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Stormwitch
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Stormwitch is a German heavy metal band from Heidenheim, formed in 1981.[1] They have been called "The Masters of Black Romantic" by their fans. The band's song lyrics often focused on fantasy, occult or historical themes, along with their contemporaries and countrymen Helloween. Over time, they have changed their sound from a Judas Priest-esque style of heavy metal to a more keyboard-based form of power metal.

Key Information

History

[edit]

Stormwitch was founded in the early 1980s by childhood friends Harald Spengler (Lee Tarot), Stefan Kauffmann (Steve Merchant), and Andy Mück, writing their first songs while they searched for the final pieces of the band to play live shows, including clubs and youth centers. The first lineup was completed by Peter Langer (Pete Lancer) and Jürgen Wannenwetsch.[1]

Their first album, Walpurgis Night, in 1984,[1] was recorded using as little post-production as possible to remain true to the sound they were trying to achieve. They did not use multi-track recording, instead recording the album straight through. Approximately a year later, they recorded the album Tales of Terror,[1] of which the master tapes were supposed to be destroyed, only recently being re-recorded using original LP albums. Their third album, Stronger Than Heaven, was released in 1986, followed by The Beauty and the Beast in 1987.[1] In 1989, they released Eye of the Storm and Live in Budapest.

The band toured much of Europe during the Cold War, including Eastern European countries such as Hungary, where they were waylaid by officials and nearly missed the first gig of that particular tour. Shortly after, Harald Spengler left the band to concentrate on managing. In 1992, Stefan Kauffmann and Wolfgang Schludi (who replaced Harald Spengler) also left the band before the recordings for War of the Wizards could start. The recording lineup for War of the Wizards consisted of Andy Mück (vocals), Damir Uzunovic (guitar), Joe Gassmann (guitar), Martin Albrecht (bass), and Peter Langer (drums). After the release, Joe Gassmann had to leave the band. As a four-piece, they recorded Shogun in 1994.

After some changes in lineup once again and an eventual breakup in 1996, Andy Mück, the only member from the original lineup, and Martin Winkler, wrote the song "Dance with the Witches" in 2002, and with a new lineup and the help of Nuclear Blast Records, Stormwitch regrouped once more and took to the stage.[2] Among others, they performed at Wacken Open Air in August 2002.[3]

This new lineup also released the album Witchcraft in 2004 but split up shortly after. Again Andy Mück was the original member. He regrouped with first bass player Jürgen Wannenwetsch in 2005. In 2010, the lineup was completed once again with Ralf Spitznagel (guitar), Marc Scheunert (guitar), and Harry Reischmann (drums). Reischmann's departure was announced in January 2011, with Stefan Köllner being brought in to replace him on drums. On 11 April 2013, original guitarist Lee Tarot died of a stroke at the age of 50.[4] In April 2013, guitarist Marc Scheunert left the band due to problems caused by the age gap between himself and the other members of the band.[5]

Members

[edit]
Stormwitch at Headbangers Open Air 2015

Current

[edit]
  • Andy Mück – vocals (1981–1994, 2002–2004, 2010–present)
  • Pietro Raneri – bass (2019–present)
  • Alex Sauer – drums (2019–present)
  • Jonathan "Johnny" Kröner – guitar (2019–present)
  • Martin Heusinger – guitar (2023–present)

Former

[edit]

Guitar

  • Steve Merchant (1981–1989)
  • Lee Tarot (1981–1989; died 2013)
  • Damir Uzunovic (1990–1994)
  • Joe Gassmann (1990–1992)
  • Robert Balci (1992–1994)
  • Martin Winkler (2002–2004; died 2019)
  • Fabian Schwarz (2002–2004)
  • Marc Scheunert (2010–2013)
  • Volker Schmietow (2013–2019)
  • Tobias Kipp (2016–2019)
  • Nick Berger (2019–2020)

