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Spot the Difference
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| Spot the Difference | ||||
|---|---|---|---|---|
 | ||||
| Studio album / Greatest hits album by | ||||
| Released | 3 August 2010 | |||
| Genre | ||||
| Length | 52:34 | |||
| Label | XOXO Records | |||
| Producer | Andrew J. Jones & Glenn Tilbrook | |||
| Squeeze chronology | ||||
| ||||
Spot the Difference is a 2010 album by the British new wave group Squeeze. It is the band's thirteenth studio album and consists entirely of new recordings of older Squeeze songs. The songs are arranged as similarly as possible to the original recordings, being done in such a way to invite the listener to 'spot the difference'.
Details
[edit]This is Squeeze's first studio album in 12 years, and introduces new members Stephen Large (keyboards) and Simon Hanson (drums) to the fold. Spot the Difference also marks the return of bassist John Bentley to the group; he last played on a Squeeze studio album 28 years previously (1982's Sweets from a Stranger). As well, former Squeeze member Paul Carrack guests on vocals and keyboards on the remake of "Tempted". On the re-record of "Loving You Tonight", Tilbrook sings the lead vocal that Carrack sang on the original version.
Chris Difford went on to explain in an interview in the Huffington Post (6 August 2010) the reason for the release: "Well, Squeeze has never owned our own copyrights because, obviously, they're owned by a major record label. We thought it might be fun to re-record our songs to make it possible for us to own a little bit more of our own history. So, Glenn went in the studio, and did most of the work. I have to bow down to his achievements as a producer because he's done a great job of making them sound pretty much like the originals."[2]
The album was initially released in the US in August 2010. When released in the UK two months later, it was packaged with a bonus disc of live recordings titled Live at The Fillmore.
Reception
[edit]| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [3] |
| Record Collector | [4] |
| Rolling Stone | [1] |
Mark Kemp of Rolling Stone was largely dismissive of Spot the Difference,[1] proclaiming the record "completely superfluous" and alleging it to be a "cynical ploy to sell an oldies tour".[1] Steven Erlewine of Allmusic, meanwhile, felt that the CD was "a fun spin for the devoted and a good advertisement for Squeeze’s reunion tour".
Track listing
[edit]All songs written by Chris Difford and Glenn Tilbrook.
- "Another Nail in My Heart" 3:00
- "Black Coffee in Bed" 6:08
- "Cool for Cats" 3:10
- "Goodbye Girl" 3:00
- "Hourglass" 3:16
- "Is That Love" 2:32
- "Labelled with Love" 4:30
- "Loving You Tonight" 4:09
- "Pulling Mussels (from the Shell)" 3:59
- "Slap and Tickle" 4:12
- "Some Fantastic Place" 4:41
- "Take Me I'm Yours" 2:47
- "Tempted" 4:01
- "Up the Junction" 3:09
(Note that the songs are sequenced in alphabetical order.)
UK Bonus Disc: Live at the Fillmore
[edit]- "Take Me I'm Yours"
- "Annie Get Your Gun"
- "Black Coffee in Bed"
- "When the Hangover Strikes"
- "Loving You Tonight"
- "If It's Love"
- "It's So Dirty"
- "Goodbye Girl"
- "Hope Fell Down"
- "If I Didn't Love You"
Personnel
[edit]- Squeeze
- Chris Difford – guitar, vocals
- Glenn Tilbrook – guitars, keyboards, vocals
- John Bentley – bass, vocals
- Simon Hanson – drums
- Stephen Large – keyboards
with:
- Paul Carrack – keyboards, vocals
- Andrew J. Jones – synthesizer, percussion
- Bob Litten, Paul Pott, Ray Tabor – horns
- Phil Veacock – saxophone
- Alexandra Baybutt, Bryan Chambers, Derek Green, Suzanne Hunt, Jean-Marie Lincoln, Siobhan Parr, Louis Tilbrook – backing vocals
References
[edit]- ^ a b c d Kemp, Mark (16 August 2010). "Spot The Difference". Rolling Stone. Rolling Stone.
- ^ Ragogna, Mike (6 August 2010). "Spot The Difference: A Conversation With Squeeze, Plus Don Henley Gets an Apology". Huffington Post. Retrieved 5 November 2012.
- ^ Erlewine, Stephen Thomas. "Squeeze Spot the Difference review". Allmusic. Rovi Corporation. Retrieved 5 November 2012.
- ^ Staunton, Terry (December 2010). "Re-take me, I'm yours". Record Collector (382). Retrieved 5 November 2012.
