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Stirrup spout vessel
A stirrup spout vessel (so-called because of its resemblance to a stirrup) is a type of ceramic vessel common among several Pre-Columbian cultures of South America beginning in the early 2nd millennium BCE.
Stirrup spout vessels were crafted by the Chavin and the Moche. The stirrup "handle" is hollow and forms part of the spout, which emerges from the top of the stirrup. The jars, which were often elaborately figurative, would be cast from a mold, while the spout was built by hand and welded to the vessel with slip.
In the river valleys of Northern coastal Peru, the Moche culture grew and flourished around 100 CE. For nearly 600 years, the Moche culture developed and expanded throughout the major river valleys in the dry coastal plains of Peru. The Moche built large, monumental temples, vast irrigation canals and systems, and various, diverse artworks and ceramics.
Moche artwork depicts a wide array of practices, resources, and important figures of the time, depicting men, women, plants, gods, deities, and anthropomorphic figures engaging in activities such as hunting, fishing, combat, sex, warfare, and ritual observance. Research has uncovered a wide array of artwork, mostly in the form of Moche ceramic. The Moche built a large number of stirrup spout vessels, which were used as practical household wares, but also for artistic purposes, such as depicting important leaders. Stirrup spout vessels appeared early in the Andean region. Examples of vessels in spherical, oblate, cylindrical, cube-like, angled, or molded forms have been discovered. Thousands of these stirrup spout vessels have been recovered from archaeological sites.
There are two main types of these vessels in Moche ceramics. The first category includes vessels made by employing three-dimensional molds to shape clay into a figure, including the popular Moche portrait vessels. These vessels usually depicted the heads and figures of adult men modeled in painstaking detailed, and researchers believe that they portray high-ranking men throughout Moche history.
The second category includes pottery adorned with line painting. These pieces disclose glimpses of Moche society: patterns of daily life in Pre-Columbian America, their narrative mythologies, and ritual practices throughout the region. These paintings have been classified into five major groups by Christopher B. Donnan and Donna McClelland, namely: Vessel Forms, Daily Life, the Natural World, the Supernatural, and Narrative Themes.
Thousands of stirrup spout vessels have been discovered, with at least 500 of them bearing erotic imagery. Although the vessels display a sweeping range of sexual acts, conventional vaginal intercourse is rare. The most common designs depict anal sex and fellatio. Other subjects include gods, deities, dancing skeletons, burial, social activities, scenes of hunting, fishing, sacrifice, combat, warfare, and the copulation of animals such as two mice or two monkeys. Occasionally they depict androgyny, hermaphroditism, or STIs such as syphilis. The abundance of such vessels suggests the existence of long-lasting, active ceramic workshops that would support mass production, possibly using molds. These pots provide archaeologists with insight into Moche beliefs about reproduction and sexual practices, as well as the beliefs of other pre-Columbian cultures. Many of these vessels are on display at the Larco Museum in Lima, Peru, in a gallery entirely devoted to Moche erotic art.
A large portion of these pieces were owned by the elite in Moche society. Through the discovery of erotic ceramic ware in elite tombs, archaeologists have concluded that the Moche buried their high-ranking individuals with these pots and used the pots in some sacrificial rituals. Ritual paraphernalia and elaborate garments and ornaments were also discovered in these tombs.
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Stirrup spout vessel
A stirrup spout vessel (so-called because of its resemblance to a stirrup) is a type of ceramic vessel common among several Pre-Columbian cultures of South America beginning in the early 2nd millennium BCE.
Stirrup spout vessels were crafted by the Chavin and the Moche. The stirrup "handle" is hollow and forms part of the spout, which emerges from the top of the stirrup. The jars, which were often elaborately figurative, would be cast from a mold, while the spout was built by hand and welded to the vessel with slip.
In the river valleys of Northern coastal Peru, the Moche culture grew and flourished around 100 CE. For nearly 600 years, the Moche culture developed and expanded throughout the major river valleys in the dry coastal plains of Peru. The Moche built large, monumental temples, vast irrigation canals and systems, and various, diverse artworks and ceramics.
Moche artwork depicts a wide array of practices, resources, and important figures of the time, depicting men, women, plants, gods, deities, and anthropomorphic figures engaging in activities such as hunting, fishing, combat, sex, warfare, and ritual observance. Research has uncovered a wide array of artwork, mostly in the form of Moche ceramic. The Moche built a large number of stirrup spout vessels, which were used as practical household wares, but also for artistic purposes, such as depicting important leaders. Stirrup spout vessels appeared early in the Andean region. Examples of vessels in spherical, oblate, cylindrical, cube-like, angled, or molded forms have been discovered. Thousands of these stirrup spout vessels have been recovered from archaeological sites.
There are two main types of these vessels in Moche ceramics. The first category includes vessels made by employing three-dimensional molds to shape clay into a figure, including the popular Moche portrait vessels. These vessels usually depicted the heads and figures of adult men modeled in painstaking detailed, and researchers believe that they portray high-ranking men throughout Moche history.
The second category includes pottery adorned with line painting. These pieces disclose glimpses of Moche society: patterns of daily life in Pre-Columbian America, their narrative mythologies, and ritual practices throughout the region. These paintings have been classified into five major groups by Christopher B. Donnan and Donna McClelland, namely: Vessel Forms, Daily Life, the Natural World, the Supernatural, and Narrative Themes.
Thousands of stirrup spout vessels have been discovered, with at least 500 of them bearing erotic imagery. Although the vessels display a sweeping range of sexual acts, conventional vaginal intercourse is rare. The most common designs depict anal sex and fellatio. Other subjects include gods, deities, dancing skeletons, burial, social activities, scenes of hunting, fishing, sacrifice, combat, warfare, and the copulation of animals such as two mice or two monkeys. Occasionally they depict androgyny, hermaphroditism, or STIs such as syphilis. The abundance of such vessels suggests the existence of long-lasting, active ceramic workshops that would support mass production, possibly using molds. These pots provide archaeologists with insight into Moche beliefs about reproduction and sexual practices, as well as the beliefs of other pre-Columbian cultures. Many of these vessels are on display at the Larco Museum in Lima, Peru, in a gallery entirely devoted to Moche erotic art.
A large portion of these pieces were owned by the elite in Moche society. Through the discovery of erotic ceramic ware in elite tombs, archaeologists have concluded that the Moche buried their high-ranking individuals with these pots and used the pots in some sacrificial rituals. Ritual paraphernalia and elaborate garments and ornaments were also discovered in these tombs.
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