Popeye

Popeye the Sailor Man is a cartoon character created by Elzie Crisler Segar, first appearing on January 17, 1929, in the daily King Features comic strip Thimble Theatre. The strip was in its tenth year when Popeye made his debut, but the one-eyed sailor quickly became the lead character, and Thimble Theatre became one of King Features' most popular properties during the early 1930s. Popeye became the suitor of longtime Thimble Theatre star Olive Oyl, and Segar introduced new supporting characters such as adopted son Swee'Pea and friend J. Wellington Wimpy, as well as foes like the Sea Hag and Bluto.

Following Segar's death in 1938, Thimble Theatre (later renamed Popeye) was continued by several writers and artists, most notably Segar's assistant Bud Sagendorf. The strip continues to appear in first-run installments on Sundays, written and drawn by R. K. Milholland. The daily strips are reprints of old Sagendorf stories. In 1933, Max Fleischer adapted the Thimble Theatre characters into a series of Popeye the Sailor theatrical cartoon shorts for Paramount Pictures. These cartoons proved to be among the most popular of the 1930s, and Fleischer Studios, which later became Paramount's own Famous Studios, continued production through 1957. Cartoons produced during World War II included Allied propaganda, as was common among cartoons of the time. These cartoon shorts are now owned by Turner Entertainment and distributed by its sister company Warner Bros.

Over the years, Popeye has also appeared in comic books, television cartoons, video games, hundreds of advertisements, peripheral products ranging from spinach to candy cigarettes, and the 1980 live-action film directed by Robert Altman and starring Robin Williams as Popeye. In 2002, TV Guide ranked Popeye number 20 on its "50 Greatest Cartoon Characters of All Time" list. Charles M. Schulz said, "I think Popeye was a perfect comic strip, consistent in drawing and humor."

The person believed to have inspired Popeye was Polish-born Frank "Rocky" Fiegel, a tough laborer from Chester, Illinois, who was always getting in fights. It was believed he could have been a professional boxer. However, he also gave out candy and treats to children, including E.C. Segar, who remembered Fiegel when he created Popeye. Fiegel was described as "just like the fictional spinach-loving mariner ... a one-eyed, pipe-smoking curmudgeon with a jutting chin."

Popeye's story and characterization vary depending on the medium. In his debut storyline, Popeye's superhumanly proportioned strength and endurance stemmed from the "luck" he acquired by rubbing the feathers of the head of Bernice, a "whiffle hen", thus enabling him to survive fifteen gunshot wounds. By the end of 1929, however, Popeye's strength had become a regular fixture of his character, with spinach, by 1932, becoming the primary repository of his prowess. In Segar's comic strip, Popeye's superhuman strength and near-invulnerabilty were permanent: only on some occasions would he need to eat additional spinach to boost his strength. It was Fleischer Studios' cartoon series that made Popeye eat a can of spinach whenever he needed to increase his strength to superhuman levels. Swee'Pea is Popeye's ward in the comic strips, but his custody is inconsistent in cartoons.

There is no absolute sense of continuity in the stories, although certain plot and presentation elements remain mostly constant, including purposeful contradictions in Popeye's capabilities. Popeye seems bereft of manners and uneducated, yet he often comes up with solutions to problems that seem insurmountable to the police or the scientific community. He has displayed Sherlock Holmes-like investigative prowess, scientific ingenuity, and successful diplomatic arguments. Over time, the character has evolved, with the use of tobacco notably reduced in modern depictions. In the animated cartoons his pipe also proves to be highly versatile. Among other things, it has served as a cutting torch, jet engine, propeller, periscope, musical instrument, and a whistle with which he produces his trademark toot. He also eats spinach through his pipe, sometimes sucking in the can along with the contents. Since the 1970s, Popeye is seldom depicted using his pipe to smoke tobacco.

Popeye's exploits are also enhanced by a few recurring plot elements. The cartoons introduced the love triangle between Popeye, Olive Oyl, and Bluto (sometimes called Brutus), and Bluto's endless machinations to claim Olive at Popeye's expense. Another plot element is Popeye's near-saintly perseverance in overcoming any obstacle to please Olive.

Segar's Thimble Theatre debuted in the New York Journal on December 19, 1919. The paper's owner, William Randolph Hearst, also owned King Features Syndicate, which syndicated the strip. Thimble Theatre was intended as one of several Hearst-commissioned replacements for Midget Movies by Ed Wheelan (Wheelan having recently resigned from King Features). While initially failing to attract a large audience, the strip nonetheless increasingly accumulated a modest following as the 1920s continued. At the end of its first decade, the strip resultantly appeared in over a dozen newspapers and had acquired a corresponding Sunday strip (which had debuted on January 25, 1925, within the Hearst-owned New York American paper).