Spot the Difference
View on Grokipediafrom Grokipedia
Background
Conception
In 2009, Squeeze decided to re-record a selection of their classic tracks for an album aimed at regaining ownership of the master recordings, as the originals were controlled by former labels including A&M Records and I.R.S. Records, whose catalogs are now held by Universal Music Group.[4][5][6] This approach exploited contractual restrictions on re-recording by creating new versions that the band could fully own, thereby increasing their control over licensing and revenue from the material.[4] Co-founder Chris Difford elaborated on the motivations in a 2010 Huffington Post interview, stating, "Squeeze has never owned our own copyrights because, obviously, they're owned by a major record label. We thought it might be fun to re-record our songs to make it possible for us to own a little bit more of our own history."[7] He further described the project as a means to "celebrate the music we’ve made over these past years" and reconnect as a band, explicitly avoiding new material in favor of honoring their legacy. Glenn Tilbrook, the band's other co-founder and primary guitarist, contributed significantly to selecting the tracks, prioritizing fan favorites drawn from Squeeze's albums between 1978 and 1995, such as those from their self-titled debut and later releases like Frank.[8] The project, which had been in development for several years, was formally announced in May 2010 as the group's first studio effort since their 1998 album Domino.[9]Historical context
Squeeze disbanded in 1999 following the release of their album Domino, amid escalating internal tensions between principal songwriters Glenn Tilbrook and Chris Difford, which had strained the band's dynamics throughout the late 1990s.[10][11] The split marked the end of a prolific era that produced iconic hits like "Cool for Cats" and "Tempted" from their 1970s and 1980s albums, leaving fans without new material for nearly a decade.[12] In 2007, Tilbrook and Difford reunited the band, enlisting keyboardist Stephen Large and drummer Simon Hanson—both from Tilbrook's solo project The Fluffers—alongside returning bassist John Bentley to form a refreshed lineup.[13][14] This reunion sparked a series of live performances across the UK and US, revitalizing the band's stage presence and rekindling enthusiasm among audiences.[15] The tour's success culminated in the 2008 live album 5 Live, recorded during their American dates, which captured the energy of the reformed group and hinted at sustained activity beyond one-off shows. The positive momentum from the reunion shifted Squeeze's focus from live-only commitments toward creating fresh studio recordings, representing their first such endeavor since 1998 and signaling a creative renewal for the duo.[11] This development was bolstered by the broader new wave and post-punk revival of the 2000s, which saw younger acts like The Strokes and Interpol drawing on the genre's legacy, encouraging veteran bands such as Squeeze to revisit and reinvigorate their catalogs.[16]Production
Recording process
The recording sessions for Spot the Difference took place primarily at Charlton and Albury Court Studios in Deptford, London, spanning several months in early 2010 ahead of the album's August release.[2] Glenn Tilbrook and Andrew J. Jones served as producers and mixers, overseeing the re-recording of 14 tracks drawn from Squeeze's UK greatest hits collection, sequenced alphabetically by song title rather than chronologically to create a distinctive flow—from "Another Nail in My Heart" to "Up the Junction."[17][7] The production approach focused on faithfully recreating the originals to allow listeners to "spot the difference" while leveraging modern techniques for enhanced clarity and high-fidelity sound, without significantly altering core song structures or the raw punk and new wave energy of the material.[7][18] Special emphasis was given to vocal performances, including Paul Carrack's return to re-sing his signature parts on "Tempted," which Tilbrook has described as an improvement over the original due to the matured delivery.[19][20]Key contributors
Glenn Tilbrook served as the lead singer, guitarist, and co-producer alongside Andrew J. Jones for Spot the Difference, where he managed most of the arrangements to closely replicate the original recordings while infusing contemporary polish.[17] His multifaceted role extended to keyboards and mixing, ensuring the album's cohesive sound that balanced nostalgia with fresh execution.[7] Chris Difford, Squeeze's longtime lyricist and co-songwriter, provided oversight on the track selection and revisions to maintain fidelity to the originals, drawing from the band's greatest hits package to guide the re-recording process.[7] His contributions emphasized lyrical integrity, preserving the witty and observational style that defined the songs' initial appeal.