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Street Talk
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| Street Talk | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | April 5, 1984 | |||
| Studio |
| |||
| Genre | AOR | |||
| Length | 39:20 | |||
| Label | Columbia | |||
| Producer | ||||
| Steve Perry chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Encyclopedia of Popular Music | [2] |
| The Rolling Stone Album Guide |  [3] |
| The Village Voice | C[4] |
Street Talk is Steve Perry's first solo studio album, released on April 5, 1984.[5]
Street Talk contains Perry's biggest hit as a solo artist, "Oh Sherrie", written for his then-girlfriend Sherrie Swafford.[6] The song hit #3 on the Billboard Hot 100 and #1 on Billboard's Rock chart, and the accompanying music video (also featuring Swafford) was a hit on MTV. Other singles included "Foolish Heart" (peaked at #18), "She's Mine" (peaked at #21), and "Strung Out" (peaked at #40).
There were a number of nods to Perry's pre-Journey band Alien Project on this album—in fact, that band was originally going to be called Street Talk.[7] In the liner notes, Perry dedicates the album to Richard Michaels (the bassist for Alien Project). Also, drummer Craig Krampf was a member of Alien Project later in the 1970s.
In addition to launching Perry's solo career, the cover photo for Street Talk served as a career launchpad for music photographer John Scarpati, who met Perry during the album's recording sessions at a studio in Sherman Oaks.[8]
Street Talk is certified as 2× Platinum (2,000,000) in sales by the RIAA.[9]
Track listing
[edit]All tracks written by Steve Perry with additional writers noted
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Oh Sherrie" | Bill Cuomo, Randy Goodrum, Craig Krampf | 3:48 |
| 2. | "I Believe" | Goodrum, Duane Hitchings, Krampf | 4:12 |
| 3. | "Go Away" | Cuomo, Goodrum | 4:05 |
| 4. | "Foolish Heart" | Goodrum | 3:39 |
| 5. | "It's Only Love" | Goodrum | 3:47 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "She's Mine" | Goodrum | 4:26 |
| 2. | "You Should Be Happy" | Goodrum | 3:20 |
| 3. | "Running Alone" | John Bettis, Hitchings, Krampf | 4:05 |
| 4. | "Captured by the Moment" | Cuomo, Goodrum | 3:47 |
| 5. | "Strung Out" | Krampf, Billy Steele | 3:51 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 11. | "My My My" ('Alien Project' demo) | Krampf, Richard Michaels Haddad, Steve DeLacey | 2:24 |
| 12. | "Harmony" ('Alien Project' demo) | 3:58 | |
| 13. | "Makes No Difference" ('Alien Project' demo) | Krampf, Haddad, DeLacey | 4:53 |
| 14. | "Don't Tell Me Why You're Leaving" (B-side to Oh Sherrie) | Danny Kortchmar, Krampf | 3:13 |
| 15. | "If Only for the Moment, Girl" (Originally released on We Are the World (1985)) | Goodrum | 4:09 |
Personnel
[edit]- Steve Perry – vocals, backing vocals (1–3, 5, 7, 9, 10)
- Bill Cuomo – synthesizers (1, 4, 5, 7–9), acoustic piano (2), synth bells (2), keyboards (3, 6), synth solo (3)
- Randy Goodrum – Rhodes (1–6, 9), drum programming (4), acoustic piano (15)
- Duane Hitchings – synthesizers (8)
- Steve Goldstein – keyboards (10)
- Sterling Smith – keyboards (10)
