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Ian Stuart Colman[1] (19 December 1944 – 19 April 2018)[2] was an English musician, record producer and broadcaster. Allmusic noted that he "has an impressive catalogue as a record producer and much of Shakin' Stevens success can be attributed to Colman".[2] Over the decades, Colman worked with a diverse array of musicians including Billy Fury, The Blasters, Cliff Richard, Phil Everly, Alvin Stardust, The Jets, The Inmates and Little Richard.

Biography

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Colman was born into a musical family, took up piano and bass guitar,[3] and enjoyed his first taste of success when he joined Pinkerton's Assorted Colours in 1966.[2] Three years later, the group evolved into The Flying Machine and their first single under that name, "Smile A Little Smile For Me", made the top five in the US Billboard Hot 100,[2] By 12 December 1969, they had sold a million copies of the record, and it was awarded a gold disc by the R.I.A.A.[4]

In 1976, Colman jointly organised a march to the BBC, protesting about the lack of rock and roll music on BBC Radio 1.[2] To his surprise, the corporation took him on as a presenter, headlining his own weekly show. Following the popularity of the programme, Epic Records brought Colman in to take over the production of Shakin' Stevens.[5] There were hits straight away with "Hot Dog" and "Marie, Marie" followed by a string of number ones including "This Old House", "Green Door" and "Oh Julie". During this period he was called upon to produce a wide range of artists, ranging from The Shadows to Paul Kennerley, and Claire Hamill to The Revillos. In 1982, Colman was voted the top singles producer of the year by Music Week magazine.

Meanwhile, as a broadcaster, Colman was also hosting Echoes on BBC Radio London,[1] a unique forum with a guest list that included Paul McCartney, Dr. John, Robert Plant and Steve Miller. He was also in demand as a journalist writing a weekly column for the Melody Maker, as well as authoring a best-selling book, They Kept on Rockin'.[1] Colman extended his chart successes by creating hits for Kim Wilde, The Jets and Alvin Stardust, and he made albums with his boyhood idols, Phil Everly and Little Richard. Following his love of comedy recordings, Colman was asked by Richard Curtis and Ben Elton to produce the inaugural Comic Relief record, and "Living Doll", featuring TV's The Young Ones along with Cliff Richard, became an international No. 1.[1]

In 1986, Colman opened his own Master Rock recording studio in London, fitting the A room out with the first Focusrite recording console, and the B room with a state-of the-art Solid State Logic. Apart from his own productions with Jeff Beck, The Inmates and Jane Harrison, the studio played host to Elton John, U2, Eric Clapton and Soul II Soul. Still pursuing his broadcasting career, Colman then joined London's newly launched Capital Gold, where he played rock and roll at the weekends and anchored the evening slot during the week. At the same time he was producing many major TV music specials for Central Television, where he worked with Natalie Cole, T'Pau, Nona Hendryx and Meat Loaf.

In 1995, geared by his love of American music, Colman decided to move with his family to Nashville, Tennessee,[1] where he went on to record with a wide variety of artists including Victoria Shaw, Nanci Griffith, The Crickets and Linda Gail Lewis.[5] He began by arranging and producing the country demo of the Faith Hill smash "This Kiss", then co-produced with Jim Ed Norman the original version of the Garth and Trisha duet, "Where Your Road Leads" by Victoria Shaw and Billy Dean. He delivered a well-received Texas-Swing album by Don Walser for Sire Records, as well as producing a fresh batch of tracks on The Osmond Brothers, a country album by Canadian diva Tracy Fidler, and the debut recordings by Brazilian newcomer, Leandro Beling.

In 2002, Colman was diagnosed with cancer of the esophagus and he was subjected to an intense course of chemotherapy, radiation and surgery.[1] Even so, during this time he wrote liner notes for many CD's including a boxed set of Don Gibson recordings for Bear Family. Following his recovery, Colman appeared in a movie depicting the life and times of Jack Clement, and also reunited with Shakin' Stevens playing bass on tours throughout Europe. Eventually Colman returned to the studios of Nashville where his energies were directed into developing a new set of artists. Then in the spring of 2009 he moved, this time to Manhattan where he married for the second time. Colman's later activity included pitching TV and film comedy scripts, product-managing CD compilations, and writing his long-running column for Now Dig This magazine,[6] as well as a monthly blog for Collective Review.[7] Most recent studio projects included a debut album from the Hull based band, Moskow, preliminary recordings with the Italian tenor, Roberto IaRussi, and a new single from the five-piece, Yannick.

In January 2014, Colman returned to the UK to run his business from the Cotswolds.