Bass

  • Ronny Pearson (1983–1987)
  • Andy Hunter (1987–1989)
  • Martin Albrecht (1990–1994)
  • Dominik Schwarz (2002–2004)
  • Jürgen Wannenwetsch (1981–1983, 2010–2019)

Drums

  • Peter Lancer (1981–1994, 2012–2014)
  • Michael Blechinger (2004–2005)
  • Harry Reischmann (2010–2011)
  • Micha Kasper (2014–2015)
  • Marc Oppold (2002–2004, 2016–2019)

Timeline

[edit]

Discography

[edit]
  • Walpurgis Night (1984)
  • Tales of Terror (1985)
  • Stronger Than Heaven (1986)
  • The Beauty and the Beast (1988)
  • Live in Budapest (1989)
  • Eye of the Storm (1989)
  • War of the Wizards (1992)
  • Shogun (1994)
  • Dance with the Witches (2002)
  • Witchcraft (2004)
  • Season of the Witch (2015)
  • Bound to the Witch (2018)

References

[edit]
[edit]
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Stormwitch

View on Grokipedia
from Grokipedia
Stormwitch is a German heavy metal band formed in 1981 in Gerstetten, Baden-Württemberg, initially evolving from the short-lived group Lemon Sylvan (1979–1981), and renowned for their heavy/power metal sound that blends melodic riffs with gothic and romantic elements drawn from occultism, myths, history, medieval tales, and literature. Dubbed the "Masters of Black Romantic" by fans in the mid-1980s for their evocative, literature-inspired style, the band gained a cult following in the European metal scene despite never achieving mainstream breakthrough. The band's debut album, (1984), marked their entry into the heavy metal landscape with NWOBHM-influenced aggression and fantasy-driven lyrics, setting the tone for subsequent releases like Stronger than Heaven (1986) and (1985), which showcased blistering solos and thematic depth. After a period of lineup changes—including the departure of founding Harald Spengler in to pursue music management—and a hiatus from 1996 to 2002, Stormwitch reformed and continued producing albums, with notable later works including (2004), Season of the Witch (2015), and Bound to the Witch (2018), maintaining their signature blend of energy and narrative flair. As of 2025, the band remains active, honoring their 1980s legacy while appealing to dedicated heavy metal enthusiasts.

History

Formation and early career (1981–1985)

Stormwitch was formed in 1981 in Gerstetten, Baden-Württemberg, , by childhood friends Harald Spengler (guitars), Stefan Kaufmann (guitars), and Andy Mück (vocals), initially as a heavy metal group under the name Lemon Sylvan, which had been active since 1979. The band changed its name to Stormwitch in 1981 to better reflect their evolving heavy metal sound. In the early 1980s, Stormwitch focused on local performances in , building a grassroots following through gigs in venues like Geislingen's Stadthalle in 1984. They recorded early demos to showcase their raw, NWOBHM-influenced style, which helped secure a deal with the independent label Scratch Records. The band's debut , Walpurgis Night, was released in 1984 via Scratch Records, featuring lyrics centered on occult rituals, medieval myths, and fantasy elements, such as tales of witches and werewolves. This release marked their entry into the European metal scene, supported by initial tours across that honed their high-energy live performances. In 1985, Stormwitch issued their second album, , also on Scratch Records, which introduced stronger characteristics through faster tempos and more melodic structures while retaining dark, horror-themed narratives. The album helped cultivate an initial fanbase in , particularly in and neighboring countries. That year, the band ventured into with a notable performance in amid restrictions, facing logistical hurdles like border delays and limited equipment transport.