- Michael Landau – guitars (1–5, 7, 15), guitar solo (6, 9)
- Waddy Wachtel – guitar solo (1), rhythm guitar solo (5)
- Craig Hull – guitars (8, 10)
- Billy Steele – guitars (10)
- Bob Glaub – bass guitar (1–7, 9, 15)
- Chuck Domanico – string bass (3)
- Kevin McCormick – bass guitar (8)
- Bryan Garofalo – bass guitar (10)
- Larrie Londin – drums (1–3, 5–7, 9), percussion (1–3, 7)
- Craig Krampf – drums (8, 10)
- John Robinson – drums (15)
- Robert Greenidge – steelpan (5)
- Paulinho da Costa – percussion (15)
- Steve Douglas – saxophone solo (2), tenor saxophone (6)
- Joel Peskin – saxophone (15)
Production
[edit]- Bruce Botnick – executive producer
- Steve Perry – producer, cover concept
- Niko Bolas – recording, mixing
- Richard Bosworth – recording assistant, additional engineer
- Denny Densmore – recording assistant (10)
- Mike Reese – mastering at The Mastering Lab (Hollywood, California)
- Jim Welch – art direction
- John Scarpati – cover photography
- Herbie Herbert – personal management
Charts
[edit]| Chart (1984) | Peak position |
|---|---|
| Australian Albums (Kent Music Report)[10] | 79 |
| Canada Top Albums/CDs (RPM)[11] | 11 |
| German Albums (Offizielle Top 100)[12] | 63 |
| UK Albums (OCC)[13] | 59 |
| US Billboard 200[14] | 12 |
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| Canada (Music Canada)[15] | Platinum | 100,000^ |
| United States (RIAA)[16] | 2× Platinum | 2,000,000^ |
|
^ Shipments figures based on certification alone. | ||
References
[edit]- ^ Allmusic review
- ^ Larkin, Colin (2006). Encyclopedia of Popular Music (4th ed.). Oxford University Press. p. 494. ISBN 0195313739.
- ^ DeCurtis, Anthony; Henke, James; George-Warren, Holly, eds. (1992). The Rolling Stone Album Guide (3rd ed.). Random House. p. 541. ISBN 0679737294.
- ^ Christgau, Robert (May 28, 1985). "Christgau's Consumer Guide". The Village Voice. New York. Retrieved April 20, 2016.
- ^ "Upcoming Releases". CMJ New Music Report. March 26, 1984. p. 10.
- ^ Steve Perry talks about the recording of "Oh Sherrie" and Street Talk singles.
- ^ Steve Perry discusses the Alien Project story and Street Talk.
- ^ Platania, Mike (September 30, 2019). "Back in the spotlight: Retired rock photographer adds some shine to Short Pump side gig". Richmond BizSense. Retrieved September 30, 2019.
- ^ "Recording Industry Association of America". RIAA. Archived from the original on June 26, 2007. Retrieved March 10, 2012.
- ^ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 232. ISBN 0-646-11917-6.
- ^ "Top RPM Albums: Image 6785a". RPM. Library and Archives Canada. Retrieved 20 September 2024.
- ^ "Offiziellecharts.de – Steve Perry – Street Talk" (in German). GfK Entertainment charts. Retrieved 20 September 2024.
- ^ "Official Albums Chart on 8/7/1984 – Top 100". Official Charts Company. Retrieved 20 September 2024.
- ^ "Steve Perry Chart History (Billboard 200)". Billboard. Retrieved 20 September 2024.
- ^ "Canadian album certifications – Steve Perry – Street Talk". Music Canada.
- ^ "American album certifications – Steve Perry – Street Talk". Recording Industry Association of America.
- "Street Talk" (Liner Notes); Steve Perry CD, Columbia Records 1984.
