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Test Icicles
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Test Icicles were an English rock band from London, active from 2004 to 2006. The band consisted of Rory Attwell, Dev Hynes and Sam Mehran.
Key Information
Influenced by dance-punk, indie rock and post-hardcore, the band was formed when Hynes and Mehran were both 18. They released one album, For Screening Purposes Only, in 2005. Two of its singles, "Circle. Square. Triangle" and "What's Your Damage", reached the top 40 of the UK singles chart.
Following the band's split, Hynes earned further recognition for his solo project Blood Orange.
History
[edit]Prior to forming the band, Attwell, Hynes and Mehran (all of whom shared vocal and guitar duties) had met each other through mutual friends. The trio's preference for the same nightspots (such as the Afterskool night club, in London) also led to frequent meet-ups. Initially the band formed under the moniker Balls with Ferry Gouw, who shortly after went on to form Semifinalists, effectively in the role Hynes eventually filled. Gouw left the band for an extended trip to Indonesia, at which time Attwell and Mehran recruited Hynes and changed the band name to Test Icicles, the new band name also being a suggestion from Gouw.
All three members of the group were involved in numerous, short-lived musical projects before the forming of Test Icicles.
Split
[edit]In February 2006, the band announced they were splitting up.[1]
On 26 April 2006 the band released Dig Your Own Grave, an EP meant as a farewell from the band. It featured a CD with remixes and unreleased tracks, and a DVD with the band's music videos.
Post-Test Icicles
[edit]After the band split, the individual members continued to stay active, becoming involved in a number of side projects between them.
Mehran was believed to have moved back to America after the split and claimed to have been spotted working in a record store in New York.[2]
In July 2018, Mehran was found dead in his Hollywood home due to suicide, just after completing work on a planned solo album.[3] Hynes paid tribute to him on Instagram, saying, “Every time I was with you we were 17 again. You were such a gift to this world. The floor has gone and I don’t know where to stand. RIP.”[4]
Members
[edit]- Rory Attwell (aka Raary Deci-hells, Raary Rambert RAT ATT AGG, Rory Brattwell) English (born in London, England) — guitar and vocals
- Sam Mehran (aka Sam E Danger, Sam E Slaughter) American (born in Miami, moved to Adelaide, Australia, then to New York City before moving to England) — vocals and guitar (died July 2018)
- Devonté Hynes (aka Dev Metal, !Ved) English (born in London, England) — guitar, keyboards and vocals
Touring members
[edit]- Adam Bainbridge (aka DJ Jitset) English (Born in Peterborough, England) — DJ
Equipment
[edit]- Rory Attwell (Guitars - Wilson Bros. Venture VM-75, Fender '72 Deluxe Telecaster)
- Devonté Hynes (Guitars - Squier HH Showmaster (hot pink), Aria II Pro ZZ Deluxe, and in earlier shows, he used a Telecaster copy).
- Sam Mehran (Guitars - Les Paul Deluxe copy, Peavey Raptor)
Amps - All three of the members would switch guitar duties, usually sharing the same amps. They usually used a Peavey Valveking 1x12, a small Trace Elliot combo, or a Fender Hot Rod deluxe.
Keyboard - Dev used a Korg Microkorg.
Effects - It is hard to see which effects they used, but one picture shows an Electro Harmonix WORM modulation pedal, which is probably responsible for the ring modulation effect in the song "Boa vs. Python". In an interview they claimed to use the same effects as nu-metal group KoЯn.
Discography
[edit]Studio albums
[edit]- For Screening Purposes Only (31 October 2005) #69 UK[5]
Singles and EPs
[edit]| Year | Title | UK[5] | UK Indie[5] | Album |
|---|---|---|---|---|
| 2005 | "Boa vs. Python" | 46 | 5 | For Screening Purposes Only |
| "Circle. Square. Triangle" | 25 | 3 | ||
| 2006 | "What's Your Damage" | 31 | 9 | |
| "Boa vs. Python (Grime Remixes)" | - | - | Boa vs. Python (Grime Remixes) | |
| "Totally Re-Fucked" | 133 | - | Totally Re-Fucked | |
| Dig Your Own Grave | - | - |
Demos
[edit]- "4 Track Demo" (July 2004)
References
[edit]- ^ "Test Icicles split - NME". Nme.com. 22 February 2006. Retrieved 30 July 2018.
- ^ "Flickr". Flickr. Retrieved 30 July 2018.
