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Thavam
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| Thavam | |
|---|---|
Title card | |
| Directed by | Sakthi Paramesh |
| Story by | Puri Jagannadh |
| Produced by | Arjun |
| Starring | Arun Vijay Vandana Gupta |
| Cinematography | Freddy J David |
| Music by | D. Imman |
Production company | |
Release date |
|
| Country | India |
| Language | Tamil |
Thavam (transl. Penance) is a 2007 Tamil-language romantic drama film directed by Sakthi Paramesh and produced by Arjun, who also has a cameo appearance in the film. A remake of the Telugu film Itlu Sravani Subramanyam,[1] it stars Arun Vijay and Vandana Gupta while Vadivelu, Janagaraj, and Kalairani play supporting roles. The music was composed by D. Imman. The film released on 5 October 2007.[2] The dialogue Aahan spoken by Vadivelu in this film is famous.
Plot
[edit]The film begins with Sumathi and Subramaniam, strangers to one another, meeting at a suicide point in Chennai. They realise that their goal is the same: suicide. Both had chosen to end their lives and duly write suicide notes. Sumathy's reason for taking the extreme step is her nagging relatives, who are also her guardians and are after her ancestral money. Subramaniam is cheated by a friend who promises him a job in Dubai after taking Rs. 5 lakh from him. Both consume sleeping pills in a bid to end their lives in Subramaniam's room.
However, Subramaniam and Sumathi are rescued by the house owner Mani. Life takes a turn, and Subramaniam lands a good job, while Sumathy's relatives take her home. Subramaniam's marriage is settled with a girl of his mother's choice, and Sumathy's marriage is fixed with her maternal uncle. Both flee the respective marriage halls independently. How they reunite forms the crux.
Cast
[edit]- Arun Vijay as Subramaniam (Subramani)
- Vandana Gupta as Sumathi
- Vadivelu as Keeripulla
- Arpitha
- Janakaraj as Mani
- Kalairani
- Vennira Aadai Moorthy as Sumathi's uncle
- Madhan Bob as Subramaniam's boss
- Bonda Mani
- Vasu Vikram
- Singamuthu
- Ennatha Kannaiya
- Balaji
- Arjun as Marudhamalai (Cameo Appearance)
Production
[edit]The film was shot at Kovalam, Arjun Garden, Pankajam theater, AVM Studio, Reddiar Bungalow and T R Garden and two of its songs were picturised at Chalakudi and Pollachi.[3]
Soundtrack
[edit]The soundtrack was composed by D. Imman.[4] The audio launch was held on 13 September 2007 at Taj Coromandal Hotel, Chennai.[5]
All lyrics are written by S. Muthazhagan and Thabu Shankar.
| No. | Title | Singer(s) | Length |
|---|---|---|---|
| 1. | "Enga Oorumel" | Janani Madhan (Jey), Franco | 04:36 |
| 2. | "Kannadasa Kannadasa" | Mahalakshmi Iyer, Karthik | 04:18 |
| 3. | "Kannadasa Kannadasa" (Mix) | Sudha Raghunathan, Mahalakshmi Iyer | 04:10 |
| 4. | "Makku Paiya" | Priya Subramaniam, Ananthu | 04:20 |
| 5. | "Meenu Meenukutty" | Adarsh, Harini | 04:42 |
| 6. | "Sandakozhi Neethanda" | Jyotsna, Naveen | 04:52 |
| Total length: | 26:58 | ||
Critical reception
[edit]Nandhu Sundaram of Rediff.com wrote, "Debutant Sakthi Paramesh directs the proceedings as if he doesn't give a damn. Lesser pleasure the audiences take home, the merrier. Nearly every known film device -- plot, logic and good dialogue -- is thrown to the winds as actors and technicians recklessly go through the mere motions of making a movie."[6] Chithra of Kalki praised acting of cast, music, Vadivelu's humour, cinematography, fights, dialogues and stated the director who managed to extract good acting from cast has completely failed in the screenplay. She said the director had bored us with weak, predictable scenes and uninteresting incidents and concluded saying despite having good plot, good artists, this Thavam (penance) ceases halfway due to not taking efforts.[7]
Malini Mannath of Chennai Online wrote, "Arjun appears in a cameo as the saviour of Subbu in a tense situation, and wishes him all success. Relate this to the well-intentioned effort of the Action King in producing the film to resurrect the down and out career of Arun. But unfortunately, this film with not many high points, and with not much chance for 'heroism', hardly makes for an ideal comeback vehicle for the 'Rising Star'!".[8] Chennai Vision wrote, "Director Sakthi Paramesh has succeeded to an extent in recreating the magic of the original. The movie would have been more interesting, had the tempo maintained till the end".[9]
Legacy
[edit]In early 2015, a quote and shot from the film has been used as a meme template, called Aahaan.[10] This word was spoken by Vadivelu in one comedy scene involving him and Arun Vijay at a bus stop. The exact reason for this sudden phenomenon is unspecified, but it is believed that due to the unspecific tone that he says this line in, and given the fact that he has said this line frequently throughout his career with different tones, it has become a fan-favourite quote.[11]
References
[edit]- ^ Rangarajan, Malathi (8 June 2007). "Stargazing". The Hindu. Archived from the original on 22 September 2007. Retrieved 28 April 2025.