[21] John Bentley, returning as bassist after playing in Squeeze's 1980s lineups, anchored the rhythm section with his familiar grooves, providing continuity and stability to the album's foundation.[3] His bass work on tracks like "Pulling Mussels (From the Shell)" echoed the punchy, driving energy of the band's classic era.[17] Guest vocalist and keyboardist Paul Carrack, who originally sang on several 1981 tracks, contributed to re-recordings like "Tempted," recreating his soulful delivery nearly three decades later to evoke the authentic vibe of East Side Story.[22] His involvement added a layer of historical authenticity, bridging the album to Squeeze's early success with nuanced vocal and keyboard performances.[17] New keyboardist Stephen Large brought sophisticated arrangements and textural depth to the sessions, enhancing the harmonic layers across multiple tracks.[23] Drummer Simon Hanson, another recent addition, infused the rhythm section with dynamic energy, propelling songs like "Hourglass" with a vital, live-wire propulsion that revitalized the material.[3]Release
Formats and editions
The album Spot the Difference was initially released in the United States on August 3, 2010, through XOXO Records in standard CD and digital download formats, featuring 14 tracks of re-recorded hits. In the United Kingdom and Europe, the album followed in October 2010 via Love Records, with a limited two-disc edition that included a bonus live disc, Live at the Fillmore, capturing their performance at The Fillmore in San Francisco on August 1, 2010.[24][25] Beyond these, no significant international variations appeared, with differences limited primarily to region-specific bonus content in the European markets.[26] A deluxe edition was released on April 30, 2021, by Valley Entertainment, combining the studio tracks with the live bonus disc.[1]Promotion and commercial performance
To promote Spot the Difference, Squeeze embarked on the titular tour beginning in July 2010, starting with a five-week run across the United States alongside Cheap Trick and the English Beat, followed by dates in the United Kingdom from November to December, marking their largest UK outing in over a decade.[24][9] The performances centered on the re-recorded tracks from the album, allowing fans to experience the updated versions live and highlighting subtle sonic differences from the originals.[27] Additional marketing efforts included an updated music video for "Cool for Cats," one of the album's key re-recordings, which showcased the refreshed arrangement to draw attention to the project.[28] In interviews, band members Chris Difford and Glenn Tilbrook emphasized the album's significance as their first opportunity to own the masters and copyrights to new versions of their catalog, a departure from prior major-label deals that had left them without control over earlier recordings.[7] Commercially, Spot the Difference achieved modest success, peaking at number 35 on the UK Official Independent Albums Chart upon its October 2010 entry and spending one week there.[29] The album's performance was driven primarily by loyal fans rather than mainstream radio play, reflecting Squeeze's enduring cult appeal in the post-new wave era. Post-release, it saw limited digital traction through emerging streaming platforms like Spotify, constrained by the nascent state of music streaming in 2010.[30]Reception
Critical reviews
Critical reception to Squeeze's Spot the Difference was mixed, with reviewers critiquing the project's limited artistic ambition.[31] Stephen Thomas Erlewine of AllMusic awarded the album 3.5 out of 5 stars in his August 2010 review, praising the fresh takes on classics such as "Up the Junction" that captured the originals' spirit with renewed vigor, though he noted a lack of overall innovation in the re-recording approach.[2] In contrast, Rolling Stone's Mark Kemp gave it 2 out of 5 stars in 2010, dismissing the effort as an unnecessary cash-grab where the re-recordings failed to recapture the original spark, resulting in a superfluous collection that paled against the band's earlier work.[32] Record Collector offered a more positive assessment in 2010, highlighting the album's energetic execution and Paul Carrack's distinctive vocals as strengths that made it a solid legacy piece for fans, despite its retrospective nature.[33] Overall, the consensus faulted the project for not advancing the band's sound beyond faithful replication, as evidenced by the album's Metacritic score of 57 out of 100 based on 10 reviews.[31]Audience response
The updated production on the album was praised in online customer reviews for its superior sound quality while preserving the originals' spirit.[34] This release followed the band's 2007 reunion and preceded renewed creative activity including their first album of original songs in 17 years, Cradle to the Grave, in 2015.[35] While there were no major controversies surrounding the project, a minority of purist fans expressed a preference for the original recordings over the re-worked versions.[34]Track listing