Peak years and international recognition (1986–1989)

In 1986, Stormwitch released their third studio album, Stronger Than Heaven, which marked a shift toward a more melodic sound blending elements with lyrics inspired by gothic literature and fantasy themes. The album, produced by the band itself in a notably short timeframe, showcased tracks like "Ravenlord" and the title song, emphasizing atmospheric production and romantic undertones that distinguished their evolving style. Following this, the band signed with the prominent German metal label Noise International, enabling broader distribution and production resources for subsequent releases. Under this deal, they issued in 1988, a drawing on motifs with gothic , and Eye of the Storm in 1989, which continued their fusion of heavy riffs and narrative-driven lyrics. That same year, they captured a performance during an Eastern European leg of their tour for the live album Live in Budapest, highlighting their growing international presence amid the era. Stormwitch's peak activity included extensive touring across , with appearances at major festivals such as Loreley and Out in the Green, where their energetic sets and thematic depth resonated with audiences. These efforts solidified their reputation, earning the moniker "Masters of Black Romantic" from fans and media in the mid-1980s for their distinctive blend of heavy metal aggression and poetic, occult-infused storytelling. Amid this success, internal shifts emerged; founding guitarist and primary composer Harald Spengler (under the stage name Lee Tarot) departed in 1989 to focus on music management, later taking on a role overseeing the band's affairs, which foreshadowed challenges ahead.

Hiatuses, reunions, and recent developments (1990–present)

Following a period of lineup changes and activity until 1996, including the 1994 album with a reduced four-piece lineup, Stormwitch entered a hiatus from 1996 until 2002, during which several members pursued other projects amid ongoing lineup changes. The band briefly reformed in 2002 with a new lineup centered around vocalist Andy Mück, releasing the album Dance with the Witches and performing at the festival that summer, where they showcased tracks from the new record alongside classics like "Stronger Than Heaven." This short-lived reunion culminated in the 2004 release of , after which the group disbanded once more. Stormwitch reunited again around 2010 with a refreshed lineup, including long-time vocalist Andy Mück alongside new members on guitar, bass, and drums, leading to renewed activity under Massacre Records. This era produced the albums Season of the Witch in 2015 and Bound to the Witch in 2018, maintaining the band's signature heavy metal style with fantasy-themed lyrics. The current members have continued to drive the band's output during this period. In 2013, founding guitarist Harald Spengler (stage name Lee Tarot), who had been a key creative force in the band's early years, died of a at age 50; the loss deeply affected the group, prompting a tribute concert in Giengen, , featuring former members and friends performing Stormwitch classics in his honor. In 2024, drummer Pete Lancer joined the band. Since 2020, Stormwitch has maintained an active status without releasing new studio albums, focusing instead on fan engagement through official channels and occasional updates. As of 2025, no major tours are scheduled, though the band remains committed to its legacy in the heavy metal scene.

Band members

Current lineup

The current lineup of Stormwitch, as of 2025, consists of five core members who have been instrumental in the band's recent output and live performances. Andy Mück has served as the since the band's formation in 1981, remaining the sole constant member throughout its and reunions. His high-pitched, operatic vocal style has been central to the band's identity, delivering the dramatic, storytelling flair that defines their heavy metal sound. Pietro Raneri joined on bass in 2019 and has contributed to the band's recent albums, bringing modern production elements that refine their classic heavy metal aesthetic with contemporary polish. Alex Sauer, who also came aboard in 2019, handles and provides the driving essential for the band's energetic live performances. On guitars, Jonathan Kröner has been active since 2019, taking lead duties with a focus on melodic solos that enhance the band's intricate song structures. Martin Heusinger joined in 2023, adding rhythm and harmony guitar to bolster the dual-guitar attack, contributing to a fuller, more layered sound in recent material. This configuration has enabled Stormwitch to maintain their active status, including festival appearances and new recordings following recent lineup stabilizations since 2019.