- ^ "Four releases this Friday!". Sify. 3 October 2007. Archived from the original on 21 October 2007. Retrieved 4 September 2025.
- ^ Mannath, Malini (15 January 2007). "Thavam". Chennai Online. Archived from the original on 7 March 2008. Retrieved 2 August 2024.
- ^ "Thavam (2003)". MusicIndiaOnline. Archived from the original on 4 March 2015. Retrieved 23 July 2016.
- ^ "Great prospects of success for Arun Vijay Rain of praises at 'Thavam' function". Cinesouth. 14 September 2007. Archived from the original on 20 September 2007. Retrieved 10 April 2025.
- ^ Sundaram, Nandhu (5 October 2007). "Thavam, insipid". Rediff.com. Archived from the original on 10 September 2016. Retrieved 23 July 2016.
- ^ சித்ரா (4 November 2007). "தவம்". Kalki (in Tamil). p. 32. Archived from the original on 29 May 2024. Retrieved 29 May 2024 – via Internet Archive.
- ^ Mannath, Malini (19 October 2007). "Thavam". Chennai Online. Archived from the original on 20 November 2007. Retrieved 5 August 2024.
- ^ "A boon of a kind Thavam". Chennai Vision. Archived from the original on 13 May 2008. Retrieved 29 April 2025.
- ^ U, Saradha (15 February 2022). "Enna Koduma Saravanan Idhu: Tamil film dialogues that are part of everyday lingo". The News Minute. Archived from the original on 14 March 2022. Retrieved 18 April 2022.
- ^ "Aahaan meme's". Cine Punch. 2 April 2015. Archived from the original on 14 August 2016. Retrieved 23 July 2016.
External links
[edit]- Thavam at IMDb
- Thavam at Rotten Tomatoes
Thavam
View on GrokipediaSynopsis and Themes
Plot Summary
Thavam opens with the introduction of its protagonists, Sumathi and Subramaniam, two strangers who meet at a suicide point overlooking a waterfall in Chennai, each driven to despair by personal hardships. Sumathi, a young woman, is hounded by greedy relatives eager to seize her family's ancestral property and money, leading her to flee an impending unwanted marriage.[3][4] Subramaniam, an unemployed man, has been swindled out of 5 lakh rupees by a deceitful friend who promised him a job in Dubai in exchange for the money.[1][4] Sharing their backstories, the pair bonds over their shared intent to end their lives and decides to commit suicide together by consuming sleeping pills in Subramaniam's modest room. As they lie awaiting death, they exchange final words and unexpectedly fall into a budding affection during their last moments. However, their plan is thwarted when the house owner, Mani, discovers them and rushes them to a hospital, where they are successfully rescued and revived.[5][3][4] Following the rescue, Sumathi and Subramaniam are separated by circumstances: her family forcibly takes her home, where they pressure her into another arranged marriage to consolidate their financial gains, while Subramaniam, recovering from the ordeal, secures a stable job that restores his prospects but also subjects him to familial expectations for an unwanted union. Amid comedic interludes provided by a supporting character played by Vadivelu, who appears as a quirky petty thief using a horse in his schemes, the protagonists independently flee their respective forced marriages, navigating chases and mishaps across the city.[1][6][7] In the midpoint reunion, Sumathi and Subramaniam cross paths again by chance during their escapes, reigniting their connection through mutual understanding of each other's struggles. As they support one another against pursuing relatives and societal pressures, their relationship evolves into romance, culminating in a climactic affirmation of their bond that leads to personal redemption and a shared future free from past despairs.[1][4]Central Themes
Thavam (transl. Penance) explores a story of two individuals who meet in despair and find hope through their developing romance. The narrative depicts the protagonists' journey from a suicide pact to reuniting despite family pressures and forced marriages.[8] The film addresses elements of familial greed, as seen in Sumathi's relatives' pursuit of her inheritance, and economic vulnerability, exemplified by Subramaniam's job scam. It also portrays societal expectations around arranged marriages that conflict with personal choice.[8][9] The story concludes with the couple overcoming these obstacles, emphasizing love as a path to resolution and a new beginning.[6][7]Cast and Characters
Lead Roles