Standard edition
The standard edition of Spot the Difference features 14 re-recorded versions of Squeeze's classic tracks, spanning their career from 1978 to 1993, presented in a non-chronological sequence that evokes a "greatest hits" flow rather than a timeline of releases. This arrangement emphasizes the band's enduring pop craftsmanship, blending early new wave energy with later sophistication, for a total runtime of 52:34. The re-recordings aim for fidelity to the originals while incorporating subtle modern refinements, such as clearer instrumentation and updated vocal performances, often with Glenn Tilbrook handling leads previously sung by Paul Carrack. The tracks are as follows:| No. | Title | Duration | Original Release | Key Updates |
|---|---|---|---|---|
| 1 | Another Nail in My Heart | 3:00 | Argybargy (1980) | Enhanced rhythmic punch in the bass and guitar lines for a crisper drive. |
| 2 | Black Coffee in Bed | 6:08 | Sweets from a Stranger (1982) | Smoother jazz-inflected horns and refined piano accents, preserving the lounge atmosphere. |
| 3 | Cool for Cats | 3:10 | Cool for Cats (1979) | Sharper pub-rock guitars and tighter drumming to amplify the raw energy. |
| 4 | Goodbye Girl | 3:00 | Cool for Cats (1979) | Polished vocal harmonies and subtle string swells for added emotional depth. |
| 5 | Hourglass | 3:16 | Babylon and On (1987) | Brighter synth layers and guest saxophone by Phil Veacock for a more vibrant bounce.[26] |
| 6 | Is That Love | 2:32 | East Side Story (1981) | Crisp keyboard fills and heightened rhythmic groove, maintaining the urgent plea. |
| 7 | Labelled with Love | 4:30 | East Side Story (1981) | Warmer piano tone and delicate orchestration tweaks to enhance the melancholic balladry. |
| 8 | Loving You Tonight | 4:09 | Some Fantastic Place (1993) | Glenn Tilbrook takes lead vocals in place of Paul Carrack, with fuller backing harmonies. |
| 9 | Pulling Mussels (From the Shell) | 3:59 | Argybargy (1980) | Punchier bass and guitar interplay for a more infectious seaside romp. |
| 10 | Slap and Tickle | 4:12 | Cool for Cats (1979) | Amplified handclap percussion and lively brass stabs to heighten the playful innuendo. |
| 11 | Some Fantastic Place | 4:41 | Some Fantastic Place (1993) | Richer string arrangements and polished production for a nostalgic glow. |
| 12 | Take Me I'm Yours | 2:47 | Squeeze (1978) | Cleaner synth hooks and dynamic rhythm section for renewed urgency. |
| 13 | Tempted | 4:01 | East Side Story (1981) | Glenn Tilbrook on lead vocals instead of Paul Carrack, with refined horn sections.[19] |
| 14 | Up the Junction | 3:09 | Cool for Cats (1979) | Nuanced acoustic strumming and layered vocals to underscore the narrative wit. |
2021 deluxe edition
A deluxe edition was released on April 30, 2021, by Valley Entertainment, featuring 24 tracks with a total runtime of approximately 1 hour 35 minutes. It includes the original 14 studio re-recordings plus 10 additional live tracks from the Fillmore performance.[36]UK bonus disc
The UK edition of Spot the Difference features an exclusive bonus disc titled Live at the Fillmore, containing 10 live tracks recorded at The Fillmore in San Francisco, California, on August 1, 2010. This performance occurred during the band's Spot the Difference tour, part of their activities following the 2007 reunion of core members Chris Difford and Glenn Tilbrook. The recording, engineered by Matt Field and mixed by Bob Clearmountain at Mix This Studios in Pacific Palisades, California, captures the group's raw onstage energy, including extended improvisations and direct audience engagement that highlight their new wave pop-rock style in a concert setting.[37] Clocking in at approximately 42 minutes, the disc showcases a selection of Squeeze's classic songs performed with the full band's vigor, bridging the album's polished studio re-recordings with the immediacy of live execution. Notable inclusions are opener "Take Me I'm Yours" and an elongated rendition of "Black Coffee in Bed," which stretches to over eight minutes, emphasizing the band's ability to expand their material dynamically for audiences. The bonus was specifically packaged with the UK release on October 11, 2010, via Love Records, to enhance the edition's appeal by offering fans a taste of the tour's vitality alongside the reimagined hits.[37]Track listing
| No. | Title | Length |
|---|---|---|
| 1. | Take Me I'm Yours | 3:32 |
| 2. | Annie Get Your Gun | 3:39 |
| 3. | Black Coffee in Bed | 8:05 |
| 4. | When the Hangover Strikes | 4:23 |
| 5. | Loving You Tonight | 4:17 |
| 6. | If It's Love | 3:47 |
| 7. | It's So Dirty | 3:11 |
| 8. | Goodbye Girl | 3:19 |
| 9. | Hope Fell Down | 3:53 |
| 10. | If I Didn't Love You | 4:18 |