Stratemeyer Syndicate
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Stratemeyer Syndicate

The Stratemeyer Syndicate was an American book packaging company that produced a number of book series for children, including Nancy Drew, The Hardy Boys, the various Tom Swift series, the Bobbsey Twins, the Rover Boys, and others. It contracted the many pseudonymous authors who wrote the series from 1899 to 1987, and arranged the publishing by firms such as Grosset & Dunlap. In 1987 it was sold to Simon & Schuster.

Created by Edward Stratemeyer, the Stratemeyer Syndicate was the first book packager to aim its books at children rather than adults. The Syndicate was wildly successful; at one time it was believed that the overwhelming majority of books children read in the United States were Stratemeyer Syndicate books, based on a 1922 study of over 36,000 American children.

Stratemeyer's business acumen was in realizing the huge, untapped market for children's books. The Stratemeyer Syndicate specialized in producing books meant primarily to be entertaining. In Stratemeyer's view, it was the thrill of feeling grown-up and the desire for a series of stories that made such reading attractive to children. Stratemeyer believed this desire could be harnessed for profit. He founded the Stratemeyer Syndicate to produce books in an efficient, assembly-line fashion and write them so as to maximize their popularity.

The first series that Stratemeyer created was The Rover Boys, published under the pseudonym Arthur M. Winfield in 30 volumes between 1899 and 1926, which sold over five million copies. The Bobbsey Twins first appeared in 1904 under the pseudonym Laura Lee Hope, and Tom Swift in 1910 under the pseudonym Victor Appleton.

Stratemeyer published a number of books under his own name, but the books published under pseudonyms sold better. Stratemeyer realized that "he could offer more books each year if he dealt with several publishers and had the books published under a number of pseudonyms which he controlled." Stratemeyer explained his strategy to a publisher, writing that "[a] book brought out under another name would, I feel satisfied, do better than another Stratemeyer book. If this was brought out under my own name, the trade on new Stratemeyer books would simply be cut into four parts instead of three."

Some time in the first decade of the twentieth century Stratemeyer realized he could no longer juggle multiple volumes of multiple series, and he began hiring ghostwriters, such as Mildred Benson, Josephine Lawrence, Howard R. Garis and Leslie McFarlane. Stratemeyer continued to write some books, while writing plot outlines for others.

While mystery elements were occasionally present in these early series, the Syndicate later specialized in children's mystery series. This trend began in 1911, when Stratemeyer wrote and published The Mansion of Mystery under the pseudonym Chester K. Steele. Five more books were published in that mystery series, the last in 1928. These books were aimed at a somewhat older audience than his previous series. After that, the Syndicate focused on mystery series aimed at its younger base: The Hardy Boys, which first appeared in 1927, ghostwritten by Leslie McFarlane and others; and Nancy Drew, which first appeared in 1930, ghostwritten by Mildred Wirt Benson, Walter Karig, and others. Both series were immediate financial successes.

In 1930, Stratemeyer died, and the Syndicate was inherited by his two daughters, Harriet Stratemeyer Adams and Edna Stratemeyer Squier. Stratemeyer Squier sold her share to her sister Harriet within a few years. Adams introduced such series as The Dana Girls (1934), Tom Swift Jr., The Happy Hollisters, and many others. In the 1950s, Adams began substantially revising old volumes in The Hardy Boys and Nancy Drew series, updating them to remove references to outdated cultural elements, such as "roadster". Racial slurs and stereotypes were also removed, and in some cases (such as The Secret at Shadow Ranch and The Mystery at the Moss-Covered Mansion) entire plots were cast off and replaced with new ones. In part, these changes were motivated by a desire to make the books more modern. Grosset & Dunlap, the primary publisher of Stratemeyer Syndicate books, requested the books' racism be excised, a project Adams felt was unnecessary. Grosset & Dunlap held firm; it had received an increasing number of letters from parents offended by stereotypes present in the books, particularly in The Hardy Boys publications.

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