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The Weirdos are an American punk rock band from Los Angeles. They formed in 1975, split-up in 1981, re-grouped in 1986 and have remained semi-active ever since. Critic Mark Deming calls them "quite simply, one of the best and brightest American bands of punk's first wave."[1]

Key Information

History

[edit]

Formation

[edit]

The band was formed in 1975 by singer John Denney and his guitarist brother Dix (sons of Hollywood actress Nora Denney), initially using the band names the Barbies and the Luxurious Adults.[2] The Weirdos were originally a 1950s-inspired hard rock and roll band that, like the Ramones in New York City, predated the UK punk scene. While initially trying to distance themselves from the genre name "punk" that was created in New York, ultimately the band, in the words of John Denney, "just kinda became more like this punk ROCK N ROLL type thing and we kinda went with it because the fans wanted it. They wore us down and we just said 'OK, fine! We're punk rock, similar to the Ramones. Whatever you say.'"[3]

In a 1990 Flipside interview, John Denney listed the Ramones, New York Dolls and Iggy Pop as fundamental musical inspirations, adding:

"When we saw the Ramones in '76, we already had short hair and we were already playing fast music like that in late 1975 in small venues and halls mostly, but the Ramones really made us decide to go for it even more. We came before the Sex Pistols and The Damned. They may have been our peers later, but we already had a set of songs in 1975 which were sort of Ramones meets Iggy Pop's Stooges influenced punk songs. Well before any of the UK bands started cloning America's punk sound and before any of the UK albums were released. I always felt we were a true garage punk band..."[3]

Denney claimed that the band's name dated from the early part of the 1970s and referred to his countercultural short hair, at a time when long hair on men was the fashion of the day.[3] "In 1974 according to some left over hippies, I looked like a lobotomy, hippies thought I was weird," Denney said. "A few months later when we formed, the rest of the band got really short cropped hair too. "We were all weird then, we were considered weirdos".[3]

By the second half of 1977, the Weirdos were able to pack clubs (eventually including the Whisky a Go Go, The Roxy and later The Masque) as a headlining band.[3] Known for their zany stage costumes and antics, the band helped shape the vigorous and experimental early Los Angeles punk scene and served as an inspiration to a crop of new bands.[3]

John Denney recalled:

"We [Los Angeles] had our own look, our own sound. It was apart from New York or London.... We were staunchly against safety pins, we tried to parody punk rock at first. We did happy faces onstage as a joke sometimes, which was the exact opposite of what New York was doing. We were just thumbing our noses at everything. Everything was a joke; punk was a joke, we were a joke. Nonetheless, we were still serious about rocking."[3]

Recordings

[edit]

The Weirdos' first release was a 7-inch EP, "Destroy All Music," released in 1977 on Greg Shaw's Bomp! Records.[3] It was followed by the 1978 single "We Got the Neutron Bomb," released on the Los Angeles punk label Dangerhouse.[3] The band later released two 12-inch EPs in 1979 and 1980.

The band were highly critical of some of their recordings and shady engineers, with John Denney characterizing the 1979–80 period as "a big botch job" marked by a series of "aborted recording sessions."[3] It was not until 1991 that a first volume of early recordings would be remixed by the band for release by Frontier Records as a compilation album, Weird World – Volume One 1977–1981.[3] More than another decade would pass before a long-planned second compilation album of early tracks would see the light of day, issued by Frontier in 2003 as We Got The Neutron Bomb – Weird World Volume Two 1977–1989.

Personnel

[edit]

The Denney brothers were the only constant members, though guitarist/bassist Cliff Roman, bassist Dave Trout and Bruce Moreland (also of Wall of Voodoo), and drummer Nickey "Beat" Alexander were relatively long-term Weirdos. Tony Malone (guitarist for Detox, Thelonious Monster, Midget Handjob) played bass in 1990 for the band when Nickey Beat was drumming.

Dix Denney died on March 12, 2023, at the age of 65.[4]

Breakup and legacy

[edit]

The Weirdos broke up in 1981. Shortly after, Dix and John Denney published the album Warhead under the project name If-Then-Else. That same year Dix, Williams (bass) and Cliff Martinez, who briefly drummed for the band played on and co-wrote Lydia Lunch's second solo album 13.13.

Martinez, went on to join the Red Hot Chili Peppers, playing on the band's first two albums. Dix Denney was also close to becoming a member of the Chili Peppers. However, after many practices with Denney, things didn't work out and he was replaced by guitarist Jack Sherman.

