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The Fixx are a rock band from London, England, founded in 1979. The band's hits include "One Thing Leads to Another", "Saved by Zero", "Are We Ourselves?", and "Secret Separation", each of which charted in the top 20 of the Billboard Hot 100, as well as Mainstream Rock chart hits "Red Skies", "Stand or Fall", "Driven Out" and "Deeper and Deeper", which was featured on the soundtrack of the 1984 film Streets of Fire.

Key Information

Early years as Portraits and The Fix (1979–1981)

[edit]

College friends Cy Curnin on vocals and Adam Woods on drums formed the group in London in 1979, initially calling themselves Portraits.[1] The pair placed an ad for additional members, and recruited keyboardist Rupert Greenall, guitarist Tony McGrail and bassist Russell McKenzie, the last of whom was later replaced by Charlie Barrett.[2] Portraits issued two singles for Ariola Records: "Little Women" (1979), and "Hazards In The Home" (1980).[3]

Later in 1980, McGrail left. At this point, the band added guitarist Jamie West-Oram (formerly of Phillip Rambow's band) and changed their name to The Fix.[4] This version of the band recorded for 101 Records, releasing their first single ("Lost Planes") in February 1981.[2] This track, along with several live tracks issued by 101 on various compilations, received some radio exposure on the BBC. In these early days, West-Oram was billed simply as 'Jamie West'.

The Fix's raised profile eventually led to the group being offered a contract by MCA Records.[3] Worried about the potential drug-user implication of the band's name, MCA insisted on a name change before signing them to the label.[5] A compromise was reached as the band altered the spelling of their name to The Fixx, and a deal was duly signed.

MCA and RCA years (1982–1991)

[edit]

Barrett left The Fixx just after the recording of their first album, Shuttered Room, in 1982.[2] This album featured the band's initial hits, "Stand or Fall" and "Red Skies", both of which charted in the U.S. and the U.K. The band found particular success in Canada, where "Stand or Fall" reached No. 37. "Stand or Fall" entered the charts in the U.S. on 30 October 1982.

Barrett was replaced on bass by Alfie Agius for the Shuttered Room tour. Agius' stay in the band was short-lived, though, as he left during the 1983 recording of their next album Reach the Beach, after having recorded four tracks. Agius is credited as co-writer on all the album's tracks, but the group for this album was officially credited as a quartet (Curnin, Greenall, West-Oram and Woods). Agius went on to briefly tour with the hard rock/heavy metal band Fastway that same year.

Reach the Beach, produced by star producer Rupert Hine, became the group's most commercially successful album and was certified Platinum by the RIAA on 5 January 1984.[2] Agius' bass work is featured on the album's first two singles "Saved by Zero" and "One Thing Leads to Another."[6] Both these singles cracked the US top 40, and "One Thing Leads to Another" became the band's biggest-ever hit (no. 1 Canada, no. 4 US). It was during these sessions that bassist Dan K. Brown joined the band.[2] Brown played bass on the third top 40 single from the album, "The Sign of Fire" and continued with the band on its subsequent tour. Brown became a full member of the band thereafter.

Curnin and West-Oram played on "I Might Have Been Queen" and "Better Be Good To Me" by Tina Turner on her 1984 album Private Dancer.[1]

The 1984 album Phantoms contained the hits "Are We Ourselves?" (#29 Can.), the first video in which a mobile phone ever appeared (a modified Motorola KR999), and "Sunshine In The Shade." Another single, "Deeper And Deeper," was initially released as the B-side of "Are We Ourselves?" (and also appeared in an edited version on the soundtrack for the film Streets of Fire) as well as on the extended 12" version of "Less Cities, More Moving People" in the UK.[2] This track received substantial airplay on U.S. and Canadian modern rock radio stations.

