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The Shakespeare Code
"The Shakespeare Code" is the second episode of the third series of the revived British science fiction television series Doctor Who. It was broadcast on BBC One on 7 April 2007. According to the BARB figures this episode was seen by 7.23 million viewers and was the fifth most popular broadcast on British television in that week. Originally titled "Love's Labour's Won", was also titled by David Tennant as "Theatre of Doom" during the "David's Video Diaries 2", part of the Series 3 DVD, the episode was re-titled as a reference to The Da Vinci Code.
In the episode, the alien time traveller the Doctor (David Tennant) takes his new travelling companion Martha Jones (Freema Agyeman) in her first trip in time and space. They arrive in 1599 near the Globe Theatre in Southwark, where they meet the playwright William Shakespeare. Shakespeare is being bewitched by three witch-like Carrionites to rewrite the ending to his play Love's Labour's Won so that the performance will create the right words to free the rest of the Carrionite race from imprisonment.
The Tenth Doctor, who promised to take Martha on one trip, takes her to a performance of Love's Labour's Lost at the Globe Theatre in Southwark in 1599. At the end of the play, William Shakespeare announces a forthcoming sequel entitled Love's Labour's Won. A witch called Lilith uses a voodoo doll to influence Shakespeare to declare that the new play will premiere the following evening. When Lynley, the Master of the Revels, demands to see the script before allowing the play to proceed, Lilith plunges a voodoo doll made of his hair into a bucket of water and stabs it in the chest. Lynley collapses on the ground dead. Lilith compels Shakespeare to write a strange concluding paragraph to Love's Labour's Won before flying away on a broom.
In the morning, the Doctor, Martha and Shakespeare proceed to the Globe Theatre, and the Doctor asks why the theatre has 14 sides. They decide to visit the architect of the theatre in Bethlem Hospital. They find the architect, Peter Streete, in a catatonic state. The Doctor helps him emerge from his catatonia long enough to reveal that the witches dictated the Globe's tetradecagonal design to him. The witches Lilith, Doomfinger, and Bloodtide observe this through their cauldron, and Doomfinger teleports to the cell and kills Peter with a touch. The Doctor identifies the witches as Carrionites, a species whose magic is based on the power of words which allows them to manipulate psychic energy. By uttering the name Carrionite the Doctor is able to repel her.
The Doctor deduces that the Carrionites intend to use the powerful words of Love's Labour's Won to break their species out of imprisonment. The Doctor confronts Lilith, who explains that the three witches were released from their banishment by Shakespeare's genius words after he lost his son Hamnet. Lilith temporarily stops one of the Doctor's two hearts and flies to the Globe Theatre. Shakespeare fails to stop the play from being performed. The actors speak the last lines of the play. A portal opens up, allowing the Carrionites back into the universe. The Doctor tells Shakespeare that only he can find the words to close the portal. Shakespeare improvises a short rhyming stanza but is stuck for a final word until Martha blurts out Expelliarmus. The Carrionites and all the copies of Love's Labour's Won are sucked back through the closing portal.
Shakespeare has appeared in one earlier Doctor Who episode, and the Doctor has also mentioned prior meetings. The Bard is seen by the Doctor and his companions on the screen of their Time-Space Visualiser in The Chase (1965), conversing with Elizabeth I; in Planet of Evil (1975), the Fourth Doctor mentions having met Shakespeare, and in City of Death (1979) he claims that he helped transcribe the original manuscript of Hamlet; and in The Mark of the Rani (1985) the Sixth Doctor says "I must see him [Shakespeare] again some time".
Among non-TV material, Shakespeare features in the Virgin Missing Adventures novels The Empire of Glass and The Plotters, and in the Big Finish Productions audio drama The Kingmaker. In another Big Finish drama, The Time of the Daleks, a child is revealed to be Shakespeare at the story's end. This has a sequel in Ian Potter's short story Apocrypha Bipedium in Short Trips: Companions, which concerns the young Shakespeare's anachronistic meeting with some of the characters he will later portray in Troilus and Cressida. Finally, the Bard also appears in the Doctor Who Magazine Ninth Doctor comic A Groatsworth of Wit (also written by Gareth Roberts).
Producer Russell T Davies and screenwriter Gareth Roberts have both stated that they were aware of these past references to meeting Shakespeare, but that they would neither be mentioned nor contradicted in the episode. Roberts added that although an early draft of "The Shakespeare Code" contained "a sly reference to City of Death", it was removed because "it was so sly it would have been a bit confusing for fans that recognised it and baffled the bejesus out of everyone else."
