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Thor (comic book)
Thor, or The Mighty Thor, is the name of several comic book titles featuring the character Thor and published by Marvel Comics, beginning with the original Thor comic book series which debuted in 1966.
The Marvel Comics superhero Thor debuted in the science fiction/fantasy anthology title Journey into Mystery #83 (cover-date August 1962), and was created by editor-plotter Stan Lee, scripter Larry Lieber, and penciller-plotter Jack Kirby.
Subsequent stories of the 13-page feature "The Mighty Thor" continued to be plotted by Lee, and were variously scripted by Lieber or by Robert Bernstein, working under the pseudonym "R. Berns". Various artists penciled the feature, including Jack Kirby, Joe Sinnott, Don Heck, and Al Hartley. With Journey into Mystery #101 (Feb. 1964), the series began a long and definitive run by writer and co-plotter Lee and penciler and co-plotter Kirby that lasted until the by-then-retitled Thor #179 (Aug. 1970).
The five-page featurette "Tales of Asgard" was added in Journey into Mystery #97 (Oct. 1963), followed by "The Mighty Thor" becoming the dominant cover logo with issue #104 (May 1964). The feature itself expanded to 18 pages in #105, which eliminated the remaining anthological story from each issue; it was reduced to 16 pages five issues later. Comics historian Les Daniels noted that "the adventures of Thor were gradually transformed from stories about a strange-looking superhero into a spectacular saga." Artist Chic Stone, who inked several early Thor stories, observed that "Kirby could just lead you through all these different worlds. The readers would follow him anywhere."
Journey into Mystery was retitled Thor (per the indicia, or The Mighty Thor per most covers) with issue #126 (March 1966). "Tales of Asgard" was replaced by a five-page featurette starring the Inhumans from #146–152 (Nov. 1967–May 1968), after which featurettes were dropped and the Thor stories expanded to Marvel's then-standard 20-page length. Marvel filed for a trademark for "The Mighty Thor" in 1967 and the United States Patent and Trademark Office issued the registration in 1970.
After Kirby left the title, Neal Adams penciled issues #180–181 (Sept.-Oct. 1970). John Buscema then became the regular artist the following issue. Buscema continued to draw the book almost without interruption until #278 (Dec. 1978). Lee stopped scripting soon after Kirby left, and during Buscema's long stint on the book, the stories were mostly written by Gerry Conway, Len Wein, or Roy Thomas. Thomas continued to write the title after Buscema's departure, working much of the time with the artist Keith Pollard; during this period Thomas integrated many elements of traditional Norse mythology into the title, with specific stories translated into comics form. Following Thomas's tenure, Thor had a changing creative team.
In the mid-1970s, Marvel considered giving the character a second series as part of parent company Magazine Management's line of black-and-white comics magazines. A story written by Steve Englehart for the aborted project appeared in Thor Annual #5 (1976). A black-and-white Thor story appeared in Marvel Preview #10 (Winter 1977).
Walt Simonson took over both writing and art as of #337 (Nov. 1983). His stories placed a greater emphasis on the character's mythological origins. Simonson's run as writer-artist lasted until #367 (May 1986), although he continued to write – and occasionally draw – the book until issue #382 (Aug. 1987). Simonson's run, which introduced the character Beta Ray Bill, was regarded as a popular and critical success. Simonson's later stories were drawn by Sal Buscema, who describes Simonson's stories as "very stimulating. It was a pleasure working on his plots, because they were a lot of fun to illustrate. He had a lot of great ideas, and he took Thor in a totally new direction." Asked why he was leaving Thor, Simonson said that he felt the series was due for a change in creative direction, and that he wanted to reduce his work load for a time. After Simonson's departure, Marvel's editor-in-chief at the time, Tom DeFalco, became the writer. Working primarily with artist Ron Frenz, DeFalco stayed on the book until #459 (Feb. 1993).
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Thor (comic book)
Thor, or The Mighty Thor, is the name of several comic book titles featuring the character Thor and published by Marvel Comics, beginning with the original Thor comic book series which debuted in 1966.
The Marvel Comics superhero Thor debuted in the science fiction/fantasy anthology title Journey into Mystery #83 (cover-date August 1962), and was created by editor-plotter Stan Lee, scripter Larry Lieber, and penciller-plotter Jack Kirby.
Subsequent stories of the 13-page feature "The Mighty Thor" continued to be plotted by Lee, and were variously scripted by Lieber or by Robert Bernstein, working under the pseudonym "R. Berns". Various artists penciled the feature, including Jack Kirby, Joe Sinnott, Don Heck, and Al Hartley. With Journey into Mystery #101 (Feb. 1964), the series began a long and definitive run by writer and co-plotter Lee and penciler and co-plotter Kirby that lasted until the by-then-retitled Thor #179 (Aug. 1970).
The five-page featurette "Tales of Asgard" was added in Journey into Mystery #97 (Oct. 1963), followed by "The Mighty Thor" becoming the dominant cover logo with issue #104 (May 1964). The feature itself expanded to 18 pages in #105, which eliminated the remaining anthological story from each issue; it was reduced to 16 pages five issues later. Comics historian Les Daniels noted that "the adventures of Thor were gradually transformed from stories about a strange-looking superhero into a spectacular saga." Artist Chic Stone, who inked several early Thor stories, observed that "Kirby could just lead you through all these different worlds. The readers would follow him anywhere."
Journey into Mystery was retitled Thor (per the indicia, or The Mighty Thor per most covers) with issue #126 (March 1966). "Tales of Asgard" was replaced by a five-page featurette starring the Inhumans from #146–152 (Nov. 1967–May 1968), after which featurettes were dropped and the Thor stories expanded to Marvel's then-standard 20-page length. Marvel filed for a trademark for "The Mighty Thor" in 1967 and the United States Patent and Trademark Office issued the registration in 1970.
After Kirby left the title, Neal Adams penciled issues #180–181 (Sept.-Oct. 1970). John Buscema then became the regular artist the following issue. Buscema continued to draw the book almost without interruption until #278 (Dec. 1978). Lee stopped scripting soon after Kirby left, and during Buscema's long stint on the book, the stories were mostly written by Gerry Conway, Len Wein, or Roy Thomas. Thomas continued to write the title after Buscema's departure, working much of the time with the artist Keith Pollard; during this period Thomas integrated many elements of traditional Norse mythology into the title, with specific stories translated into comics form. Following Thomas's tenure, Thor had a changing creative team.
In the mid-1970s, Marvel considered giving the character a second series as part of parent company Magazine Management's line of black-and-white comics magazines. A story written by Steve Englehart for the aborted project appeared in Thor Annual #5 (1976). A black-and-white Thor story appeared in Marvel Preview #10 (Winter 1977).
Walt Simonson took over both writing and art as of #337 (Nov. 1983). His stories placed a greater emphasis on the character's mythological origins. Simonson's run as writer-artist lasted until #367 (May 1986), although he continued to write – and occasionally draw – the book until issue #382 (Aug. 1987). Simonson's run, which introduced the character Beta Ray Bill, was regarded as a popular and critical success. Simonson's later stories were drawn by Sal Buscema, who describes Simonson's stories as "very stimulating. It was a pleasure working on his plots, because they were a lot of fun to illustrate. He had a lot of great ideas, and he took Thor in a totally new direction." Asked why he was leaving Thor, Simonson said that he felt the series was due for a change in creative direction, and that he wanted to reduce his work load for a time. After Simonson's departure, Marvel's editor-in-chief at the time, Tom DeFalco, became the writer. Working primarily with artist Ron Frenz, DeFalco stayed on the book until #459 (Feb. 1993).