In 1985 the Fixx recorded the song "A Letter to Both Sides" for the soundtrack of the film Fletch. In 1986, they released their fourth album, Walkabout, featuring "Secret Separation" (No. 1 on Billboard Magazine's "Album Rock" chart, No. 49 in Canada) and "Built for the Future." The 1987 album React, was a compilation of both live and new studio material, after which the band would depart MCA Records.

In 1989, the Fixx released their first album in nearly three years and only release on RCA Records, Calm Animals, which contained another hit "Driven Out" (another No. 1 on Billboard's "Album Rock" chart).

The band signed to Impact (Distributed by MCA) for their next album, 1991's Ink. The album featured "How Much Is Enough?" (No. 27 Canada, No. 35 US).

Recent years (1992–present)

[edit]

Dan K. Brown took a hiatus from the band in 1994. He was not officially replaced, and the band used session musicians on bass in his stead, with Chris Tait playing bass on most recordings and live shows from 1995 through the early 2000s. The four-man line-up (with contributions from Tait and other sessioneers) recorded 1998's Elemental, as well as the 1999 album 1011 Woodland, on which they re-recorded a selection of previous hits and album tracks.

In 2002, the Fixx performed Nancy Sinatra's 1960s classic "These Boots Are Made for Walkin'" for an album of cover versions of songs from the 1960s to 1990s called When Pigs Fly.

In 2003, the band released their ninth studio album, Want That Life. Gary Tibbs (formerly a member of Roxy Music, The Vibrators and Adam and the Ants) played bass for this album.[3]

Long-time bassist Dan K. Brown rejoined the band in 2008, replacing Tibbs. They celebrated 25 years of making music together, with the release of the double-CD Twenty-fifth Anniversary Anthology compilation.

With the classic lineup back intact, the Fixx released their 10th studio album, Beautiful Friction, on 17 July 2012. The Fixx regularly tour the world.

On 5 November 2021, The Fixx announced on their website a new single called "Wake Up". The song also featured on their most recent album, Every Five Seconds, released 3 June 2022. "Woman of Flesh and Blood" and "Closer" are two more singles from the album.[7]

On 10 November 2023, the band released a newly recorded single "Winter's Time," backed with "Someone Like You," a track recorded initially during the Every Five Seconds sessions.

Members

[edit]

Discography

[edit]
Main article: The Fixx discography

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

The Fixx

View on Grokipedia
from Grokipedia
The Fixx is an English new wave and rock band formed in London in 1979 by vocalist Cy Curnin and drummer Adam Woods, renowned for their string of mid-1980s hit singles such as "One Thing Leads to Another," "Saved by Zero," and "Are We Ourselves?" as well as the double-platinum album Reach the Beach (1983). Originally starting as the band Portraits before adopting the name The Fixx in 1980, the group quickly gained traction in the burgeoning MTV era with their debut album Shuttered Room (1982), which featured the rock chart hit "Stand or Fall." Their breakthrough came with Reach the Beach, which peaked at number 8 on the Billboard 200 and produced multiple top-20 singles on the Billboard Hot 100, including "One Thing Leads to Another" (number 4) and "Saved by Zero" (number 20). Follow-up albums like Phantoms (1984) and Walkabout (1986) continued their momentum, with tracks such as "Are We Ourselves?" reaching number 15 on the Billboard Hot 100 and "Secret Separation" hitting number 19. The band's sound, characterized by echoing vocals, intricate guitar work, and socially conscious lyrics, resonated widely, leading to over a dozen top-10 singles on Billboard's Mainstream Rock chart, including three number-one hits. The Fixx's core lineup has remained largely consistent since the early 1980s, featuring on lead vocals, Jamie West-Oram on guitar, Rupert Greenall on keyboards, Adam Woods on drums, and bassist Dan K. Brown, who rejoined the group in recent years after an earlier tenure during their peak popularity. After a commercial slowdown in the early 1990s and a hiatus, they released in 1998, marking a return with a more mature sound, followed by albums like Want That Life (2003), Beautiful Friction (2012), and their latest studio effort, Every Five Seconds (2022). Throughout their career spanning over four decades, The Fixx has sold millions of albums worldwide, toured extensively—including alongside acts like —and maintained a dedicated fanbase, with their greatest hits compilation exceeding two million copies sold.