He died from cancer in a Cheltenham hospice on 19 April 2018 at the age of 73.[8]

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Stuart Colman

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Stuart Colman was an English musician, record producer, and broadcaster known for his influential work in rock and roll, including his pivotal role in producing Shakin' Stevens' string of 1980s number-one hits and his contributions to the British rock revival. [1] [2] Born Ian Stuart Colman in Harrogate, Yorkshire, on 19 December 1944, he grew up in a musical family and began performing as a teenager in local bands before gaining prominence in the 1960s as the bassist for Pinkerton's Assorted Colours, which achieved a UK top-ten single, and later The Flying Machine, whose single "Smile a Little Smile for Me" reached the US top five. [1] In the 1970s, he transitioned into session work, production, and broadcasting, hosting a BBC Radio 1 show dedicated to 1950s rock and roll and rockabilly while writing for Melody Maker and championing the genre. [1] His most notable success came in the early 1980s when he produced Shakin' Stevens' breakthrough albums and hits such as "This Ole House," "Green Door," and "Oh Julie," helping establish the artist as a major chart force, and he also produced the 1986 Comic Relief number-one single "Living Doll" by Cliff Richard and The Young Ones. [2] [1] Colman produced over 100 acts and was responsible for numerous UK chart successes before relocating to Nashville in the mid-1990s, where he worked with artists including Buddy Holly's Crickets, Connie Francis, and Nanci Griffith. [2] He returned to England in later years and remained active in music until his death on 19 April 2018 at age 73 following a long battle with cancer. [1] [2]

Early life

Birth and background

Ian Stuart Colman was born on 19 December 1944 in Harrogate, Yorkshire, England.[3] He grew up in Yorkshire during the post-war period, where he was known as a proud Yorkshireman throughout his life.[3] Colman came from a musical family background, with his father, Walter Colman, working as a pianist who also ran a dance band.[3] This environment influenced his early exposure to music.[3]

Early musical involvement

Colman began playing bass guitar in the 1960s, marking his entry into performing popular music on the instrument. [4] [5] He joined Pinkerton's Assorted Colours as the group's bassist in 1966, following the band's early successes and lineup changes. [5] [6] The band later evolved into The Flying Machine. [4]

Music performance career

Pinkerton's Assorted Colours and The Flying Machine

Stuart Colman joined Pinkerton's Assorted Colours as bassist in May 1966, shortly after the band's UK chart success with "Mirror Mirror." [5] The group experienced setbacks following the death of their manager, leading to reduced activity. [5] In 1969, after lineup adjustments, Pinkerton's Assorted Colours evolved into The Flying Machine, retaining Colman on bass alongside members including Tony Newman, Steve Jones, Sam Kempe, and Paul Wilkinson. [5] [4] The Flying Machine achieved their greatest success with the 1969 debut single "Smile a Little Smile for Me," which peaked at number five on the US Billboard Hot 100. [7] [8] The track, written by Geoff Stephens and Tony Macaulay, sold one million copies and was certified gold by the RIAA. [5] This American hit marked the highlight of Colman's tenure as a performing bassist before the band disbanded in the early 1970s. [8]

Broadcasting and journalism

BBC Radio entry and shows

In 1976, Stuart Colman co-organised a protest march to BBC Broadcasting House against the lack of rock and roll music on BBC Radio 1, an event that attracted over 6,000 participants and proved successful in prompting the corporation to increase such airplay. [9] The march, staged with Geoff Barker, led to Colman being hired by the BBC to present his own weekly programme on Radio 1. [3] He hosted It's Rock 'n' Roll on BBC Radio 1 from 1976 to 1979, broadcast on Saturday afternoons at 5:30 pm, featuring approximately 300 specially recorded sessions while complying with BBC requirements for live music content in programming. [9] From 1978 to 1988, Colman presented Echoes on BBC Radio London, a programme that became essential listening due to its guest appearances and his incisive interviewing style; the opportunity arose after he met Charlie Gillett's producer at a party, leading him to take over the slot originally proposed under a different title. [5] Echoes featured interviews with prominent musicians including Paul McCartney, Dr. John, Robert Plant, and Steve Miller. [3]

Other radio and print journalism

Colman continued his broadcasting career in commercial radio by joining London's Capital Gold station, where he played rock and roll records and hosted programming focused on the genre. [9] [4] He remained with Capital Gold for several years, contributing to its oldies format during that period. [9] In print journalism, Colman wrote a weekly column for the music publication Melody Maker during the 1970s, often covering rock and roll and related topics. [1] [5] He later authored the book They Kept On Rockin', published in 1982, which explored the history of rock and roll. [9] [5]