External links
[edit]
Street Talk
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Background
Conception
Following the conclusion of Journey's extensive Frontiers tour in 1983, Steve Perry decided to pursue a solo project, motivated by a longing for artistic independence amid the band's demanding schedule, while affirming his ongoing commitment to Journey. This decision was partly spurred by guitarist Neal Schon's concurrent solo collaboration with Jan Hammer, prompting Perry to tell his manager, "You’re poking the bear here. I’m gonna do one."[2] Journey's commercial triumphs with albums like Escape (1981) and Frontiers (1983) had elevated Perry's profile, providing the ideal platform for this venture without intending to abandon the group.[5] A pivotal personal influence on Street Talk was Perry's tumultuous relationship with girlfriend Sherrie Swafford, which reached a rough patch during the album's early development and inspired its emotional depth, particularly the lead single "Oh Sherrie." The song, co-written in late 1983, captured Perry's struggles to express his feelings amid relational strain, forming the album's heartfelt core despite the couple's eventual full breakup in 1985.[6][5] Songwriting for Street Talk commenced in 1983 in Los Angeles, where Perry rapidly composed much of the material over three weeks, creating initial demos including "Oh Sherrie" to explore more personal, low-pressure expressions compared to Journey's arena-rock intensity. Collaborations featured musicians like drummer Craig Krampf from Perry's pre-Journey band Alien Project—reviving the "Street Talk" moniker originally considered for that group—as well as keyboardist Bill Cuomo and lyricist Randy Goodrum, emphasizing authentic, feel-driven tracks.[2][7] Perry's discussions with Columbia Records executives highlighted concerns over balancing the solo effort with Journey duties, as the label feared high costs and potential conflicts; however, Perry assured them of his dedication to the band and completed the project efficiently and affordably. In a 2011 interview, he recalled executives being "scared to death," yet the endeavor proceeded as a side project that reinforced rather than jeopardized his band role.[7][5]Recording
The recording of Street Talk primarily occurred at Record One in Los Angeles, California, over three weeks in late 1983 and early 1984.[8] This timeline allowed Steve Perry to develop his solo vision following Journey's Frontiers tour, culminating in the album's completion ahead of its April 1984 release.[2] Perry served as the primary producer, with executive production by Bruce Botnick and engineering by Niko Bolas, who also handled mixing. Principal tracking and mixing were completed at the same facility.[8] Perry took a hands-on approach to the arrangements, prioritizing melodic hooks and a refined pop-rock aesthetic that distanced the project from Journey's harder-edged arena rock style.[5] Keyboardist and arranger Bill Cuomo played a pivotal role in crafting the album's polished sound, contributing synthesizers across multiple tracks (including synth solos and bells) to add lush, atmospheric layers.[8] Cuomo's work complemented Perry's multi-tracked backing vocals on songs like "Oh Sherrie" and "Foolish Heart," enhancing the emotive, radio-friendly texture without overpowering the vocal forefront.[8]Composition
Musical style
Street Talk exemplifies a predominant pop-rock style with strong album-oriented rock (AOR) elements, seamlessly blending soft rock ballads and more upbeat, melodic tracks.[4][9] while Steve Perry's soaring vocal delivery evokes the emotive phrasing of Motown soul artists.[2] The album's instrumental foundation prominently features keyboards and synthesizers, handled by Bill Cuomo, which provide lush, atmospheric layers and synth solos that enhance the radio-ready polish.[10] Guitar solos, contributed by session musicians like Waddy Wachtel, add dynamic rock textures, contrasting with the smoother synth-driven sections.[5] Drum programming by Randy Goodrum, alongside live percussion, creates a tight, rhythmic backbone typical of mid-1980s AOR.[10] Structurally, the album consists of 10 tracks averaging around 4 minutes each, adhering to verse-chorus forms with strategic bridges that spotlight Perry's high-register vocals for emotional peaks.[4] Production techniques, including reverb effects on the vocals, impart a spacious, immersive quality that amplifies the album's commercial sheen.[11]Lyrics and themes
