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The Seven Descents of Myrtle
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The Seven Descents of Myrtle
The Seven Descents of Myrtle is a play in seven scenes by Tennessee Williams. It started as a short story, The Kingdom of Earth, which Williams began in 1942 while in Macon, Georgia, but did not publish until 1954, in the limited edition of his story collection Hard Candy. Williams subsequently adapted the story into a one-act play, "Kingdom of Earth," published in the February 1, 1967, edition of Esquire magazine. He then expanded that play into a full-length seven-scene version, premiered the following year in New York with the title The Seven Descents of Myrtle and published on October 31, 1968, by New Directions as Kingdom of Earth (The Seven Descents of Myrtle). Its title character is reminiscent of another Williams' heroine, Blanche Dubois in A Streetcar Named Desire.
The serio-comic play focuses on Lot, a tubercular neurotic youth who is an impotent, closeted transvestite overly attached to the memory of his late mother. He has returned to his ancestral home, a decaying house on the edge of a river on the verge of overflowing, with his new bride Myrtle, a sometime prostitute and former showgirl, the sole surviving member of the Five Memphis Hot Shots. She dwells in a fantasy world of romantic illusions, one of which is to nurse Lot back to health so they can consummate their marriage, but soon discovers Lot only wants to use her to steal the deed to the property from his multiracial half-brother Chicken, who has lived on and farmed the property for years.
Once he meets Myrtle, he gets some romantic designs of his own. In the end of the play, Lot reveals himself dressed in a beautiful dress exposing his deepest darkest secret to Myrtle and Chicken before succumbing to tuberculosis and dying. Chicken and Myrtle end up examining Chicken's new property just before the flood waters come.
The Broadway production was produced by David Merrick and directed by José Quintero. After two previews, it opened on March 27, 1968, at the Ethel Barrymore Theatre and closed after 29 performances. It starred Brian Bedford as Lot, Harry Guardino as Chicken, and Estelle Parsons as Myrtle. She was nominated for the Tony Award for Best Actress in a Play.
The play was profiled in the William Goldman book The Season: A Candid Look at Broadway.
In his memoirs, Tennessee Williams claimed that he wrote the Estelle Parsons role for Maureen Stapleton. The original production was financed with $400,000 from a Hollywood studio. According to Williams, David Merrick wanted to fire Quintero during rehearsals but Williams would not let him. Williams thought Bedford and Parsons were "superb" but acknowledged "we opened disastrously... certain biased reviewers were particularly nasty about the play." Williams noted Walter Kerr "observed that it was a play that contained excellent and funny characterization and that he hoped I'd rewrite it someday. Actually what it needed was cutting and dear José was not the one for that. Humor he has, but it's a delicate humor that exists in a heart full of sorrow."
In 1970, the play was adapted to a feature film and released under the title Last of the Mobile Hot Shots (aka "Blood Kin").
A 1975 production in London, at the Greenwood Theatre, starring Marianne Faithfull as Myrtle, was cancelled after just three performances when Faithfull fell ill with peritonitis.
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The Seven Descents of Myrtle
The Seven Descents of Myrtle is a play in seven scenes by Tennessee Williams. It started as a short story, The Kingdom of Earth, which Williams began in 1942 while in Macon, Georgia, but did not publish until 1954, in the limited edition of his story collection Hard Candy. Williams subsequently adapted the story into a one-act play, "Kingdom of Earth," published in the February 1, 1967, edition of Esquire magazine. He then expanded that play into a full-length seven-scene version, premiered the following year in New York with the title The Seven Descents of Myrtle and published on October 31, 1968, by New Directions as Kingdom of Earth (The Seven Descents of Myrtle). Its title character is reminiscent of another Williams' heroine, Blanche Dubois in A Streetcar Named Desire.
The serio-comic play focuses on Lot, a tubercular neurotic youth who is an impotent, closeted transvestite overly attached to the memory of his late mother. He has returned to his ancestral home, a decaying house on the edge of a river on the verge of overflowing, with his new bride Myrtle, a sometime prostitute and former showgirl, the sole surviving member of the Five Memphis Hot Shots. She dwells in a fantasy world of romantic illusions, one of which is to nurse Lot back to health so they can consummate their marriage, but soon discovers Lot only wants to use her to steal the deed to the property from his multiracial half-brother Chicken, who has lived on and farmed the property for years.
Once he meets Myrtle, he gets some romantic designs of his own. In the end of the play, Lot reveals himself dressed in a beautiful dress exposing his deepest darkest secret to Myrtle and Chicken before succumbing to tuberculosis and dying. Chicken and Myrtle end up examining Chicken's new property just before the flood waters come.
The Broadway production was produced by David Merrick and directed by José Quintero. After two previews, it opened on March 27, 1968, at the Ethel Barrymore Theatre and closed after 29 performances. It starred Brian Bedford as Lot, Harry Guardino as Chicken, and Estelle Parsons as Myrtle. She was nominated for the Tony Award for Best Actress in a Play.
The play was profiled in the William Goldman book The Season: A Candid Look at Broadway.
In his memoirs, Tennessee Williams claimed that he wrote the Estelle Parsons role for Maureen Stapleton. The original production was financed with $400,000 from a Hollywood studio. According to Williams, David Merrick wanted to fire Quintero during rehearsals but Williams would not let him. Williams thought Bedford and Parsons were "superb" but acknowledged "we opened disastrously... certain biased reviewers were particularly nasty about the play." Williams noted Walter Kerr "observed that it was a play that contained excellent and funny characterization and that he hoped I'd rewrite it someday. Actually what it needed was cutting and dear José was not the one for that. Humor he has, but it's a delicate humor that exists in a heart full of sorrow."
In 1970, the play was adapted to a feature film and released under the title Last of the Mobile Hot Shots (aka "Blood Kin").
A 1975 production in London, at the Greenwood Theatre, starring Marianne Faithfull as Myrtle, was cancelled after just three performances when Faithfull fell ill with peritonitis.