History

Formation and early years (1979–1981)

The Fixx originated in in 1979 when college friends on vocals and Adam Woods on drums formed a band initially named Portraits, recruiting keyboardist Rupert Greenall and guitarist Tony McGrail to complete the core lineup, along with bassist Russell Mckenzie. Operating amid the vibrant scene, the group performed early gigs at local venues, honing a new wave sound influenced by the era's experimental energy. As Portraits, they secured a brief deal with Records, releasing singles such as "Little Women" in 1979 and "Hazards in the Home" in 1980, which garnered limited radio play on stations but failed to achieve widespread attention. In 1980, internal shifts prompted significant changes: McGrail departed, and guitarist Jamie West-Oram joined from Philip Rambow's band, while Mckenzie was replaced on bass by Charlie Barrett, marking a transitional phase for the group. The band renamed itself The Fix to reflect its evolving identity, continuing to build a following through live performances in London's underground circuit. By early , to avoid confusion with another act and connotations associated with the name, they adopted The Fixx, a decision solidified after producing demo tapes that caught the interest of major labels. This momentum led to their signing with in , following the limited independent release of the single "Lost Planes" on 101 Records in February of that year, which featured West-Oram and Barrett alongside Curnin, Woods, and Greenall. The track, backed by "I've Been Here Before," served as a crucial showcase of their rhythmic, atmospheric style and helped secure the deal. During this period, Barrett exited, and bassist Alfie Agius joined for a brief stint, participating in initial sessions as the band entered the studio in late to record their debut , Shuttered Room, released the following year.

Commercial breakthrough (1982–1991)

The Fixx achieved their initial major-label exposure with the release of their debut album on in May 1982. Produced by , the album showcased the band's new wave sound and included singles such as "Stand or Fall," which peaked at number 76 on the , and "," contributing to modest radio play and live promotion during early tours. The record laid the groundwork for their transatlantic appeal, though it did not immediately yield widespread commercial success. The band's breakthrough arrived with their second album, , released on MCA in May 1983, which peaked at number 8 on the and was certified platinum by the RIAA for sales exceeding one million units in the , eventually surpassing two million domestically. Key singles drove this momentum: "" reached number 4 on the and number 86 on the UK Singles Chart, while "" climbed to number 20 on the Hot 100, both benefiting from heavy rotation and establishing The Fixx as staples of 1980s new wave radio. This era also saw the band embark on major tours, which helped build their live following amid growing international recognition. In 1984, Phantoms followed on MCA, achieving gold certification in the US for over 500,000 copies sold and featuring the single "Are We Ourselves?," which peaked at number 15 on the Billboard Hot 100. The album maintained the band's chart presence but signaled tensions with MCA over marketing strategies. By 1986, after parting ways with the label due to creative and promotional differences, The Fixx signed with RCA and released Walkabout, which included "Secret Separation" reaching number 19 on the Hot 100 and topping the Mainstream Rock chart for two weeks. The RCA era continued with Calm Animals in 1989, producing the single "Driven Out," which hit number 55 on the Hot 100 and number 1 on the Mainstream Rock chart. Their final album of the decade, Ink., arrived in 1991, with "How Much Is Enough?" peaking at number 35 on the Hot 100. By the end of 1991, The Fixx had sold over three million albums worldwide, solidifying their status as a key act in the new wave landscape through consistent touring and radio hits.