The lyrics of Street Talk center on themes of love, heartbreak, and resilience, profoundly shaped by Steve Perry's real-life romance with Sherrie Swafford and their eventual breakup. Drawing from personal turmoil, the album captures the highs of passionate connection and the lows of emotional fracture, with Perry channeling his experiences into introspective narratives that emphasize perseverance amid relational strife.[2][12][6] Track-specific motifs highlight these elements vividly; for instance, the lead single "Oh Sherrie" functions as a heartfelt plea to Swafford during a rough patch in their relationship, expressing desperation to hold on amid conflict with lines like "Sherrie, our love holds on, holds on." Similarly, "Foolish Heart" explores vulnerability in love, depicting the tension between caution from past heartbreaks and the irresistible pull toward new affection, as in the chorus's warning to a "foolish heart" that risks falling again despite prior wounds.[12][6][13] Perry's songwriting employs poetic yet accessible language, juxtaposing romantic idealism—evident in visions of enduring partnership—with subtle regret over lost opportunities, creating an intimate emotional resonance. This approach is bolstered by co-writing credits with drummer Craig Krampf on multiple tracks, including "Oh Sherrie" and "Strung Out," which helped forge a cohesive emotional arc progressing from plea and confession to tentative hope across the album.[5][14][15]Release and promotion
Singles
The lead single from Street Talk, "Oh Sherrie", was released in April 1984 and became Perry's biggest solo hit, peaking at number 3 on the Billboard Hot 100.[16][6] This track, written by Perry along with collaborators Randy Goodrum, Craig Krampf, and Bill Cuomo, benefited from its romantic lyrics that echoed broader album themes of personal relationships. Subsequent singles included "She's Mine" in June 1984, which reached number 21 on the Billboard Hot 100, "Strung Out" in August 1984, which peaked at number 40 on the same chart, and "Foolish Heart" in November 1984, peaking at number 18 on the same chart and number 2 on the Adult Contemporary chart.[16][17] The singles were primarily issued in 7-inch vinyl format at 45 RPM, with Columbia Records handling distribution in the US and international markets. A 12-inch maxi-single version of "Oh Sherrie" was also released, featuring an extended mix that incorporated additional instrumental breaks for club and radio play.[18][19] B-sides varied by release; for "Oh Sherrie", it was the non-album track "Don't Tell Me (Why You're Leaving)", while other singles like "Foolish Heart" paired with the album track "It's Only Love".[18] Promotional videos accompanied the key singles, directed by Jack Cole, enhancing their visual appeal for MTV audiences. The "Oh Sherrie" video, featuring Perry's then-girlfriend Sherrie Swafford, depicted a narrative of romantic tension, while "Foolish Heart" used a minimalist single-shot performance in an empty theater. These visuals, produced by Paul Flattery, received heavy rotation on MTV, amplifying the singles' exposure.[20][21] The promotion strategy leveraged Perry's established fame from Journey, prioritizing radio airplay on rock and adult contemporary stations to drive chart success and build anticipation for the full album.[22][23]Marketing
Street Talk was released on April 5, 1984, by Columbia Records, with initial marketing efforts targeting Album-Oriented Rock (AOR) radio stations and the fanbase of Perry's band Journey.[2][1] The promotional campaign included Perry's solo performances in 1984, featuring acoustic sets and TV appearances on programs such as Good Morning America and The Tonight Show Starring Johnny Carson.[24] Advertising campaigns featured full-page ads in Rolling Stone and trade magazines, highlighting Perry's vocal prowess and the album's personal songwriting.[25] The international rollout was delayed in Europe and Japan compared to the U.S. launch, with localized promotional kits distributed, including translated liner notes to appeal to regional audiences.[1] The success of the lead single "Oh Sherrie" served as a key launchpad for the album's overall promotion.[2]Commercial performance
Chart success