Former members

Harald Spengler, known by his stage name Lee Tarot, was a co-founding guitarist of Stormwitch, serving from 1981 to 1989. As the band's primary songwriter during its formative years, he contributed melodic riffs and gothic-themed compositions to early albums such as Walpurgis Night (1984) and Tales of Terror (1985), helping define the group's "black romantic" heavy metal style. Spengler left the band in 1989 amid label disputes and internal tensions to pursue a career as a music manager, subsequently handling Stormwitch's affairs for several years. He passed away on April 11, 2013, at age 50 from a stroke. Stefan Kauffmann, performing under the stage name Steve Merchant, was another co-founder and who played with Stormwitch from 1981 to 1992. He focused on crafting technical, intricate riffs that complemented the band's NWOBHM-inspired sound, co-writing key tracks on albums like Stronger than Heaven (1987). Kauffmann departed in 1992 due to ongoing lineup instability and management problems that plagued the group following their commercial peak. Martin Albrecht served as bassist from 1991 to 1994 during the band's final years before the initial hiatus. His tenure coincided with efforts to stabilize the lineup amid personal and professional challenges in the early 1990s, contributing to the albums War of the Wizards (1992) and (1994). Dominik Schwarz played bass for Stormwitch from 2002 to 2004 as part of a short-lived reunion lineup. Joining during a period of reformations influenced by aging members and logistical difficulties, he supported the recording of Dance with the Witches (2002), providing solid rhythmic foundation for the comeback efforts.

Membership timeline

The membership of Stormwitch has evolved through multiple phases of formation, stability, and reformation, often tied to album releases and tours. Key changes occurred during the band's early years, post-1989 shifts, and reunions since 2002. The timeline below summarizes major lineup adjustments, focusing on core members and roles.
PeriodKey Lineup Changes and Roles
1981–1985Formation as Stormwitch (from Lemon Sylvan precursors). Original lineup: Andy Mück (vocals), Harald Spengler (guitar), Stefan Kauffmann (guitar), Volker Schmietow (bass, early role before transition), Pete Langer (drums). This stable group recorded debut album Walpurgis Night (1984) and Tales of Terror (1985). Minor adjustments included bass support from Ronny Gleisberg starting 1984.
1986–1989Peak stability with core: Andy Mück (vocals), Harald Spengler (guitar, until 1989), Stefan Kauffmann (guitar), Ronny Gleisberg (bass, until 1987; replaced by Andreas Jäger 1987–1989), Pete Langer (drums). Released Stronger Than Heaven (1986), The Beauty and the Beast (1988), and Eye of the Storm (1989). Spengler departed in 1989 to manage the band; Wolfgang Schludi joined guitar briefly post-1989.
1990–1994Continued activity with adjustments: Andy Mück (vocals), Stefan Kauffmann (guitar, until 1992), Wolfgang Schludi (guitar, until 1992; replaced by Joe Gassmann and Damir Uzunovic 1992–1994), Martin Albrecht (bass, 1991–1994, after Jäger's departure), Pete Langer (drums). Kauffmann left due to work; band released War of the Wizards (1992) and Shogun (1994) before hiatus. No vocalist change occurred; Mück remained.
2002–2004Reunion: Andy Mück (vocals), Martin Winkler (guitar), Fabian Schwarz (guitar), Dominik Schwarz (bass), Alex Schmidt (keyboards), Marc Oppold (drums). Mixed original (Mück) and new members; released Dance with the Witches (2002) and toured briefly before second hiatus in 2004.
2010–presentMultiple shifts post-2010 reactivation: Andy Mück (vocals, ongoing). Guitars: Ralf "Stoney" Rieth (2010–2015), Thomas "Mani" Männel (2011–2023), Martin Heusinger (2023–present, addition). Bass: Jürgen Wannenwetsch (2010–2019), Pietro Raneri (2019–present). Drums: Various until Alex Sauer (2019–present). Lineup stabilized around 2019 for albums like Bound to the Witch (2018) and Season of the Witch (2015); Heusinger's 2023 addition enhanced live performances.