Later career and recent developments (1992–present)

Following the release of their 1991 album Ink. on , The Fixx parted ways with the amid shifting industry dynamics, leading to a period of hiatus and individual pursuits in the early 1990s. Bassist Dan K. Brown took an extended break from the band starting in 1991, during which session musicians filled in for live performances, though no permanent replacement was named. This lineup instability marked a transitional phase, as the core members—vocalist , guitarist Jamie West-Oram, keyboardist Rupert Greenall, and drummer Adam Woods—explored side projects while maintaining sporadic activity. The band reunited in 1998, signing with independent label for their seventh studio album, , released on April 7 of that year. The album featured acoustic-leaning tracks like "Two Different Views" and "Going Without," reflecting a more introspective sound amid the band's recovery from major-label pressures. They followed with 1011 Woodland in June 1999 on /, a double-disc set re-recording earlier material alongside new songs such as "Driven Out" and "Woman on a Train," which supported U.S. tours and festival appearances that revitalized their fanbase. These releases emphasized the band's resilience in the independent scene, with live shows helping to bridge the gap from their commercial peak. In 2003, The Fixx issued Want That Life on their self-distributed Rainman Records imprint, produced by Martin Rex and featuring tracks like "Touch" and "Want That Life" that blended rock energy with mature lyricism. The album underscored their shift to , allowing creative control outside major labels. After a five-year gap, they returned with Beautiful Friction on July 17, 2012, via Kirtland Records, highlighted by the title-track single and songs such as "Anyone Else" and "What Is the Time?," which earned praise for recapturing the band's signature atmospheric new wave style. Extensive U.S. touring accompanied the release, demonstrating sustained demand despite the digital music era's challenges, including streaming fragmentation and reduced physical sales. Dan K. Brown rejoined the band in 2012. The band's momentum continued into the with Every Five Seconds, their eleventh studio album, released on June 3, 2022, through BFD/The Orchard. Produced by Stephen W. Taylor, it included singles "Wake Up" (2021), "Woman of Flesh and Blood," and "Closer," with critics lauding its return to form through urgent themes of uncertainty and connection, as in "" and the title track. A deluxe edition followed in 2023, expanding the collection. In November 2023, they released the single "Winter's Time" b/w "Someone Like You" on JARC Ltd., a newly recorded nod to seasonal reflection that maintained their exploratory ethos. Over 40 years of intermittent activity, The Fixx has navigated lineup flux and the digital transition by prioritizing live performances, with 2024 U.S. headline shows and a planned December 2024 tour—intended to mark their first homeland dates in 19 years—that was rescheduled to May 2025 and ultimately cancelled. 2025 included U.S. dates, such as in Pioneertown and , affirming their enduring appeal amid evolving music landscapes.

Musical style and influences

Core genre and sound characteristics

The Fixx is classified as a new wave and rock band with roots, emerging from the late 1970s scene. Their sound draws influences from early , as noted by lead singer , alongside broader 1980s aesthetics that emphasized innovation and melodic accessibility. Central to their signature sound are Cy Curnin's emotive and enigmatic vocals, which convey introspection and urgency, paired with Jamie West-Oram's angular, dreamy guitar riffs that add vulnerability and texture. Rupert Greenall's atmospheric keyboards and synth layers create sweeping, moody backdrops, while the tight of Adam Woods and bassist Dan K. Brown provides driving grooves and depth, emphasizing rhythmic precision over raw aggression. Lyrically, The Fixx explores themes of , personal introspection, and , often reflecting Cold War-era anxieties. For instance, the song "Stand or Fall" features anti-war motifs, urging unity amid global threats like nuclear conflict. Their production style is characteristically polished for the , incorporating reverb-heavy guitars and layered synths to prioritize and a sleek, radio-friendly sheen.