- ^ Monroe, Jazz (30 July 2018). "Sam Mehran (Test Icicles, Outer Limits Recordings) Dead at 31". Pitchfork. Retrieved 31 July 2018.
- ^ "Instagram".
- ^ a b c "TEST ICICLES songs and albums". Official Charts Company. Retrieved 11 October 2025.
External links
[edit]- Farewell gig review on Sound Generator
- Coverage in NME
- "Band of the Day: Test Icicles", Spin, 2 November 2005
- Interview on XFM
Videos
[edit]- YouTube - Circle Square Triangle music video
- YouTube - What's Your Damage music video
- PUNKCAST #836 - video of Test Icicles' first U.S. show at Sin-é, New York City, on 15 September 2005
- BBC - Test Icicles session video and interview
- YouTube demon(sic) Insanity Problem music video
| International | |
|---|---|
| Artists | |
Test Icicles
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Career
Formation
Test Icicles were formed in London in 2004 by Rory Attwell and Sam Mehran, with Dev Hynes joining shortly thereafter.[8][9] The trio consisted of 18-year-olds Hynes and Mehran along with 24-year-old Attwell, drawing from their prior experiences in school bands to come together as a unit.[10] Initially operating under the name Balls, the band adopted the moniker Test Icicles amid early name considerations, embracing a playful and ironic edge that reflected their irreverent approach.[10][8] They began with informal rehearsals and local performances in 2004, building momentum through raw energy in small venues.[11] In July 2004, the band self-recorded and released their "4 Track Demo," a DIY effort featuring tracks such as "What's Michelle Like?" and "Who Ate All the Offal?" distributed informally to generate interest among peers and industry contacts.[12][13] The demo, along with spirited live shows including club gigs alongside acts like The Unicorns, created significant buzz in the underground scene.[14] This early activity culminated in early 2005 when Test Icicles signed with Domino Recording Company, their rising profile having sparked a bidding war among labels including Interscope, Sony, and Epitaph.[3][12]Album Release and Touring
The recording sessions for Test Icicles' debut album For Screening Purposes Only took place in 2005 at Black Box studios in France, with production handled by James Ford of Simian Mobile Disco.[15] The album was mixed at Miloco Studios in London by Ford and Finn Eiles.[15] For Screening Purposes Only was released on 30 October 2005 through Domino Recording Company in the UK, with a US release following in January 2006 via the same label. The album's cover art and concept were designed by the band members themselves, featuring a minimalist, provocative aesthetic that aligned with their irreverent image.[15] It comprises 13 tracks, blending high-energy punk, electronic elements, and eclectic structures, including an interlude and an outro; key songs include "Your Biggest Mistake," "Boa vs. Python," "Circle. Square. Triangle," and "What's Your Damage?"[16] The record debuted and peaked at No. 69 on the UK Albums Chart, marking modest commercial success amid the burgeoning indie scene.[17] To promote the album, Test Icicles issued three lead singles. "Boa vs. Python," the debut single, was released on 1 August 2005 and reached No. 46 on the UK Singles Chart; it featured B-sides "All You Need Is Blood," "LMNO Hoes," and "What's in the Box," with no remixes on the standard UK edition.[18][19] "Circle. Square. Triangle" followed on 24 October 2005, peaking at No. 25 on the UK Singles Chart, backed by the B-side "LMNO Hoes."[20] "What's Your Damage?" arrived post-album on 16 January 2006, achieving No. 31 on the UK Singles Chart, with a B-side recorded live for BBC Radio 1's Steve Lamacq Show.[21][22] In support of the album, Test Icicles undertook an extensive touring schedule throughout 2005, focusing on the UK with select international dates. Early shows included support slots alongside Metric and Death from Above 1979, such as at The Wedgewood Rooms in Portsmouth on 18 May and The Metro Club in London on 28 May.[23] Later in the year, they joined the MTV Gonzo tour with Arctic Monkeys and appeared at major festivals, including performances at Reading Festival on Friday and Leeds Festival on Saturday.[24] By November, they supported Alkaline Trio at London's Astoria.[25] This rigorous itinerary, encompassing headlining club gigs and festival appearances, helped build buzz around their chaotic live energy, though it also contributed to internal strains. Critical reception for For Screening Purposes Only and its singles highlighted the band's bold eclecticism, with praise for their frenetic production tempered by notes on inconsistency. NME lauded the album as a vital reset for indie rock, declaring it "a record that wipes the board clean" and energizes the genre through its aggressive, genre-blending assault.[26] Pitchfork awarded it a 6.9 out of 10, commending the "hard, fast, and viciously catchy" hooks and post-hardcore intensity akin to The Blood Brothers, while critiquing the occasionally overwhelming stylistic shifts.[27] Singles like "Boa vs. Python" and "Circle. Square. Triangle" received similar acclaim for their anthemic punk-dance fusion, with NME emphasizing the former's "heart attack metal riffs" and the latter's tuneful chaos.[26] Overall, reviewers positioned the release as a high-impact entry in the mid-2000s dance-punk wave, influential despite the band's brevity.[27]Breakup and Farewell
