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The Katies
The Katies are a three-piece power rock band originating in Murfreesboro, Tennessee, and currently residing in Nashville, Tennessee
Jason Moore (guitar, vocals) and Gary Welch (bass, vocals) had previously been in a Murfreesboro band called A Million Worlds. Once A Million Worlds dissolved, Jason and Gary began a new band—the Katies—named after Jason's sister in-law.
The duo recruited friends from local band Fluid Ounces for their rhythm section and began playing gigs around town, but didn't achieve a permanent lineup until Moore's younger brother Josh was recruited as their drummer. The first lineup of the band featured Fluid Ounces members Seth Timbs (piano) and Sam Baker (drums), and Mac Burrus (guitar.) Jason and Mac had previously been in Murfreesboro rock band The Plain. The band played with this lineup for a few shows around Murfreesboro.
Eventually, Seth Timbs and Sam Baker bowed out to concentrate on Fluid Ounces, so the band continued with Jason Moore, Gary Welch, and Mac Burrus. After a terrible accident which resulted in Mac breaking his neck, the band was put on hold. Around this time, Jason convinced his younger brother, Josh, to leave their hometown of Clinton, Tennessee and move to Murfreesboro—to play drums for the Katies—as soon as he graduated high-school.
While waiting for Josh to graduate, the band continued to play sporadic dates around Murfreesboro and Nashville, with Mac Burrus now playing a Fender Rhodes. Mac eventually left the band, accepting an offer to play bass for Matt Mahaffey's band, Self.
With Josh now living in Murfreesboro, the band's sound grew—and changed—as a power trio. With Jason's sugary-sweet, instantly memorable hooks, Gary's fuzzed-out bass and distinctive harmonies, and Josh's ferocious drumming, the band began writing their own brand of radio-friendly, melodic power pop-influenced as much by classic rock bands like the Beatles, Led Zeppelin, and The Heartbreakers—as they were by more contemporary bands like The Pixies and Supergrass. Lyrically, Jason set himself apart from his contemporaries by writing about decidedly personal themes like spirituality and the love for his wife.
The band began to make a name for themselves around town and started to draw a following, playing with local bands like Self, The Features, and Fluid Ounces. The Katies then cut a series of demos with local producer Brian Carter (now referred to as The Carter Sessions). These demos caught the ear of Rick Williams, who had just launched local indie label Spongebath Records, along with Matt Mahaffey and Seth Timbs.
Williams eventually signed the band to Spongebath. The band then recorded another batch of demos with Carter (The Carter Sessions Volume 2). These demos, along with the band's ear-splitting and energetic live show, resulted in major label interest. The band ultimately inked a deal that would give both Elektra Records and Spongebath a co-label release for the Katies' major label debut.
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The Katies
The Katies are a three-piece power rock band originating in Murfreesboro, Tennessee, and currently residing in Nashville, Tennessee
Jason Moore (guitar, vocals) and Gary Welch (bass, vocals) had previously been in a Murfreesboro band called A Million Worlds. Once A Million Worlds dissolved, Jason and Gary began a new band—the Katies—named after Jason's sister in-law.
The duo recruited friends from local band Fluid Ounces for their rhythm section and began playing gigs around town, but didn't achieve a permanent lineup until Moore's younger brother Josh was recruited as their drummer. The first lineup of the band featured Fluid Ounces members Seth Timbs (piano) and Sam Baker (drums), and Mac Burrus (guitar.) Jason and Mac had previously been in Murfreesboro rock band The Plain. The band played with this lineup for a few shows around Murfreesboro.
Eventually, Seth Timbs and Sam Baker bowed out to concentrate on Fluid Ounces, so the band continued with Jason Moore, Gary Welch, and Mac Burrus. After a terrible accident which resulted in Mac breaking his neck, the band was put on hold. Around this time, Jason convinced his younger brother, Josh, to leave their hometown of Clinton, Tennessee and move to Murfreesboro—to play drums for the Katies—as soon as he graduated high-school.
While waiting for Josh to graduate, the band continued to play sporadic dates around Murfreesboro and Nashville, with Mac Burrus now playing a Fender Rhodes. Mac eventually left the band, accepting an offer to play bass for Matt Mahaffey's band, Self.
With Josh now living in Murfreesboro, the band's sound grew—and changed—as a power trio. With Jason's sugary-sweet, instantly memorable hooks, Gary's fuzzed-out bass and distinctive harmonies, and Josh's ferocious drumming, the band began writing their own brand of radio-friendly, melodic power pop-influenced as much by classic rock bands like the Beatles, Led Zeppelin, and The Heartbreakers—as they were by more contemporary bands like The Pixies and Supergrass. Lyrically, Jason set himself apart from his contemporaries by writing about decidedly personal themes like spirituality and the love for his wife.
The band began to make a name for themselves around town and started to draw a following, playing with local bands like Self, The Features, and Fluid Ounces. The Katies then cut a series of demos with local producer Brian Carter (now referred to as The Carter Sessions). These demos caught the ear of Rick Williams, who had just launched local indie label Spongebath Records, along with Matt Mahaffey and Seth Timbs.
Williams eventually signed the band to Spongebath. The band then recorded another batch of demos with Carter (The Carter Sessions Volume 2). These demos, along with the band's ear-splitting and energetic live show, resulted in major label interest. The band ultimately inked a deal that would give both Elektra Records and Spongebath a co-label release for the Katies' major label debut.