LA-based rock band Symbol Six stated that the Weirdos were one of their biggest formative influences, and covered "The Hideout'" which appeared on their self-titled 2013 album on Dr. Strange Records, even creating a tribute video for the song that honored the Weirdos.[5]

Reformations

[edit]

The Weirdos have reunited several times, beginning in 1990. The resulting first full-length studio album, Condor, issued that year by Frontier, was an effort to "re-establish ourselves as contemporary," according to John Denney.[2][3]

A 2004 reunion included Circle Jerks bassist Zander Schloss and the Skulls drummer Sean Antillon in the lineup.

Another reformed edition of the Weirdos, featuring the Denney brothers, Schloss and Devo drummer Jeff Friedl, appeared at the Punk Rock Bowling and Music Festival in Las Vegas on May 25, 2013,[6][7] followed by additional 2013–2014 shows in California, Denver and Austin, as well as an appearance at the Dangerhouse Records Night concert on November 29, 2014, at the Echoplex in Los Angeles.[8]

In 2016, Bruce Moreland, the bassist from the 1978 version of the Weirdos, rejoined the band.

Discography

[edit]

Studio albums

[edit]
  • Condor (1990, Frontier)
  • Live on Radio (2008, Frontier)

Singles and EPs

[edit]
  • "Destroy All Music" 7-inch EP (1977, Bomp!)
  • "We Got the Neutron Bomb" 7-inch single (1978, Dangerhouse)
  • "Skateboards to Hell" 7-inch single as Dix Denney and John Denney (1979, self-released)
  • Who? What? When? Where? Why? 12-inch EP (1979, Bomp!)
  • Action-Design 12-inch EP (1980, Rhino)
  • "Life of Crime" 7-inch single (1985, Line Records)
  • "Message from the Underworld" 7-inch single (1991, Insipid Vinyl)
  • "Do the Dance" 7-inch single (2007, Bomp!)

Compilation albums

[edit]
  • Weird World – Volume One 1977–1981 (1991, Frontier)
  • We Got The Neutron Bomb – Weird World Volume Two 1977–1989 (2003, Frontier)
  • Destroy All Music (2007, Bomp!)

Compilation appearances

[edit]
  • We're Desperate: The L.A. Scene (1976–79) (1993, Rhino) – "A Life of Crime", "We've Got The Neutron Bomb"

Footnotes

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

The Weirdos

View on Grokipedia
from Grokipedia
The Weirdos are an American band formed in , , in 1975, renowned as one of the pioneering acts in the city's early punk scene alongside groups like Black Flag and the Germs. Fronted by vocalist John Denney and featuring his brother Dix Denney on guitar, the band blended raw energy, absurdist lyrics, and influences from acts like and the to create a distinctive sound that captured the alienation and chaos of urban life. Their core lineup in the late 1970s included bassist Dave Trout (under the stage name Darryl) and a rotating cast of drummers, such as Nickey Beat and later . Emerging amid the vibrant yet volatile Hollywood punk ecosystem of the mid-1970s, the Weirdos quickly gained notoriety for their theatrical performances and striking visuals, often incorporating elements of and pop culture . They debuted with the single "Destroy All Music" in 1977 on the Bomp! label, followed by the iconic "We Got the " in 1978 on Dangerhouse Records, tracks that exemplified their sharp, anthemic style and became staples of West Coast punk compilations. Despite recording a full album, , in 1979 with producer Richard Podolor, it was released in 1990 on Frontier Records, though bootlegs circulated widely in the underground scene. The band's output during this era also included appearances on seminal compilations like Yes L.A. (1979) and The Decline of Western Civilization soundtrack (1981), solidifying their influence on subsequent hardcore and movements. The Weirdos disbanded in 1981 amid internal tensions and the shifting dynamics of the L.A. punk world, but they sporadically reunited starting in 1986, releasing the retrospective Weird World, Vol. 1 in 1991 on Frontier Records, which compiled their essential 1977–1981 material. Later efforts included Message from the Underworld (2005), along with tours in the 2000s and 2010s, including performances at festivals like Bowling. The band received formal recognition with the Best /Hardcore Band award at the 2004 L.A. Weekly Music Awards. Tragically, Dix Denney passed away in 2023, marking a poignant chapter in the group's legacy as enduring architects of American punk's raw, unfiltered spirit.