Test Icicles announced their split on February 22, 2006, through a statement reported by NME, following the cancellation of their performance at the ShockWaves NME Awards Show and an upcoming US tour. The band attributed the decision primarily to exhaustion from the relentless pressures of touring after a demanding European run. In a pre-split interview, vocalist Sam Mehran expressed frustration with the band's trajectory, stating they had "never intended to last for more than two weeks" and were already "sick of the record" months before its release, highlighting a desire to wrap up obligations and move on. Members later reflected on internal tensions, including a lack of enthusiasm for their musical direction, with Mehran noting no interest in writing a new album and the group openly disliking aspects of their own sound, which contributed to the burnout. These factors, compounded by the desire to pursue individual projects, led to the band's dissolution after less than two years together. The split came shortly after the success of their 2005 debut album For Screening Purposes Only, which had propelled them into the UK indie scene but intensified the touring demands. As a farewell gesture, Test Icicles released the EP Dig Your Own Grave on April 24, 2006, via Domino Recording Company, compiling unreleased tracks, demos, and remixes to serve as a closure to their brief career. Recorded in quick sessions, including a March 2006 demo at a French studio, the EP featured raw, experimental cuts like "The Plague + Pestilence" (Raary Deci-Hells’ Demo) and "Your Biggest Mistake" (Unreleased Single Edit), alongside remixes such as "Circle Square Triangle" (Chromehoof Remix) and "Pull The Lever" (Jitset Remix). This collection encapsulated the band's chaotic energy without aiming for commercial polish, acting as a final statement on their short-lived, high-intensity output. The band's final live performances occurred during a UK farewell tour in April 2006, culminating in their last show on April 22 at London's Astoria. The 45-minute set, including staples like "Circle Square Triangle," "Boa vs Python," and "Catch It!," drew a fervent crowd that had queued for hours, with the atmosphere marked by energetic stage antics, a mini-invasion by Rory Attwell's brother's band, and symbolic touches like black balloons and "Test Icicles RIP" badges. In the immediate aftermath, fans and media expressed a mix of disappointment and admiration for the trio's explosive run, with NME describing the final gig as a "baying crowd" affair that captured their unfiltered spirit. Despite the brevity of their career—from formation in 2004 to split in 2006—Test Icicles garnered a dedicated cult following in the London underground for their innovative dance-punk fusion.Members
Core Members
Test Icicles consisted of three core members who shared responsibilities for songwriting, vocals, and instrumentation throughout its brief existence. Rory Attwell and Sam Mehran co-founded the band in London in 2004, with Dev Hynes joining shortly after. They divided songwriting credits equally across their releases, reflecting a collaborative approach where each member contributed distinct ideas, often developed individually before integrating into the group's chaotic creative process characterized by impulsive experimentation and genre-blending sessions.[28][8] Rory Attwell (born 24 April 1980) served as the primary guitarist and one of the band's vocalists, co-founding Test Icicles alongside Sam Mehran after playing in earlier school-based projects. His contributions emphasized raw guitar riffs and high-energy stage presence, helping drive the band's frenetic live shows that blended punk aggression with danceable rhythms. Attwell's pre-band involvement included informal music activities at school, where he honed his skills amid a vibrant peer scene.[29][30] Dev Hynes (born 23 December 1985), also known as Devonté Hynes during the band's era, joined shortly after formation as bassist and vocalist, bringing a multifaceted role that extended to keyboards and production elements. He played a key part in crafting the band's lyrics and sonic textures, drawing from early influences like old-school hip-hop and punk to infuse tracks with eclectic, irreverent energy. Hynes' input helped shape the chaotic yet innovative process, where individual demos were pieced together into the album For Screening Purposes Only.