Hub AI
The Shakespeare Code AI simulator
(@The Shakespeare Code_simulator)
The Shakespeare Code
"The Shakespeare Code" is the second episode of the third series of the revived British science fiction television series Doctor Who. It was broadcast on BBC One on 7 April 2007. According to the BARB figures this episode was seen by 7.23 million viewers and was the fifth most popular broadcast on British television in that week. Originally titled "Love's Labour's Won", was also titled by David Tennant as "Theatre of Doom" during the "David's Video Diaries 2", part of the Series 3 DVD, the episode was re-titled as a reference to The Da Vinci Code.
In the episode, the alien time traveller the Doctor (David Tennant) takes his new travelling companion Martha Jones (Freema Agyeman) in her first trip in time and space. They arrive in 1599 near the Globe Theatre in Southwark, where they meet the playwright William Shakespeare. Shakespeare is being bewitched by three witch-like Carrionites to rewrite the ending to his play Love's Labour's Won so that the performance will create the right words to free the rest of the Carrionite race from imprisonment.
The Tenth Doctor, who promised to take Martha on one trip, takes her to a performance of Love's Labour's Lost at the Globe Theatre in Southwark in 1599. At the end of the play, William Shakespeare announces a forthcoming sequel entitled Love's Labour's Won. A witch called Lilith uses a voodoo doll to influence Shakespeare to declare that the new play will premiere the following evening. When Lynley, the Master of the Revels, demands to see the script before allowing the play to proceed, Lilith plunges a voodoo doll made of his hair into a bucket of water and stabs it in the chest. Lynley collapses on the ground dead. Lilith compels Shakespeare to write a strange concluding paragraph to Love's Labour's Won before flying away on a broom.
In the morning, the Doctor, Martha and Shakespeare proceed to the Globe Theatre, and the Doctor asks why the theatre has 14 sides. They decide to visit the architect of the theatre in Bethlem Hospital. They find the architect, Peter Streete, in a catatonic state. The Doctor helps him emerge from his catatonia long enough to reveal that the witches dictated the Globe's tetradecagonal design to him. The witches Lilith, Doomfinger, and Bloodtide observe this through their cauldron, and Doomfinger teleports to the cell and kills Peter with a touch. The Doctor identifies the witches as Carrionites, a species whose magic is based on the power of words which allows them to manipulate psychic energy. By uttering the name Carrionite the Doctor is able to repel her.
The Doctor deduces that the Carrionites intend to use the powerful words of Love's Labour's Won to break their species out of imprisonment. The Doctor confronts Lilith, who explains that the three witches were released from their banishment by Shakespeare's genius words after he lost his son Hamnet. Lilith temporarily stops one of the Doctor's two hearts and flies to the Globe Theatre. Shakespeare fails to stop the play from being performed. The actors speak the last lines of the play. A portal opens up, allowing the Carrionites back into the universe. The Doctor tells Shakespeare that only he can find the words to close the portal. Shakespeare improvises a short rhyming stanza but is stuck for a final word until Martha blurts out Expelliarmus. The Carrionites and all the copies of Love's Labour's Won are sucked back through the closing portal.
Shakespeare has appeared in one earlier Doctor Who episode, and the Doctor has also mentioned prior meetings. The Bard is seen by the Doctor and his companions on the screen of their Time-Space Visualiser in The Chase (1965), conversing with Elizabeth I; in Planet of Evil (1975), the Fourth Doctor mentions having met Shakespeare, and in City of Death (1979) he claims that he helped transcribe the original manuscript of Hamlet; and in The Mark of the Rani (1985) the Sixth Doctor says "I must see him [Shakespeare] again some time".
Among non-TV material, Shakespeare features in the Virgin Missing Adventures novels The Empire of Glass and The Plotters, and in the Big Finish Productions audio drama The Kingmaker. In another Big Finish drama, The Time of the Daleks, a child is revealed to be Shakespeare at the story's end. This has a sequel in Ian Potter's short story Apocrypha Bipedium in Short Trips: Companions, which concerns the young Shakespeare's anachronistic meeting with some of the characters he will later portray in Troilus and Cressida. Finally, the Bard also appears in the Doctor Who Magazine Ninth Doctor comic A Groatsworth of Wit (also written by Gareth Roberts).
Producer Russell T Davies and screenwriter Gareth Roberts have both stated that they were aware of these past references to meeting Shakespeare, but that they would neither be mentioned nor contradicted in the episode. Roberts added that although an early draft of "The Shakespeare Code" contained "a sly reference to City of Death", it was removed because "it was so sly it would have been a bit confusing for fans that recognised it and baffled the bejesus out of everyone else."