History

Formation and early years

The Weirdos were formed in 1975 in by brothers John Denney on vocals and Dix Denney on guitar, who had been experimenting with music together since their high school days in the early . Initially, the band tried out names such as The Barbies and the Luxurious Adults before settling on The Weirdos, reflecting their outsider ethos in the burgeoning Hollywood music scene. Their early sound drew heavily from 1950s rock 'n' roll and traditions, incorporating raw energy from influences like , the Who, , and the , which positioned them as a high-speed rock hybrid predating the full punk explosion. By 1976, the band solidified its lineup and began rehearsals in Hollywood studios, with bassist Dave Trout and second guitarist Cliff Roman—whom John Denney had met in high school art class—joining the Denney brothers. This period marked their transition toward punk as the Los Angeles scene emerged around underground venues like the , which opened late that year and became a hub for raw, independent acts. The catalyst for their punk evolution included exposure to the ' debut album, pushing their sound into faster, more confrontational territory amid the DIY spirit of mid-1970s Hollywood. The Weirdos made their live debut in early 1977 with a series of drummerless performances, soon recruiting Nickey "Beat" Alexander on drums to complete the core lineup of John Denney, Dix Denney, Cliff Roman, Dave Trout, and Alexander. A pivotal early show occurred on April 16, 1977, at the Orpheum Theater on Sunset Boulevard, where they headlined alongside the Zeros and the Germs' first-ever performance, solidifying their reputation for a raw, relentless style that embodied the chaotic energy of L.A.'s nascent punk movement. These initial gigs at the Orpheum and the established The Weirdos as trailblazers, drawing crowds with their driving rock assault and unpolished attitude.

1970s recordings and performances

The Weirdos released their debut EP, Destroy All Music, in 1977 on , featuring the tracks "Destroy All Music," "Life of Crime," and "Why Do You Exist?," which the band self-produced in a raw, garage-style session that captured their emerging punk sound. This limited pressing quickly became a cornerstone of the punk scene, establishing the band's reputation for aggressive, no-frills energy with limited distribution that underscored the DIY ethos of early punk releases. In 1978, they followed with the single "We Got the " backed with "" on Dangerhouse Records, a track that exemplified their sci-fi-infused lyrics and driving , further cementing their place among LA's pioneering punk acts. The band also contributed to the punk compilation aesthetic of the era, with "We Got the " appearing on later retrospectives drawing from their 1978 output. Throughout the late 1970s, The Weirdos were prolific live performers, headlining and supporting at key venues like the and , where their shows drew crowds with a chaotic, interactive intensity that blurred the line between band and audience. Performances such as their October 1977 set at the and December 1977 gig at the showcased high-energy sets blending surf-punk riffs and theatrical visuals, often escalating into frenzied mosh pits amid the growing violence of the LA punk scene. They ventured beyond LA for out-of-town gigs, including appearances in Huntington Beach and , maintaining a relentless touring schedule that highlighted their role as scene instigators through 1979. Lineup changes marked the band's evolution in 1978 and 1979, as original bassist Dave Trout departed mid-year, replaced by Bruce Moreland, while drummer Nickey "Beat" Alexander was succeeded by , reflecting the fluid personnel typical of the era's punk instability. These shifts occurred against a backdrop of increasing scene tensions, including violent incidents at shows, yet persisted with recordings like the 1979 Bomp! EP Who? What? When? Where? Why?, which included polished yet fierce tracks building on their earlier singles. By late 1979 into 1980, their activity waned with sessions yielding unreleased material, such as "Message from the Underworld" recorded at The Sound Factory and produced by , signaling the creative fatigue that led to their 1981 breakup.

