emphasis on independent films with budgets under $1 million.

The festival was founded in 1995 by Dan Mirvish, Jon Fitzgerald, Shane Kuhn, and Peter Baxter in addition to Paul Rachman, after they had been unsuccessful in submitting films to the Sundance Film Festival in Park City, Utah. Baxter has been in charge of Slamdance since 1997.

In addition to the festival, Slamdance's screenplay competition has discovered a number of talented screenwriters including Joshua Marston (Maria Full of Grace) as well as Steven Fechter and Nicole Kassell (co-writers of The Woodsman). In 2008, Slamdance entered into an agreement with Upload Films to develop and produce Drool, the winner of Slamdance's screenplay competition. Written and directed by Nancy Kissam, Drool premiered at the 2009 Festival and thereafter was acquired by Strand Releasing. Chad Crawford Kinkle's southern horror screenplay Jug Face won the 2011 Grand Prize. During the 2012 Festival, Modernciné producers Andrew van den Houten and Robert Tonino announced their production of Jug Face in Nashville.[citation needed]

In 2011, Dead in the Room, written by Marjory Kaptanoglu (winner of Slamdance's 2010 Short Screenplay Competition) was directed by Academy Award–nominated filmmaker Adam Pertofsky. In 2012, Harold's Bad Day, written by R.J. Buckley, was directed by Slamdance alum Jordan Brady. The 2011 Grand Prize winner Jug Face, written by Chad Crawford Kinkle, premiered at the 2013 festival, where it was picked up for distribution by Gravitas Ventures.

The 2013 Slamdance Screenwriting Competition, presented by JuntoBox Films, awarded prizes to the top three scripts in each category. The Grand Prize of $10,000 cash went to Butterfly Children by Melanie Schiele. The Short Screenplay winner Think Ink by Emily Hu was produced and premiered at the 2015 Festival, as part of the Special Screenings section. An original teleplay (Search for Life by Andrea Janakas) took home the Grand Prize at the 2014 Screenplay Competition. Search for Life was also given the award for Best Original Teleplay, the Best Narrative Feature was given to HF Crum's The 3 Faces of Hunger & Thirst, the Best Horror Screenplay was given to Sean Patrick Geraghty's The Hounds of House Rearden, and the Best Short Screenplay was given to David Shushan's Over the Line (And Far Away). The awards were given at the Writers Guild of America West in Los Angeles.

The 2015 Screenplay Competition received a record-breaking 50% increase in submissions, with nearly 3,500 total submissions. Narrative Feature script The Delegation by Shane Andries was awarded the Best Narrative Feature and Grand Prize Award, Best Horror Screenplay was awarded to Speak of the Devil by Jesse J. Cook, Best Short Screenplay was awarded to Deep Storage by Susan Earl, and the Best Teleplay was awarded to Castle Rock by Jamie King. The awards were given at the Writers Guild of America West in Los Angeles.

The 2016 Screenplay Competition received a record-breaking number of submissions, with 3,600 total scripts submitted. Narrative Feature script Great White Shark by Andrew Kightlinger was awarded the Best Narrative Feature and Grand Prize Award, Best Horror Screenplay was awarded to The Housesitter by Suju Vijayan, Best Short Screenplay was awarded to Conviction by Anju Andre-Bergmann, and Best Teleplay was awarded to Feral by Bryan Kett. The awards were given at the Writers Guild of America West in Los Angeles. Andrew Kightlinger has received representation from Principato-Young Entertainment and is currently in development on a new narrative feature which focuses on sex trafficking.

The 2017 Screenplay Competition received over 3,000 submissions. Horror Feature "Day Shift" by Tyler Tice was awarded $2,000 for Best Horror Screenplay and $8,000 for the Grand Prize Award. Best Narrative Feature was awarded to Escher by Jason Kessler, Best Short Screenplay was awarded to The Clown-Faced Plumber by Frederick Jones, and Best Teleplay to Jackrabbit by David Schlow. The awards were given at the Writers Guild of America West in Los Angeles.

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