Arun Vijay portrays Subramaniam, an ordinary man who is deceived by a friend promising a job abroad, leading him to lose his life savings and embark on a quest for justice after a failed suicide attempt.[8] A prominent figure in Tamil cinema since his debut in 1997 as the son of veteran actor Vijayakumar, Arun Vijay had appeared in several supporting roles before taking the lead in Thavam, showcasing his versatility as an actor, singer, and stunt coordinator.[10] His performance in the film is noted for sincerity, particularly in sequences depicting the character's frustration and determination, providing ample opportunity to display his range despite the script's limitations.[11] Vandana Gupta plays Sumathi, a young woman escaping the clutches of her avaricious relatives who seek to exploit her after her parents' death, culminating in her own desperate suicide bid.[8] Marking her first lead role in Tamil cinema following earlier appearances in Hindi and Kannada films, Gupta's debut in this capacity highlights her transition from modeling and commercials to on-screen prominence.[12] She brings subtle nuances to Sumathi's portrayal, balancing vulnerability in dramatic confrontations with lighter, affectionate interactions during the evolving romance and occasional comedic interludes.[7] Arjun, who produced the film, makes a brief cameo appearance as a mentor-like savior who intervenes in a critical confrontation to aid Subramaniam, offering encouragement for his future without delving into broader production aspects.[6]Supporting Roles
Vadivelu portrays Keeripulla, the film's comic sidekick, whose antics deliver essential humor amid the dramatic tension. His role emphasizes slapstick comedy and witty one-liners, including the recurring "Aahan" catchphrase that became a highlight of his performance, drawing on his established reputation as a premier comedian in Tamil cinema since the 1990s. Through sequences like a chaotic beach theft involving a horse, Keeripulla provides levity and breaks the narrative's intensity, enhancing the overall tone without overshadowing the leads.[7] Janagaraj and Kalairani play antagonistic family members who exert pressure on Sumathi, embodying greedy relatives eager to exploit her inheritance. Janagaraj's portrayal of Mani captures the manipulative uncle figure, using cunning tactics to force Sumathi into an arranged marriage for financial gain, while Kalairani depicts the scheming aunt whose emotional blackmail deepens the familial conflict. Their performances add layers to the story's exploration of betrayal and coercion, heightening the stakes for Sumathi's escape and reunion with Subramaniam.[8] The ensemble includes other minor roles that propel the plot forward, such as Arpitha as a supportive friend who offers advice and shelter during key escapes, and Madhan Bob as Subramaniam's boss. Venniradai Moorthy appears as Subramaniam's father, providing paternal guidance that underscores themes of redemption. These characters collectively ensure smooth narrative flow, from initial separations to eventual resolutions.[13]Production
Development and Pre-Production
Thavam marked the directorial debut of Sakthi Paramesh, who envisioned the film as a romantic drama exploring themes of penance through the story of two strangers meeting at a point of despair. The project was announced in 2006 by producer Arjun, under his banner Sree Raam Films International, with the film positioned as a low-budget venture typical for mid-tier Tamil productions at the time.[14] The script was developed as an adaptation of the 2001 Telugu film Itlu Sravani Subramanyam, directed by Puri Jagannadh, blending elements of romance, comedy, and social commentary on personal struggles and redemption to suit Tamil audiences.[15] Writing credits went to Puri Jagannadh, with revisions by Sakthi Paramesh focused on enhancing pacing and emotional depth while incorporating comedic interludes. Casting emphasized newcomers, with Arun Vijay selected for the male lead role of Subramaniam—marking his first appearance under his rechristened name after earlier career setbacks—and Vandana Gupta chosen as the female lead Sumathi in her Tamil debut.[16] The process prioritized actors who could convey the film's mix of vulnerability and humor, aligning with Paramesh's vision for authentic performances. To complement the emotional tone, composer D. Imman was brought on board early in pre-production for the soundtrack.[2]Filming and Technical Aspects