Street Talk peaked at number 12 on the US Billboard 200 chart in May 1984.[26][27] In Canada, it reached number 41 on the RPM Top Albums chart, while in Australia, the album attained a position of number 79.[3] The album's chart trajectory in the United States saw it debut at number 54 on the Billboard 200 before entering the Top 100 in its second week, maintaining presence on the chart for 60 weeks largely due to momentum from lead single "Oh Sherrie."[27] Performance varied regionally, with stronger results in North America driven by extensive radio airplay compared to a more modest entry at number 59 on the UK Albums Chart.[28] As a side project from Journey's frontman, Street Talk exceeded expectations for solo endeavors by reaching the Top 15 in the US but did not match the commercial dominance of the band's core albums, such as Escape, which topped the Billboard 200.[3]Sales and certifications
Street Talk achieved substantial commercial success, with global sales surpassing 2 million copies, including over 2 million certified shipments in the United States alone.[3] The album was certified gold by the Recording Industry Association of America (RIAA) in 1984 for 500,000 units and platinum later in 1984 for 1,000,000 units, reaching double platinum on August 22, 1990, for 2,000,000 units.[3][29] Its strong chart performance contributed to heightened visibility and sustained sales momentum.[30] Internationally, the album received platinum certification from Music Canada in 1984 for 100,000 units.[3] These milestones underscored its broad appeal beyond the U.S. market. The album maintained steady catalog sales into the 1990s, further boosted by CD reissues, including expanded editions in 1996, 2006, and a remastered version in 2024 that included bonus tracks and enhanced packaging.[1]Reception and legacy
Critical reviews
Upon its release in 1984, Street Talk received mixed reviews from critics, who often highlighted Perry's vocal prowess while questioning the album's originality and production sheen. In a contemporary assessment, Stereo Review contributor Mark Peel commended the album's technical quality, stating that it "is brilliantly engineered and recorded" with each instrument sparkling, but criticized Perry for relying on "musical and lyrical clichés" and delivering "strident, overwrought vocals" exacerbated by the "slick studio varnish" that homogenized the tracks.[31] Billboard noted the album's strong radio potential, particularly through hits like "Oh Sherrie," which underscored its pop-rock accessibility and broad commercial draw. Contemporary coverage also reflected divided opinions on how the album diverged from Journey's harder-edged sound. While some appreciated the craftsmanship of its ballads for their emotional depth and melodic structure, others faulted it for lacking the raw energy of Perry's band work, viewing it as overly polished AOR fare. This mixed reception positioned Street Talk as a solid vocal outing but one that prioritized accessibility over innovation. Retrospective critiques from the 2000s onward have been more favorable, emphasizing the album's enduring appeal as a showcase for Perry's talents. AllMusic awarded it 4 out of 5 stars, describing it as a strong solo debut where Perry "does a respectable job in producing the album," resulting in a "clean and bright" package that demonstrates his voice as "one of the best in rock" and his ability to craft songs beyond mere vocal vehicles.[4] In the 2010s, reappraisals like those in Louder Sound celebrated its "soft rock masterpiece" status, praising Perry's peak vocal performance and the "perfectly crafted songs" that captured 1980s pop-rock charm while serving as a deeply personal statement.[5] Across both eras, common praises centered on the album's melodic strengths and Perry's emotive delivery, which elevated its pop-rock elements into radio-friendly anthems, while criticisms frequently targeted its lack of originality and perceived overproduction relative to Journey's more dynamic band dynamic.Cultural impact
