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Strawberry Swing
"Strawberry Swing" is a song by British rock band Coldplay. On 14 September 2009, it was released as the fourth and final single from the band's fourth studio album, Viva la Vida or Death and All His Friends (2008). The song was written by the members of the band and was produced by Markus Dravs, Brian Eno, Jon Hopkins and Rik Simpson. The track received mostly positive reviews from music critics who praised the infectious melody, the vocal performance of Chris Martin and the west-African influences on the track's arrangement and production.
"Strawberry Swing" reached a position of 158 on the UK Singles Chart and reached position 5 on both the Polish Singles Chart and the Dutch Tipparade charts. The song received a stop-motion music video directed by Shynola, which was nominated for Breakthrough Video at the 2010 MTV Video Music Awards. Coldplay performed the song on their 2008 Viva la Vida Tour, and a live version of the song appeared on Coldplay's live album, LeftRightLeftRightLeft (2009).
The song was performed in the 2012 Summer Paralympics closing ceremony, with the British Paraorchestra. R&B singer-songwriter Frank Ocean released a cover version of the song on his 2011 mixtape Nostalgia, Ultra to positive reviews from critics, and later performed it during his 2012 Coachella Music Festival appearance and his 2012 Channel Orange tour.
"Strawberry Swing", like much of Viva la Vida, was primarily produced by English record producer Brian Eno. The track was released as the fifth official single from Viva la Vida on 14 September 2009. The song was later part of the international soundtrack to the Brazilian soap opera Tempos Modernos in 2009.
Results of a study by the British Academy of Sound Therapy show that "Strawberry Swing" is one of the most psychologically relaxing songs ever recorded. It came in 5th place among surveyed songs behind Marconi Union's "Weightless".
"Strawberry Swing" contains multiple elements of Touareg, afro-pop and highlife music, and is largely built around handclaps, plucked, clean guitars, rhythmic cellos and distant organs and keys. Lead singer Chris Martin credits much of the track's sound to his time in Zimbabwe as an adolescent. "My mum comes from Zimbabwe, so I spent a lot of time there. I used to work in a studio [Shed Studios] where people played [highlife, afrobeat]." Martin has also noted English alternative dance band Delakota's influence on the track, pointing to the 1998 track "The Rock" as specific inspiration.
Alexis Petrdis of The Guardian stated the track had "certainly a wider sonic palette on offer", musing that the song contained a "jerkily funky beat and a vaguely African-sounding guitar line", though also noted many of the track's shared traits with Coldplay's previous discography; namely its mid-tempo, echoing guitars, piano ballad-inspired melodies and bittersweet, anthemic, falsetto vocals.
The song received mostly positive reviews from music critics. Stephen Thomas Erlewine of AllMusic stated that the track, with its light, "gently infectious melody and insistent rhythmic pulse, breaks from the album's appealingly meditative murk". Chris Willman of Entertainment Weekly described the song as "ebullient", and mused that the track "throws Afrocentric guitar atop one of those Eno/Dravs soundscapes beautifully". Pitchfork Media's Ryan Dombal reported that "the Gabriel connection is also apparent on the spectacular, wide-eyed 'Strawberry Swing', which floats light tribal drums above circular guitars and Martin's idyllic musings." Evan Sawdey of PopMatters wrote that the guitar playing that populate "Violet Hill" and "Strawberry Swing" sound "like that for the first time in the band's career, Coldplay is actually using the ludicrous studio budget that they're provided with each for release, here indulging in every passing whim and fancy, all while Eno serves as the playground supervisor, the results proving to be as potent as they are varied." IGN's Chad Grischow wrote that the track "blends spectacularly with Martin's calming, 'It's such a perfect day', refrain" and noted that "when the jangling acoustic guitar drifts in near the conclusion, it is the cherry on top of a killer tune". PopMatters included the song on their unranked "Best Singles of 2009" list.
Strawberry Swing
"Strawberry Swing" is a song by British rock band Coldplay. On 14 September 2009, it was released as the fourth and final single from the band's fourth studio album, Viva la Vida or Death and All His Friends (2008). The song was written by the members of the band and was produced by Markus Dravs, Brian Eno, Jon Hopkins and Rik Simpson. The track received mostly positive reviews from music critics who praised the infectious melody, the vocal performance of Chris Martin and the west-African influences on the track's arrangement and production.
"Strawberry Swing" reached a position of 158 on the UK Singles Chart and reached position 5 on both the Polish Singles Chart and the Dutch Tipparade charts. The song received a stop-motion music video directed by Shynola, which was nominated for Breakthrough Video at the 2010 MTV Video Music Awards. Coldplay performed the song on their 2008 Viva la Vida Tour, and a live version of the song appeared on Coldplay's live album, LeftRightLeftRightLeft (2009).
The song was performed in the 2012 Summer Paralympics closing ceremony, with the British Paraorchestra. R&B singer-songwriter Frank Ocean released a cover version of the song on his 2011 mixtape Nostalgia, Ultra to positive reviews from critics, and later performed it during his 2012 Coachella Music Festival appearance and his 2012 Channel Orange tour.
"Strawberry Swing", like much of Viva la Vida, was primarily produced by English record producer Brian Eno. The track was released as the fifth official single from Viva la Vida on 14 September 2009. The song was later part of the international soundtrack to the Brazilian soap opera Tempos Modernos in 2009.
Results of a study by the British Academy of Sound Therapy show that "Strawberry Swing" is one of the most psychologically relaxing songs ever recorded. It came in 5th place among surveyed songs behind Marconi Union's "Weightless".
"Strawberry Swing" contains multiple elements of Touareg, afro-pop and highlife music, and is largely built around handclaps, plucked, clean guitars, rhythmic cellos and distant organs and keys. Lead singer Chris Martin credits much of the track's sound to his time in Zimbabwe as an adolescent. "My mum comes from Zimbabwe, so I spent a lot of time there. I used to work in a studio [Shed Studios] where people played [highlife, afrobeat]." Martin has also noted English alternative dance band Delakota's influence on the track, pointing to the 1998 track "The Rock" as specific inspiration.
Alexis Petrdis of The Guardian stated the track had "certainly a wider sonic palette on offer", musing that the song contained a "jerkily funky beat and a vaguely African-sounding guitar line", though also noted many of the track's shared traits with Coldplay's previous discography; namely its mid-tempo, echoing guitars, piano ballad-inspired melodies and bittersweet, anthemic, falsetto vocals.
The song received mostly positive reviews from music critics. Stephen Thomas Erlewine of AllMusic stated that the track, with its light, "gently infectious melody and insistent rhythmic pulse, breaks from the album's appealingly meditative murk". Chris Willman of Entertainment Weekly described the song as "ebullient", and mused that the track "throws Afrocentric guitar atop one of those Eno/Dravs soundscapes beautifully". Pitchfork Media's Ryan Dombal reported that "the Gabriel connection is also apparent on the spectacular, wide-eyed 'Strawberry Swing', which floats light tribal drums above circular guitars and Martin's idyllic musings." Evan Sawdey of PopMatters wrote that the guitar playing that populate "Violet Hill" and "Strawberry Swing" sound "like that for the first time in the band's career, Coldplay is actually using the ludicrous studio budget that they're provided with each for release, here indulging in every passing whim and fancy, all while Eno serves as the playground supervisor, the results proving to be as potent as they are varied." IGN's Chad Grischow wrote that the track "blends spectacularly with Martin's calming, 'It's such a perfect day', refrain" and noted that "when the jangling acoustic guitar drifts in near the conclusion, it is the cherry on top of a killer tune". PopMatters included the song on their unranked "Best Singles of 2009" list.