1980s breakup and sporadic activity

The Weirdos' original incarnation gradually wound down in 1981, after five years of relentless activity in the punk underground, culminating in vocalist John Denney's departure amid deep frustration with the record industry's repeated rejections of the band. This sense of being overlooked, despite their foundational contributions to the scene, contributed to a burnout that ended their initial run, with a brief, unsuccessful attempt at reunion six months later. In the wake of the split, Denney channeled his energies into solo pursuits, self-releasing an instrumental album in 1981 alongside his brother Dix Denney. Recorded at their mother's house on a rudimentary four-track setup, the featured unconventional percussion sourced from household items like a and dryer, and was pressed in a limited run of about 2,000 copies without any vocals. The 1980s saw no new official output from the Weirdos, as their final release prior to the breakup—the 1980 EP Action Design—remained their most recent studio effort until the 1990s. Nonetheless, fan-recorded bootlegs of their explosive live sets from the late 1970s and early began circulating within punk circles, preserving their raw energy and fueling ongoing archival fascination among enthusiasts. Sporadic engagements dotted the decade, including contributions from guitarist Dix Denney, bassist Willy Williams, and drummer to Lydia Lunch's 1982 album 13.13, signaling lingering connections in the milieu. The band proper reconvened in 1986 for a pair of triumphant shows, including a February 22 performance at the Stardust Ballroom, which drew strong crowds and hinted at unresolved creative sparks amid the hiatus.

Reformations from 1986 onward

The Weirdos reformed in February 1986 with a performance at the Stardust Ballroom in Hollywood, marking the start of sporadic activity after their 1981 breakup. During the 1986–1992 period, the lineup featured bassist Bruce Moreland and drummer Cliff Martinez alongside founding members John Denney on vocals and Dix Denney on guitar. This reformation culminated in the recording of their debut full-length studio album, Condor, at Cherokee Studios in Los Angeles during summer and fall 1989, which was released in 1990 on Frontier Records. The album included tracks like "Shining Silver Light" and "Something's Moving," showcasing a blend of their classic punk energy with more mature production. To support Condor, the band embarked on a 30-city U.S. tour in 1990, performing at venues such as the Carnaval Club in Santa Barbara. After a period of inactivity, the Weirdos reunited in 2004 for a tour, featuring bassist from the Circle Jerks and drummer Sean Antillon from the Skulls. Live recordings from this era were compiled and released as the album Live on Radio in 2005 on Frontier Records, capturing the band's raw stage presence. The band resumed activity in 2013 with a performance at the Bowling and Music Festival in , following a seven-year hiatus. Subsequent shows in 2016 featured original members John Denney, Dix Denney, and Cliff Roman, with Bruce Moreland returning on bass; these marked the last confirmed live appearances before a decline in activity. On March 12, 2023, guitarist and co-founder Dix Denney died at age 65 from health complications after years of illness. His passing drew tributes from peers, including Red Hot Chili Peppers bassist , who described Denney as an exceptional artist and friend. With no reported performances or releases in 2024 or 2025, Denney's death effectively ended the band's reformations.

Musical style and influence

Punk aesthetics and sound

The Weirdos' sound epitomized the raw, minimalist ethos of 1970s punk rock, characterized by short, fast-paced songs built around distorted guitars, aggressive yet melodic vocals, and simple three-chord progressions that emphasized urgency and energy over technical complexity. Tracks like "We Got the Neutron Bomb" exemplify this approach, featuring a tight verse-chorus structure clocking in under two minutes, with trebly, high-pitched guitars creating a wall of distortion that drives themes of alienation and absurdity. Their music often incorporated sci-fi-tinged surf-spy elements and minor-key sequences, blending midtempo rhythms with occasional bursts of speed, resulting in a buzzsaw-like intensity that drew from influences such as the Ramones and Iggy Pop while maintaining a distinctly melodic punk edge. In terms of production, favored lo-fi techniques that prioritized live and feedback over polished studio finesse, particularly in their early recordings, where muffled drums and phaser effects on guitars amplified the chaotic, DIY spirit of punk. Later works occasionally adopted a slicker sheen, but the core remained unrefined, with vocal delivery shifting between shouting and tuneful singing to convey horror-inspired narratives of warfare, , and youthful alienation. This approach highlighted conceptual , such as futuristic dystopias and pop critiques, setting their nihilistic anthems apart through a balance of aggression and catchiness. Visually, the Weirdos embodied punk's DIY with a theatrical twist, sporting deconstructed thrift-store attire in day-glow colors, self-designed clothing, and wacky, abstract rockabilly-inspired outfits that evoked horror and sci-fi imagery. Stage antics amplified this aesthetic, including mock violence and energetic performances in furry costumes, creating an overwhelming, immersive spectacle that pushed punk's boundaries into the absurd and visually extreme. Compared to contemporaries, their style was more theatrical and art-punk oriented than the chaotic rawness of the Germs, while less overtly political than X, aligning closer to the sardonic power-pop flair of English punk acts like the Damned.

