The Ataris
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The Ataris

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The Ataris

The Ataris are an American punk rock band from Anderson, Indiana. Formed in 1996, they released five studio albums between 1997 and 2007. Their best-selling album is their major label debut album So Long, Astoria (2003), which was certified gold. Their high-charting single is their cover of Don Henley's "The Boys of Summer" from So Long, Astoria. The only constant member throughout their history has been singer/songwriter/guitarist Kristopher "Kris" Roe.

The staff of Consequence ranked the band at number 37 on their list of "The 100 Best Pop Punk Bands" in 2019. In 2025, Terry Bezer of Screen Rant stated the opinion that the band was underrated, referring to "In This Diary" as "one of the best pop-punk songs ever written."

Formed on November 1, 1996, and with the band's name a reference to the large collection of Atari video game cartridges of Roe, the band originally consisted of singer, songwriter, and guitarist Kristopher Roe and guitarist Jasin Thomason. Using a 4-track, Roe wrote and recorded demos in his bedroom, using a drum machine while he searched for a full-time drummer. The band's first big break came in 1996 when Roe attended a show at the club Bogart's in Cincinnati, where Thomason passed one of the band's demo tapes to a roadie from the band. The roadie gave the tape to Joe Escalante, bassist from the band the Vandals who owned their own label, Kung Fu Records. A few weeks later, Roe received a call from Kung Fu Records, who told him they were interested in putting out their record, even though he was really only searching for a drummer. The Ataris signed to Kung Fu and the label passed the tape along to various drummers. Eventually, Roe decided upon ex-Lagwagon drummer Derrick Plourde. The band then proceeded to record their debut album Anywhere but Here, tracking the whole thing in less than a week. The album was released on April 29, 1997, and the band held a release show party at Missing Link Records in Indianapolis on May 2.

In June 1997, Roe moved from Anderson, Indiana to Santa Barbara, California. Shortly afterward, Marko Desantis joined the band on bass for a short time. Thomason decided to leave the band to stay in Indiana, and the group toured as a three-piece for a short while. After a brief tour in October 1997, this lineup disbanded. Roe, out of money and living in a van, contemplated moving back to Indiana. But the band still had an upcoming tour booked with Dance Hall Crashers and Unwritten Law, so Roe decided to give the band one more shot. He got his friend from Santa Barbara, Mike Davenport, to play bass. Davenport shared a small rehearsal space on East Haley Street with his friend Marco Peña, who was in a different band. One day at the rehearsal space, Roe and Davenport heard the drummer of Peña's band, Chris Knapp, playing and immediately asked him to join the Ataris. While Roe and Davenport joked that Peña would be upset over them "stealing" his band's drummer, Peña surprised them by showing up at their practice the next day, strapping on his guitar, and playing along. It turned out Peña had learned all the songs from Anywhere But Here. He joined the band as a second guitarist and the foursome went on their scheduled tour. However, Peña soon left the band for personal reasons and was replaced by Patrick Riley.

From there, the band gradually increased in popularity in the underground rock scene due to their consistent touring and personal, DIY approach to the band. They then found more success with their 1998 EP Look Forward to Failure, released on San Francisco punk label Fat Wreck Chords. However, it wasn't until the release of Blue Skies, Broken Hearts...Next 12 Exits in 1999 that they started to gain widespread acclaim. The album's name comes from the name of a mobile home park along Highway 101 in Santa Barbara. Also, "...next 12 exits" refers to a nearby sign on Highway 101 North that reads "Santa Barbara, Next 12 Exits". The album contained personal, storytelling lyrics. After this album, Riley left the band to go back to school, and Marco Peña re-joined the band. In 2001 the band took part in the Vans Warped Tour. The band's third full-length studio album, End Is Forever, was also released in 2001.

In 2002, the lineup changed again, with John Collura replacing Peña on guitar. Prior to this, Collura had played in his own band Beefcake who'd toured with the Ataris. He'd also done time on tour as a guitar tech for the Ataris just prior to Peña's departure.

During this same period, the Ataris' contract with Kung Fu Records expired, and the band chose to sign with Columbia Records. Later that year, they began recording their fourth full-length album and major label debut, So Long, Astoria, released on March 4, 2003. Produced by Lou Giordano, the album's production served as a stark contrast to any of the band's past releases, as previous efforts were recorded in short time spans between tours.

So Long, Astoria was widely credited for introducing the Ataris to a larger mainstream audience and generating several successful singles, including "In This Diary" and "The Saddest Song". Musically, the album showcased very personal, encrypted and slightly more optimistic songwriting with a more refined, straightforward rock sound, not unlike Jimmy Eat World. This album also included their hit cover song, originally recorded by Don Henley, "The Boys of Summer", which much to the dismay of the band became their "accidental" second single after the radio station KROQ in Los Angeles started playing it, even though the band had already chosen the song "My Reply" as their second single. The single is their highest-charting single to date, reaching No. 20 on the Billboard Hot 100.

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