Evolution across albums

The Fixx's musical evolution reflects a progression from the polished, synth-heavy new wave of their formative years to a more guitar-centric, experimental, and introspective approach in subsequent decades, allowing the band to maintain relevance while embracing artistic independence. The band's early albums—, , and Phantoms—established a dense, synth-driven new wave sound characterized by radio-friendly hooks, layered synth washes from Rupert Greenall, and riff-driven guitars from West-Oram, creating richly textured productions with echoing vocals and urgent rhythms. This era prioritized accessibility, blending influences with melodic hooks that resonated on radio and , setting the foundation for their commercial breakthrough. In the mid-period, spanning , , and , the Fixx expanded their sonic palette by incorporating elements and harder rock edges, marking a shift from pure toward more diverse rhythms and guitar-forward arrangements. introduced global textures, while emphasized heavier production and rock intensity, reflecting a maturation that balanced their new wave roots with bolder experimentation. This phase highlighted the band's growing confidence in production, moving beyond initial commercial formulas to explore broader thematic and sonic depths. The 1990s and 2000s saw a return to the band's core sound with Radiate, followed by , where atmospheric keyboards added introspective layers, and albums like Want That Life further honed this independence, prioritizing organic songwriting over polished hooks. This period underscored a trajectory toward artistic self-reliance, as the band navigated label changes and personal hiatuses to refine their identity. Entering the and , The Fixx achieved modern polish in Beautiful Friction and Every Five Seconds, blending nostalgia with electronic updates while reducing synth dominance in favor of guitar focus and raw band interplay. Beautiful Friction surprised with mid-tempo grooves, falsetto vocals, and less reliance on pop hooks, while Every Five Seconds delivered a masterclass in sonic journey, emphasizing emotional vulnerability and contemporary production without over-recording. Overall, this evolution traces a path from commercial accessibility to artistic independence, allowing the band to innovate within their established framework.

Band members

Current members

The current lineup of The Fixx, as of 2025, consists of the band's longstanding core members, who have maintained a remarkably stable configuration since the mid-1980s, contributing to their enduring new wave sound through consistent touring and recordings. serves as the , harmonica player, and occasional pianist and guitarist, having co-founded the band in 1979 and remaining a constant presence ever since; as the primary songwriter and lyricist, he has shaped the band's introspective and socially conscious themes across their discography. Adam Woods, co-founder and drummer since 1979, provides the rhythmic foundation and percussion elements that underpin the band's driving grooves and live energy. Rupert Greenall has been the and since the band's in 1979, playing a pivotal role in incorporating the textures that define The Fixx's atmospheric new wave style. Jamie West-Oram joined as lead guitarist and in 1980, shortly after the band's formation, and his layered, effects-heavy guitar work has become synonymous with their signature sound on hits like "." Dan K. Brown has been the bassist since first joining in 1983 during the recording of , with subsequent periods of absence before rejoining in 2008; his tenure has stabilized the rhythm section, particularly during the band's reunions and recent albums like Beautiful Friction. Together, these five members represent over four decades of collaboration for the core quartet (Curnin, Woods, Greenall, and West-Oram) since the early , enabling The Fixx to preserve their original sonic identity while adapting to contemporary performances.

Former members

The Fixx's original lineup under the name Portraits in 1979 included guitarist Tony McGrail, who departed in 1980 shortly before the band renamed itself and recorded its debut album, . Bassist Russell Mckenzie was an early member during the Portraits phase in but was quickly replaced and had a minimal role in the band's development. Charlie Barrett served as the band's bassist from to 1981, contributing to the initial singles and , after which he left the group. Alfie Agius joined as bassist in 1981 following Barrett's departure and played on select tracks of the 1983 album , including the hit "One Thing Leads to Another"; his exit during those sessions paved the way for Dan K. Brown's integration, ensuring continuity into the band's commercial peak. Dan K. Brown, who initially joined in 1983 and played through the late 1980s and early 1990s albums, left in 1994 amid a period of reduced activity. Dennis Bovell served as bassist from 1994 to 1998 during the band's transitional phase. Subsequent bassists included Chris Tait, who contributed to the 1998 album and the 1999 release 1011 Woodland during a transitional phase. Gary Tibbs, formerly of , served as bassist starting around 2003 for the album Want That Life and through 2008 before Brown's return.