Impact on LA punk and legacy

The Weirdos played a pivotal role in pioneering the Los Angeles scene, forming in 1975 as one of the earliest bands to embody the genre's raw, rebellious spirit. They were among the first acts to perform at the , the iconic Hollywood club that opened in 1977 and served as the epicenter of the nascent LA punk movement. Alongside contemporaries like , the Weirdos helped define the Hollywood punk aesthetic through their high-energy performances and unpolished sound, establishing a blueprint for the DIY ethos that fueled the scene's explosive growth. The band's influence reverberated through subsequent generations of punk acts, inspiring key figures in the genre's evolution. , frontman of the , credited the Weirdos' forceful presence in 1975–1976 as a primary catalyst for his entry into . Similarly, the McDonald brothers of Red Kross drew from the early LA punk milieu exemplified by the Weirdos, incorporating elements of their irreverent style into their own power-pop-infused sound. Their seminal tracks, notably "We Got the Neutron Bomb," have been covered by later bands such as Quincy Punx and featured on influential punk compilations, ensuring the Weirdos' songs remained touchstones for hardcore and practitioners. The Weirdos' enduring cultural legacy stems from their central place in punk historiography, where they are frequently discussed in oral histories and documentaries chronicling the LA scene's origins. Archival releases in the 1990s and 2000s, including the 1990 album Condor—a marker of their sporadic revival—and the 2007 compilation Destroy All Music, unearthed unreleased demos and live recordings, significantly boosting their recognition among younger audiences. These efforts, alongside references in books like We Got the Neutron Bomb: The Untold Story of L.A. Punk (2001), underscored the band's foundational contributions to punk's raw authenticity. The passing of co-founding guitarist Dix Denney on March 10, 2023, at age 65, reignited interest in the Weirdos' legacy, prompting tributes and retrospectives across punk media that emphasized their unfiltered intensity and influence on subsequent oral histories of the genre. Figures like bassist mourned Denney as an "exceptional artist," highlighting the Weirdos' role in shaping punk's outsider ethos. These reflections reinforced the band's status as unsung architects of LA punk, whose authenticity continues to resonate in contemporary discussions of the movement's history.

Band members

Core and founding members

The core and founding members of The Weirdos were brothers John Denney and Dix Denney, who established the band in in 1975 as a raw expression of their rock influences, drawing from surf and traditions amid the emerging punk scene. John Denney served as the band's lead vocalist from its formation through the initial active period until and remained the constant frontman in all subsequent reunions. His distinctive snarling vocal delivery and lyrical contributions defined the Weirdos' intense, confrontational style, often prowling the stage to emphasize the songs' urgency. Following the band's early breakup, Denney pursued a solo career, releasing a self-titled album in that featured home-recorded tracks co-produced with his brother , utilizing unconventional percussion from household appliances. Dix Denney co-founded the band and played during its original run from 1975 to 1981, as well as in key reunions from 1986 to 1992 and 2004 to 2016, providing the riff-driven backbone that anchored the group's energetic sound. After the 1980s, he relocated to New Orleans, where he continued creative endeavors including music and visual art. Dix Denney died on March 10, 2023, at age 65.

Additional and touring members

The Weirdos employed various additional and touring members across their lineups, particularly during periods of lineup changes and reunions, with bassists and drummers filling key roles in live performances and recordings. Cliff Roman contributed on guitar and bass from 1976 to 1977, participating in the band's early shows and initial punk scene activities in . Dave Trout handled bass duties from 1978 to 1981, supporting the group's transition into more structured recordings and performances during the late punk era. Bruce Moreland, known for co-founding and playing bass in , joined as bassist for the 1986–1992 reformation period and returned for touring from 2013 to 2016, bringing his experience from the scene to the band's sporadic activities. Nickey "Beat" Alexander served as drummer from 1976 to 1977, providing the rhythmic foundation for the band's formative live sets. Cliff Martinez played drums in the late 1970s. Tony Gomis played drums from 1978 to 1979, contributing to the group's evolving sound amid the vibrant LA punk environment. Danny Benair, also the drummer for , participated in the 1980s reunions, aiding in revival performances that kept the band's presence alive. Zander Schloss, known from , joined as bassist for the 2004 reunion. Brief contributors included bassist Greg Williams, who filled in during select engagements. Following the 2016 touring stint, the band has maintained no permanent lineup, operating on an ad hoc basis for occasional appearances.