Musical style and influences

Core elements and evolution

Stormwitch's core musical style is rooted in heavy and , characterized by fast tempos, intricate dual guitar harmonies, and the soaring, high-pitched vocals of frontman Andy Mück. The band's sound emphasizes melodic riffs and hooks that drive energetic tracks, often blending aggressive elements with anthemic choruses. Lyrically, Stormwitch incorporates gothic , drawing on themes of witches, myths, rituals, and medieval lore to create a dark, fantastical narrative atmosphere often referred to by fans as "black romantic" metal. The band's evolution began with their 1984 debut album , which established foundations through raw, riff-driven aggression and galloping rhythms influenced by the New Wave of British Heavy Metal. By their 1985 follow-up , the sound refined into early , introducing cleaner production, more prominent guitar solos, and epic mid-tempo sections while retaining fast-paced intensity and Mück's versatile . This progression culminated in the late peak with Stronger Than Heaven (1986), where melody became the dominant force, incorporating neoclassical orchestration, instrumental passages, and sophisticated percussion for a more layered, story-driven approach that shifted from raw energy to polished romanticism. Following hiatuses, Stormwitch's post-2010 reunion albums maintained their fantasy-laden themes but adopted modern production techniques for a slicker, more accessible sound. Albums like Bound to the Witch (2018) feature chunky, heavy riffage unified by catchiness and melodic vocal lines, contrasting the gritty aesthetic with contemporary clarity while preserving dual-guitar attacks and thematic depth. This evolution reflects a balance between nostalgic roots and refined execution, ensuring the band's enduring appeal in the heavy metal landscape.

Key influences and thematic focus

Stormwitch's musical style draws heavily from the New Wave of British Heavy Metal (NWOBHM), particularly the vocal delivery and guitar riffing of and , which shaped their high-pitched, operatic singing and dual-lead guitar harmonies during the band's formative years. Additionally, the aggressive, riff-driven approach of fellow German heavy metal pioneers Accept influenced Stormwitch's incorporation of Teutonic metal's raw power and speed, contributing to their energetic live performances and song structures. These influences are evident in their early work, where Priest-like halfordian vocals and Maiden-esque galloping rhythms formed the backbone of their sound, while Accept's intensity added a distinctly European edge to their heavy metal foundation. The band's thematic focus centers on a "Black Romantic" aesthetic, blending , fantasy realms, and historical narratives inspired by medieval lore and literature, earning them the fan-bestowed title of "Masters of the Black Romantic." Lyrics often explore , dark rituals, and supernatural conflicts, such as spells and demonic pacts in their output, evoking a gothic horror atmosphere rooted in . Over time, this evolved into more epic, narrative-driven tales of wizardry, ancient battles, and mythical quests by the , reflecting a shift from visceral horror to grandiose, storybook-style adventures while maintaining undertones. Traces of early extreme metal's motifs appear in their thematic choices, aligning with the genre's fascination with the , though Stormwitch remained firmly in heavy and territory. Stormwitch's extensive tours across during the Cold War era, including frequent shows in , , and , fostered a dedicated following in the region. Their popularity behind the , where albums were scarce yet highly sought after, amplified this appeal, positioning the band as a symbol of Western metal's allure in restrictive environments.

