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Song cycles (Killmayer)
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Song cycles (Killmayer)
Wilhelm Killmayer, a German composer, wrote several song cycles, which form a substantial part of his compositions. The earliest cycle dates from 1953, the last was completed in 2008. He set poems by German romantic writers such as Friedrich Hölderlin and Joseph von Eichendorff, but was also inspired by French, Greek and Spanish poems, and by texts from the 20th-century poets Georg Trakl and Peter Härtling. He used mostly piano to accompany a singer, but also added percussion or other instruments, and scored some cycles in a version for voice and orchestra. His Hölderlin-Lieder, setting poems from the author's late period, were performed at major festivals and recorded.
Interested in poetry and the voice, Killmayer composed more than 200 Lieder, including several song cycles. Most of them are set for voice and piano. Many songs set poems from German romantic poetry, such as others on 20th-century poems. Killmayer wrote four cycles of Hölderlin-Lieder based on poems by Friedrich Hölderlin, especially from his late period, two cycles based on Georg Trakl (1993 and 1996), and one based on Peter Härtling (1993).
Killmayer was first inspired by texts of French authors of the Renaissance, such as Charles d'Orléans, Mal Mariée and Clément Marot (1953), and by poems of Federico García Lorca in German (1954), which he set for soprano, piano, ensemble or percussion. From the 1990s, he composed cycles on poems by Stéphane Mallarmé and Sappho. Returning to German romanticism he set two song cycles based on poems by Joseph von Eichendorff for men's chorus, a songbook inspired by Heinrich Heine, a cycle based on poems and Eduard Mörike. His song cycles, as his other works, were published by Schott.
The following table contains for every song cycle the title with translation, the year of composition, the text source and its |uage, voice type (soprano, coloratura soprano, mezzo-soprano, tenor, baritone), and the number of movements.
The cycle, composed in 1950, sets four poems by Petrarch for mixed choir a cappella:
The whole lasts about 9 minutes. It was recorded in 2000 by chamber choir Josquin des Prèz under Uwe Witzel.
The cycle, composed in 1953, sets five old French poems for soprano, piano and percussion:
The cycle takes about 13 minutes. It was first performed on 30 July 1953 in Bayreuth by Liselotte Ebnet with the composer as the pianist and Hermann Gschwendtner.
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Song cycles (Killmayer)
Wilhelm Killmayer, a German composer, wrote several song cycles, which form a substantial part of his compositions. The earliest cycle dates from 1953, the last was completed in 2008. He set poems by German romantic writers such as Friedrich Hölderlin and Joseph von Eichendorff, but was also inspired by French, Greek and Spanish poems, and by texts from the 20th-century poets Georg Trakl and Peter Härtling. He used mostly piano to accompany a singer, but also added percussion or other instruments, and scored some cycles in a version for voice and orchestra. His Hölderlin-Lieder, setting poems from the author's late period, were performed at major festivals and recorded.
Interested in poetry and the voice, Killmayer composed more than 200 Lieder, including several song cycles. Most of them are set for voice and piano. Many songs set poems from German romantic poetry, such as others on 20th-century poems. Killmayer wrote four cycles of Hölderlin-Lieder based on poems by Friedrich Hölderlin, especially from his late period, two cycles based on Georg Trakl (1993 and 1996), and one based on Peter Härtling (1993).
Killmayer was first inspired by texts of French authors of the Renaissance, such as Charles d'Orléans, Mal Mariée and Clément Marot (1953), and by poems of Federico García Lorca in German (1954), which he set for soprano, piano, ensemble or percussion. From the 1990s, he composed cycles on poems by Stéphane Mallarmé and Sappho. Returning to German romanticism he set two song cycles based on poems by Joseph von Eichendorff for men's chorus, a songbook inspired by Heinrich Heine, a cycle based on poems and Eduard Mörike. His song cycles, as his other works, were published by Schott.
The following table contains for every song cycle the title with translation, the year of composition, the text source and its |uage, voice type (soprano, coloratura soprano, mezzo-soprano, tenor, baritone), and the number of movements.
The cycle, composed in 1950, sets four poems by Petrarch for mixed choir a cappella:
The whole lasts about 9 minutes. It was recorded in 2000 by chamber choir Josquin des Prèz under Uwe Witzel.
The cycle, composed in 1953, sets five old French poems for soprano, piano and percussion:
The cycle takes about 13 minutes. It was first performed on 30 July 1953 in Bayreuth by Liselotte Ebnet with the composer as the pianist and Hermann Gschwendtner.