Discography

Studio albums

The Weirdos' sole full-length studio album, , was released in 1990 by Frontier Records. Recorded at Cherokee Studios in during the summer and fall of 1989, the album features 10 tracks and marks the band's first and only proper studio LP, produced during their 1986–1992 reunion period. The lineup included founding members John Denney on vocals and guitar, Dix Denney on guitar, and Cliff Roman on drums, alongside Ira Ingber on guitar and on bass. Condor showcases a matured evolution of the band's punk sound, blending high-energy rockers with slower, atmospheric ballads, reflecting influences from their early days while incorporating more diverse songwriting and production polish under producers Cliff Roman, Dix Denney, and John Denney. Standout tracks include the driving "Cyclops Helicopter," the brooding "," and the anthemic opener "Shining Silver Light," highlighting the album's mix of aggression and melody. The record was issued on vinyl, cassette, and CD formats, capturing the band's renewed energy post-reunion without relying on live material.

Live albums and EPs

The Weirdos' live albums preserve the band's ferocious stage presence from different eras of their career, while their EPs represent key early outputs that bridged singles and full-length recordings. These releases, drawn from archival tapes and radio sessions, emphasize the group's unpolished, high-octane punk delivery without the polish of studio productions. The band's primary live , Live on Radio, was issued in as a web-only release by Frontier Records. It documents a complete 10-track set from their July 22, 2004, appearance on the Pat Duncan Show at radio in , featuring the lineup of John Denney on vocals, Dix Denney on guitar, on bass, and Sean Antillon on drums. The recording captures the Weirdos' signature chaotic energy, with tracks like "We Got the " and "Destroy All Music" performed in a raw, immediate style that echoes their 1970s roots. In 2023, Alive Naturalsound Records released Live! At The Club Azteca 1978, the first official documentation of one of the band's seminal early performances. Recorded on October 14, 1978, at the Club Azteca in Socorro, , the album presents the full set from the original lineup—including John Denney, Dix Denney, on drums, and Mike Lazzara on bass—in its entirety, highlighting visceral renditions of songs like "" and "We Got the ." Accompanied by photos from photographer Nissen taken that night, the release underscores the Weirdos' role in the late-1970s punk explosion. The Weirdos issued three notable EPs during their initial active period, each compiling potent, concise bursts of their sound. The self-titled debut EP Destroy All Music appeared in 1977 on , featuring four tracks—"Destroy All Music," "We Got the ," "Life of Crime," and "Why Do You Exist?"—recorded in a single session that exemplified their aggressive, no-frills punk ethos. An expanded edition followed in 2007 on the same label, adding bonus tracks and rarities to contextualize the original's impact. The 1980 Action-Design E.P. on Rhino Records included four songs such as "Helium Bar" and "Big Shot," blending the band's manic rhythms with slightly more experimental edges during a transitional phase. Finally, the 1979 Who? What? When? Where? Why? mini-LP on delivered six tracks, including "Happy People," marking a key output from their pre-breakup era.

Singles

The Weirdos' original 7-inch singles from the 1970s were pivotal releases in the punk scene, showcasing their aggressive, minimalist sound and DIY ethos. These limited-edition vinyl records, produced in small runs typical of independent labels at the time, emphasized short, high-energy tracks that influenced subsequent punk bands with their raw production and themes of alienation and destruction. The singles were self-designed, with artwork by vocalist John Denney, reflecting the band's complete control over their visual identity.
TitleYearLabelA-SideB-SideNotes
Destroy All Music1977Destroy All MusicA Life of Crime / Why Do You Exist?7" EP pressed on styrene in a limited run of approximately 1,000 copies; picture sleeve with artwork by John Denney; debut release recorded shortly after formation.
We Got the Neutron Bomb1978Dangerhouse RecordsWe Got the Neutron Bomb7" single limited to around 1,000 copies; iconic track highlighting the band's apocalyptic punk style; artwork by John Denney.
Life of Crime1985Line RecordsLife of Crime[instrumental]7" single released during sporadic activity post-breakup.
Message from the Underworld / Teenage1991Insipid VinylMessage from the UnderworldTeenage7" single from reunion era.
Do the Dance2007Do the Dance[b-side details unavailable]7" single from later activity.
These releases preceded the band's 1979 breakup and were followed by additional singles during reunions starting in 1986. Later reissues include a 2007 vinyl edition of the debut EP by , which preserved the original tracks and artwork for renewed accessibility.

