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Slim Willet
Slim Willet
Slim Willet
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Slim Willet (born Winston Lee Moore; December 1, 1919 – July 1, 1966) was an American disc jockey, musician, and songwriter.

Born in Dublin, Texas, Moore attended Hardin-Simmons University in Abilene and graduated in 1949 with a degree in journalism. He got a job as a country music deejay at Abilene radio station KRBC, where he worked until 1956.

While there, he formed his ensemble, the Hired Hands. Taking the stage name Slim Willet, he released his debut single in 1950 "Tool Pusher from Snyder". The group appeared on the Big D Jamboree in Dallas on WFAA until 1954, as well as on Louisiana Hayride from 1951 to 1955. He released several hit singles during this time, among them "Red Rose", "No Love Song to You", and "Don't Let the Stars Get in Your Eyes", which became a major hit for both Perry Como and Skeets McDonald in 1952.

Leaving his label, 4 Star, in 1954, he started his label, Winston, and began releasing solo material, in addition to working as a deejay at Abilene station KCAD, until he died of a heart attack in 1966, aged 46.

Legacy

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He was inducted into the Country Music DJ Hall of Fame in 1994.

References

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Slim Willet

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Slim Willet is an American country music singer, songwriter, and disc jockey best remembered for writing and recording the 1952 number-one country hit "Don't Let the Stars Get in Your Eyes," as well as his songs celebrating Texas oilfield and working-class life. Born Winston Lee Moore on December 1, 1919, near Dublin, Texas, he served in the Civilian Conservation Corps during the Great Depression and in the U.S. Army during World War II before earning a journalism degree from Hardin-Simmons University in Abilene in 1949. He began his entertainment career as a disc jockey at KRBC in Abilene, adopting the stage name Slim Willet while hosting live music programs and forming his band, the Hired Hands. His radio popularity led to performances on major country showcases including the Big D Jamboree in Dallas and the Louisiana Hayride in Shreveport. In the early 1950s, Willet recorded for the 4 Star label and achieved his biggest success with "Don't Let the Stars Get in Your Eyes," which reached number one on the country charts and was later covered successfully by artists such as Perry Como and Ray Price. He established his own recording studio and label, releasing material including oil patch-themed songs like "Tool Pusher on a Rotary Rig" and the 1959 album Texas Oil Patch Songs. Willet later became part-owner of KCAD radio in Abilene, where he continued as an air personality until his death from a heart attack on July 1, 1966. He was inducted into the Country Music Disc Jockey Hall of Fame in 1994.

Early life

Family background and childhood

Slim Willet was born Winston Lee Moore on December 1, 1919, in Victor, Texas, a small community in Erath County near Dublin. He was the son of Luther Moore and Fannie Moore. In 1935, the Moore family moved to Clyde, Texas, where Winston attended Clyde High School. In 1937, he enrolled in the Civilian Conservation Corps (CCC) and was assigned to a camp in Arizona, where he participated in nightly singing sessions with Mexican Americans that exposed him to Latin rhythms and tempos which influenced his later music. He married Jimmie Crenshaw in Clyde in 1938, and they had two sons, Ted and Tim. He later served briefly in the United States Army during World War II.

Education and early influences

Winston Lee Moore, who later performed as Slim Willet, pursued higher education at Hardin-Simmons University in Abilene, Texas, where he earned a B.A. in journalism in 1949. While attending the university, he served as student manager of the campus radio station KHSU, an experience that introduced him to on-air work and led him to adopt the professional pseudonym "Slim Willet"—with "Slim" applied ironically to his non-slender physique and "Willet" drawn from characters in his favorite comic strip, Out Our Way. During this period, Moore began developing his songwriting interests, composing "Pinball Millionaire," a song that saw early recordings by Hank Locklin and Gene O'Quin shortly after his graduation. These university years marked the foundation of his creative and professional trajectory, blending journalistic training with hands-on radio experience and nascent songwriting efforts.

Broadcasting career

Radio disc jockey roles

After graduating from Hardin-Simmons University in 1949 with a degree in journalism, Slim Willet began his professional radio career at KRBC in Abilene, taking on roles as an advertising salesman and country music disc jockey. He hosted programs that built a dedicated local audience in West Texas during his tenure there. Willet departed his disc jockey position at KRBC in 1957 and spent a brief period at radio station KNIT. He later transitioned to KCAD in Abilene, where he worked full-time as an air personality and disc jockey while becoming a part owner of the station. In 1964, he advanced to general manager of KCAD, one of the few all-country music radio stations in Texas at the time. His enduring popularity as a disc jockey across these roles provided a strong regional platform that supported the launch of his parallel music career.

Television hosting and production

Slim Willet pioneered live television in Abilene, Texas, by hosting a weekly music variety show on KRBC-TV (Channel 9). The program debuted on January 27, 1954, airing Wednesday evenings from 8:30 to 9:00 p.m., and later shifted to 9:30 to 10:00 p.m. starting October 31, 1956, before concluding on January 23, 1957, after a three-year run. Known as the Big State Jamboree in its television format, the live variety show featured local talent and provided early exposure for area performers. The show's format offered a platform for emerging artists, notably including the young Larry Gatlin and his brothers in the Gatlin Trio, who first appeared in 1955 after initial performances on Willet's related radio Jamboree and then became regular cast members on the television program. This local initiative highlighted Willet's role in fostering regional talent through early television broadcasting. Willet supplemented his KRBC-TV hosting with guest appearances on other country music programs, including the Big D Jamboree in Dallas on WFAA (until 1954), the Louisiana Hayride in Shreveport (1951-1955), and the Town Hall Party in Compton, California. Through his side business, the Wil-Lite Advertising Agency, he also booked Elvis Presley's first performance in Abilene in 1955. His television efforts remained centered on local Abilene audiences and community contributions rather than national exposure.