Discography

Studio albums

Stormwitch's studio discography consists of eleven full-length albums, reflecting their evolution from raw heavy metal roots to more thematic and symphonic explorations in later works. These releases, primarily issued through independent and metal specialty labels, highlight the band's consistent output despite periods of hiatus. Key albums often feature standout tracks that became fan favorites and contributed to their cult status in the heavy metal scene. The debut album, , released in 1984 by Scratch Records, captured the band's raw energy with aggressive riffs and occult-themed lyrics, including the track "." , issued in 1985 by Scratch Records, demonstrated expanded songwriting complexity while maintaining a dark, narrative-driven style, highlighted by the track "Victim of the ." Stronger Than Heaven (1986, Scratch Records) marked a breakthrough in production quality and international appeal, featuring energetic tracks like "Thunder & Lightning." The Beauty and the Beast (1987, GAMA International) introduced symphonic elements and orchestral touches, blending heavy metal with more atmospheric arrangements. Eye of the Storm (1989, Hot Blood Records) continued the band's heavy metal style with fantasy themes and guitar-driven songs. Following a hiatus, War of the Wizards (1992, Steamhammer) served as a transitional album, reviving the band's fantasy motifs with renewed vigor post-reformation. Shogun (1994, Steamhammer) was the final pre-breakup studio effort, incorporating Asian-themed instrumentation and storytelling inspired by lore. The reunion album Dance with the Witches (2002, Silverdust Records) revitalized the classic sound with updated production, emphasizing the band's enduring imagery. Witchcraft (2004, Massacre Records) represented a short-lived comeback, focusing on mystical themes and solidifying the post-hiatus lineup. Season of the Witch (2015, Massacre Records) signaled a modern revival, incorporating guest appearances from metal veterans to blend old and new influences. The most recent album, Bound to the Witch (2018, Massacre Records), explores legacy themes of fate and sorcery, underscoring the band's commitment to their foundational motifs.
Album TitleRelease YearLabel
1984Scratch Records
1985Scratch Records
Stronger Than Heaven1986Scratch Records
1987GAMA International
Eye of the Storm1989Hot Blood Records
War of the Wizards1992Steamhammer
1994Steamhammer
Dance with the Witches2002Silverdust Records
2004Massacre Records
Season of the Witch2015Massacre Records
Bound to the Witch2018Massacre Records

Live and compilation releases

Stormwitch's sole official live album, Magyarországon / Live in Budapest, was recorded during their 1988 European tour and released in 1989 by Hot Blood Records. Capturing a performance in , , the album features high-energy renditions of tracks from their 1980s studio releases, including "Call of the Wicked," "Stronger Than Heaven," and "Tigers of the Sea," highlighting the band's raw stage presence and audience interaction at the height of their original lineup's popularity. The band has contributed to several compilations and split releases, often aggregating their early material for retrospective audiences. Notable among these is The Best Of (1992, Polyband), a collection drawing from their 1980s albums with selections like "The Beauty and the Beast," "Emerald Eye," and "Tears by the Firelight." They also appeared on the 1990 split compilation Metal Attack Vol. 2 (Victory Records), sharing space with other heavy metal acts to showcase promotional tracks. In the , retrospectives such as unlicensed or fan-oriented samplers included unreleased demos from their initial era, though official involvement was limited. Stormwitch issued a handful of singles and EPs, primarily as promotional tools. The 1989 single Heart of Ice / Take Me Home (Hot Blood Records) served as a to their late-1980s output, blending heavy riffs with melodic hooks. Following their reunion, digital singles emerged in the 2010s, including Odins Ravens and Songs of Steel (both 2018, Massacre Records), offering standalone previews of their later thematic explorations in medieval and mythical lore. Beyond the 1989 live album, Stormwitch has not released additional official live recordings, though notable performances like their 2002 set at Wacken Open Air generated widespread fan bootlegs and circulated recordings. The band maintained an active touring schedule through 2018, with fan-captured audio from European festivals and club shows preserving their enduring stage vitality, but no further official live outputs materialized.