[11][30][31] Sam Mehran (17 August 1986 – 28 July 2018) rounded out the lineup as drummer and vocalist, providing rhythmic propulsion through programmed and live beats that underpinned the band's dance-punk hybrid. His performances were marked by humorous, anarchic flair, often featuring crude shouts and physical antics that amplified the group's playful chaos on stage. Mehran co-founded the band with Attwell and equally shared in the songwriting, contributing to the interpersonal dynamics of rapid, unstructured collaboration. He died by suicide at age 31 in Hollywood, California; tributes from former bandmates, including Hynes who called him "a gift to this world" and Attwell who described him as "the most talented musician I've ever had the pleasure of being close friends with," highlighted his enduring impact on underground music.[32][33][34][35][36]Touring Members
To support their energetic live performances, Test Icicles recruited Adam Bainbridge, performing under the alias DJ Jitset, as their touring DJ during the band's active period. Bainbridge, originally from Peterborough, England, joined to handle electronic and remix elements that complemented the group's dance-punk style, allowing the core trio to focus on guitar, vocals, and keyboards on stage.[37][38] Bainbridge's involvement began around the release of the band's debut album For Screening Purposes Only in 2005 and extended through their 2006 tours, including planned U.S. dates before the group's disbandment. His role was crucial for fuller sound in larger venues, where he provided backing tracks, transitions, and improvised mixes to bridge the high-energy punk riffs with synth-driven interludes. Notably, Bainbridge also contributed to the band's recorded output by remixing tracks including "Pull the Lever" and "Catch It" for the 2006 EP Dig Your Own Grave, which helped translate the chaotic live vibe into studio extensions.[39][40][41] This addition addressed the limitations of the three-piece setup, ensuring seamless integration of the album's electronic influences during shows that often featured stage dives and audience interaction. Bainbridge's tenure ended with the band's breakup in late 2006, after which he pursued solo projects under the name Kindness.[42][43]Musical Style
Characteristics and Influences
Test Icicles' musical style is characterized by a frenetic fusion of dance-punk, post-hardcore, and indie rock, infused with elements of hip-hop, grime, crossover thrash, metal, and screamo.[14][44][26] Their sound features high-energy tracks driven by chaotic mood swings and abrupt shifts between aggressive riffs and danceable beats, often propelled by drum machines and 400bpm gabba rhythms.[45][44][26] Vocals are typically screamed in a raw, acid-throated style reminiscent of Blood Brothers, layered over dark descending synth hooks and distorted guitar lines that create a slash-and-burn post-hardcore intensity.[27][45] This eclectic approach results in a noisy, experimental racket that blends ugliness with hook-filled pop sensibilities, as heard in tracks like "Your Biggest Mistake."[46][27] The band's influences drew from a wide array of punk, metal, and hip-hop sources, reflecting the diverse tastes of its members. Rory Attwell cited Sonic Youth, Lutten Bachers, and The Melvins, while Dev Hynes mentioned Weezer, Smashing Pumpkins, Nirvana, and Descendents as personal favorites.[44] The group collectively referenced West Coast American "spazzy punk" acts like Brainiac, Suicidal Tendencies, and The Stupids, alongside broader inspirations such as Mötley Crüe, Pantera, and Pharrell Williams, which informed their demented disco-metal hybrid.[44][10] These elements contributed to a self-described "fucked up twisted shit" aesthetic rooted in alternative and punk traditions.[44] Test Icicles' sound evolved from the raw, lo-fi punk of their early 4-track demos, such as "What's Michelle Like?" recorded in July 2004, to the more polished eclecticism of their 2005 debut album For Screening Purposes Only.[47][45] This progression incorporated tighter production and broader genre experimentation, anticipating the nu-rave and bloghouse movements with its indie-disco energy and neon-splattered chaos.[48][49]Equipment
