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Tim Chandler
Tim Chandler
Tim Chandler
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Tim Chandler (February 3, 1960 – October 8, 2018)[1] was an American bass guitar player, best known for his work with the rock bands Daniel Amos, The Swirling Eddies (credited as Berger Roy Al), and The Choir. Chandler was also a session musician in the Los Angeles and Nashville circuit, recording and touring for artists such as Randy Stonehill, Tonio K, Isaac Air Freight, Mike Stand, Phil Keaggy, Chuck Girard, Pierce Pettis, Tom Howard, John Austin, Lost Dogs, Fernando Ortega, and Riki Michele.

In 2000, when Daniel Amos was recording its Mr. Buechner's Dream album, Chandler and a few friends decided to make a documentary of the making of the album. That footage, which showed the band rehearsing and recording songs for the album, was later edited together and released on the DVD, The Making of Mr. Buechner's Dream.[2]

Chandler died on October 8, 2018, aged 58, of natural causes.[3]

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Tim Chandler

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Tim Chandler was an American bass guitarist and songwriter best known for his work with influential rock bands in the Christian and alternative music scenes, including Daniel Amos, The Choir, and The Swirling Eddies. His distinctive playing style and collaborations helped shape the sound of alternative Christian rock during the 1980s and beyond. Born on February 3, 1960, Chandler joined Daniel Amos in 1983 during a pivotal period when the band transitioned to more experimental and alternative sounds, contributing to albums that gained critical recognition within the genre. He also played with The Choir and was a member of The Swirling Eddies, showcasing his versatility across various projects. A Dove Award winner, Chandler's career was marked by his dedication to creative and often unconventional music within the Christian rock community until his death on October 8, 2018, at age 58. His contributions continue to be celebrated by fans and fellow musicians in the alternative rock sphere.

Early life

Early years

Tim Chandler was born on February 3, 1960, in the United States. Limited verified information exists about his childhood, family background, education, or pre-professional activities, with available sources such as biographical profiles and artist archives providing no detailed accounts of his early years prior to the 1980s.

Music career

Daniel Amos

Tim Chandler joined Daniel Amos as bassist in 1983, replacing Marty Dieckmeyer, and remained a core member of the band until his death in 2018. His long tenure made him integral to the group's evolution from the ¡Alarma! Chronicles period onward, anchoring their shift toward more experimental new wave and alternative rock sounds. He contributed bass guitar to all major Daniel Amos albums beginning with Doppelgänger (1983), including the remaining ¡Alarma! Chronicles releases, as well as later works such as Mr. Buechner's Dream (2001) and Dig Here Said the Angel (2013). In addition to his primary role on bass, Chandler occasionally played guitar and provided background vocals on these recordings, helping shape the band's layered arrangements. Chandler's bass playing stood out for its innovative approach, featuring lead-like countermelodies and adventurous, "dangerous" lines that often drove the melodic and rhythmic complexity of tracks, particularly evident on albums like Darn Floor - Big Bite (1987). His style complemented the band's artistic ambitions, adding dynamic energy and technical flair to their catalog over decades.

The Choir

Tim Chandler was the longtime bassist for the alternative rock band The Choir. He first joined in 1985, contributing to albums including Shades of Grey (1986), Diamonds and Rain (1986), and Chase the Kangaroo (1988), then returned in 1993 and remained a core member until his death in 2018. His innovative and prominent bass work became a defining element of the band's sound, particularly on their 1996 album Free Flying Soul, where his playing was highlighted on several tracks. On "Salamander," his bass essentially served as the lead instrument, while on "If You're Listening," he contributed an atonal rumble that underpinned the chiming guitars. Free Flying Soul earned the band the GMA Dove Award for Alternative/Modern Rock Album of the Year, and The Choir received a Grammy nomination for Best Rock Gospel Album for a subsequent release. In a tribute from the band following his passing, Chandler was remembered as "the badassedest bass player that ever lived," reflecting his bandmates' high regard for his skill and impact. Chandler also appeared as himself in the 1996 music video for the Free Flying Soul track "Sled Dog."

Other bands and collaborations

Tim Chandler was the bassist for the Swirling Eddies, a humorous offshoot project formed by Daniel Amos members and associates. The band's album Zoom Daddy was particularly identified as "Tim’s record," with his distinctive bass playing directly inspiring many of the lyrics and conceptual elements. Chandler served as the de facto regular bassist for the Lost Dogs, a supergroup featuring Christian rock veterans, where he contributed to multiple albums and is notably associated with the track “Sweet Work of Love.” Beyond these projects, he performed extensive session and touring work with a range of artists including Phil Keaggy, Randy Stonehill, Tonio K., Chuck Girard, Tom Howard, Pierce Pettis, and Fernando Ortega. Chandler also appeared under the alter-ego Berger Roy Al in various humorous online posts and performance settings, adding a playful dimension to his public persona within the Christian music community.

Film and video work

Tim Chandler contributed to several video productions tied to his work with Daniel Amos and The Choir, including composing, co-directing, writing, producing, cinematography, and on-camera appearances as himself. These remain limited to music documentation, live releases, and band-related projects with no involvement in unrelated narrative films or television. Chandler composed music for three Daniel Amos-associated video releases: Daniel Amos: Live in Anaheim 1985 (2003 Video), documenting a 1985 performance; The Making of 'Mr. Buechner's Dream' (2005 Video), chronicling the recording of the album Mr. Buechner's Dream; and Instruction Through Film (2007 Video), a collection of band rarities and footage. For The Making of 'Mr. Buechner's Dream' (2005 Video), Chandler co-directed, wrote, served as cinematographer, composed music, and appeared as himself. For Instruction Through Film (2007 Video), he also produced and appeared as himself in addition to composing. He appeared as himself in the music video for The Choir's "Sled Dog" (1996). These roles highlight his behind-the-scenes and occasional on-camera contributions to visual media for his primary bands.

Personal life

Family and personality

Tim Chandler resided in Nashville, Tennessee. He had two children, Max and Charlotte Chandler. He was remembered for his wickedly funny personality, marked by witty remarks, charm, and irrepressible humor. He was described as a brilliant artist who was passionate and engaging, known for his storytelling, dry humor, and active interaction with fans online. His sense of humor occasionally found expression through his alter-ego Berger Roy Al.

Death and legacy

Passing and tributes

Tim Chandler died on October 8, 2018, at the age of 58. His health had been declining recently, and he passed peacefully of natural causes. The Choir issued a statement expressing profound grief over the loss of their bandmate and brother, describing him as a treasured friend, a passionate lover, a brilliant artist, a wickedly funny man, and "the badassedest bass player that ever lived." They noted that they and many dear friends and loved ones were devastated by his passing. Terry Taylor of Daniel Amos shared a personal tribute, calling Chandler his dear friend and champion who had always had his back, and declaring that Chandler would always be remembered as the heart and soul of Daniel Amos for his humor, tender-hearted kindness, unwavering devotion, and artistic skill. MusicTAP staff reflected on Chandler's legacy in an in-memoriam piece, with contributors praising him as one of the greatest rock bassists, a musical genius who left an indelible mark, a unique and singular musical voice whose playing was "musically dangerous," and one of the few musicians whose bass lines mattered profoundly to the songs. They highlighted his irreplaceable contributions, innovative approach to bass, and irrepressible humor that endeared him to fans and peers alike.
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