References

  1. https://www.metal-archives.com/bands/stormwitch/1113
  2. https://www.allmusic.com/artist/stormwitch-mn0001971201
  3. https://backstage360.com/stormwitch-season-of-the-witch/
  4. https://www.youtube.com/watch?v=l2_ob07tjVA
  5. https://www.simplystick.com.au/blog/stormwitch-the-cult-metal-band-that-made-gothic-sound-glorious/
  6. https://www.discogs.com/master/292534-Stormwitch-Walpurgis-Night
  7. https://www.metal-archives.com/albums/Stormwitch/Tales_of_Terror/2963
  8. https://www.spirit-of-metal.com/en/biography/Stormwitch/2922
  9. https://www.discogs.com/master/453209-Stormwitch-The-Beauty-And-The-Beast
  10. https://www.discogs.com/release/3015291-Stormwitch-Eye-Of-The-Storm
  11. https://www.setlist.fm/setlist/stormwitch/1989/petfi-csarnok-budapest-hungary-13d0ad11.html
  12. https://gryphonmetal.ch/InterviewStormwitch.html
  13. https://www.facebook.com/TheMETALRealm/posts/stormwitch-is-a-german-heavy-metal-band-from-heidenheim-baden-w%25C3%25BCrttemberg-german/1425705856226551/
  14. https://tpl.se/music/stormwitch-shogun/
  15. https://www.antimusic.com/news/10/sep/07Stormwitch_Revisited.shtml
  16. https://www.concertarchives.org/concerts/wacken-open-air-2002
  17. https://deadrhetoric.com/news/stormwitch-ink-deal-with-massacre-records/
  18. https://blabbermouth.net/news/original-stormwitch-guitarist-harald-lee-tarot-spengler-dies
  19. https://www.heavy-metal-heaven.de/pages/topics/stormwitch.and-friends-a-tribute-to-harald-spengler.php
  20. https://www.songkick.com/artists/550499-stormwitch
  21. http://powerofmetal.dk/reviews15/stormwitch_review.html
  22. https://www.metal-archives.com/artists/Martin_Heusinger/29220
  23. https://www.discogs.com/artist/512991-Stormwitch
  24. https://www.discogs.com/artist/1944237-Harald-Spengler
  25. https://rattle.hu/index.php/2021/04/the-band-was-artistically-at-the-peak-at-this-time/
  26. https://www.facebook.com/TheMETALRealm/posts/stormwitch-is-a-german-heavy-metal-band-from-heidenheim-baden-w%25C3%25BCrttemberg-german/1108016794662127/
  27. https://www.metal-archives.com/artists/Dominik_Schwarz/48051
  28. https://www.discogs.com/master/549912-Stormwitch-Witchcraft
  29. https://www.diskery.com/diskery.php?ID=710
  30. https://www.spirit-of-metal.com/en/band/Stormwitch
  31. https://www.bnrmetal.com/v5/band/band/Stmw
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  33. https://www.metal-archives.com/reviews/Stormwitch/Tales_of_Terror/2963/DesecratorJ/410032
  34. https://www.metal-archives.com/reviews/Stormwitch/Stronger_than_Heaven/2964/
  35. https://www.angrymetalguy.com/stormwitch-bound-to-the-witch-review/
  36. https://www.metal-archives.com/reviews/Stormwitch/Bound_to_the_Witch/750868/
  37. https://dangerdog.com/2018-music-reviews/stormwitch-bound-to-the-witch.php
  38. https://metalmadnesspromotions.com/interviews/interview-with-stormwitch/
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  40. https://www.metal-archives.com/reviews/Stormwitch/Walpurgis_Night/2962/failsafeman/16409
  41. https://www.metal-archives.com/reviews/Stormwitch/Walpurgis_Night/2962/GhostlyNavigator/1800958
  42. https://www.metal-archives.com/reviews/Stormwitch/Call_of_the_Wicked/313939/
  43. https://mvdshop.com/collections/all/products/stormwitch-eye-of-the-storm-re-release-cd
  44. https://www.discogs.com/master/428327-Stormwitch-Tales-Of-Terror
  45. https://www.discogs.com/master/581433-Stormwitch-War-Of-The-Wizards
  46. https://www.discogs.com/release/11710790-Stormwitch-Live-In-Budapest
  47. https://www.metal-archives.com/albums/Stormwitch/The_Best_Of/261373
  48. https://open.spotify.com/artist/1aCcTM90RxE7qzcYl9oDws
  49. https://www.setlist.fm/setlist/stormwitch/2002/hauptstrasse-wacken-germany-73d0ba79.html
  50. https://www.concertarchives.org/bands/stormwitch
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