Test Icicles utilized a stripped-down live setup featuring electric guitars handled by Rory Attwell and Devonté Hynes, shared vocal responsibilities among all members, and backing tracks played via iPod to propel their performances with unrelenting beats. This configuration emphasized raw energy and immediacy, aligning with their short-lived, high-intensity touring style.[8] In studio recordings, the band incorporated programmed drums and synthesizers alongside guitars and vocals, often layering in cheap distortion effects to craft noisy, chaotic textures. Early demos were captured using accessible tools like 4-track recorders and 8-track tape players, with songwriting typically starting from drum machine patterns and guitar riffs developed individually before band collaboration.[44][46][50][51] Their equipment choices embodied a low-budget indie ethos, relying on inexpensive, readily available gear acquired through DIY means and small-scale production, which created distinct contrasts between the minimal live sound and more layered studio outputs. This approach highlighted the band's punk roots while enabling electronic flourishes.Post-Band Activities
Members' Subsequent Careers
Following the band's 2006 breakup, Dev Hynes launched a solo career under the moniker Lightspeed Champion, releasing two albums between 2007 and 2010: Falling Off the Lavender Bridge (2008) and Life Is Sweet! Nice to Meet You (2009). In 2011, Hynes transitioned to the Blood Orange project, debuting with Coastal Grooves and continuing with subsequent releases including the critically acclaimed Cupid Deluxe (2013), which blended R&B, funk, and electronic elements in an expansive soundscape.[52] As Blood Orange, Hynes has collaborated extensively, notably co-writing and producing the track "Hours" on FKA twigs' debut album LP1 (2014).[53] His work has sustained critical and commercial success into the 2020s, with ongoing productions and the 2025 album Essex Honey, reflecting themes of grief and nostalgia.[54] Rory Attwell formed several bands after Test Icicles, including the avant-garde hardcore group Rat:Att:Agg and the noise rock outfit Kasms, before releasing solo material as Warm Brains in 2011. He has also pursued production work, contributing to albums such as Tyrannosaurus Dead's debut Flying Ant Day (2014).[55] Sam Mehran adopted the alias Outer Limits Recordings for his solo output, releasing music through his own label of the same name, which specialized in experimental and bedroom pop recordings.[56] Mehran faced personal struggles amid his prolific career and died by suicide in 2018 at age 31, prompting tributes from peers including Dev Hynes, who described him as "such a gift to this world."[35][6] In 2013, Hynes and Mehran reunited for a one-off DJ set at the Friends event in New York, marking the band's only post-breakup performance.[57]Legacy
Test Icicles have achieved cult status within indie and dance-punk scenes for their chaotic fusion of genres, inspiring subsequent acts in the UK's nu-rave movement. Their high-energy, genre-blending sound influenced early Klaxons, who cited the band among key inspirations for their own mythologized, dance-infused rock aesthetic.[58] This short-lived intensity positioned Test Icicles as a pivotal, if fleeting, force in bridging post-punk revival with emerging nu-rave, contributing to the broader 2000s London music explosion that fused indie grit with electronic exuberance.[59] Post-split media retrospectives in the 2010s highlighted the band's role among short-lived outfits that captured the era's ephemeral spirit, with outlets reflecting on their "squawky, shouty" innovation as a high point of mid-2000s dance-punk experimentation.[8] Following the 2018 death of co-founder Sam Mehran at age 31, tributes from music publications underscored the band's enduring emotional resonance, portraying their music as a soundtrack to "lurid teenagehood" and experimental indie-disco vitality.[60][36] A persistent fanbase has sustained interest through online discussions. While no full band reunions have occurred beyond a 2013 DJ set in New York featuring two original members, Test Icicles' legacy endures in speculative narratives about their potential had they continued, amplified by the individual successes of their alumni in shaping modern indie and electronic landscapes.[57]Discography
Studio Albums
Test Icicles released their sole studio album, For Screening Purposes Only, on October 31, 2005, through Domino Recording Company. The album captures the band's eclectic dance-punk sound, blending post-hardcore energy with electronic elements, and runs for approximately 45 minutes across 13 tracks. It was issued in multiple formats, including CD and vinyl, with subsequent digital reissues making it available on platforms like Bandcamp in the 2010s.[16][61][62] The album was self-produced by the band members alongside James Ford, who also contributed to mixing duties with Finn Eiles. Recording took place at Black Box in France, while mixing occurred at Miloco Studios in London; engineer Peter Diemal handled the technical aspects. These production choices emphasized the band's raw, abrasive style, incorporating drum machines, distorted guitars, and rapid tempo shifts to create a frenetic, genre-blending aesthetic.