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Stylistics

Stylistics, a branch of applied linguistics, is the study and interpretation of texts of all types, but particularly literary texts, and spoken language with regard to their linguistic and tonal style, where style is the particular variety of language used by different individuals in different situations and settings. For example, the vernacular, or everyday language, may be used among casual friends, whereas more formal language, with respect to grammar, pronunciation or accent, and lexicon or choice of words, is often used in a cover letter and résumé and while speaking during a job interview.

As a discipline, stylistics links literary criticism to linguistics. It does not function as an autonomous domain on its own, and it can be applied to an understanding of literature and journalism as well as linguistics. Sources of study in stylistics may range from canonical works of writing to popular texts, and from advertising copy to news, non-fiction, and popular culture, as well as to political and religious discourse. Indeed, as recent work in critical stylistics, multimodal stylistics and mediated stylistics has made clear, non-literary texts may be of just as much interest to stylisticians as literary ones. Literariness, in other words, is here conceived as 'a point on a cline rather than as an absolute'.

Stylistics as a conceptual discipline may attempt to establish principles capable of explaining particular choices made by individuals and social groups in their use of language, such as in the literary production and reception of genre, the study of folk art, in the study of spoken dialects and registers, and can be applied to areas such as discourse analysis as well as literary criticism.

Plain language has different features. Common stylistic features are using dialogue, regional accents and individual idioms (or idiolects). Stylistically, also sentence length prevalence and language register use.

The analysis of literary style goes back to the study of classical rhetoric, though modern stylistics has its roots in Russian Formalism and the related Prague School of the early twentieth century.

In 1909, Charles Bally proposed stylistics as a distinct academic discipline to complement Saussurean linguistics. For Bally, Saussure's linguistics by itself couldn't fully describe the language of personal expression. Bally's programme fits well with the aims of the Prague School.

Taking forward the ideas of the Russian Formalists, the Prague School built on the concept of foregrounding, where it is assumed that poetic language is considered to stand apart from non-literary background language, by means of deviation (from the norms of everyday language) or parallelism. According to the Prague School, however, this background language isn't constant, and the relationship between poetic and everyday language is therefore always shifting.

Roman Jakobson had been an active member of the Russian Formalists and the Prague School, before emigrating to America in the 1940s. He brought together Russian Formalism and American New Criticism in his Closing Statement at a conference on stylistics at Indiana University in 1958. Published as Linguistics and Poetics in 1960, Jakobson's lecture is often credited with being the first coherent formulation of stylistics, and his argument was that the study of poetic language should be a sub-branch of linguistics. The poetic function was one of six general functions of language he described in the lecture.

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