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The Battle of Maldon
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The Battle of Maldon
"The Battle of Maldon" is the name given to an Old English poem of uncertain date celebrating the real Battle of Maldon of 991, at which an Anglo-Saxon army failed to repulse a Viking raid. Only 325 lines of the poem are extant; both the beginning and the ending are lost.
The poem is told entirely from the perspective of the Anglo-Saxons, and names many individuals that scholars Bruce Mitchell and Fred C. Robinson believe were real Englishmen.
Mitchell and Robinson conjecture that the lost opening of the poem must have related how Byrhtnoth, an Anglo-Saxon ealdorman, hearing of the Viking raid, raised his troops and led them to the shore.
The part of the poem that survives today begins with the Anglo-Saxon warriors dismounting to prepare for battle. A Viking force is encamped on an island that can be reached by a causeway. A Viking messenger offers Byrhtnoth peace if he will consent to pay tribute. Byrhtnoth angrily refuses, telling the messenger that he will fight the heathen Vikings in defence of his land, and the land of his king, Æthelred. In his "ofermōde", Byrhtnoth allows the Vikings to cross to the mainland, giving them room in which to do battle, rather than keeping them penned in on the island.
Individual episodes from the ensuing carnage are described, and the fates of several Anglo-Saxon warriors depicted—notably that of Byrhtnoth himself, who dies urging his soldiers forward and commending his soul to God. Not all the English are portrayed as heroic however: one, Godric son of Odda (there are two Godrics in the poem), flees the battle with his brothers and, most improperly, does so on Byrhtnoth's horse. Several lines later, the English lord Offa claims that the sight of Byrhtnoth's horse (easily recognisable from its trappings) fleeing, and so Byrhtnoth, as it would appear from a distance, has bred panic in the ranks and left the English army in danger of defeat. There follow several passages in which English warriors voice their defiance and their determination to die with their lord, and descriptions of how they are then killed by the un-personified "sea-wanderers". The poem as it has come down to us ends with another Godric disappearing from view. This time, it is Godric, the son of Æthelgar, advancing into a body of Vikings and being killed.
The poem follows the rules of alliterative verse. However, it has been pointed out that the poem contains some end-rhymes, and that some departures from the rules of alliterative verse occur. Therefore, the poem can be seen as transitional between the era of alliterative verse and the era of end-rhymes.
Mark Griffith argues that the words in the poem can be divided into 'poetic words', which alliterate often, and 'non-poetic words', which alliterate less frequently. 'Poetic words' can be found either uniquely, or significantly enriched in poetic texts. "The Battle of Maldon" mostly adheres to traditional rules observed in Beowulf, especially before a certain point in the poem. There are only a few exceptions, representing less than 5% of relevant instances. Some of these exceptions had also been noted in previous analyses of Beowulf.
In 1731, the only known manuscript of the poem (which, as with the modern version, was missing its beginning and ending) was destroyed in the fire at Ashburnham House in Westminster, London that also damaged and destroyed several other works in the Cotton library. The poem has come down to us thanks to the transcription of it made c. 1724, which was published by Thomas Hearne in 1726. After being lost, the original transcription was found in the Bodleian Library in the 1930s. Who made this original transcription is still unclear; some favour John Elphinstone, and others David Casley.
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The Battle of Maldon
"The Battle of Maldon" is the name given to an Old English poem of uncertain date celebrating the real Battle of Maldon of 991, at which an Anglo-Saxon army failed to repulse a Viking raid. Only 325 lines of the poem are extant; both the beginning and the ending are lost.
The poem is told entirely from the perspective of the Anglo-Saxons, and names many individuals that scholars Bruce Mitchell and Fred C. Robinson believe were real Englishmen.
Mitchell and Robinson conjecture that the lost opening of the poem must have related how Byrhtnoth, an Anglo-Saxon ealdorman, hearing of the Viking raid, raised his troops and led them to the shore.
The part of the poem that survives today begins with the Anglo-Saxon warriors dismounting to prepare for battle. A Viking force is encamped on an island that can be reached by a causeway. A Viking messenger offers Byrhtnoth peace if he will consent to pay tribute. Byrhtnoth angrily refuses, telling the messenger that he will fight the heathen Vikings in defence of his land, and the land of his king, Æthelred. In his "ofermōde", Byrhtnoth allows the Vikings to cross to the mainland, giving them room in which to do battle, rather than keeping them penned in on the island.
Individual episodes from the ensuing carnage are described, and the fates of several Anglo-Saxon warriors depicted—notably that of Byrhtnoth himself, who dies urging his soldiers forward and commending his soul to God. Not all the English are portrayed as heroic however: one, Godric son of Odda (there are two Godrics in the poem), flees the battle with his brothers and, most improperly, does so on Byrhtnoth's horse. Several lines later, the English lord Offa claims that the sight of Byrhtnoth's horse (easily recognisable from its trappings) fleeing, and so Byrhtnoth, as it would appear from a distance, has bred panic in the ranks and left the English army in danger of defeat. There follow several passages in which English warriors voice their defiance and their determination to die with their lord, and descriptions of how they are then killed by the un-personified "sea-wanderers". The poem as it has come down to us ends with another Godric disappearing from view. This time, it is Godric, the son of Æthelgar, advancing into a body of Vikings and being killed.
The poem follows the rules of alliterative verse. However, it has been pointed out that the poem contains some end-rhymes, and that some departures from the rules of alliterative verse occur. Therefore, the poem can be seen as transitional between the era of alliterative verse and the era of end-rhymes.
Mark Griffith argues that the words in the poem can be divided into 'poetic words', which alliterate often, and 'non-poetic words', which alliterate less frequently. 'Poetic words' can be found either uniquely, or significantly enriched in poetic texts. "The Battle of Maldon" mostly adheres to traditional rules observed in Beowulf, especially before a certain point in the poem. There are only a few exceptions, representing less than 5% of relevant instances. Some of these exceptions had also been noted in previous analyses of Beowulf.
In 1731, the only known manuscript of the poem (which, as with the modern version, was missing its beginning and ending) was destroyed in the fire at Ashburnham House in Westminster, London that also damaged and destroyed several other works in the Cotton library. The poem has come down to us thanks to the transcription of it made c. 1724, which was published by Thomas Hearne in 1726. After being lost, the original transcription was found in the Bodleian Library in the 1930s. Who made this original transcription is still unclear; some favour John Elphinstone, and others David Casley.
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