Discography

Studio albums

The Fixx have released 11 studio albums since their debut in 1982, spanning new wave, , and later experimental and revival phases, with early works achieving significant commercial success on before shifting to RCA and independent labels. Their initial releases, produced by notable engineers like , established the band's signature sound of layered synths and introspective lyrics, leading to platinum and gold certifications for key titles. Later albums reflect reunions and self-production, maintaining a dedicated fanbase amid changing musical landscapes.
Album TitleRelease YearLabelKey Producer(s)Commercial Milestones
Shuttered Room1982MCA RecordsRupert HineDebut album; certified gold by the RIAA (500,000 units); introduced the band's new wave style with tracks like "Stand or Fall."
Reach the Beach1983MCA RecordsRupert HineCertified platinum by the RIAA (1 million units); breakthrough hit album peaking at No. 8 on Billboard 200.
Phantoms1984MCA RecordsRupert HineCertified gold by the RIAA (500,000 units); reached No. 19 on Billboard 200.
Walkabout1986MCA RecordsRupert HinePeaked at No. 55 on Billboard 200; marked continued collaboration with Hine.
Calm Animals1989RCA RecordsWilliam WittmanTransition to RCA; emphasized polished rock elements.
Ink1991RCA RecordsWilliam Wittman, Rupert Hine, Scott Cutler, Bruce GaitschFinal major-label album; explored mature themes, charting at No. 133 on Billboard 200.
Elemental1998CMC International RecordsThe FixxReunion album after hiatus; self-produced effort signaling return to recording.
1011 Woodland1999CMC International RecordsThe FixxFollow-up with re-recordings and new tracks.
Want That Life2003Rainman RecordsMartin Rex, The FixxSelf-released; focused on organic rock sound during independent phase.
Beautiful Friction2012Kirtland RecordsNick JacksonRevival album with modern production.
Every Five Seconds2022Kirtland RecordsThe FixxLatest release featuring singles like "Wake Up"; contemporary production blending classic and new elements.

Singles and compilations

The Fixx released their first single, "Stand or Fall", in 1981 as an independent effort prior to signing with MCA Records, marking their debut in the music scene with a track that later gained traction on rock radio formats. The band's breakthrough came with singles from their 1983 album Reach the Beach, including "One Thing Leads to Another", which peaked at number 4 on the Billboard Hot 100 and became their signature hit, driven by its new wave energy and MTV exposure. "Saved by Zero" followed, reaching number 20 on the same chart and establishing the band's introspective lyrical style paired with driving rhythms. Subsequent releases like "The Sign of Fire" (number 32 on the Hot 100) and "Are We Ourselves?" from 1984's Phantoms (number 15) continued their momentum, with the latter topping the Mainstream Rock chart. "Secret Separation" from 1986's Walkabout achieved number 19 on the Hot 100 and number 1 on Mainstream Rock, while "Driven Out" in 1989 from Calm Animals peaked at number 55 on the Hot 100 but held number 1 on rock radio for five weeks.
SingleRelease YearBillboard Hot 100 PeakNotes
One Thing Leads to Another1983#4Lead promotional single from Reach the Beach; featured remixes and B-sides like "Going Over".
Saved by Zero1983#20Second single from Reach the Beach; included extended versions.
Are We Ourselves?1984#15From Phantoms; #1 on Mainstream Rock; B-side "Emily".
Secret Separation1986#19From Walkabout; #1 on Mainstream Rock; long version released.
Driven Out1989#55From Calm Animals; #1 on Mainstream Rock; featured live B-sides.
Over the course of their career, The Fixx have issued more than 20 singles, often accompanied by B-sides, remixes, and promotional variants that highlighted their evolving sound from new wave to . In the compilation realm, One Thing Leads to Another: Greatest Hits (1992) served as a retrospective of their output, collecting key tracks like "" and "" to capitalize on their commercial peak. Ultimate Collection (1999) expanded this with 19 tracks, including rarities and live cuts, emphasizing their enduring fanbase. 20th Century Masters: The Millennium Collection: The Best of The Fixx (2000) focused on remastered hits for a new generation, featuring edited versions of staples like "". Recent activity includes "Beautiful Friction" (2012), the title track and from their self-released of the same name, which received on adult alternative radio without major chart impact. "Wake Up" (2021) promoted their 2022 Every Five Seconds, blending their classic style with modern production for rock radio rotation. The 2023 single "Winter's Time", paired with "Someone Like You" as a double A-side, continued their pattern of limited mainstream charting but sustained popularity on rock formats post-1990s.

