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Steve Weslak
Steve Weslak
Steve Weslak
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Steve Weslak (born May 13, 1947) is a Canadian film editor. He is most noted as a Canadian Screen Award winner for Best Picture Editing in a Documentary Program or Factual Series at the 3rd Canadian Screen Awards for his work on the documentary film Our Man in Tehran.[1]

Key Information

His other editing credits include The Last Chase (1981), The Care Bears Movie (1985), Deadly Currents (1991), Narmada: A Valley Rises (1994), Helen's War (2004), The Climb (2007) and Tales from the Organ Trade (2013).

He received Gemini Award nominations for editing at the 9th Gemini Awards in 1995 for Lawn and Order,[2] the 11th Gemini Awards in 1997 for Ebola: Inside an Outbreak,[3] the 13th Gemini Awards in 1998 for The Game of Her Life[4] and the 25th Gemini Awards in 2010 for Empire of the Word: Forbidden Reading,[5] and a Canadian Screen Award nomination at the 10th Canadian Screen Awards in 2022 for Gangster's Gold.[6]

He is a member of the Canadian Cinema Editors honours society, and was the winner of the organization's lifetime achievement award in 2018.[7]

References

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Steve Weslak

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Steve Weslak is a Canadian film editor known for his contributions to notable feature films and documentaries, including assembly editing on David Cronenberg's The Fly (1986), associate editing on Dead Ringers (1988), consulting editing on Cube (1997), and full editing on the acclaimed documentary Our Man in Tehran (2013). Born on May 13, 1957, in Scarborough, Ontario, Weslak has built a varied career spanning commercials, feature films, episodic television, and especially documentaries, which he has described as his primary passion. He has collaborated with major Canadian institutions such as the National Film Board of Canada, CBC, TVOntario, and Rhombus Media on projects ranging from Bollywood Bound and Empire of the Word to Inside Disaster: Haiti. His work in documentary editing earned him the Canadian Screen Award for Best Picture Editing in a Documentary Program or Series for Our Man in Tehran at the 3rd Canadian Screen Awards in 2015, highlighting his skill in crafting compelling narratives from real-life stories. Weslak is a member of Canadian Cinema Editors and has continued to edit projects across film and television, including recent documentaries like The Price of Cheap (2021) and episodes of The Nature of Things.

Early life

Family background

Steve Weslak was born on May 13, 1957, in Scarborough, Ontario, Canada.

Career

Early editing work

Steve Weslak began his editing career in the mid-1970s, initially working in television miniseries, commercials, and episodic television before expanding into feature film projects. His early credits include editing three episodes of the TV miniseries The Stationary Ark in 1975. He edited the 1983 documentary Home Feeling: Struggle for a Community and the animated feature The Care Bears Movie in 1985. He contributed as assembly editor on David Cronenberg's The Fly in 1986. Weslak served as associate editor on Cronenberg's Dead Ringers in 1988. Other credits from the decade include John Wyre: Drawing on Sound in 1989. He is a full member of the Canadian Cinema Editors. Later in his career, he provided consulting picture editing on Cube.

Feature film contributions

Steve Weslak has contributed to several notable narrative feature films, particularly in the horror and science fiction genres, evolving from hands-on editing roles to consultative positions. His early involvement included serving as assembly editor on David Cronenberg's The Fly (1986) and associate editor on Cronenberg's Dead Ringers (1988), providing foundational experience in assembling and refining complex narrative structures for major productions. This background led to later work as consulting film editor on Vincenzo Natali's independent sci-fi thriller Cube (1997), where he offered expert guidance on picture editing during post-production. The film, known for its claustrophobic premise and innovative low-budget execution, benefited from Weslak's input as a consulting film editor. Weslak's shift toward consulting credits on cult and genre-oriented features reflects his growing specialization in advisory roles for independent Canadian cinema. He also provided additional editing on Gate 2: The Trespassers (1990), further demonstrating his versatility in feature post-production.

Documentary and television editing

Steve Weslak has concentrated much of his editing career on documentary films and television programming since the 1990s, contributing to numerous projects that explore social justice, historical events, and cultural themes. He has described these areas as his first love in non-fiction storytelling, allowing him to engage with complex real-world issues through careful pacing and narrative structure. He has maintained long-term collaborations with directors such as Jari Osborne and Larry Weinstein, working frequently with Canadian public broadcasters and production entities including the National Film Board of Canada (NFB), the Canadian Broadcasting Corporation (CBC), and TVOntario. These partnerships have resulted in a steady output of factual content across feature-length documentaries and episodic television. His documentary credits from this period include Empire of the Word (2009), Inside Disaster Haiti (2011), Our Man in Tehran (2013), Picture This (2017), Mosquito (2017), and The Price of Cheap (2021). Our Man in Tehran, directed by Larry Weinstein and Drew Taylor, examines the role of Canadian diplomat Ken Taylor during the Iran hostage crisis, with Weslak's editing contributing to its narrative tension and historical clarity. Inside Disaster Haiti looks at the humanitarian and recovery efforts following the 2010 earthquake, while The Price of Cheap investigates the hidden costs of consumer goods and global supply chains. In television, Weslak has edited episodes for high-profile series such as Nature (2014) on PBS, American Masters (2016) profiling cultural figures, The Nature of Things (2022) on CBC, and Secrets of the Dead on PBS. His contributions to The Nature of Things have included episodes tackling environmental and scientific subjects, aligning with the program's long-standing focus on accessible yet rigorous factual presentation. These projects demonstrate his versatility in handling both standalone documentaries and ongoing series formats.

Awards and recognition

Canadian Screen Awards

Steve Weslak has received one win and one nomination from the Canadian Screen Awards in the category of Best Picture Editing for documentary programs and series. His accolades highlight his expertise in crafting compelling narratives in the documentary format. At the 3rd Canadian Screen Awards in 2015, Weslak won the award for Best Picture Editing in a Documentary Program or Factual Series for his work on the documentary Our Man in Tehran. This recognition came for his editing of the film, which explores the true story behind the Canadian embassy's role in the Argo operation. In 2022, Weslak received a nomination for Best Picture Editing, Documentary at the Canadian Screen Awards for Secrets of the Dead. The nomination was specifically for his editing on the episode Gangster's Gold, part of the long-running documentary series.

Other honors

Steve Weslak received the Lifetime Achievement Award from the Canadian Cinema Editors (CCE) in 2018, recognizing his contributions as a master documentary editor beginning in 1970. He has been a full member of the Canadian Cinema Editors, as indicated by his professional designation as Steve Weslak, CCE, and was selected for the honor by a panel of fellow editors, directors, and industry professionals. In addition, Weslak earned the Black Dolphin Trophy for editing at the Cannes Corporate Media & TV Awards for his work on the HBO documentary Tales from the Organ Trade.

Personal life

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