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Vienna Synchron Stage
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Vienna Synchron Stage
Vienna Synchron Stage (formerly known as "Synchron Stage Vienna") is a recording facility specializing in recording large orchestras and film music. The landmark protected building, formerly "Synchronhalle" ("Hall 6") of the historic film lot "Film City Vienna" in the Austrian capital's 23rd district is operated by Vienna Symphonic Library.
The building was constructed from 1939 to 1941 for picture-synchronized sound recordings, from which the name "Synchronhalle" derived. Joseph Goebbels is said to have commissioned the construction himself in order to shoot Nazi propaganda films with the UFA film stars of the time in Vienna. A company-owned airport and a subway station directly in front of the entrance to the film studios were planned for fast transportation.
This plan was considered in the construction of the facility: In order to shield noise and vibrations from the outside world, the hall was isolated from the rest of the building by a custom foundation and insulated against air traffic by an elaborate roof structure. The result was a house-in-house construction with the recording rooms inside. The outer shell provided office space as well as cutting rooms.
Until the 1950s, the facility shared its history with the Rosenhügel-Filmstudios. At that time the "Synchronhalle" hosted as many as ten large orchestra film score projects per year. A remnant of the building's designated use is the preserved "Lenkwil" cinema organ with three manuals that features not only various instrumental timbres but also sound effects such as rolling thunder, car horns, clopping horses, twittering birds and ocean waves. It is the only cinema organ in the world that is still housed in its original scoring stage. Because of this combination the Federal Monuments Office classified this building as a historical monument.
In the mid-1960s, the complex was acquired by the Austrian Broadcasting Corporation (ORF), initializing an era of revival. Eminent classical artists such as Karl Böhm, Herbert von Karajan, Yehudi Menuhin, Sviatoslav Richter and Mstislav Rostropovich discovered the exceptional acoustic properties and used the "Synchronhalle" for many legendary recordings.
After a few years, the use of the hall came to a standstill. Until 1990, it was primarily used as a rehearsal stage for the Theater an der Wien. The ORF made several efforts to sell the entire area. The landmark protection of the two halls 1 (artificial light studio) and 6 (Synchronhalle) made this impossible. In the end, all surrounding buildings on the site were demolished.
In 1990, a private investor planned to build a supermarket and shopping center in the Synchronhalle. This was prevented by the commitment of ORF's General Director, Thaddäus Podgorski. The ORF initially bought back the area and leased it to Filmstadt Wien GmbH. Subsequently, films such as Der Bockerer II - Österreich ist frei (1996), Comedian Harmonists (1997) and Die Klavierspielerin (2001) were shot on the Rosenhügel.
The hall was purchased by the Vienna Symphonic Library in 2013 and developed into a globally unique music production facility in collaboration with the renowned Walters-Storyk Design Group and architects Schneider+Schumacher. It was completed in September 2015. The heart of the more than 2,000 m² area is the large recording hall, Stage A: with its 540 m², it offers space for an orchestra of up to 130 people.
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Vienna Synchron Stage
Vienna Synchron Stage (formerly known as "Synchron Stage Vienna") is a recording facility specializing in recording large orchestras and film music. The landmark protected building, formerly "Synchronhalle" ("Hall 6") of the historic film lot "Film City Vienna" in the Austrian capital's 23rd district is operated by Vienna Symphonic Library.
The building was constructed from 1939 to 1941 for picture-synchronized sound recordings, from which the name "Synchronhalle" derived. Joseph Goebbels is said to have commissioned the construction himself in order to shoot Nazi propaganda films with the UFA film stars of the time in Vienna. A company-owned airport and a subway station directly in front of the entrance to the film studios were planned for fast transportation.
This plan was considered in the construction of the facility: In order to shield noise and vibrations from the outside world, the hall was isolated from the rest of the building by a custom foundation and insulated against air traffic by an elaborate roof structure. The result was a house-in-house construction with the recording rooms inside. The outer shell provided office space as well as cutting rooms.
Until the 1950s, the facility shared its history with the Rosenhügel-Filmstudios. At that time the "Synchronhalle" hosted as many as ten large orchestra film score projects per year. A remnant of the building's designated use is the preserved "Lenkwil" cinema organ with three manuals that features not only various instrumental timbres but also sound effects such as rolling thunder, car horns, clopping horses, twittering birds and ocean waves. It is the only cinema organ in the world that is still housed in its original scoring stage. Because of this combination the Federal Monuments Office classified this building as a historical monument.
In the mid-1960s, the complex was acquired by the Austrian Broadcasting Corporation (ORF), initializing an era of revival. Eminent classical artists such as Karl Böhm, Herbert von Karajan, Yehudi Menuhin, Sviatoslav Richter and Mstislav Rostropovich discovered the exceptional acoustic properties and used the "Synchronhalle" for many legendary recordings.
After a few years, the use of the hall came to a standstill. Until 1990, it was primarily used as a rehearsal stage for the Theater an der Wien. The ORF made several efforts to sell the entire area. The landmark protection of the two halls 1 (artificial light studio) and 6 (Synchronhalle) made this impossible. In the end, all surrounding buildings on the site were demolished.
In 1990, a private investor planned to build a supermarket and shopping center in the Synchronhalle. This was prevented by the commitment of ORF's General Director, Thaddäus Podgorski. The ORF initially bought back the area and leased it to Filmstadt Wien GmbH. Subsequently, films such as Der Bockerer II - Österreich ist frei (1996), Comedian Harmonists (1997) and Die Klavierspielerin (2001) were shot on the Rosenhügel.
The hall was purchased by the Vienna Symphonic Library in 2013 and developed into a globally unique music production facility in collaboration with the renowned Walters-Storyk Design Group and architects Schneider+Schumacher. It was completed in September 2015. The heart of the more than 2,000 m² area is the large recording hall, Stage A: with its 540 m², it offers space for an orchestra of up to 130 people.