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The Audience with Betty Carter
The Audience with Betty Carter is a 1980 live double album by the American jazz singer Betty Carter.
The album's first track, "Sounds (Movin' On)", is 25 minutes in length and features an epic scat solo. As noted by Nate Smith, "across various tempo and meter changes — a peppy intro, a floating 5/4, a blastoff into a 4/4 burnout, a drumless waltz, a funky, lean mid-tempo swing — we witness the simultaneous tightness and looseness of this shape-shifting group" composed of John Hicks on piano, Curtis Lundy on bass, and Kenny Washington on drums. "Betty is the sun around which these three planets revolve, conducting dynamics from top to bottom. This record is the sound of a virtuoso joyfully throwing her musical weight around the bandstand. As hard as this rhythm section swings, she makes it swing even harder...a monument to the dexterity of Betty’s voice, her incredible pocket, the openness of her ears and her fearlessness as an improviser and bandleader."
The use of the Academy Award-nominated classic "The Trolley Song", is a nod to the city of San Francisco, where the album was recorded.
The second half of the album features several songs written by Carter, including "Tight" which Monifa Brown of WBGO Jazz cites as "a prime example of her majestic hold on the music. Carter’s flawless diction and crisp intonation tease and please as she dances around the stop-time stabs laid down by [her band]. Carter was fond of singing and talking about relationships; this time she preaches the art of holding onto a man."
The penultimate track is a fresh take on Rodgers and Hammerstein's "My Favorite Things from The Sound of Music, far different from the version by John Coltrane on his 1960 album of the same name. Keanna Faircloth of WBGO Jazz hailed it as "a master class in bandstand domination...At first, Betty plays with time like a toy, daring her band to stay vigilant. And they do, especially the bassist Curtis Lundy, who goes from walking the bass line to sprinting, keeping pace with her fierce energy. It’s like a game of musical tag, and she’s definitely 'it.' She simultaneously pulls the audience in, making every word count with a magnetism only she can deliver."
The set ends with the plaintive "Open the Door," Carter's signature tune.
The Audience With Betty Carter was first released on Carter's own Bet-Car Records and later reissued on Verve.
The album was released to great acclaim and eventually nominated for the Grammy Award for Best Jazz Vocal Performance, Female.
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The Audience with Betty Carter
The Audience with Betty Carter is a 1980 live double album by the American jazz singer Betty Carter.
The album's first track, "Sounds (Movin' On)", is 25 minutes in length and features an epic scat solo. As noted by Nate Smith, "across various tempo and meter changes — a peppy intro, a floating 5/4, a blastoff into a 4/4 burnout, a drumless waltz, a funky, lean mid-tempo swing — we witness the simultaneous tightness and looseness of this shape-shifting group" composed of John Hicks on piano, Curtis Lundy on bass, and Kenny Washington on drums. "Betty is the sun around which these three planets revolve, conducting dynamics from top to bottom. This record is the sound of a virtuoso joyfully throwing her musical weight around the bandstand. As hard as this rhythm section swings, she makes it swing even harder...a monument to the dexterity of Betty’s voice, her incredible pocket, the openness of her ears and her fearlessness as an improviser and bandleader."
The use of the Academy Award-nominated classic "The Trolley Song", is a nod to the city of San Francisco, where the album was recorded.
The second half of the album features several songs written by Carter, including "Tight" which Monifa Brown of WBGO Jazz cites as "a prime example of her majestic hold on the music. Carter’s flawless diction and crisp intonation tease and please as she dances around the stop-time stabs laid down by [her band]. Carter was fond of singing and talking about relationships; this time she preaches the art of holding onto a man."
The penultimate track is a fresh take on Rodgers and Hammerstein's "My Favorite Things from The Sound of Music, far different from the version by John Coltrane on his 1960 album of the same name. Keanna Faircloth of WBGO Jazz hailed it as "a master class in bandstand domination...At first, Betty plays with time like a toy, daring her band to stay vigilant. And they do, especially the bassist Curtis Lundy, who goes from walking the bass line to sprinting, keeping pace with her fierce energy. It’s like a game of musical tag, and she’s definitely 'it.' She simultaneously pulls the audience in, making every word count with a magnetism only she can deliver."
The set ends with the plaintive "Open the Door," Carter's signature tune.
The Audience With Betty Carter was first released on Carter's own Bet-Car Records and later reissued on Verve.
The album was released to great acclaim and eventually nominated for the Grammy Award for Best Jazz Vocal Performance, Female.