Compilation appearances

The Weirdos contributed tracks to numerous punk compilation albums, aiding in the preservation and broader dissemination of their early recordings within the punk scene. Over the course of their career, they appeared on more than 19 various artists compilations from 1977 to 2023, which collectively boosted their archival legacy by introducing their raw, sci-fi-inflected sound to successive generations of listeners. Key band-specific compilations include Weird World, Vol. 1 (1991, Frontier Records), compiling essential 1977–1981 material, and We Got the : Weird World, Vol. 2 (2001, Frontier Records), covering 1977–1989 recordings. A pivotal early appearance came on the 1979 Dangerhouse Records EP Yes L.A., a single-sided compilation responding to New York's and featuring standout LA punk acts; the Weirdos provided "We Got the ," originally from their 1978 single. The band's "" (from their 1978 single) was included on the 1991 retrospective Dangerhouse Volume One, which collected influential singles from the short-lived but seminal LA label, alongside acts like the Bags, , and . In 2003, Rhino Records' four-disc No Thanks! The '70s Punk Rebellion—a 100-track overview of the global punk explosion—featured the Weirdos' "We Got the " on disc three, emphasizing their role in the American punk vanguard. Additional appearances on compilations such as DIY: Punk, , and New Wave 1976-1983 (1992, Rhino Records), which highlighted underground DIY recordings, and Punk 45: Chaos in the City of Angels and Devils – Hollywood from X to Z (2016, Records), a double-LP focusing on 1970s-1980s LA punk, further illustrated their foundational influence without relying on full-length releases.

References

  1. https://www.allmusic.com/artist/the-weirdos-mn0000490141
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  21. https://open.spotify.com/artist/2XRBA6Nc5WTh9cTcvnqOge
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  34. https://lareviewofbooks.org/article/hollywoods-punks
  35. https://rockbarlegends.com/bars/the-masque-hollywood
  36. https://www.dailynews.com/arts-and-entertainment/20160929/this-is-what-la-punk-rock-was-all-about/
  37. https://razorcake.org/la-punks-first-wave-oral-history-alice-bag/
  38. https://www.rollingstone.com/music/music-features/descendents-punk-band-interview-9th-and-walnut-1159835/
  39. https://rockcellarmagazine.com/redd-kross-born-innocent-documentary-interview-director-andrew-reich/
  40. https://www.youtube.com/watch?v=V2M-qDNc0sM
  41. https://jimruland.substack.com/p/origin-stories
  42. https://lydianspin.libsyn.com/episode-195-john
  43. https://cvindependent.com/2013/12/the-weirdos-are-on-again-the-punk-legends-are-back-on-tour-and-heading-to-pappy-and-harriet-s/
  44. https://frontierrecords-weirdos.bandcamp.com/album/condor
  45. https://www.allmusic.com/album/condor-mw0000308809
  46. https://genius.com/albums/The-weirdos/Condor
  47. https://www.discogs.com/release/2902083-Weirdos-Condor
  48. https://frontierrecords-weirdos.bandcamp.com/album/live-on-radio
  49. https://rateyourmusic.com/release/album/the-weirdos/live-on-radio.p/
  50. https://www.alive-records.com/artist/the-weirdos/
  51. https://www.discogs.com/master/3429824-The-Weirdos-Live-At-The-Club-Azteca-1978
  52. https://www.discogs.com/release/1146394-The-Weirdos-Destroy-All-Music
  53. https://www.discogs.com/release/1012770-Weirdos-Who-What-When-Where-Why
  54. https://www.discogs.com/master/310850-Weirdos-We-Got-The-Neutron-Bomb
  55. https://www.discogs.com/release/2485831-The-Weirdos-Life-Of-Crime
  56. https://www.discogs.com/release/5712792-The-Weirdos-Destroy-All-Music
  57. https://recordcollectorsoftheworldunite.com/artist/weirdos-the/
  58. https://www.discogs.com/release/1242905-The-Weirdos-Weird-World-Volume-One-1977-1981
  59. https://www.discogs.com/master/571173-Various-Yes-LA
  60. https://www.discogs.com/master/50374-Various-Dangerhouse-Volume-One
  61. https://www.discogs.com/release/384475-Various-No-Thanks-The-70s-Punk-Rebellion
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