[15][63] Commercially, For Screening Purposes Only peaked at number 69 on the UK Albums Chart, spending one week in the top 100, reflecting its cult appeal within indie and punk circles despite limited mainstream traction. The album's unique structure includes an extended closing track, "Party On Dudes (Get Hype)," clocking in at over 12 minutes, which incorporates layered noise and possible hidden elements to underscore the band's experimental ethos. Singles like "Boa vs. Python" and "Circle. Square. Triangle" were released to promote it.[17]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1 | Your Biggest Mistake | Sam Mehran | 4:01 |
| 2 | Pull the Lever | Rory Attwell | 3:58 |
| 3 | (Interlude) | Instrumental | 0:51 |
| 4 | Boa vs. Python | Dev Hynes | 3:02 |
| 5 | Circle. Square. Triangle | Dev Hynes | 3:06 |
| 6 | Catch It! | Sam Mehran | 3:38 |
| 7 | Maintain the Focus | Rory Attwell | 3:35 |
| 8 | Snowball | Rory Attwell | 3:10 |
| 9 | What's Your Damage? | Dev Hynes | 4:09 |
| 10 | All You Need Is Blood | Sam Mehran | 4:07 |
| 11 | Sharks | Dev Hynes | 3:39 |
| 12 | Dancing on Pegs | Rory Attwell | 2:16 |
| 13 | Party On Dudes (Get Hype) | Test Icicles | 12:31 |
Singles and EPs
Test Icicles released three main singles during their brief career, all issued by Domino Recording Company in various formats including 7-inch vinyl, 12-inch vinyl, and CD, often featuring exclusive B-sides and remixes to promote their debut album For Screening Purposes Only. These singles blended the band's dance-punk energy with experimental elements, receiving airplay on UK radio stations like BBC Radio 1. "Boa vs. Python," their debut single, was released on August 1, 2005, in the UK, peaking at number 46 on the UK Singles Chart and number 5 on the UK Indie Singles Chart.[64][65][19] The 7-inch version included B-side "Dancing on Pegs," while the CD single and US 12-inch EP featured "All You Need Is Blood," "LMNO Hoes," and "What's In The Box." A follow-up Boa vs. Python (Grime Remixes) EP emerged in 2006, compiling grime-infused reinterpretations to extend the track's club appeal.[19] "Circle. Square. Triangle," released on October 24, 2005, became the band's highest-charting single at number 25 on the UK Singles Chart, with strong indie support peaking at number 3 on the UK Indie Singles Chart.[64][66] The single's formats included multiple 7-inch pressings with B-side "What's In The Box," alongside remixes such as the extended James Ford version and MC Lars rework on CD editions.[67] Its promotional video and remixes, including a Spank Rock production in 2006, highlighted the band's crossover into electronic scenes.[67] The third single, "What's Your Damage?," arrived on January 16, 2006, reaching number 31 on the UK Singles Chart and number 6 on the UK Indie Chart.[64][68] Available on 7-inch vinyl and CD maxi-single, it featured B-side "Class Is Over" and prominent remixes by Digitalism and Alan Braxe & Fred Falke, emphasizing the track's disco-punk vibe for dancefloors.[69] Beyond singles, Test Icicles issued two notable EPs on Domino. Totally Re-F**ked?*, released in 2006, served as a remix collection compiling club-oriented takes on earlier material, including Statik's mixes of "Boa vs. Python" and Jitset's rework of "Catch It," available in 7-inch and 12-inch formats to showcase the band's collaborative remix culture.[70] The farewell Dig Your Own Grave E.P., issued on April 24, 2006, in CD, 2x7-inch, and DVD editions, featured eight tracks of remixes and unreleased material, such as Chrome Hoof's version of "Circle. Square. Triangle," Digitalism's "What's Your Damage?," and early demos like "What's Michelle Like?," acting as a career retrospective amid the band's impending disbandment.[71][72]| Release | Date | Formats | Label | Key Tracks/B-Sides |
|---|---|---|---|---|
| "Boa vs. Python" | August 1, 2005 | 7", CD, 12" EP | Domino | A: "Boa vs. Python"; 7": B: "Dancing on Pegs"; CD/US EP: "All You Need Is Blood," "LMNO Hoes," "What's In The Box" |
| "Circle. Square. Triangle" | October 24, 2005 | 7", CD | Domino | A: "Circle. Square. Triangle"; B: "What's In The Box"; Remixes: James Ford, MC Lars |
| "What's Your Damage?" | January 16, 2006 | 7", CD maxi | Domino | A: "What's Your Damage?"; B: "Class Is Over"; Remixes: Digitalism, Alan Braxe & Fred Falke |
| Totally Re-F**ked?* | 2006 | 7", 12" | Domino | "Boa vs. Python (Statik Remix)," "Catch It (Jitset Remix)" |
| Dig Your Own Grave E.P. | April 24, 2006 | CD, 2x7", DVD | Domino | Remixes of "Circle. Square. Triangle" (Chrome Hoof, Armani XXXchange), "What's Your Damage?" (Digitalism), unreleased: "Your Biggest Mistake," demos |