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Ardian Syaf

Ardian Syaf is an Indonesian comic book artist. He has worked for DC Comics, Marvel Comics, and Dynamite Entertainment.

In April 2017 he became embroiled in controversy for inserting hidden anti-semitic and anti-Christian messages in X-Men Gold #1, for which his contract with Marvel Comics was terminated.

Ardian Syaf was born in Tulungagung, East Java, Indonesia. He first developed the desire to draw comics in his youth, after his father bought him his first comic. Among his influences are Hermann Huppen, a Belgian comics artist for whom Syaf has expressed admiration. He embarked upon a career as a professional comics artist in 2003, deciding that leaving his interest in drawing comics and working in a conventional job was not something he was willing to do.

Syaf started his career in 2007 with Dabel Brothers Publishing, illustrating The Dresden Files for 11 issues. Syaf's work on the 2008 graphic novel Welcome to the Jungle was nominated for the 2008 Hugo Award for Best Graphic Story, losing to Girl Genius. Take a Chance, written by novelist C. E. Murphy was published after that, although it had been written and drawn first. Syaf later signed to the Spanish agency, Utopia Studio.

At one point Syaf met an Irish screenwriter named Catie through Dabel Brothers, through which began to get work with Marvel Comics, his earliest book assignments involving the sharing of penciling duties with other artists, such as Jorge Molina on X-Men: Manifest Destiny: Nightcrawler #1 (May 2009), and Leonard Kirk on Captain Britain and MI13 #13 and 14 (July, August 2009). His earliest work for DC Comics was "The Origin of Congorilla" a backup story written by Len Wein that appeared in Justice League: Cry for Justice #1 (September 2009). He shared the art duties on Justice League of America (Vol. 2) #34 (August 2009) with Eddy Barrows, but its quality was decried by critics.

In 2009, he signed a two-year exclusivity contract with DC. That contract ended in September 2011, though he indicated that it would be renewed, and that he would be drawing the Batgirl series as part of the company's 2011 reboot of its books, The New 52, working with writer Gail Simone. During his run on that series, Simone set one storyline in an Indonesian neighborhood of Gotham City in order to exploit Syaf's experience. Syaf drew eight of that series' first nine issues, receiving generally positive reviews from critics. His artwork for the premiere issue in particular drew praise by Iann Robinson of CraveOnline for the manner in which Syaf adapted his style during different parts of the story, effecting a "light and airy" during the daytime scenes with Barbara Gordon, a darker, shadowy look for in-costume scenes, and a grainy, old-fashioned cinematic appearance for the flashbacks.

When asked in a 2011 interview what projects he would like to work on, Syaf responded that he would like to draw Wolverine, as that is a character that he adores. He also stated that he would like to do a Tomb Raider story set in Indonesia, which would involve the superstitious beliefs of his home country.

Syaf is known to engage in the practice of hiding Easter egg references to political figures in the backgrounds of his artwork. In Batgirl (Vol 4) #9 (July 2012), for example, Syaf included a storefront sign that referenced the President of Indonesia, Joko Widodo, although the text that accompanies the image of Widodo in Syaf's penciled artwork is covered by a caption in the final, published issue.

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