Street Talk played a significant role in shaping the 1980s power ballad genre through its emotive, soaring tracks that blended rock with soulful elements, exemplifying the era's trend toward heartfelt, arena-ready anthems.[5] Songs like "Oh Sherrie" and "Foolish Heart" captured the dramatic build-ups and vocal intensity that defined power ballads, influencing the stylistic direction of adult-oriented rock during a peak period for the form.[32] The lead single "Oh Sherrie" became a staple on MTV, receiving heavy rotation that amplified its reach and underscored the growing importance of music videos in promoting pop-rock hits during the mid-1980s.[33] This exposure not only boosted the album's commercial success but also contributed to the broader shift toward video-driven music promotion, where visual storytelling enhanced emotional narratives in ballads and helped solidify MTV's cultural dominance.[33] In Steve Perry's career, Street Talk marked a pivotal milestone by establishing his viability as a solo artist independent of Journey, demonstrating his ability to maintain popularity and artistic control outside the band dynamic.[34] The album's double-platinum success reinforced Perry's vocal prowess and songwriting depth, paving the way for his subsequent solo project, For the Love of Strange Medicine, released in 1994 after a period of reflection and evolution in his musical approach.[35] The album's tracks have endured through covers and samples, particularly "Foolish Heart," which saw reinterpretations in the 1990s and 2000s across genres. Filipino rock band Side A covered it in 1996, adapting the ballad for a pop-rock audience, while R&B singer Sharon Bryant's 1989 version highlighted its crossover appeal into soul styles.[36] In the 2000s, the song was covered in hip-hop and R&B contexts, such as Nicole Kehl's 2006 track, which incorporated elements of the original melody into a contemporary urban sound, illustrating its lasting resonance in evolving musical landscapes.[36]Credits
Personnel
Steve Perry served as the lead vocalist and provided backing vocals on several tracks, including "Oh Sherrie," "I Believe," "Go Away," "It's Only Love," "You Should Be Happy," and "Captured by the Moment," while also contributing to the album's overall production.[8] The instrumental lineup featured Bill Cuomo on keyboards and synthesizers for tracks such as "Oh Sherrie," "Foolish Heart," "She's Mine," and "Strung Out," as well as piano on "I Believe"; Craig Krampf on drums and percussion for "Running Alone" and "Strung Out," in addition to co-writing contributions; and Michael Landau on guitar for select tracks including "Oh Sherrie," "I Believe," "Go Away," "Foolish Heart," "It's Only Love," "She's Mine," "You Should Be Happy," and "Captured by the Moment." Additional musicians included Bob Glaub on bass for most tracks, Larrie Londin on drums for "Oh Sherrie," "I Believe," "Go Away," "Foolish Heart," "It's Only Love," "She's Mine," "You Should Be Happy," and "Captured by the Moment," Waddy Wachtel on guitar for "Oh Sherrie" and "It's Only Love," Steve Douglas on saxophone for "I Believe" and "She's Mine," David Paich was not involved, Randy Goodrum on Fender Rhodes for multiple tracks including "Foolish Heart," Craig Hull on guitar for "Running Alone," Duane Hitchings on synthesizer for "Running Alone," Brian Garofalo on bass for "Strung Out," and Sterling Smith and Steve Goldstein on keyboards for "Strung Out."[8] Production was led by Steve Perry as producer, with Bruce Botnick serving as executive producer; engineering duties were handled by Niko Bolas for recording and mixing, assisted by Richard Bosworth on additional engineering. The album was mastered by Mike Reese at The Mastering Lab.[37][8]Track listing
The album Street Talk features ten tracks, all written primarily by Steve Perry with various co-writers.[38] The total runtime is 39:22.[38] There are no major regional differences in the track listing, and the original 1984 vinyl edition is identical to later CD releases in terms of song sequence and content.[1]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1 | "Oh Sherrie" | Bill Cuomo, Randy Goodrum, Craig Krampf, Steve Perry | 3:48 |
| 2 | "I Believe" | Randy Goodrum, Duane Hitchings, Craig Krampf, Steve Perry | 4:12 |
| 3 | "Go Away" | Bill Cuomo, Randy Goodrum, Steve Perry | 4:05 |
| 4 | "Foolish Heart" | Randy Goodrum, Steve Perry | 3:39 |
| 5 | "It's Only Love" | Randy Goodrum, Steve Perry | 3:47 |
| 6 | "She's Mine" | Randy Goodrum, Steve Perry | 4:26 |
| 7 | "You Should Be Happy" | Randy Goodrum, Steve Perry | 3:20 |
| 8 | "Running Alone" | John Bettis, Duane Hitchings, Craig Krampf, Steve Perry | 4:05 |
| 9 | "Captured by the Moment" | Bill Cuomo, Randy Goodrum, Steve Perry | 3:47 |
| 10 | "Strung Out" | Craig Krampf, Steve Perry, Billy Steele | 3:51 |