Musical career

Early recordings and songwriting

Slim Willet began his recording career in 1950 with the Dallas-based Star Talent label. He formed a backing band known as the Brushcutters, featuring musicians such as Shorty Underwood on fiddle, Earl Montgomery on rhythm guitar, Georgia Underwood on bass, and Price Self on piano, who accompanied him on his initial sessions recorded at the KRBC radio station studio in Abilene, Texas. His debut single, Star Talent 770 released in spring 1950, paired "I'm Going Strong" with "I'm a Tool Pusher From Snyder," the latter later retitled "Tool Pusher on a Rotary Rig" and becoming a signature piece in his catalog. This oil patch-themed song reflected Willet's background in the Texas oilfields, where he drew inspiration for much of his early songwriting depicting the lives of rig workers and tool pushers. In early 1951, Star Talent released another single featuring "My Story’s Sadder Than Yourn," a duet with Jean Stansbury, backed by the solo honky-tonk ballad "When We Grow Old." Willet soon moved to 4 Star Records, where his early singles included "Red Rose" and "No Love Song to You," continuing his focus on country material influenced by his West Texas roots. In his songwriting, Willet experimented with rockabilly styles under the pseudonym Telli W. Mils, also known as Fat Cat.

Breakthrough hit

Slim Willet's breakthrough came with "Don't Let the Stars Get in Your Eyes," a song he composed in 1951. The song was inspired by a letter he received in September 1951 from a young soldier stationed in Korea, who asked the disc jockey to play a song for his sweetheart back home, prompting Willet to write one himself. He recorded it in February 1952 at Fair Park Auditorium in Abilene, Texas, with his group the Brush Cutters. The track was initially released as a B-side on 4 Star Records, coupled with "Hadacol Corners." "Don't Let the Stars Get in Your Eyes" reached number one on Billboard's country and western chart in 1952. At one point, four versions of the song appeared simultaneously in the country Top 10. Perry Como's recording topped Billboard's pop chart. Other notable 1952 covers included versions by Skeets McDonald in September, Ray Price in September, and Red Foley in November. The song stands as Willet's biggest and most enduring composition, marking the peak of his success as a recording artist.

Independent labels and later work

Following his split from 4 Star Records in the mid-1950s, Slim Willet established his own independent labels—initially Edmoral and then Winston—to produce and release his music as well as recordings by regional West Texas performers. The Winston label, named after his given name, served as his primary outlet from 1957 onward, with sessions often held in makeshift spaces such as his backyard studio or local radio stations. Through these imprints he promoted local talent including Dean Beard, Hoyle Nix, Curtis Potter, Darrell Rhodes, and Jimmy Seals, issuing singles that blended traditional country, western swing, and emerging rockabilly influences. In 1959 Willet released Texas Oil Patch Songs on the Winston label, a twelve-track concept album comprising his original compositions about oilfield life, including tracks such as "Rig Moving Man," "Tool Pusher (On a Rotary Rig)," "Oil Patch Girls," and "Roughneck." Regarded as one of the earliest country music concept albums and the first devoted entirely to the petroleum industry, it reflected his deep connection to West Texas culture. Willet continued to write, record, and issue sporadic singles on Winston throughout the late 1950s and into the 1960s, occasionally experimenting with rockabilly under pseudonyms like Telli W. Mils, but he never achieved another national hit to match his 1952 breakthrough. His final release, the single "The Lights Don't Shine" / "You're the Only Woman" (Winston 45-1178), appeared in 1966 with production by Tommy Allsup and was recorded just months before Willet's death. The label ceased operations following his passing later that year.

Personal life

Marriage and family

Slim Willet, born Winston Lee Moore, married Jimmie Crenshaw in Clyde, Texas, in 1938. The couple had two sons, Ted and Tim, and resided in Abilene, Texas, during Willet's professional years. Public records provide few additional details about their family life, with biographical accounts primarily emphasizing Willet's career in radio, television, and music rather than personal relationships.

Death and legacy

Death

Slim Willet died of a heart attack on July 1, 1966, at the age of 46 while still working full-time at KCAD, the Abilene radio station where he served as part owner and air personality. The death occurred in Abilene, Texas, ending his long-standing career in broadcasting and music at the station he helped establish. He was buried in Victor, Texas.

Posthumous honors

Following his death in 1966, Slim Willet received posthumous recognition for his pioneering contributions to Texas country radio and his distinctive songwriting focused on oilfield life. He was elected to the Country Music Disc Jockey Hall of Fame in 1994, an honor that acknowledged his extensive career as a disc jockey, including his early work at KRBC in Abilene starting in 1949, his role in regional broadcasting, and his later position as general manager of KCAD, one of the state's early all-country music stations. He is also honored in the West Texas Music Hall of Fame for his impact on regional music. Willet is remembered as an early Texas country radio pioneer who helped popularize the format through live programming and station ownership, as well as an "oil patch" songwriter who documented the lives of oilfield workers in songs such as "Tool Pusher on a Rotary Rig" and in his 1959 album Texas Oil Patch Songs by Slim Willet, considered one of the earliest country music concept albums. His signature composition "Don't Let the Stars Get in Your Eyes" remains his most enduring work, best remembered for its 1952 success across country and pop charts through multiple versions.
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