Principal photography for Thavam began in early 2007, with the production wrapping up in time for its October release. The shooting schedule included outdoor sequences at a scenic waterfall, which served as the pivotal suicide point where the protagonists meet.[6] The film employed soft lighting to enhance the romantic visuals in love scenes and dynamic camera movements for the chase sequences, contributing to the emotional depth of the narrative.[17] Editing and post-production were focused on balancing the film's comedic and dramatic elements, with the editor addressing challenges such as reshoots to refine comedic timing for better pacing.Music and Soundtrack
Composition Process
D. Imman served as the music composer for the 2007 Tamil film Thavam, creating both the soundtrack and background score to complement its romantic drama narrative.[18] Having debuted as a music director with the 2002 film Thamizhan, Imman brought his established approach of crafting raga-based, melancholic melodies that evoke deep emotional resonance, a style that had already begun to distinguish his early work in Tamil cinema.[19][20] The recording of the soundtrack occurred in the lead-up to the film's release, with sessions focused on blending traditional melodic elements with contemporary orchestration to suit the story's themes of love, sacrifice, and social pressures. Imman's process emphasized iterative refinement of tunes to ensure they heightened key emotional moments, such as transitions between romantic sequences and dramatic confrontations. For the background score, he employed layered instrumentation—including strings and percussion—to underscore tension during pivotal scenes involving themes of penance and redemption, amplifying the film's introspective tone without overpowering the dialogue. Imman collaborated closely with lyricists S. Muthazhagan and Thabu Shankar, who contributed verses that wove poetic expressions of longing and societal critique into the compositions, ensuring lyrical content mirrored the film's exploration of personal and social struggles.[21] This partnership allowed for a cohesive integration of music and words, where melodies informed the rhythmic flow of lyrics and vice versa, resulting in tracks that reinforced the narrative's emotional and thematic depth.Track Listing and Lyrics
The soundtrack of Thavam, composed by D. Imman, consists of six tracks, all with lyrics penned by S. Muthazhagan and Thabu Shankar. The album was released prior to the film's premiere, featuring a mix of romantic ballads, devotional pieces, and a comedic number that align with the film's themes of love and penance. The audio launch event took place on 13 September 2007 at the Taj Coromandel Hotel in Chennai, attended by key figures including lead actors Arun Vijay and Vandana Gupta, comedian Vadivelu, and composer D. Imman. The tracks are as follows:| No. | Title | Singers | Duration | Lyrical Content and Picturization Notes |
|---|---|---|---|---|
| 1 | Enga Oorumel | Franco, Jey | 4:36 | An emotional ballad expressing longing and devotion in love, with lyrics evoking rural affection and emotional depth; picturized on the lead pair in a serene village setting to highlight themes of penance through separation.[22][23] |
| 2 | Kannadasa Kannadasa | Mahalakshmi Iyer, Karthik | 4:18 | A romantic duet celebrating the beloved as the "servant of the eyes," with playful and yearning lyrics centered on love's allure; features duet sequences between the protagonists in picturesque outdoor locations.[22][23][24] |
| 3 | Kannadasa Kannadasa (Imman's Dim Light Version) | Sudha Raghunathan | 4:18 | A classical remix of the previous track, infusing Carnatic elements into the romantic theme for a more introspective take on devotion and penance; rendered in a solo style without picturization in the film.[22][23] |
| 4 | Makkupayya | Vadivelu | 4:52 | A humorous track with comedic lyrics poking fun at familial bonds and village life, incorporating slapstick elements; picturized as a light-hearted comedy sequence featuring Vadivelu's character in exaggerated antics.[22][23] |
| 5 | Maruthamali | Tippu, Manikka Vinayagam | 4:16 | A folk-inspired duet exploring themes of love and rural penance, with lyrics drawing on nature metaphors for enduring affection; shown in a lively group dance amid agricultural backdrops.[22][23] |
| 6 | Thiruda | Malathy Lakshman | 4:17 | A melodic piece delving into themes of stolen hearts and emotional penance, with tender lyrics reflecting unrequited love; picturized in intimate, reflective scenes emphasizing the film's central romance.[22][23] |