References

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  2. https://www.laphil.com/musicdb/artists/1804/the-fixx
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  5. https://www.discogs.com/release/4583491-The-Fix-Lost-Planes
  6. https://www.encyclopedia.com/education/news-wires-white-papers-and-books/fixx
  7. https://musicchartsarchive.com/artists/the-fixx
  8. https://www.discogs.com/master/70192-The-Fixx-Shuttered-Room
  9. https://www.thefixx.com/music
  10. https://www.officialcharts.com/artist/19552/fixx/
  11. https://earofnewt.com/2014/10/13/the-fixxs-cy-curnin-talks-rupert-hine-tina-turner-and-fear-driven-censorship-in-1984/
  12. https://www.last.fm/music/The%2BFixx/%2Bwiki
  13. https://www.allmusic.com/album/elemental-mw0000034916
  14. https://www.discogs.com/release/3843939-The-Fixx-Elemental
  15. https://www.allmusic.com/album/1011-woodland-mw0000667494
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  17. https://www.discogs.com/artist/501416-Dan-K-Brown
  18. https://www.forbes.com/sites/davidchiu/2022/06/10/the-fixxs-cy-curnin-on-the-bands-new-lp-every-five-seconds-and-their-40-year-recording-legacy/
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  31. https://rockcellarmagazine.com/the-fixx-every-five-seconds-interview-new-album-cy-curnin/
  32. https://www.rutheckerdhall.com/events/detail/the-fixx
  33. https://www.songwritersonprocess.com/blog/2013/10/28/cy-curnin-the-fixx
  34. https://www.goldminemag.com/articles/backstage-pass-the-fixxs-cy-curnin-2/
  35. https://www.guitarworld.com/features/the-fixx-jamie-west-oram
  36. https://www.fretlessbass.com/interview-dan-k-brown-the-fixx/
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  38. https://www.facebook.com/groups/358507207130851/posts/601320942849475/
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  40. https://www.talkbass.com/threads/what-about-that-funky-bass-on-the-fixxs-one-thing-leads-to-another.64182/
  41. http://rqsretrouniverse.blogspot.com/2008/06/get-your-fix-of-fixx.html
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  45. https://musicgoldmine.com/products/the-fixx-reach-the-beach-riaa-platinum-lp-award-1
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  47. https://www.rediscoverthe80s.com/2019/06/interview-with-rupert-hine.html
  48. https://bestsellingalbums.org/artist/12998
  49. https://www.discogs.com/release/2089742-The-Fixx-Walkabout
  50. https://www.discogs.com/release/2624751-The-Fixx-Want-That-Life
  51. https://genius.com/artists/The-fixx/albums
  52. https://listappeal.com/14-songs-by-the-fixx-that-charted-on-billboards-top-rock-tracks/
  53. https://www.billboard.com/charts/hot-100/1986-07-26/
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  58. https://music.apple.com/ca/album/20th-century-masters-the-millennium-collection-the/1444002217
  59. https://open.spotify.com/album/72nqlxUUYTkuU7CLYQamhu
  60. https://music.apple.com/us/album/wake-up-single/1587433863
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