Record production career

1980s breakthrough and Shakin' Stevens

In the early 1980s Stuart Colman achieved his major breakthrough as a record producer through his collaboration with Shakin' Stevens on Epic Records. [10] Following his initial involvement producing live sessions for Shakin' Stevens on his BBC Radio 1 rock 'n' roll program, Epic enlisted Colman to assemble a backing band and oversee studio recordings after Shakin' Stevens expressed frustration with prior results. [5] Colman gathered a strong ensemble of musicians including Albert Lee on lead guitar, Geraint Watkins on piano, BJ Cole on pedal steel guitar, Howard Tibble on drums, and Roger McKew on rhythm guitar, while contributing bass himself on the tracks. [10] [5] He produced a series of successful singles for Shakin' Stevens that blended rock 'n' roll roots with contemporary appeal, including "Hot Dog", "Marie, Marie", "This Ole House", "Green Door", and "Oh Julie". [11] Colman selected strong material—mixing original songs and well-chosen older tracks—recorded primarily at Eden Studios in Chiswick, which helped propel Shakin' Stevens to significant UK chart success during this period. [10] This partnership lasted four hit-making years before ending, partly due to scheduling challenges from Shakin' Stevens' nonstop touring. [10] In 1982 Colman was voted top singles producer of the year by Music Week magazine, recognizing his impact during a particularly successful period. [5]

Other artists and major productions

Colman produced recordings for a diverse array of artists, spanning rock 'n' roll originators and pop performers.[5][4] He worked with Billy Fury on his final album, released posthumously, as well as The Blasters, Little Richard, Alvin Stardust, The Jets, and The Inmates.[5] Additional production credits include work with Cliff Richard, Phil Everly, Kim Wilde, The Shadows, Paul Kennerley, Claire Hamill, and The Revillos.[4][3] Among his notable productions was the 1986 Comic Relief charity single "Living Doll", credited to Cliff Richard & The Young Ones featuring Hank Marvin, on which Colman served as producer.[12] The track reached number one in the UK for three weeks and also topped charts in several other countries internationally.[13]

Master Rock Studios

Founding and notable sessions

Stuart Colman co-founded Master Rock Studios in London with Steve Flood, opening the facility in January 1986 at 248 Kilburn High Road in a converted former cinema building.[14][15] The studio was custom-designed by architect Ken Shearer to deliver a bright, transparent sound, with features such as a repurposed echo chamber.[14][16] Master Rock featured one of only two custom-made Focusrite Forte consoles ever built (designed by Rupert Neve), along with custom Quested monitoring systems.[15][16] This high-end equipment helped establish the studio as a favored space for top-tier recording work. The studio hosted sessions for prominent artists including Jeff Beck, Elton John, U2, and Eric Clapton.[14][15] It also attracted other notable acts such as Suede and Oasis during its operation.[14][16] The studio operated until its closure in 2000.[14][15]

Nashville period

Relocation and American productions

In 1995, Stuart Colman relocated to Nashville, Tennessee, with his family, motivated by his deep affinity for American roots music and rock'n'roll traditions. [4] In Nashville, he continued his production work with a focus on country and rock artists, recording and producing with Victoria Shaw, Nanci Griffith, The Crickets, Linda Gail Lewis, and Don Walser. [4] [17] He also contributed as arranger on an early demo recording of Faith Hill's "This Kiss." [4] His Nashville productions maintained the roots-oriented approach that characterized his earlier UK career, emphasizing authentic instrumentation and period influences. [4]

Later career

Return to the UK and final projects

In January 2014, Stuart Colman returned to the United Kingdom, settling in the Cotswolds region to run his business from there. [4] This relocation followed a period in Manhattan after his second marriage in spring 2009. [4] In his final years, Colman compiled and annotated various CD compilations while also writing for the rock 'n' roll magazine Now Dig This. [10] He contributed a monthly blog to Collective Review and developed TV and film comedy scripts. He reunited with Shakin' Stevens, performing as bass player on tours during this time. [4] Colman continued pursuing music-related projects from his Cotswolds base until his passing. [1]

Personal life and death

Health challenges

In 2002, Stuart Colman was diagnosed with cancer of the oesophagus.[1] He underwent a comprehensive treatment regimen that included chemotherapy, radiation therapy, and surgery.[1] Colman continued his work in music despite these significant health challenges.[1]

Death

Stuart Colman died of cancer on 19 April 2018 at the age of 73 in a Sue Ryder hospice outside Cheltenham, Gloucestershire, England.[1] He had waged a long battle with oesophageal cancer following his initial diagnosis in 2002.[1]
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